@VideoArtZ

@VideoArtZ has been a member of Linktree for 4 years and joined in November 2021. The social media accounts linked to from @VideoArtZ are: • Facebook • Instagram • LinkedIn • Email • X Besides social media accounts, videoartz has populated their site with: • HARD FEELINGS x GUCCI COSMOS • Overshare Video Festival: A 'chaos menu' of free art in the CBD • SEPTA reopens its underground oculus, for daydreaming • Video artist to display 50 years of work in Bath • Video art, once a thriving medium, fades to black • Nam June Paik Art Center to be led by new director Park Nam-hee • Immersive, digital art shows to enjoy during extended holiday • BRIC Announces BRIClab 2023–2024 Artists-in-Residence • Beijing Artist Wins Major Moving Image Commission • CalArts Mourns Death of Longtime Film/Video Faculty Bérénice Reynaud • Nancy Buchanan’s California Stories | Magazine | MoMA • Paul Pfeiffer | Retrospective exhibition at MOCA • National Gallery Singapore's 'See Me, See You' explores Southeast Asian video art • Two years after the historic Beeple Sale, what happened... • Enter the glitchy world of Alex T. Jacobs' video art • An Entire Building as an Art Project • Gabriel Massan and Collaborators Reimagine Society's Past, Present and Future via Web3 • Can You Sea Change? Multisensory installation from artist Natasha Tomchin • A Rising Demand For Video Art Redefines The Gallery Business • From a New Mythological Play Using A.I. to Edvard Munch's Berlin Story • This Miami art museum is launching its own streaming service • Shinsegae Duty Free and Nam June Paik Art Centre team up for ‘V Groove!’ exhibition • A chat with 'The Vidiot’: Jesse Chard discusses his televisual arts practice • “Accidents Are Beautiful”: A New Documentary Traces the Father of Video Art • Latin American artists’ new media artwork • Digital Media Video Art Installations Set to Premiere • I am a nomad, I am always looking for new challenges. • Female Filmmakers in Focus: Jennifer Reeder on Perpetrator • Nalini Malani: My Reality is Different • Digital Media Video Art Installations • Harmony Korine on Making Psychedelic ‘AGGRO DR1FT’ With Travis Scott: “Vibe Is Almost Everything” • ‘It became a nightmare’: artist Christian Marclay on global smash The Clock – and his new work Doors • The latest canvas for Refik Anadol's AI-generated art? The new Sphere in Las Vegas • Video Artists Set the American Experience to Music • Casey Reas and Art After the Crypto Crash • Musical Thinking: New Video Art and Sonic Strategies • El Gouna Film Festival Spotlights Sudan’s Enduring Cinematic Legacy • Doug Aitken Plays Out in Princeton, and Other News • 'Jessie Kleemann: Running Time' • Moving Image Commission 2023 • SAVE lab’s ethereal performance installation captures menthol crystallization on human skin • An artist clocks in on a visual concept of time • Video Art Exhibition at Winzavod Is Truly 'Based on Real Events' • Han Nefkens Foundation announces a new initiative • ‘Bruce Nauman: His Mark’ Review • Sir Isaac Julien's exhibition 'What Freedom is to Me' to end August 20th • When airports meet contemporary Korean art • Julia Stoschek Foundation Presents DOUBLE FEATURE: YOUNG-JUN TAK • Josh Kline’s Survey at the Whitney Museum Presents a Future Shaped by Technology and Climate Change • The Julia Stoschek Foundation presents a group exhibition • 'The Saga' light show in downtown San Antonio dark due to technical difficulties • Organic Flux is a mesmerizing video by Dirk Koy | Boing Boing • AI Won’t Just Replace TV and Movie Writers—It Will Make Pop Culture a Nightmare • The Disturbing World of AI-Generated Culture • The Intersection of Digital Art and Modern Architecture: Transforming Urban Landscapes • Video Art by Women of Color: American Gurl Wakes Up from the American Dream • P. Staff and Francis Whorrall-Campbell • Video Art in an Era of Tokenization • Video art venue Frameless launches adults-only Late