Hot Fuzz's Folk Horror Foundations [Horrified]
'Hellbender' Interview: A Conversation with the Adams Family [GVN]
The Many Masculinities of "Ted Lasso" [Film Cred]
Two Fair Ladies: Andrews, Hepburn, and 'My Fair Lady' [Cinema Scholars]
"Drive My Car" (2021) Review [Cinema Scholars]
Cut by Cut: Parallel Editing in "The Hunger" (1983) [Horror Homeroom]
Sundance Review: "Girl Picture" (2022) [GVN]
Oscar Nominations 2022: 10 Major Takeaways [Cinema Scholars]
How "Scream" Takes a Stab at White American Masculinity [Horror Homeroom]
Sundance Spotlight: "Happening" [GVN]
14 Days of Love #3: "Casablanca" (1942) [GVN]
14 Days of Love #2: "Bringing Up Baby" (1938) [GVN]
14 Days of Love #1: "Something Good—Negro Kiss" (1898) [GVN]
Sundance Review: "You Won't Be Alone" [GVN]
Sundance Review: "Leonor Will Never Die" [GVN]
Sundance Review: "My Old School" [GVN]
Sundance Review: "Every Day in Kaimukī" [GVN]
"Scream" (2022) Review [Horror Homeroom]
Sidney Prescott: Scream Queen and Horror Icon [GVN]
"BELLE" (2021) Review [GVN]
"Red Rocket" (2021) Review [GVN]
On Matthew Macfadyen, Tom Wambsgans, and "Succession" [GVN]
"Woodlands Dark and Days Bewitched" (2022) Review [Horror Homeroom]
"The Novice" (2021) Review [GVN]
"Encanto" (2021) Review [ Cinema Scholars]
Best Horror of 2021: Top Ten Horror Movies and TV [GVN]
In Conversation with Patrick Ridremont [Portland Film Review]
"Flee" (2021) Review [GVN]
Holiday Noirs for Christmas: 5 Movies to Watch [Cinema Scholars]
"Benedetta' (2021) Review [GVN]
"Encounter" (2021) Review [Cinema Scholars]
"Batman Returns": An Underappreciated Christmas Classic [GVN]
Old School Kung Fu Festival: Joseph Kuo Edition [Cinema Scholars]
Why Do Biopics Keep Failing Great Actresses? [Portland Film Review]
Mike Flanagan's Devotion to Negative Space [Horror Homeroom]
"Fiddler on the Roof" at 50 [Cinema Scholars]
"The Green Knight" (2021) Review [Portland Film Review]
"Jaws" Scarier than Ever, but not Because of the Shark [Press Herald]
Portland Film Review Portfolio
Cinema Scholars Portfolio
"Zeros and Ones" (2021) Review [Cinema Scholars]
"Dune" (2021) Review [Portland Film Review]
"Arrebato" (1979) Review [Portland Film Review]
"Midnight Mass" Takes us to the Church of Dread [Horror Homeroom]
