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RiffMagazine.com has been a member of Linktree for 4 years and joined in March 2022. The social media accounts linked to from RiffMagazine.com are: • Facebook • Instagram • YouTube • Email • X Besides social media accounts, RIFFonline has populated their site with: • REVIEW: Evanescence unlocks its 'Sanctuary' era at Shoreline in the Bay | RIFF • PHOTOS: Ella Mai celebrates her biggest Bay Area show yet | RIFF • Tuesday Tracks: Jess Williamson, Tyler Ballgame, Blu DeTiger, Catie Turner • TUESDAY TRACKS: Feldspar, Token and DEVO's Gerald V. Casale • REVIEW: Pavement headlines Mosswood Meltdown's bonus day | RIFF Magazine • INTERVIEW: Børns embraces independence, reflects on 'Dopamine' | RIFF • Obituary: Jennifer Finch, bassist and co-founder of L7, dies at 59 • INTERVIEW: Vallejo's Mai Mai builds connection through vulnerable songwriting • PHOTOS: Joji pairs emotional ballads with offbeat comedy in SF | RIFF • Olivia Dean proves she's ready for the arena stage on second night in SF | RIFF • REVIEW: Rolling Stones continue to shock and awe on kinetic 'Foreign Tongues' • Chris Stapleton shows why he's country's gold standard in the South Bay | RIFF • REVIEW: Rosalía goes 'Lux,' counsels Chappell Roan at Oakland Arena | RIFF • RIFF RADIO: Eva Under Fire take a 'Villainous' turn on new LP • Tuesday Tracks: Ok Cowgirl, Nick Hakim, L’Rain, Sofie Royer • Tuesday Tracks: Tenille Townes, Chris Pierce, Wild Pink • REVIEW: Kurt Vile lets his guitar do the talking at Revolution Hall in Portland | RIFF Magazine • Tuesday Tracks: Perennial, Elephant Stone, John Vanderslice • REVIEW: Madison Beer enchants in three acts in San Francisco | RIFF • Japanese Breakfast rocks only 2026 headline gig at Stern Grove Fest | REVIEW • Tuesday Tracks: Portraits of Tracy, Sam Gellaitry, Somi, Karina Rykman • REVIEW: Underscores delivers a sweaty, electric hometown tour closer in SF • INTERVIEW: Effie Zilch finds a 'Higher Calling' at home in the Bay | RIFF Magazine • REVIEW: A$AP Rocky turns San Francisco show into an action movie | RIFF • Obituary: Santa Cruz native Oliver Tree Nickell had big dreams | RIFF Magazine • INTERVIEW: Indy Yelich-O'Connor's New York love affair includes a Knicks title • REVIEW: Ariana Grande floats, celebrates mom's birthday at third Oakland show • Nia Archives, Ibibio Sound Machine, Presley Haile: Tuesday Tracks | RIFF • REVIEW: Pitbull, Lil Jon keep the party going in the Bay Area | RIFF • Tenille Townes, Chris Pierce, Wild Pink: Tuesday Tracks | RIFF • REVIEW: Kesha liberates the East Bay at Freedom Tour stop in Concord | RIFF Magazine • Tuesday Tracks: Lenka, Alessi Rose, Dent May, Houndmouth • BottleRock Day 3: Backstreet Boys, Ludacris, SOMBR, 13 more Sunday highs • BottleRock Day 2: Foo Fighters, Zedd, Rilo Kiley, 13 more Saturday highlights • BottleRock Day 1: Lorde, Lil Wayne, Teddy Swims and 13 more Friday highlights • REVIEW: Afghan Whigs celebrate 40 years, 'with a hole,' in San Francisco | RIFF • BottleRock 2025 Day 3: Noah Kahan, Cage the Elephant, 11 more highlights • BottleRock 2025 Day 2: Justin Timberlake, 4 Non Blondes, Benson Boone, 12 more highlights • BottleRock 2025 Day 1: Green Day, Serena Williams and 10 more Friday highlights • BottleRock Napa announces 2026 Williams Sonoma Culinary Stage lineup | RIFF Magazine • INTERVIEW: Colin Hay revisits Men at Work legacy on his own terms | RIFF • REVIEW: MGK and Wiz Khalifa light up 'Lost Americana' in the East Bay | RIFF • REVIEW: Florence and the Machine cast a spell over San Francisco | RIFF • INTERVIEW: Jena Malone embraces risk of failure with ‘Flowers for Men’ | RIFF Magazine • REVIEW: Chet Faker builds slow transcendence in San Francisco | RIFF • Tuesday Tracks: ZAINAB, Fea, student 1, Phoenix James • REVIEW: Lewis Capaldi shines in stripped-back moments in Berkeley | RIFF • Kesha plays surprise Presidio show in front of the Golden Gate Bridge • Tuesday Tracks: Evenson Andre, Bayonne, Keyside, Tenroc • INTERVIEW: St. Lucia brings long-gestating ‘Fata Morgana’ to the West Coast • INTERVIEW: Matt Hansen embraces independence ahead of debut LP, ‘Orchid’ • Tuesday Tracks: Integra Pink, Ok Goodnight, Duane Betts, MALIA • INTERVIEW: Xdinary Heroes break from K-pop norms, lean into happy accidents • INTERVIEW: New Constellations turn patience into payoff on 'It Comes in Waves' • INTERVIEW: Tenille Townes found herself making ‘The Acrobat’ at home | RIFF • Tuesday Tracks: Getdown Services, Metric, A Place To Bury Strangers • INTERVIEW: From wildfire evacuation to No. 1 song: Bush heads on the road • REVIEW: Jackson Wang bares his soul and shows personal growth in Oakland • Yerba Buena Gardens Festival announces 2026 season with 100+ free SF shows • Tuesday Tracks: Johanna Samuels, Toadies, Billy Morrison, Stella Lefty • REVIEW: Bad Omens cap biggest tour yet with Oakland Arena blowout • INTERVIEW: Deadlands hit the road with Vana; prep 'crazy' new LP • Father John Misty leans into presence over banter in San Francisco | RIFF Magazine • Tuesday Tracks: Noir Addiction, Failure, The Afghan Whigs • REVIEW: Jesse Welles turns anxiety into catharsis in Portland | RIFF • Millennium kings B2K and Bow Wow lead hip-hop and soul bill in Oakland | RIFF • INTERVIEW: Testament bring 'Para Bellum' back home on new tour • Outside Lands announces revamped presales and lineup coming next week • Ghost turns Sacramento's Golden 1 Center into a cathedral of the damned | RIFF • Tuesday Tracks: JULITH, Lulu Simon, Jon Lampley, A.A. Williams | RIFF Magazine • REVIEW: Cat Power celebrates 20 years of ‘The Greatest’ at the Fox in Oakland • ALBUM REVIEW: The Sophs earn a 'GOLDSTAR' on debut album | RIFF Magazine • PHOTOS: Rich Brian brings the 'Where Is My Head?' tour to San Francisco • INTERVIEW: Em Beihold writes her way out of doubt on '...Failed Shapeshifter' • REVIEW: Puzzle and Enjoy take over Berkeley's UC Theatre for Noise Pop | RIFF Magazine • REVIEW: Sam Smith concludes monthlong Castro residency with Kim Petras • REVIEW: Kim Petras celebrates past eras and new beginnings in San Francisco • REVIEW: Sabrina Claudio turns SF's Fillmore into a late-night lounge| RIFF Magazine • REVIEW: Tortoise stretches out for sold-out Noise Pop show in San Francisco • REVIEW: Miguel delivers controlled 'CAOS' in San Francisco | RIFF • Tuesday Tracks: Ken Park, Kathryn Mohr, She's Green, Adult. • REVIEW: Van Morrison introduces new blues record at intimate Chapel matinee • Sam Smith ushers in a new era at the Castro Theatre | RIFF • Oakland indie artist, gospel choir join Charlie Puth for Super Bowl LX anthem | RIFF Magazine • Tuesday TracksFriko, Cody Jasper, Gia Margaret • REVIEW: Fall Out Boy plays 'super' intimate show in San Francisco | RIFF • Tuesday Tracks: Cannons, Lyyra, Fai Laci, Baby Queen, Magnolia Park • Napa's Festival La Onda back for year 3, presale tickets available now • REVIEW: New Edition, Boyz II Men, Toni Braxton kick off tour in Oakland | RIFF • INTERVIEW: Meels finds her way home on 'Across the Raccoon Strait'| RIFF • Tuesday Tracks: Gregory Uhlmann, PawPaw Rod, Brigitte