nights • The art of Ari Dykier: vintage vignettes for the digital age • Juliana Halpert on Martine Syms • Luminex 3.0 Partners With LACMA Art + Technology Lab to Unveil New Public Art • Selected Shorts - Curated by Womxn in Windows • Dispatch from the 2023 Currents New Media Festival • Iran’s video art producer wins at Berlin International Art Film Festival • Accessible Arts: ArtScreen applications open for 2023 • Yuge Zhou Expands Series with Video Art • Artist Nalini Malani wins $700,000 Kyoto Prize for arts and philosophy • The crossed 'signals' of MoMA's largest ever video show • All about... videotape • Yuan Goang-ming Will Represent Taiwan in Venice, 2024 • Hard Choices: Do You Actually Like Video Art? • The Crossed ‘Signals’ of MoMA’s Largest Ever Video Show • The First Ever Denver Month of Video - 303 Magazine • Yuan Goang-Ming to Represent Taiwan at Venice Biennale 2024 • Illusionaries, an immersive video art installation comes to Canary Wharf • The Five Most Essential Books About Video Art • history as hypnosis: A Dialogue • MMCA Performing Arts 2023: Meditation on YouTube • Exhibition explores the intersection of video and music by today's leading contemporary artists • Nalini Malani wins 2023 Kyoto Prize in Art and Philosophy • Performance Art, Part 2: 1950s to the Present • Fusing contemporary art and cinema • Hong Kong-based art collector puts his 200 films by 92 artists online • Life Is More Important Than Art review – banality turns into poetry • “Musical Thinking: New Video Art and Sonic Strategies” • The inaugural Denver Month of Video, a celebration of moving pictures, kicks off in July • Post-internet artist Hito Steyerl on refusing honours, buying her work back – and fighting big tech • Luminex 3.0 Returns October 7-8, 2023 • An Artist Said a Hungarian Biennial Pushed Him to Alter a Work That Took Aim at the Country’s Prime Minister • Is there a market for video art? • Poems for Broken Screens • MOV Premiere Screening Local Accomplices | Denver Art Museum • CAULDRON INTERNATIONAL FILM AND VIDEO FESTIVAL • Luma Westbau – Arthur Jafa - • Review: Julia Wolfe’s ‘unEarth’ Is Crowded Out by Multimedia • Haifa artworks can be seen on the way to work (or school) • 25 Pathbreaking Asian American Artists Whose Names You Need to Know • Carolyn Lazard’s Dance for Camera • Mirela Baciak appointed director • Dara Birnbaum: Screening and Discussion w/Artist • Kenneth Anger: a life in pictures • Kenneth Anger, taboo-busting filmmaker, 1927–2023 • Kenneth Anger Dies: Groundbreaking Experimental Filmmaker And ‘Hollywood Babylon’ Author Was 96 • Video art installation illuminates Peckham Rye station’s hidden Victorian waiting room • 'It’s very likely you won’t be electrocuted’: On Charlotte Moorman and Nam June Paik’s ‘TV Bra’ • Best AI Project Award went to Gioula Papadopoulou • Nam June Paik: Moon Is the Oldest TV review – enjoyable documentary about the video artist • The Rogue Signals of Half a Century of Video Art • Nam June Paik: Moon Is the Oldest TV review – the adventures of a multimedia maverick • ‘Nam June Paik: Moon Is the Oldest TV’ Review: Artist on the Edge • The strange world of early video art • Ilya Fedotov-Fedorov Interviewed • Nam June Paik Art Center shows video art pioneer's early work at 'Something Like an Appleseed' • Immersive Art Exhibitions: Spellbinding, or Forgettable? • Isaac Julien: What Freedom is to Me, Tate Britain review • House of Reasoned Truths: Recent Video Art from Africa curated by Kisito Assangni • Montreal art exhibit features Indian powerhouse, 77-year-old Nalini Malani • "Nam June Paik: Moon Is the Oldest TV" -- An Artist Who Humanized Technology • National Gallery Singapore recreates five works by SEA artists in first regional video art exhibition • Who is Dara Birnbaum, artist of video as an act of rebellion • WSU Schnitzer Museum begins ‘What Was Always Yours and Never Lost’ exhibit May 16 - WSU Insider • First