Calls Me Baby • AFTERSHOCK: Blink-182 leads pop-punk infusion on Thursday • San Francisco celebrates the life of Bobby Weir at Civic Center Plaza | RIFF Magazine • Laufey, Skiller, Fleet Foxes and Leon Bridges: Holiday Tracks | RIFF • INTERVIEW: Death Angel talks recreating 'Act III,' new songs and crazy road stories | RIFF • INTERVIEW: Linda Perry, 4 Non Blondes riding a wave into homecoming shows • Danity Kane kicks off Untold Chapter Tour, reveals third member in SF • REVIEW: Fred Again.. brings his USB002 tour to San Francisco | RIFF • REVIEW: KATSEYE makes San Francisco debut at Bill Graham Civic | RIFF • INTERVIEW: Irish artist Muireann Bradley brings the blues to a new generation | RIFF Magazine • REVIEW: Of Monsters and Men embrace a warm return in Oakland | RIFF • PHOTOS: Danny Brown goes hyperpop in San Francisco | RIFF • Tuesday Tracks: Des Rocs, Very Nice Person, Juliana Hatfield, Wesley Joseph • REVIEW: Paul McCartney 'amazing' in first of two Chicago tour closers | RIFF • Måneskin's Damiano David shows a softer side in San Francisco | RIFF • Billie Eilish winds down Hit Me Hard and Soft tour in San Francisco | RIFF • INTERVIEW: BAND-MAID give us the 'SCOOOOOP' on their new EP | RIFF • REVIEW: Lucius spreads wholesome positivity in San Francisco | RIFF • PHOTOS: King Princess delivers unfiltered rock in San Francisco | RIFF • David Byrne pushes positivity, shows the 'Sky' is the limit at SF finale | RIFF • Eric Church shows his grand vision at Portland concert, with Charles Wesley Godwin • REVIEW: Aly & AJ reflect on the past and ignite in the present in San Francisco • Sigur Rós trades whimsy for gravitas at the Orpheum in San Francisco • Tuesday Tracks: Reggie Helms Jr., Dry Cleaning, Active Child, iAMLYRIC • Camaron Ochs tries to make sense of death and doubt, returns to SF | RIFF • Tuesday Tracks SOEN, Moody Joody, Leon Knight: • Nas delivers masterclass with the Berkeley Symphony in San Francisco | RIFF • INTERVIEW: Dayseeker unearths the ‘Creature in the Black Night' • REVIEW: Lorde closes Greek Theatre season with a lively performance • PHOTOS: Chance the Rapper brings faith and fire to San Francisco | RIFF • REVIEW: Sleep Token claims its castle at Oakland Arena | RIFF Magazine • Tuesday Tracks: Jake Thistle, Allie X, Melissa Errico, Sorry (UK) • INTERVIEW: The Sophs ready to play ball in the big leagues | RIFF • REVIEW: Dua Lipa shines a ray of ‘Optimism’ at first of two in SF • PHOTOS: Turnstile plays biggest SF show at Bill Graham Civic | RIFF • Tuesday Tracks: Girl Tones, Sekou, The Get Up Kids’ Matt Pryor • INTERVIEW: Mudvayne roars back with first songs in 16 years, more to come • PHOTOS: Giveon opens up on Dear Beloved tour stop at Bill Graham Civic • AFTERSHOCK: Gojira, Bad Omens deliver on Saturday • AFTERSHOCK: Deftones rock their homecoming on second day • REVIEW: Duckwrth brings his All American Freak Show to San Francisco | RIFF • PHOTOS: Wet Leg brings 'Moisturizer' tour to Oakland on first of 2 nights | RIFF • REVIEW: Laufey brings whimsical energy to Oakland Arena | RIFF • Tuesday Tracks: Peel Dream Magazine, Joseph, Ásgeir • REVIEW: The Who hit all the right notes during Farewell Tour stop at Shoreline | RIFF Magazine • St. Lucia, Clover County, Ripe, Yam Haus: Tuesday Tracks | RIFF • INTERVIEW: The Cranberries' Fergal Lawler on 'No Need to Argue' re-release • Tuesday Tracks: Late Again (Rafael Melo), ABIR, Phil Adé • PHOTOS: Pusha T, Malice make their Clipse return to San Francisco • REVIEW: Weird Al Yankovic at the top of his game in the Bay Area • The Warning premieres live concert film in Los Angeles | RIFF • Tuesday Tracks: Friendship Commanders, Rayvon Owen, Lettuce • Read Tracy Bonham interview • REVIEW: Counting Crows bring a sweet mix of old and new to Los Angeles | RIFF • REVIEW: Zach Bryan brings revival to Golden Gate Park | RIFF • Pinkshift, Claire Morales, Gab Ferreira: Tuesday Tracks | RIFF • Tyler, the Creator makes his Outside Lands return, Gracie Abrams preaches love • Doja Cat and Doechii reign, Beck charms at Outside Lands opening day • Guest Column: Producer Narada Michael Walden remembers Whitney Houston • Radio Free Alice, Ganser, The Starting Line: Tuesday Tracks | RIFF • Nine Inch Nails bring a wall of sound, debut 'Tron" song in Oakland | REVIEW • REVIEW: The Lumineers blur the personal and the universal in San Francisco • PREMIERE: Tamar Berk looks to keep her plans on 'stay close by' | RIFF • REVIEW: Lady Gaga triumphs at final San Francisco Mayhem Ball show • REVIEW: Wiz Khalifa and friends bring good vibes to the East Bay • K-poppers ATEEZ bring the band, have a blast at SAP Center | PHOTOS • Dead & Company kick off anniversary shows at Golden Gate Park • REVIEW: Shakira brings 'she wolf' energy to Oracle Park | RIFF Magazine • INTERVIEW: Ashley Cooke finds her true voice after a difficult year | RIFF Magazine • REVIEW: Regina Spektor opens Midsummer Daydream Tour with a whimsical return to the Masonic • PHOTOS: The Marias find strength in restraint on first of two nights in Berkeley • OBITUARY: Ozzy Osbourne blazed a heavy metal trail • Bird Streets, Pool Kids, Felsmann + Tiley: Tuesday Tracks | RIFF • REVIEW: M. Ward conjures warmth at Bimbo's 365 Club | RIFF Magazine • Mosswood Meltdown delivers with Bratmobile, Kreayshawn, a unicorn on day 2 • PHOTOS: CAAMP offers restraint at the Greek in Berkeley | RIFF • Katy Perry averts disaster in San Francisco spectacle | REVIEW • INTERVIEW: Toad the Wet Sprocket takes its 'Good Intentions' on the road • REVIEW: Babymetal pushes ‘Metal Forth’ at first of two nights in SF • Darren Kiely, HAERTS, Spaceface: Tuesday Tracks | RIFF • REVIEW: This Will Destroy You looks back 20 years at The Chapel | RIFF • Illenium spins throwbacks on first of four nights in San Francisco | PHOTOS • Indian rapper Raoul Kerr of Bloodywood on the evolution of 'Nu Delhi' • Calva Louise embraces the chaos on ‘Edge of the Abyss' | INTERVIEW • Aurelia, Icarus Moth bring the feeling of a 'FRACTURED' relationship | Premiere • The Weeknd electrifying as ever on first of two nights in the Bay | RIFF • The Zac Schultz Gang, Nicki Bluhm, ThxSoMuch: Tuesday Tracks • INTERVIEW: Hot Milk takes a stand on 'Corporation P.O.P.' • REVIEW: Post Malone and Jelly Roll make Oracle Park their pulpit • PHOTOS: Korean singer BIBI pulls her fans into her act at Paramount Theatre • REVIEW: Wu-Tang Clan assembles its masses at Chase Center for The Final Chamber • Tuesday Tracks: Kikimora, Sofia Kourtesis, Amadou & Mariam • REVIEW: Michael Imperioli, ZOPA make Portland debut at Polaris, SF up next • ALBUM REVIEW: Benson Boone delivers summer anthems on ‘American Heart' • REVIEW: James McMurtry shows his storytelling spirit at Aladdin Theater in Portland • REVIEW: The Kooks stay cool, full of swagger at the Fox • Tuesday Tracks: Hannah Jadagu, India Shawn, Brian Dunne • OBITUARY: Brian Wilson leaves behind legacy of innovation despite personal struggles • Tuesday Tracks: Katatonia, Bones Shredder, S8nt Elektric • PHOTOS: Malcolm Todd plays 'wholesome rockstar' at Regency Ballroom • REVIEW: Mumford & Sons make rousing return to Berkeley's Greek • OBITUARY: Sly Stone made unity sound like a revolution • Festival La Onda pushes on despite setbacks on second day • Festival La Onda hits its stride with music for every generation • INTERVIEW: Spacehog is back with a tour, in the meantime • Tuesday Tracks: Anand Wilder, Night Tapes, Avery Tucker, The Sophs • BottleRock Day 3: Noah Kahan, Cage the Elephant, 10 other Sunday highlights • BottleRock Day 2: Justin Timberlake, 4 Non Blondes, Benson Boone, 12 more highlights • BottleRock 2025 Day 1: Green Day, Sublime, Serena Williams and 9 more Friday highlights • INTERVIEW: BEL finds a ‘Fresh Start’ in tapping small-town roots • REVIEW: Simple Minds unforgettable at East Bay Alive and Kicking tour stop • Tuesday Tracks: HUNNY, Coach Party, Coral Grief • REVIEW: The Go-Go's perfectly imperfect at the Warfield • Tuesday Tracks: Stephen Day, St. Lucia, Trace Mountains • REVIEW: J Balvin goes on a career retrospective at SAP Center • REVIEW: Yo La Tengo offers varying volumes as it kicks off San Francisco residency • PHOTOS: Denzel Curry delivers intensity at Fox Theater in Oakland • Tuesday Tracks: Provoker, Myd, The Happy Fits • Tuesday Tracks: Jawdropped, Gordi, Emily James • REVIEW: Josh Radnor shows vulnerability with his music at Great American Music Hall • REVIEW: Ichiko Aoba brings her luminescent wonderland to Fox Theater • REVIEW: Kylie Minogue gets San Francisco up to speed after 14 years away • Tuesday Tracks: GoGo Penguin, Shura, Loaded Honey • REVIEW: Phish returns to Portland for first time in a quarter century • REVIEW: Franz Ferdinand fearlessly takes over the Warfield • REVIEW: Phish 'blazes on' at Seattle's Climate Pledge Arena tour opener • Tuesday Tracks: Dustin Douglas & the Electric Gentlemen, Spacey Jane, Dropsonic • REVIEW: Sam Fender thrills Oakland crowd with swagger, banter and big riffs • INTERVIEW: Irish Angeleno artist Levi Evans explores vulnerability, looks for his voice • INTERVIEW: Black Map charts a new course with ‘Hex' • Tuesday Tracks: bug crush, Pachyman, Naomi Sharon • REVIEW: Breeders' Kim Deal goes solo at the Fillmore • Tuesday Tracks: Alexandra Savior, Mamalarky, Erin LeCount • INTERVIEW: Bria Salmena gets knocked down, gets back up with 'Big Dog' • Tuesday Tracks: Trousdale, Panchiko, Jade Bird • INTERVIEW: St. Lucia goes gardening on 'experimental' new record • REVIEW: Poppy reigns as scream queen at Fillmore tour opener • Tuesday Tracks: Lucy Liyou, Kenya Eugene, KDYN • REVIEW: JoJo in her ‘oversharing' era at the Warfield • REVIEW: Finneas shows growth as a performer and charms at the Masonic • Tuesday Tracks: Nell Smith, Momma, The Ting Tings • Noise Pop: Earl Sweatshirt goes off-script at Great American Music Hall • Tuesday Tracks: Wishy, Anxious, John Splithoff • REVIEW: Ty Segall unplugs at Herbst Theater in San Francisco • REVIEW: Nathaniel Rateliff & The Night Sweats wrap up U.S. tour in San Francisco • REVIEW: 070 Shake combines genres at the Fox in Oakland • Tuesday Tracks: Cautious Clay, Roe Kapara, Your Smith • Tuesday Tracks: Anika, Esther Rose, Gino Vannelli • REVIEW: Howard Jones and ABC spark '80s nostalgia at the Masonic • Tuesday Tracks: Nels Cline, Céline Dessberg, Alisa Xayalith, CLOVER • PHOTOS: Foster the People still kicking on the first of two nights at the Fox • REVIEW: Aespa puts vocal versatility on display at Oakland Arena • Tuesday Tracks: Alien Weaponry, Lucie Sue and The Velveteers • INTERVIEW: Josh Gilligan goes looking for company on 'Party of One' • Tuesday Tracks: SPELLLING, Angel White, Arny Margret, Linying, Cloakroom • Big Thief, Denzel Curry close down Project Pabst in Portland • Tuesday Tracks: Brett Eldredge, Ed Maverick and Aline Melo • Tuesday Tracks: Our writers' favorite tracks of 2024 • INTERVIEW: 'Star Wars: Skeleton Crew' composer Mick Giacchino blasts off on an adventure • BottleRock 2024 Day 2: Pearl Jam, Maná, 13 other Saturday highlights • Our favorite concert photos of 2024, with Kanye West, Green Day and Chris Brown • INTERVIEW: Silly Goose gets serious despite some ‘Bad Behavior' • Holiday Tracks: Some of our favorites from 2024 • REVIEW: Digable Planets, The Pharcyde, Arrested Development offer night of hip-hop nostalgia at the Warfield • REVIEW: Social Distortion goes deep on the third of five nights at the Fillmore • Tuesday Tracks: DragonWulf, Ben Kweller, BERRIES • INTERVIEW: Dead Poet Society feels the ‘Hurt’ with new collab • REVIEW: Billie Eilish delivers on first of two-night run at SAP Center • Tuesday Tracks: Arima Ederra, Fusilier, Sebanstian Schub and Kyra Machida • Kingmakers of Oakland, MusiCares partner on hip-hop health outreach in Oakland • The 35 best albums of 2024: 10–1 • The 35 best albums of 2024: 20–11 • The 35 best albums of 2024: 35–21 • RIFF RADIO: Winona Fighter cooks up debut, ‘My Apologies to the Chef' • INTERVIEW: Cyn balances planet 'Valley Girl' with family life • REVIEW: Aurora stays on mission at Bill Graham Civic • REVIEW: Halsey dazzles at Regency Ballroom with emotional depth, raw energy • Q&A: K-poppers Young Posse looking to the golden age of hip-hop for inspiration • REVIEW: Sabrina Carpenter chews up the scenery at SF Short n' Sweet stop • REVIEW: Sting soothes nerves with a jazzy set of hits at the Masonic • REVIEW: Modest Mouse looks for 'Good News' at sold-out Oakland show • Tuesday Tracks: Mogwai, Wisp, Frank Viele and Leigh Nash • REVIEW: Jesus and Mary Chain, Psychedelic Furs bring brotherly love to San Francisco • REVIEW: Dayseeker channels grief into catharsis at The Warfield • Tuesday Tracks: Ruthven, Maribou State, Ilham, Liana Flores • REVIEW: Jeff Lynne and ELO get ready to check out with final L.A. show • REVIEW: Maxwell and friends all about the 'real singing' at Oakland Arena • REVIEW: David Gilmour performs first U.S. show in 8 years at Intuit Dome in L.A. • Tuesday Tracks: Haley Heynderickx, Cymande, Ayoni • Music City SF opens its doors to the public with community block party • PHOTOS: Wasia Project makes its San Francisco debut at Bimbo's • REVIEW: Lainey Wilson lands her 'whirlwind' at Toyota Pavilion in Concord • Tuesday Tracks: Phoneboy, Michigander, Rose City Band • AFTERSHOCK: Mötley Crüe, Falling In Reverse conclude final day • AFTERSHOCK: Iron Maiden, Judas Priest lead British invasion on day 3 • AFTERSHOCK: Slipknot rocks like its 1999 on fest's second day • AFTERSHOCK: Slayer reunites for explosive Thursday headlining set • REVIEW: Weezer crosses the galaxy to revisit debut album at Chase Center • INTERVIEW: Serj Tankian digging up his roots with ‘Foundations’ • Tuesday Tracks: Starcrawler, Kokoroko, Hamish Anderson • PHOTOS: Clairo 'Charms' South Bay fans at Frost Amphitheater • REVIEW: Kings of Leon bring the 'fun' to sold-out Berkeley show • REVIEW: Jack White delivers hot and sweaty set at Great American Music Hall • REVIEW: Hans Zimmer keeps Oakland fans up past their bedtimes • REVIEW: Air imagines a different future at the Masonic • INTERVIEW: P.O.D. keeps a blue-collar mentality after three decades • Tuesday Tracks: Amber Mark, Flipturn, SPRINTS • Portola Festival: Justice, M.I.A., Disclosure highlight second day • REVIEW: Orville Peck brings on the waterworks at Bill Graham Civic show • REVIEW: Tems shows her 'wild' side at sold-out Warfield show • PREMIERE: Lips Speak Louder 'Crush' it on new single • INTERVIEW: Creed Bratton's journey from the Grass Roots to 'The Office' to 'Tao Pop' • Tuesday Tracks: Yola, Larkin Poe, Rogê, Zimmer90 • RIFF RADIO: Fever 333 calls on a ‘Higher Power’ to disrupt the system • REVIEW: Peter Hook & The Light perform double duty at the Warfield • REVIEW: Green Day celebrates its roots, blasts Oakland A’s owner at Oracle Park • Dreamfest: P!NK, Imagine Dragons team up for Dreamforce at Oracle Park • INTERVIEW: Sarah Kinsley plays an 'Escaper' on her new album and tour • REVIEW: Pulp shows its relevance at the Hollywood Palladium in L.A. • Tuesday Tracks: Thee Sacred Souls, Yvette Young and Songhoy Blues • REVIEW: Jalen Ngonda summons the greats at Swedish American Hall • REVIEW: NCT DREAM sets up its next act at Oakland Arena concert • REVIEW: Incubus flashes back to ‘Morning View’ at sold-out Chase Center gig • PHOTOS: Glass Animals' Tour of Earth lands at Shoreline Amphitheatre • Tuesday Tracks: Konyikeh, Naima Bock and Fantastic Negrito • REVIEW: (G)I-DLE gives the fans what they want at Oakland Arena • INTERVIEW: Incubus reprises landmark ‘Morning View’ on tour • REVIEW: Sum 41 kicks off final stretch of U.S. shows at the Masonic • Tuesday Tracks: League of Distortion, St. Lucia, Peach Pit • REVIEW: Osees kick off sold-out four-day residency at The Chapel • PHOTOS: Peso Pluma concludes 2-night Bay Area 'Éxodo' run at Chase Center • Blue Note reimagines Napa jazz fest as Black Radio Experience, with Jill Scott • PHOTOS: I.M of MONSTA X goes 'Off the Beat' at The UC Theatre • REVIEW: Journey, Def Leppard and Steve Miller rock Oracle Park • INTERVIEW: Mondo Cozmo taking risks on 'principle' with new LP • PHOTOS: Santana and Counting Crows bring 'Oneness' home to the Bay • Tuesday Tracks: Allen Stone, Magdalena Bay and Mallrat • Chaka Khan concludes Stern Grove's 87th year with iconic repertoire • REVIEW: Niall Horan brings his traveling 'Show' to Shoreline • ALBUM REVIEW: Sabrina Carpenter cheeky as ever on ‘Short n’ Sweet’ • REVIEW: Ice Spice drills the Bronx into the Bay Area • RIFF RADIO: The Bloody Beetroots tease new music on upcoming tour • Tuesday Tracks: Ben Böhmer, Okean Elzy and Jack Kays • INTERVIEW: Amy Shark channeling all the feels • REVIEW: Sammy Hagar and friends mostly pull off Van Halen tribute in Concord • REVIEW: System of a Down, Deftones lead Golden Gate Park hard rock bill • REVIEW: Stone Temple Pilots, LĪVE kick of dual anniversary tour in Concord • INTERVIEW: Cassadee Pope takes it back to the start with ‘Hereditary' • Tuesday Tracks: Wunderhorse, Joseph and TORS • REVIEW: The Foo Fighters deliver on promise to kick ass in Concord • PHOTOS: Ski Mask The Slump God opens up an '11th Dimension' at The Midway • INTERVIEW: Rebel girls Bikini Kill enjoying the limelight, ready to make a new statement • RIFF Outside Lands coverage • Outside Lands: Sabrina Carpenter plays silver screen star in a 'forest fairyland' • Outside Lands: Grace Jones stuns with her wardrobe at Land's End • Outside Lands: Friday's and Saturday's best of the rest • Outside Lands: The Killers bring Vegas glitz to opening night • Outside Lands: Reneé Rapp heats up a chilly opening night • Outside Lands: Kevin Abstract a man of the people at the Sutro Stage • Outside Lands: South African Grammy winner Tyla phones in her set • Interview: French Cassettes finally 'sneak' into Outside Lands • PHOTOS: LUCKI brings 'GEMINI!' energy to the Masonic • INTERVIEW: Colombian psych trio BALTHVS goes on a mystical journey • Project Pabst: Portland and Pabst Blue Ribbon find their groove • Tuesday Tracks: SIRA*, Winny, Miso Extra and Tab Benoit • RIFF RADIO: Pinkshift claiming their artistic humanity, music without borders • INTERVIEW: Latin pop-funk trio DARUMAS breaking preconceptions • REVIEW: Chris Brown takes flight at Oakland Arena • RIFF RADIO: Shavo Odadjian of System of a Down on his top SF shows ahead of GGP gig • Tuesday Tracks: Mr. Gnome, LP Giobbi and Peel Dream Magazine • Billy Idol, T-Pain ring in Project Pabst's return to Portland • Tuesday Tracks: Defences, Drug Church and StrateJacket • REVIEW: Missy Elliott off to see the wizard at 'Out of This World' show at Oakland Arena • REVIEW: Hootie & the Blowfish, Collective Soul bring the South to Shoreline • INTERVIEW: Country rising star Megan Moroney more than lucky • INTERVIEW: Lindsey Stirling chooses sides and goes on her hero's journey • Tuesday Tracks: Wasia Project, Nubya Garcia, HiFi Sean and David McAlmont • REVIEW: A Day to Remember leads ‘Least Anticipated’ tour in Oakland • REVIEW: Lucky Daye kicks off Algorithm Tour at the Warfield • REVIEW: Blink-182 delivers anthems ‘One More Time’ at Chase Center • Tuesday Tracks: The Bug Club, Breymer and Tones And I • INTERVIEW: Akira Galaxy finds inspiration at home in the PNW • Mosswood Meltdown heats up Oakland with The B-52s • PHOTOS: Cage the Elephant brings a "Good Time" to San Francisco • Tuesday Tracks: Nikka Costa, Rose Betts and Jennifer Castle • INTERVIEW: Hootie and the Blowfish take their 'summer camp' party on the road • Tuesday Tracks: Montell Fish, Kit Sebastian and Drew Parker • INTERVIEW: The Warning cooks up new sounds on ’Keep Me Fed' • ALBUM REVIEW: Gracie Abrams digs into 'The Secret of Us' • REVIEW: Zach Bryan turns skies pink for 'biggest crowd' at Oakland Coliseum • INTERVIEW: Brooke Alexx ready to spill the tea on debut album 'BIG MOUTH,' tour • Tuesday Tracks: Louis Cole, Darren Waller and Etta Marcus • REVIEW: Vampire Weekend soars at first of two shows at Berkeley's Greek • REVIEW: Luke Combs turns Levi's Stadium into a bar on first of two nights • Tuesday Tracks: Ankor, Moonalice and Mallow Hill • Q&A: Going 'home' with Oregonian Mat Kearney • REVIEW: Kamasi Washington gets 'Fearless' at The Warfield • ALBUM REVIEW: Aurora continues her fight on 'What Happened to the Heart?' • REVIEW: Fred Again.. brings people together at Stanford's Frost Amphitheater • Interview: SHAED growing its family, looking to the future on new LP ‘Spinning Out’ • Tuesday Tracks: Amos Lee, Leyla McCalla, IAMTHELIVING • Latin artist Junior H announces San Jose, Sacramento arena shows • REVIEW: Mon Laferte transcends boundaries on 'Autopoietica' tour stop at the Masonic • REVIEW: Maren Morris kicks off RSVP Redux tour at the Masonic • REVIEW: Avril Lavigne brings her hits to Shoreline show • Tuesday Tracks: ESTA, Louis Cato, BEKA and Sienna Spiro • BottleRock 2024 Day 3: Ed Sheeran, the Offspring, 11 other Sunday highlights • BottleRock 2024 Day 1: Stevie Nicks, Megan Thee Stallion, 11 more Friday highlights • Tuesday Tracks: Gina Miles, Kishi Bashi and The National Parks • INTERVIEW: Chevy Metal rolls on and carries Taylor Hawkins' legacy • REVIEW: Gunna goes sub-zero on Bittersweet Tour stop at Bill Graham Civic • ALBUM REVIEW: Cage the Elephant takes the 'Neon Pill' • Q&A: Nelly bringing the 'Heartland' to the Bay with