Exhibition to Conceptualize AI Prompts as Art, MetaCher Solo Exhibition in NYC • Serendipity + Imagination • Dara Birnbaum’s 1990 installation Tiananmen Square: Break-In Transmission • “Signals: How Video Transformed the World” • Sixty years of evolution and revolution in video • Something like an Appleseed • The Chilliest Mystique | Jed Perl • Airport installation criticizing San Diego's hyper-militarization was wrongly censored • Discovering Riccardo Malleo • Video Art Nights • Nalini Malani: Crossing Boundaries • Isaac Julien: What Freedom Is To Me • Tra Bouscaren prepares to 'fight fire with fire' at GU • CAA Signs Photographer/NFT Artist Maggie West • Documentary vividly depicting Paik Nam-june’s life is screened • Asia Pacific Video by QAGOMA • Pepón Osorio has exhibition at The New Museum • Dara Birnbaum Exhibition At Fondazione Prada • Downtown in Bloom brings illuminated art to East Town for Gallery Night weekend • Ksawery Kirklewski's multifaceted practice • Nam June Paik still tells the TV future • Rebecca Ross, Outer Space • Dupont Underground teams with Swedish Embassy for art exhibit • Beyond Afrofuturism with Artist Cauleen Smith • Retracing Nam June Paik's vision of video art • Red, White, Yellow, and Black: 1972–73 • 18th Berwick Film & Media Arts Festival • How Nam June Paik’s Past Shaped His Visions of the Future • Nam June Paik’s Good Morning Mr. Orwell • Moving image art lights up 'steep, dark' Wellington steps • Three Shows Examine the Digital Art Tango • Chris Burden: Cross Communication • CSUF's Grand Central Art Center is at Home in Santa Ana • 7 Questions for Artist Yang Dingliu • Program of Nighttime Interactive Video Art • New film explores how 'the father of video art' pioneered an art form • Encounters in Video Art in Latin America • 'Nam June Paik: Moon Is the Oldest TV' Review • Pipilotti Rist and M+ Cinema • When Does Artistic Research Become Fake News? • Steven Yeun Tells the Journey of a Pioneering Artist • An Artist for the End of the World • 5 things to know about Bill Viola, now on show in Milan • Truong Cong Tung wins Video Art Production Grant • Hiroki Okamoto's algorithmic simulacrum of a world that was • Exploring Japanese art histories at Art Basel Hong Kong • Vietnamese Artist Wins Han Nefkens Foundation’s Inaugural Video Art Grant • Nam June Paik Art Center shows off new pieces in latest exhibit • Nam June Paik: I Expose the Music • Dreamlike ‘Pixel Forest’ Exhibit Opens In Houston This Week • MoMA’s Biggest Video Art Survey in Years Is a Winner • ‘An expansion of the public sphere’: how video transformed the world • Christie’s launches the Art+Tech summit at Art Dubai • The Museum of Modern Art Announces Signals: How Video Transformed the World, a Major Exhibition Exploring the Intersection of Video, Art, and Social Change • Nalini Malani’s seminal artwork ‘In Search of Vanished Blood’ is essential viewing • One of Houston's most popular art events is coming back • Julie Rodrigues Widholm: Video Art and Social Intervention: Out of Out of Africa | BAMPFA • Maarten Baas on His Fascination With Time • Angela Lian built a design playground with dance, TikTok & video art • The collective rituality of raves captured by Rebecca Salvatori • A Digital-Age Exhibit in Fort Worth Will Spike Your Blood Pressure • Peter Weibel's daring, forward-looking media art arrives in Seoul • At MoMa, I saw an artwork that moved me – made by a machine • Join the Smithsonian American Art Museum for the Virtual Women Filmmakers Festival • All-Female Video Art Exhibit VENI, VIDI, VIDEO Announced • Derbyshire light shows • V&A Museum offers digital Paik Nam-june experience • Nam June Paik the prophet • Look at Ourselves in the Digital Mirror • New video exhibit by former lawmaker • Garrett Bradley moving image commission • Tokyo Public Toilet Puts On a Mesmerizing Light Show • The 80s artists who predicted the future • Video Art by Sanh Tran Exhibited at Lycoming College Art Gallery • Gretchen Bender at Spruth Magers review • LAX commissions video art installations • A Comprehensive Profile of a Pioneering Video Artist • Interactive art show to light up Dania Beach • Hardwick Hall: Light show will tell 16th Century hall's history • Analivia Cordeiro: From Body to Code • Annual Art & Nature Festival 2023: Laguna Art Museum • Experimental museum celebrates its 10th anniversary • Israeli pop-up art gallery lights up Stockolm’s winter • The Foundation of Lower Saxony grant for media art - Announcements - e-flux • Inside Singapore’s independent art scene • See 'Paj qaum ntuj' at the Walker • South Korean digital art collective brings nature to urban life • The Louvre shot on a mobile phone • I’ll Be Your Mirror: Art and the Digital Screen - Announcements - e-flux • Art & Nature & DDT At Laguna Art Museum • Tate Britain to present UK’s first survey of Sir Isaac Julien • Papadopoulou Guest Curates Videonale’s ‘Perspectives’ • Nate Mohler experiments with new media • Centraal Museum Utrecht curates the old with the new • The 'Tristan Project' is back and more important than ever • Vibrant Beings: Making Buddhist Art Today • We Are Art Through the Eyes of Annalaura Director-Star Annalaura di Luggo • Christian Marclay, Centre Pompidou • SF light show aims to bring millions • Bertrand de Becque on developing his video-mapping art practice • Dudamel Does Peter Sellars/Bill Viola Tristan Project • The Biennale of Digital and Media Art • Paik's Video Study is a 700-piece archive of the work of Nam June Paik • Collector bought her first time-based work for just $350 • Nam June Paik’s Futuristic Thinking Still Rings True • Anri Sala at Bourse de Commerce Pinault Collection, Paris • Memory-Making at Sesc_Videobrasil • Experience Video Art Project ArtScreen In Sydney In 2022 • The shadows our days are made of: 'Penumbra' exhibition in Venice • Neon cyberpunk exhibit arrives in SF • Video visionaries create new ways of seeing in Sarasota Art Museum exhibit • Echoes of an era • How Hong Kong’s ‘art tech’ puts technology first, at expense of creativity • Launch of Videonale X digital platform • Exhibition in Seoul offers a glimpse into Paik Nam June’s world • Video Artist Paik Nam-june's Exhibition Looks Back on His Legacy - Be Korea-savvy • “Zoonomia,” a film by Yeon Jin Kim, is currently on view at The Smithy • Free son et lumière show coming to the Tower of London • Can light-based art improve your health? • Israeli Digital Art on display • Why Is Video Art So Difficult to Watch Sometimes? • Alexandre Rangel releases NFTs created with AI • Prospect Art presents "Performing Time" - In Person Video Art Screening • My Paik Nam June • Jonas Mekas: Images Are Real • The $48,500 elephant in the room at an SF AI art exhibit • Bill Viola, pioneer of video art, will come to Monterrey • Just a moment... • Berlin museum turns off its Dan Flavin neon for first time • Centraal Museum links video art to 17th-century masters • Meet One of India’s Pioneers of Video Art: Nalini Malani • HAARP will do everything from making video art to bouncing a signal off the moon • Moving Bodies, Moving Images • The Consultant Paik’s Papers 1968–1979 • Richard Mosse documents the hidden war • Create vector video art with an Arduino • Artist Simon Denny Resurrects Dead Companies • Give Me Tomorrow • Pipilotti Rist • East/West • ICASF commissions hundreds of video-art installations • Damien Hirst's NFT Collection • Stunning film of Amazon burning • Fiona Tan - Mountains and Molehills • Broken Spectre • Moonage Daydream, a kaleidoscopic vision of David Bowie • Video Art by Ulysses Jenkins • Cauleen Smith receives $250,000 Heinz Prize • Canal Projects • 'The More, The Better' open to public • NYC’s First Permanent Digital Art Center Opens in a Restored Downtown Bank • Artist Reveals Instagrammers’ Real Stories With Video Surveillance • Paik Nam-june’s ‘The