BottleRock, Janet Jackson tour • Tuesday Tracks: Mondo Cozmo, Bonny Light Horseman, Kossisko, Valley • REVIEW: Melanie Martinez tells her scary tale unabridged at Oakland Arena Trilogy Tour stop • INTERVIEW: Jordan Rakei finds musical freedom and a place at Abbey Road • Tuesday Tracks: Ra Ra Riot, Washed Out, Dex Green and bôa • PHOTOS: Benson Boone brings ’Fireworks & Rollerblades’ to the Masonic • PHOTOS: James Arthur serenades souls at Fox Theater tour kickoff • REVIEW: AJR puts on a spectacle at The Maybe Man Tour stop at Chase Center • ALBUM REVIEW: St. Vincent back to art rock roots yet inventive on ‘All Born Screaming’ • REVIEW: Enhypen looks ready for its 'Fate' at Oakland Arena • REVIEW: Black Veil Brides enter new era at tour opener at the Fillmore • REVIEW: Babymetal, Dethklok thrill on first of two-night stand at the Masonic • Tuesday Tracks: Darumas, Calva Louise and Bones Owens • REVIEW: A Perfect Circle, Puscifer, Primus celebrate Sessanta in Berkeley • Obituary: Southern rock icon Dickey Betts, of Allman Brothers Band, dead at 80 • Tuesday Tracks: Neil Frances, Anycia, Girl Ultra, Friedberg, Super American, Catpack and Porches • INTERVIEW: NorCal singer-actress Dylan Conrique ready to pull on her cowboy boots • REVIEW: ONEUS welcome spring at Paramount Theatre • REVIEW: The Sonics make one last boom in San Francisco • PHOTOS: Alice Phoebe Lou finds 'Shelter' at the Fillmore • Tuesday Tracks: Victoria Bigelow, Jordan Rakei and Phosphorescent • Interview: Alice Merton leans into big personal questions on 'HERON' • INTERVIEW: Rhett Miller, Old 97's find their inner cavemen on 'American Primitive' • REVIEW: The Veronicas ring in ‘Gothic Summer’ at Fillmore tour opener • Tuesday Tracks: Bnny, Los Saints and viisi • REVIEW: Green Day doubles up on 'Saviors' and 'American Idiot' at the Fillmore • PHOTOS: Offset reintroduces himself at Set It Off Tour stop in Anaheim • REVIEW: Bruce Springsteen and the E Street Band full of faith at first Chase Center show • ALBUM REVIEW: X Ambassadors take it back home and reflect on 'Townie' • PHOTOS: DeVotchKa shows 'How it Ends' at Great American Music Hall • REVIEW: Movements, Tigers Jaw create a 'RUCKUS!' at The UC Theatre tour opener • Tuesday Tracks: Florrie, French Cassettes and Sam Evian • ALBUM REVIEW: Sheryl Crow dreams of a brighter future on 'Evolution' • ALBUM REVIEW: Elbow returns with a vengeance on ‘Audio Vertigo’ • ALBUM REVIEW: Fletcher almost soars while ‘In Search of the Antidote’ • ALBUM REVIEW: Jesus and Mary Chain flows quicker on 'Glasgow Eyes' • Tuesday Tracks: Josh Johnson, Hana Vu and Metronomy • REVIEW: K-poppers ONEUS welcome spring at Paramount Theatre • INTERVIEW: DeathByRomy doing it on her own terms • REVIEW: IVE turns it up to 'ELEVEN' at Oakland Arena debut • ALBUM REVIEW: The Black Crowes family reunion is fully formed on 'Happiness Bastards' • SF 'Vultures' listening party offers rare glimpse of Kanye West, Ty Dolla $ign • Tuesday Tracks: High Desert Queen, Little Feat and Casii Stephan • INTERVIEW: Jelani Aryeh invites you to his 'Sweater Club' on sophomore album • ALBUM REVIEW: Taj Mahal gets monumental at 'the Church in Tulsa' • ALBUM REVIEW: Norah Jones' 'Visions' is a ray of light • UCSF Benioff Children’s Hospitals mark annual Notes & Words benefit with Dan Wilson • ALBUM REVIEW: Judas Priest as good as ever on 'Invincible Shield' • Tuesday Tracks: Sly5thAve, Paula Cole and August Charles • REVIEW: Municipal Waste, Ghoul and friends bring the mayhem to The UC Theatre • REVIEW: Bone Thugs-N-Harmony show they've still got it at Noise Pop show • REVIEW: 'Most Wanted' Bad Bunny rides a horse into Chase Center • REVIEW: Madonna tells a compelling story at second Chase Center show • Tuesday Tracks: Kelly Moran, Atlas Genius, Bill Frisell and Jahari Massamba Unit • INTERVIEW: Mia x Ally bring modern spin to traditional sounds • REVIEW: André 3000 wings it at The Independent • ALBUM REVIEW: MGMT grows its sound organically on ‘Loss of Life’ • REVIEW: Ty Segall and the Freedom Band launch tour with new drummer at GAMH • Tuesday Tracks: Your weekly new music discovery for Feb. 20 • ALBUM REVIEW: Two decades on, Jennifer Lopez still mad in love on 'This is Me... Now' • ALBUM REVIEW: Steve Hackett shows his range on 'The Circus and the Nightwhale' • ALBUM REVIEW: Chromeo examines modern romance with 'Adult Contemporary' • Tuesday Tracks: Your weekly new music discovery for Feb. 13 • Usher delivers the goods and the guests at Super Bowl halftime show • INTERVIEW: Fame On Fire offers a hard rock spin on the familiar • Tuesday Tracks: Your weekly new music discovery for Feb. 6 • REVIEW: P1Harmony finds its groove on full-length debut, 'Killin' It' • ALBUM REVIEW: Brittany Howard asks the big questions on ‘What Now’ • QUICK TAKES: Matisyahu burns bright on 'Hold the Fire' EP • ALBUM REVIEW: Dinosaur Jr.'s J Mascis melts hearts and faces on latest solo record • Tuesday Tracks: Your weekly new music discovery for Jan. 30 • ALBUM REVIEW: Alkaline Trio fights the darkness on 'Blood, Hair, And Eyeballs' • ALBUM REVIEW: Ty Segall gets complicated on 'Three Bells' • Tuesday Tracks: Your weekly new music discovery for Jan. 23 • INTERVIEW: Dave Stewart bringing the 'Eurythmics Songbook' to America • REWIND: Let's try to get you into power metal with Helloween • Tuesday Tracks: Your weekly new music Discovery for Jan. 16 • INTERVIEW: UMI 'talking to the wind' and following her instincts • Tuesday Tracks: Your weekly new music discovery for Jan. 9 • Interview: Chris Daughtry finds nothing 'Artificial' about his rock resurgence • INTERVIEW: Letdown. powers through his 'Anxiety' with help from fans • Interview: Oakland's Super Cassette finds the right tech for its message • Tuesday Tracks: Our writers' favorite tracks of 2023 • The 10 best K-pop songs of 2023 • Deeper Dive: East African music about to have its moment • INTERVIEW: MTV icon Matt Pinfield and friends plug into rock 'Power Hour' • Our favorite concert photos of 2023, with Taylor Swift, Karol G and Post Malone • E-40 and Nef the Pharaoh draw hundreds to Vallejo toy giveaway • Holiday Tracks: Some of our favorites from 2023 • INTERVIEW: Mermaid's Brittany Campbell, Candace Quarrels turn music into a fairy tale • Tuesday Tracks: Your weekly new music discovery for Dec. 19 • INTERVIEW: Artist-producer Muzi goes on a South African road trip • REVIEW: Stevie Nicks lets the jukebox play at Chase Center • Interview: Gary Jules on the 20th anniversary of his 'Mad World' remake • RIFF's 20 best albums of 2023 - Part 2 • Tuesday Tracks: Your weekly new music discovery for Dec. 12 • INTERVIEW: Ayron Jones smells 'Blood in the Water' on latest tour • Tuesday Tracks: Your weekly new music discovery for Dec. 5 • REVIEW: SF can't get enough of Depeche Mode at Chase Center • REVIEW: Jhené Aiko makes her onstage return at Oakland Arena • The 45 best albums of 2023: 45–21 • REVIEW: Gary Jules returns to the Hotel Cafe in L.A. • ALBUM REVIEW: Peter Gabriel tones it down on "I/o" • Tuesday Tracks: Your weekly new music discovery for Nov. 28 • INTERVIEW: Holy Wars keep up the