More, The Better’ returns • Jean-Luc Godard, pioneer of cinema, 1930–2022 • ‘In the Black Fantastic’ at Hayward Gallery • Stefano Rabolli Pansera has dreams for video art • Poets with a Video Camera: Videopoetry 1980-2020 • Permission to Return Home: Clarissa Tossin • Charles Atlas Stages His Most Ambitious Work • A New Place to ‘Stumble Upon’ Art • The Politics of Art through Nalini Malani’s 'Vision In Motion' • Video art that goes beyond dimensions • Park Hyun-ki at Gallery Hyundai • Times Square Arts Announces Fall 2022 Midnight Moment Program • An overdue ode to the influence of Black cinema opens in LA • MUTEK showcases some of the best music & art made with machines & algorithms • Queer and Indigenous artist’s work displayed in Surrey • Indian artist on how female oppression fuels new giant video • Artist Pipilotti Rist's serene 'pixel forest' explores the chaos of our digital lives • From Signal to Decay Volume 1 • Video art pioneer and CMU alum returns to Pittsburgh • BTS's RM visits the Nam June Paik Art Center • Earth, art and body • Play – Videogame Art and Beyond • ‘Piaffe’ Marks Artist Ann Oren’s First Feature • Latitude 53's group exhibition features video art collaboration • Activist Neuroaesthetics in Video Art • AUGMENT aims to show that art and tech can get along • Takahiko Iimura, Pioneering Video Artist and Experimental Filmmaker, Dies at 85 • ‘Past and present intertwine and become very complicated’ • ‘It’s not a portrait of me’: Pipilotti Rist • Twin Cities' photographer sees the Hmong diaspora in Western landscapes • Laguna Art Museum Dives into 'The Sea Around Us' • LG Installs Seven Video Wall Displays • Nam June Paik, Super Baroque • Marina Abramović’s debut NFT • Video Conferencing Portal • M+ presents Nalini Malani: Vision in Motion • The sixth edition of Artmonte-Carlo • The Nines Inherited an Archive of Music Videos From the '80s • The Textural Sound Art of John Wiese • How Best to Enjoy Video Art • LOVELOVELOVE Biennale of Moving Images • Pope.L Invites Us to “Enter The Mess” • SETI Institute welcomes Daniela De Paulis to the SETI AIR program as an SETI AIR Affiliate • Academy Museum appoints Jacqueline Stewart new director • Un/Sense • Keanu Reeves Brings His Good Vibes to the Metaverse • The London Open 2022 • Artists Scrutinize a Collector’s Nazi Family Past • Gagosian Presents Nam June Paik's 'Art in Process: Part One' • Video Art on Metro • CCS Bard Summer Exhibitions Delve Into Video Art • how to live in the echo of other places • The Mars Volta have shared new song 'Blacklight Shine' • Marina Abramović’s ‘The Hero’ returns as NFT • Talking analog video arts practices with artist Misha Lozovoy • Stradivarius Violin NFTs To Drop At NFT NYC 2022 • Video Art & Photography in the Internet Age • In the Metaverse, Life Imitates Art • Textiles and video art that bring materials and cultures together. • Wegman’s World • Frank Wang Yefeng Meditates on ‘In-Betweenness’ Through Video Art • China-France green art exhibition launched in Beijing • The Video Art of Ulysses Jenkins • 5 Digital Artists Talk About What Makes This Moment So Unique • NFTs, a technology to bridge a gap in the art world • Tunisia’s Gabes Cinema Fen: The festival bringing back cultural life • Open call: The 5th VH AWARD for Emerging Asian Media Artists • Ari Marcopoulos: Upstream • Karaoke booth in new Christchurch Gallery show • Nam June Paik foresaw Instagram filters in the 70s • In Rome, the ‘Videocittà’ festival conceived by Rutelli on audiovisuals • Why Dubai will become the digital art capital of the world • The immersive art of Ron Arad surrounds La Marina de Valencia • Retro loops: exploring the seamless pixel animations of digital artist Kerim Safa • Screening of works by Natalia LL • How digital art rental and blockchain intersect • Hyundai Launches the 5th VH AWARD for Asian Media Artists • Instagram and TikTok made video the most prevalent art medium today • Aspen Art Museum presents ‘Mountain/Time’ video art exhibition • 18th Athens Digital Arts Festival Held at Kotzia Square • Raheleh Filsoofi’s Sculpture and Video Installation Is a Meditative Mouthful • MOCA announces Clara Kim as new chief curator, director of curatorial affairs • A sustainable model for documenta fifteen • Jim Campbell is pushing the perception frontiers of video art • A glorious shapeshifting eulogy to David Bowie • Art Basel HK Teetering on Edge of Reality and Metaverse • 8ULENTINA Is Still Shapeshifting • Exploring fantastic cityscapes and more from the artist AUJIK • Taipei Dangdai returns for its 2022 edition • Andrea Fraser: This meeting is being recorded • Hearing the ‘Undertow’: Online selection focuses on video art • Israel Set to Hold Its First NFT Auction as Local Artists Embrace New Technology • M+ is opening a brand new cinema in June this year • Closing ceremony of ALC VideoArt Festival • 9 Times Pranksters, Vigilantes, and Weirdos Hijacked TV Broadcasts • Iranian film to be included at Tel Aviv Int'l Student Film Festival • Visual artist Priyesh Trivedi is charting a path of his own in the contemporary art scene • Moving Image Art Prize given out at Rencontres Internationales • Uncanny valley: welcome to the age of the ‘ultra-realistic’ art robot • Italian gallery identifies “Manipulated Genes” influencing Iranian new media artists • Cindy Sherman - Secrets of the Camera Chameleons • Aurora Dallas’ recent successful showcase is part of an international campaign to aid their survival. • Red Brick Art Museum hosts exhibition of video art from France • What Was Always Yours And Never Lost • A Photography and Video Triennial Is Coming to NYC in 2023 • Kamloops Art Gallery newest exhibit retrospective of Korean-Canadian artist • The 2022 Whitney Biennial spotlights video artists who are pushing the medium forward • Immersive experiences and copyright: teamLab sues MODS for 'copying their artwork' • Cristopher Cichocki brings 'Circular Dimensions' to festival • Rome exhibition charts video art in Italy • Edison Peñafiel’s 1st NFT mirrors his journey as an immigrant & artist • “Displaced: Raida Adon’s Strangeness” — The Remains of Home • TIMEPieces Announces Producer Timbaland as Its Second NFT Artist in Residence • Art and technology collide in 'Coded Realities' exhibit in Woodstock • Times Square Arts presents Wolf Lights • 'Archeological' discovery of Nam June Paik's avant-garde spirit • Houston Artists Create Site-Specific Video Work for Buffalo Bayou East Trails • Take a nostalgic trip to 1987 with this digital drawing system that worked on your TV • AURORA Will Present ‘Video Art Nights’ Across Five Fridays in April Downtown Dallas • Hyperconnectivity over digital platform informs Jieun Gu's installations works • Arthur Jafa’s Medley of Joy Everlasting Versus Hell on Earth • Art Dubai is betting on the future of art fairs with NFTs and crypto • Art godfather Ulysses Jenkins finally gets his close-up with a Hammer show of his video art • Applications Now Open for ArtScreen 2022 • Legacy of Marina Abramović Lives On • Zina Saro-Wiwa’s Multimedia Art Connects with Audiences • Domination and the Everyday Videos and Films by Martha Rosler • Artistic manifestations of maternal exhaustion in late-capitalism • Art Dubai Glimpse Into the Future of Digital Artwork and NFTs • Ulysses Jenkins, a Daring Video Artist, Expanded Ideas of Blackness • New exhibition focuses on the 'Rise of East Asia Video Art' • Where Lakes Once Had Water at the Drill Hall Gallery is fine video art • Rachel Rose’s Unsettling Video Art • Amie Siegel’s close encounters with the British upper classes • Alison Nguyen Featured in Show at Light Work • Alex Kitnick on Jason Hirata • Culture Gate to Japan offers a portal to the country’s creative talent • Nick Cave to project his dancing ‘Soundsuits’ • Another Romp Thru the IP • Giving the voiceless a voice • "The Moving Picture Show" at Foreland in Catskill • In Josh Kline's new film, cataclysm has become quotidian • Fifty-Year Artist Friendship Takes Center Stage in Pasadena Exhibition • Get ready for the annual Spier Light Art Festival at the iconic Wine Farm • Brave New Art World • Art installation shows female experience of harassment • Art to bring dreamers together in space • SFMOMA announces Christopher Bedford as new director • Video art pioneer Ulysses Jenkins — ‘You get addicted!’ • YouTube NFTs: Creators may soon monetize video & art NFTs on new store • 25th anniversary virtual edition Media City Film Festival • Future of NFTs depends on ‘who’, not ‘what’ • NFTs take over the Nasdaq in New York • 21st-century media art museum finds home in industrial port city • 'Art in Metaverse' gathers digital pieces from 52 countries • ‘No Emoji for Ennui’ questions the cost of utopia in new Light Work exhibit • Fantastical papercuts from pre-state Israel inspire video art • ‘Huge mess of theft and fraud:’ artists sound alarm as NFT crime proliferates • Kahlil Joseph to Adapt Video Art Installation ‘BLKNWS’ as Feature With A24 and Participant • Urban Video Project Opens 2022 With ‘No Emoji for Ennui’ Group Exhibition • What Is Physical Art When You Grew Up on the Internet? • The Edgy and Lucid Video Art of Rafael França • Video Art students hold gallery show • Paik Nam-june’s ‘The More, The Better’ operates for six-month test run • Wikipedia is arguing about whether NFTs constitute art and NFT fans are stressed • Australian startup aims to make the weird world of NFT art ‘less crap’ • NFTs and Israel: Through the gates of blockchain and crypto • The Buried Alive Videos 2004-2010 • Grants for Media Art of the Foundation of Lower Saxony • Nam June Paik Art Center unveils jam-packed calendar to celebrate the artist • Paik Nam-june’s wish realized at Nam June Paik Art Center • MMCA to bolster global presence, commemorate Paik Nam-june’s legacy • Jennifer Steinkamp combines art and technology • Pre-order A Contemporary Journey into Video Art On the Fringes of Identity • Michal Rovner's Video Work at Pace's Palm Beach Gallery • Oluremi C. Onabanjo is a curator and arts leader on the rise • ‘CAMP After Media Promises’ at Nam June Paik Art Center challenges conventional media art • In SoWa Art + Design District, video gallery brings art to the sidewalk 24/7 • Buk Seoul Museum of Art lights up with new exhibition • Tate Modern curator appointed as artistic director for 2023 Gwangju Biennale • Video's star rises as immersive displays bring the medium back into reality • ‘ArtNFT: Beginnings’ Are Redefining Generative Art • Will NFTs transform the art world? Are they even art? • Steven Yeun, Fab 5 Freddy Executive Producing Documentary on Nam June Paik • Cap Film Fest is back • Afghan artist wins $100,000 prize for video • Ai Weiwei: Defend the Future • A riot of vision, color, and sound • M+ showcases new exhibition - Nalini Malani: Vision in Motion • The Immersive Van Gogh Exhibit Provided an Otherworldly Escape • Unimaru: The art museum between North and South Korea where the curator wears a bulletproof vest • ‘Liquid Reality’ at MoMA Explores the Intersections of Shigeko Kubota • WTF are NFTs? And why are they currently so important? • Why We Need Prizes for Digital Art • Mumbai-based studio asks us to view CCTV through a different lens • Restored Paik Nam-june masterpiece at MMCA to have mix of LED and CRT monitors • "Metaphors about Islands" video art installation concludes • Humanoid Robo-Artist Gives Public Performance Of Its Own AI-Generated Poetry • Artists envision a future where all participate • Secret Video Mapping Artists Visit Croatian Yugoslav Monuments • CAMP After Media Promises • Memories for Forgetfulness Elsewhere | Part I: Postcards from Afar • The Mesmerizing Effects of Shigeko Kubota’s Video Sculptures • Is video art the same as film? Not really, points out a new festival