fight on 'Cult Classic' • Tuesday Tracks: Your weekly new music discovery for Nov. 21 • REVIEW: Ellie Goulding captivates with the San Francisco Symphony • Deeper Look: WWE creating its own rock and roll universe • SoCal goes goth as Darker Waves fest hits Huntington Beach • REVIEW: Nathaniel Rateliff digs up the past at the Orpheum • PHOTOS: Lil Uzi Vert rolls the 'Pink Tape' at high speed at Bill Graham Civic • REVIEW: Raphael Saadiq and Tony! Toni! Toné! come home to Oakland • Tuesday Tracks: Your weekly new music discovery for Nov. 14 • Interview: Josh Radnor opens up on ambitious statement LP 'Eulogy: Volume I + II' • INTERVIEW: Mark Mothersbaugh of DEVO • INTERVIEW: ZZ Ward • REVIEW: Queen and Adam Lambert a perfect pairing at Chase Center • REVIEW: Lauryn Hill and the Fugees take Oakland Arena back to school • Tuesday Tracks: Your weekly new music discovery for Nov. 7 • REVIEW: DEVO celebrates 50 years of devolution at Golden Gate Theatre • REVIEW: Raye hits a high note at the Fox in Oakland • Interview: Starbenders get 'frightening' with 'Take Back the Night' • Tuesday Tracks: Your new music discovery for Oct. 31 • REVIEW: Kim Petras feeds the beast on 'Kim Petras Day' in San Francisco • ALBUM REVIEW: Taylor Swift turns back the clock to '1989 (Taylor's Version)' • Tuesday Tracks: Your weekly new music discovery for Oct. 24 • Q&A: Kim Petras riding an 'Unholy' wave with 'Feed the Beast' tour • Interview: Oxymorrons breaking rock's cookie-cutter chokehold on 'Melanin Punk' • Tuesday Tracks: Your weekly new music discovery for Oct. 17 • REVIEW: P!nk brings her three-ring circus to Chase Center at first of two Trustfall shows • REVIEW: Måneskin gets explosive at Oakland Arena gig • PHOTOS: MisterWives and Bishop Briggs shine bright at the Warfield • REVIEW: Peter Gabriel brings big thoughts to Chase Center • INTERVIEW: Hollywood's Mckenna Grace finds a second love in world of music • REVIEW: The Postal Service and Death Cab for Cutie deliver nostalgic anthems in Berkeley • Tuesday Tracks: Your weekly new music discovery for Oct. 10 • AFTERSHOCK: Korn, Sleep Token, Turnstile mark the past and greet the future on day 3 • REVIEW: Laufey leaves San Francisco 'Bewitched' on tour opener • AFTERSHOCK: Tool and Limp Bizkit move the masses on day 2 • AFTERSHOCK: Avenged Sevenfold, Incubus top a fiery, hot first day • Tuesday Tracks: Your weekly new music discovery for Oct. 3 • REVIEW: Sting celebrates 72nd birthday at Toyota Pavilion • Portola Festival: Skrillex fires up on second day as the cold settles in • Portola Festival: Eric Prydz and Nelly Furtado star on day 1 • VIDEO PREMIERE: Caroline Jones calls to a guardian angel on 'Talking to Milo' • Q&A: The Darkness' Frankie Poullain wants to cry, climax on Permission to Land 20 Tour • REVIEW: Arctic Monkeys deliver hits and swagger at Chase Center • Tuesday Tracks: Your weekly new music discovery for Sept. 26 • INTERVIEW: Brett Emmons of The Glorious Sons in it for the long haul • REVIEW: Rob Zombie and Alice Cooper lead the 'Freaks' in the East Bay • Tuesday Tracks: Your weekly new music discovery for Sept. 19 • REVIEW: Ed Sheeran breaks records, brings Mathematics Tour to Levi's Stadium • REVIEW: Ed Sheeran shares his grief at intimate Subtract Tour gig at the Fox • REVIEW: Jelly Roll introduces himself to the Bay Area at stellar Toyota Pavilion show • Foo Fighters rock for a cause during Dreamforce show at Chase Center • INTERVIEW: Shakey Graves breaks the simulation on 'Movie of the Week' • Tuesday Tracks: Your new music discovery for Sept. 12 • REVIEW: Jungle explosive and 'volcanic' at Bill Graham Civic tour stop • REVIEW: Lionel Richie and Earth, Wind & Fire pull an 'all-nighter' at Chase Center • REVIEW: Maluma arrives as Don Juan at SAP Center • Tuesday Tracks: Your weekly new music discovery for Sept. 5 • INTERVIEW: Richard Williams on 50 electric years with Kansas • REVIEW: LL Cool J leads legends of hip-hop on F.O.R.C.E. Tour stop at Chase Center • INTERVIEW: Kendra Morris is everything she's been waiting for, imperfections and all • Q&A: Nita Strauss on her new album, working with Alice Cooper and Demi Lovato • Tuesday Tracks: Your weekly new music discovery for Aug. 29 • REVIEW: Sam Smith plays Aphrodite at Oakland Arena • REVIEW: Snoop Dogg, Wiz Khalifa and friends happy to bring their High School Reunion to the Bay • REVIEW: Blackpink brings its Born Pink tour to the Bay Area • Interview: French electro-pop trio Hyphen Hyphen wants to take over the U.S. • Tuesday Tracks: Your weekly new music discovery for Aug. 22 • REVIEW: Zach Bryan heats up Oakland Arena, celebrates A's win with hero Brent Rooker • Sol Blume: Kehlani and Teyana Taylor put an exclamation point on final day • Sol Blume: Brent Faiyaz, Ella Mai, Bay Area's P-Lo top day 1 • RIFF RADIO: Richard Patrick solves 'The Algorithm' on new Filter album • REVIEW: Punk poet Patti Smith full of love and protest at Stern Grove Festival • REVIEW: Introspective Peter Frampton goes for a possible last ride in San Francisco • Tuesday Tracks: Your weekly new music discovery for Aug. 15 • REVIEW: Karol G transforms into 'La Bichota' at Levi's Stadium • Interview: Belinda Carlisle on world-hopping, her 'kismet' reunion with Diane Warren • Outside Lands: Foo Fighters keep fans guessing on festival's second day • Outside Lands: Maggie Rogers offers a beacon of light in the fog • Outside Lands: Lana Del Rey takes her audience 'Under Ocean Blvd' • Outside Lands: Shaquille O'Neal fuels up on Diesel for festival DJ set • INTERVIEW: Jain getting a boost on new LP ‘The Fool’ thanks to viral ‘Makeba’ • Outside Lands: aespa electrifies in Outside Lands' K-pop debut • INTERVIEW: Foo Fighters' Chris Shiflett bridges two worlds on 'Lost At Sea' • ALBUM REVIEW: Neil Young awakens 'Chrome Dreams' from the vault • REVIEW: Greta Van Fleet goes shirtless, shoeless at Oakland Starcatcher tour date • Tuesday Tracks: Your weekly new music discovery for Aug. 8 • REVIEW & PHOTOS: Beck, Phoenix, Sir Chloe and Jenny Lewis bring the Summer Odyssey tour to LA • REVIEW: (G)I-dle shows a flair for the dramatic at Bill Graham Civic • REVIEW & PHOTOS: Jonas Brothers ramp up for tour at Wild 94.9's WAZZMATAZZ, with Kim Petras and Conan Gray • INTERVIEW: Sir Chloe goes from college thesis to touring with Beck • REVIEW: Yellowcard feels so right at Bill Graham Civic pop-punk reunion • Tuesday Tracks: Your new music discovery for Aug. 1 • REVIEW: Bryan Adams hits from the heart, right to the gut at Chase Center • Blue Note Jazz Festival: Final day brings Chance the Rapper, surprise guests to Napa • Blue Note Jazz Festival: Nas and Robert Glasper lead the way on second day • REVIEW: Taylor Swift makes Levi's Stadium shimmer on first of two Eras Tour nights • Thousands of friendship-bracelet-swapping Swifties flood Levi's Stadium • REVIEW: Tori Amos pays tribute to Sinéad O'Connor at the Masonic • Tuesday Tracks: Your weekly new music discovery for July 25 • INTERVIEW: Yellowcard celebrates 20 years of 'Ocean Avenue' and whatever's next • REVIEW: Luke Bryan gets his 'Country On' at Shoreline Amphitheatre • Obituary: Crooner and icon Tony Bennett passes away at 96 • REVIEW: Manchester Orchestra and Jimmy Eat World split the bill at the Masonic • Tuesday Tracks: Your weekly new music discovery for July 18 • REVIEW: Nickelback and Brantley Gilbert throw a party at Shoreline • REVIEW: TLC, Shaggy, En Vogue take Concord Pavilion to times before Y2K • Tuesday Tracks: Your weekly new music discovery for July 11 • REVIEW: Fall Out Boy delivers anthems and spectacle at Shoreline • Tuesday Tracks: Your weekly new music discovery for July 4 • Interview: Kora master Sona Jobarteh on education reform in Africa • Tuesday Tracks: Your weekly new music discovery for June 27 • REVIEW: Logic spreads 'peace, love and positivity' at the Masonic • PHOTOS: 'Mega-Monsters' Mastodon and Gojira storm Concord Pavilion • Tuesday Tracks: Your weekly new music discovery for June 20 • Interview: Peter Frampton with gas left in the tank, glass half full for 'bonus' tour • REVIEW: Janet Jackson delivers decades of hits at Shoreline • REVIEW: Thrice operates on 'The Artist in the Ambulance' in Seattle • Tuesday Tracks: Your weekly new music discovery for June 13 • REVIEW: Ringo Starr brings his All-Starr jukebox to the Masonic • REVIEW: Christine and the Queens ascend on 'PARANOÏA, ANGELS, TRUE LOVE' • SF Giants honor E-40, Bay Area hip-hop at Oracle Park on genre's 50th anniversary • REVIEW: Noel Gallagher, Garbage in mid-tour form at Concord Pavilion • ALBUM REVIEW: Janelle Monae • REVIEW: Seal and The Buggles get classy and gritty at The Paramount • REVIEW: Melanie Martinez unlocks 'Portals' at Bill Graham Civic Auditorium • Tuesday Tracks: Your weekly new music discovery for June 6 • Interview: K.Flay roars back and makes an album; deafness be damned • ALBUM REVIEW: Noel Gallagher hides in plain sight on 'Council Skies' • Tuesday Tracks: Dominique Fils-Aimé, Olivia Dean and Jeffrey Eli • BottleRock 2023 Day 3: Red Hot Chili Peppers, Lil Nas X, 10 other sets we loved on Sunday • BottleRock 2023 Day 2: Duran Duran, Lizzo, 8 other sets we loved on Saturday • REVIEW: Shania Twain sparkles during her space western odyssey at Shoreline • BottleRock 2023 Day 1: Smashing Pumpkins, Post Malone, 10 other sets we loved on Friday • INTERVIEW: Christone "Kingfish" Ingram on being part of the evolution of blues • REVIEW: Mr. Bungle, The Melvins 'geek' out at the Fox • Tuesday Tracks: Your weekly new music discovery for May 23 • REVIEW: Love and Rockets mesmerize with tour opener at the Fox • INTERVIEW: Arts and crafts and pet rocks with grentperez • REVIEW: M83 brings his 'Fantasy' to Fox Theater • Tuesday Tracks: Your weekly new music discovery for May 16 • INTERVIEW: Teddy Swims finds the shore on 'Sleep is Exhausting' • REVIEW: Joan Baez and Taj Mahal star at Acoustic-4-a-Cure Fillmore show • PHOTOS: Lil Wayne brings intimate Welcome to Tha Carter tour to the Masonic • Interview: Nile Rodgers doing it all for the flops • Interview: Half•Alive fuses sound and vision on 'Conditions of a Punk' • Tuesday Tracks: Your weekly new music discovery for May 9 • INTERVIEW: Charlie Hall of The War On Drugs spreads vibes on instrumental LP 'Invisible Ink' • REVIEW: Crowded House keeps it in the family at the Fox • Atmosphere travels through life’s adversities on ‘So Many Realities Exist Simultaneously’ • Interview: Jordan McGraw in a pop-punk state of mind on solo LP 'Bort' • Tuesday Tracks: Your weekly new music discovery for May 2 • REVIEW: Lewis Capaldi performs his stand-up routine along with the music at the Greek • ALBUM REVIEW: Jessie Ware throws a party on 'That! Feels Good!' • ALBUM REVIEW: Bebe Rexha performs that '70s show on 'Bebe' • REVIEW: Rauw Alejandro transforms SAP Center into planet 'Saturno' • Tuesday Tracks: Your weekly new music discovery for April 25 • Interview: Margaret Cho plans jokes about high stakes on Live and LIVID! tour • Tiny Telephone studio in Oakland burglarized • ALBUM REVIEW: Tiësto brings the party to a boil on 'Drive' • Tuesday Tracks: Your weekly new music discovery for April 18 • PHOTOS: Phish kicks off three-night stand at the Greek • INTERVIEW: Hunter Hayes embraces fresh start with 'Red Sky' • REVIEW: Muse masters misdirection at fiery Oakland Arena spectacle • Tuesday Tracks: Your weekly new music discovery for April 11 • REVIEW: '72 Seasons' finds Metallica still grappling with its identity, despite a few standouts • PHOTOS: Burna Boy brings 'Love, Damini' tour to Oakland Arena • Sacramento's Sol Blume festival postponed to August because of flooding from winter storms • ALBUM REVIEW: 'Never Enough' is a journey of self-reflection for Daniel Caesar • Tuesday Tracks: Your weekly new music discovery for April 4 • Interview: John Oates looking to get reconnected to concert audiences • REVIEW: Future, Don Toliver and friends host One Big Party at Oakland Arena • ALBUM REVIEW: The Zombies recapture their old magic with 'Different Game' • Tuesday Tracks: Your weekly new music discovery for March 28 • REVIEW: CIX brings K-pop soul to Paramount Oakland tour closer • REVIEW: Depeche Mode celebrates life, acknowledges death at SAP Center • REVIEW: Maggie Lindemann busts loose at Bimbo's on first headlining tour • ALBUM REVIEW: Babymetal rules them all on 'The Other One' • ALBUM REVIEW: Pink Floyd returns to 'The Dark Side of the Moon' on latest reissue • Tuesday Tracks: New music discovery for March 21 • Interview: Sasha Spielberg loving love, turning it into musical inspiration as Buzzy Lee • ALBUM REVIEW: M83 goes further down the rabbit hole on 'Fantasy' • REVIEW: Toronto's Nav and friends wide awake at the Masonic • SF visits the 'Haus of Holbein:' An interview with SIX's Jasmine Forsberg • REVIEW: SZA and Omar Apollo take Oakland Arena on a two-hour tour • REVIEW: Ibeyi invokes magic at August Hall • REVIEW: Marc Anthony 'goes there' at raucous Viviendo Tour show at Chase Center • ALBUM REVIEW: Periphery delivers brutality on 'Djent is Not a Genre' • Tuesday Tracks: Your weekly new music discovery for March 7 • Q&A: Vanessa Carlton faces off with 'Future Pain' on first headlining tour in years • Column: Warriors fuse music, athleticism on African American heritage night at Chase Center • Appreciation: Jazz great and innovator Wayne Shorter dead at 89 • Interview: Damian Lillard on the next Dame D.O.L.L.A. album, the viral plane freestyle • ALBUM REVIEW: Kali Uchis' heart aflutter on 'Red Moon in Venus' • Tuesday Tracks: Your new music discovery for Feb. 28 • Interview: Ibeyi ready to cast spells on first U.S. tour in years • PHOTOS: Static-X kicks off 'Machine' anniversary tour at the Fillmore • RIFF RADIO: Sophie Lloyd lights it up with Trivium collaboration • ALBUM REVIEW: Shame, ‘Food for Worns’ • Tuesday Tracks: Your new music discovery for Feb. 21 • REVIEW: The Isley Brothers lead sexy Valentine's Super Love Jam bill at SAP Center • ALBUM REVIEW: P!nk takes an emotional leap on 'Trustfall' • Q&A: P1Harmony set in and saddle up on their second U.S. tour • Tuesday Tracks: Your weekly new music discovery for Feb. 14 • Warriors welcome guitar hero Miyavi on Japanese Heritage Night • INTERVIEW: Lilith Czar moving on from 'filth and dust' to her next phase • ALBUM REVIEW: 'This Is Why' a triumphant battle cry for Paramore • Interview: Jade LeMac maps the 'Constellations' on debut EP • Interview: Scott Hoying of Pentatonix finds life on ‘Mars’ and with solo music • Tuesday Tracks: Your weekly new music discovery for Jan. 31 • REVIEW: J.I.D and Smino show 'Luv 4Ever' to Oakland on Sunday • OBITUARY: Tom Verlaine of hugely influential band Television dead at 73 • REVIEW: Fred Armisen mixes music and comedy at first of three SF Sketchfest gigs at GAMH • Q&A: The Charlatans' Tim Burgess on 'Between 10th and 11th,' tweeting with a Beatle • INTERVIEW: Stacey Ryan a pop artist who wants to bring jazz to the masses • REVIEW: P1Harmony rings in the lunar new year at the Paramount in Oakland • Insert Foot: The saddest thing about David Crosby's death isn't that he died at 81 • REVIEW: Carly Simon revisits 'Grand Central' on reissued live album • OBITUARY: David Crosby, melodious heart of the Byrds and CSNY, dead at 81 • INTERVIEW: Kings Elliot finds strength in vulnerability • Tuesday Tracks: Your new music discovery for Jan. 17 • REVIEW: Macy Gray introduces Napa's Blue Note to her next album • Eat, sleep, rave: Flume and Fatboy Slim give Portola Festival its groove on Day 1 • Obituary: Lisa Marie Presley dead after cardiac arrest at 54 • Obituary: Guitar great Jeff Beck dead at 78 after brief illness • Q&A: Homeboy Sandman wants to build a label with the greatest rappers in the world • Tuesday Tracks: Your weekly new music discovery for Jan. 10 • INTERVIEW: Chevelle looks for a new formula, tries to reignite 'NIRATIAS' • Rexx Life Raj on his family history of activism, systemic racism, how to help • ALBUM REVIEW: Iggy Pop and friends get back to acting like punks on 'Every Loser' • Interview: "The Swimmers" actress Nathalie Issa on representing the migrant story • Tuesday Tracks: Our favorite tracks of 2022 and the first of 2023 • Interview: Tommy Howell's music goes back to his cowboy roots • REVIEW: Les Claypool ends the year right with Bastard Jazz at JaM Cellars Ballroom • RIFF WITH: Maggie Lindemann serves up a 'Suckerpunch' on debut album • Interview: Derek Hoke on his 'Electric Mountain'—'Like Devo playing country' • The 10 best K-pop songs of 2022 • INTERVIEW: Thrice reimagines 'The Illusion of Safety' 20 years later • Rachel Goodman’s 30 best alt-rock and alt-pop songs of 2022 • Tuesday Tracks: Your weekly new music discovery for Dec. 20 • Holiday Tracks: Some of our favorites from 2022 • Interview: The Moody Blues' Justin Hayward finds his sound at lower volume • Interview: South African crooner Lloyiso connects to elephant roots en route to U.S. success • INTERVIEW: Theory of a Deadman won't go the way of the 'Dinosaur' • The 20 best hip-hop albums of 2022 • REWIND: Ranking "Lux Æterna" against other recent Metallica singles • INTERVIEW: Ruthie Foster cooks her way to 'Healing Time' • REVIEW: Weyes Blood sets her fans aglow in Los Angeles • The 67 best albums of 2022: 10-1 • The 67 best albums of 2022: 20-11 • The 67 best albums of 2022: 40-31 • ALBUM REVIEW: Mount Westmore delivers the message with 'Snoop Cube 40 $hort' • The 67 best albums of 2022: 54-41 • The 67 best albums of 2022: 67-55 • Tuesday Tracks: Your weekly new music discovery for Dec. 6 • RIFF RADIO: Sick Puppies' bassist Emma Anzai pulls double duty with Evanescence • REVIEW: Everclear celebrates 30th birthday at the Whisky • REVIEW: Matty Healy and The 1975 bring suburban anxiety, Jack Antonoff to SF • Obituary: Fleetwood Mac's Christine McVie dead at 79 • Tuesday Tracks: Your weekly new music discovery for Nov. 29 • Interview: Amy Shark on 'Australian Idol,' letting exes down gently and getting the star treatment • INTERVIEW: STP's Robert De Leo reconnects to guitar on 'Lessons Learned' • Tuesday Tracks: New music discovery for Nov. 22 • ALBUM REVIEW: Weyes Blood weaves a spell on 'And In the Darkness, Hearts Aglow' • REVIEW: It's not too cold for Morrissey at the Fox in Oakland • REVIEW: The Cult delivers thunderous performance at the Warfield • REVIEW: Pentatonix full of festive cheer at Oakland Arena Christmas tour opener • REVIEW: Smashing Pumpkins, Jane's Addiction in fine form at Chase Center • Tuesday Tracks: Your weekly new music discovery for Nov. 15 • Introducing GALE: Puerto Rican songwriter breaks out as a solo artist • PHOTOS: Lizzo has one 'Special' night at San Francisco's Chase Center • REVIEW: Maisie Peters blasts through fun Fillmore show • ALBUM REVIEW: Nas maintains his reign with 'King's Disease III' • Interview: East Bay native Sophie Pecora, of "AGT" fame, on her new life in L.A. • Tuesday Tracks: Your weekly new music discovery for Nov. 8 • REVIEW: The London Suede, Manic Street Preachers burn bright at the Warfield • REVIEW: Charlie Puth full of stories and inspiration at Davies Symphony Hall • REVIEW: Zac Brown Band stages a play in three acts at Oakland Arena • REVIEW: ATEEZ highlights the hip-hop in K-pop at Oakland tour opener • REVIEW: Måneskin revives the rock and roll gods at the Masonic • ALBUM REVIEW: Phoenix spends a night at the museum on 'Alpha Zulu' • ALBUM REVIEW: First Aid Kit back in the saddle on 'Palomino' • Interview: Brian Fallon still has something to say with The Gaslight Anthem • Migos' Takeoff dead at 28 after Houston shooting • Tuesday Tracks: Your weekly new music discovery for Nov. 1 • PHOTOS: St. Lucia brings 'Utopia' to August Hall • INTERVIEW: Taipei Houston carries the torch on 'Once Bit Never Bored' • REVIEW: Panic! at the Disco rocks Chase Center with a 'Vengeance' • Interview: Echosmith 'Hang Around' and find purpose in family • SLIDESHOW: No lonely times at Carly Rae Jepsen album release show at the Greek • ALBUM REVIEW: Taylor Swift strikes 'Midnights' on her return to pop • ALBUM REVIEW: Arctic Monkeys downshift on retro-tinged concept LP ‘The Car’ • REVIEW: Death Cab for Cutie sounds better than ever in Anaheim • REVIEW: Scorpions still sound and look (mostly) like the Scorpions of old • Interview: Simple Minds' Jim Kerr on looking back to move forward • Interview: Kalush Orchestra shows Ukrainian culture on "Eurovision" and in the U.S. • Tuesday Tracks: New music discovery – Oct. 18 • ALBUM REVIEW: Ashe has a little fun branching out on 'Rae' • Q&A: Aussies Ocean Alley bring their 'Low Altitude Living' to the States • ALBUM REVIEW: Red Hot Chili Peppers stay prolific on 'Return of the Dream Canteen' • Alanis Morissette’s music reaches new generation in 'Jagged Little Pill' at BroadwaySF • AFTERSHOCK: Muse leads headliner triple-header in festival finale • AFTERSHOCK: Papa Roach proves you can come home again on day 3 • AFTERSHOCK: KISS lights up 'Sacra-mental' on raucous day 2 • AFTERSHOCK: Slipknot, Rob Zombie top the first day • ALBUM REVIEW: Charlie Puth looks for life after love on 'Charlie' • REVIEW: My Chemical Romance delivers a true emo night at Oakland Arena • REVIEW: Rosalía all that and more at 'MOTOMAMI' Bill Graham Civic show • Tuesday Tracks: Your weekly new music discovery for Oct. 4 • Interview: Inside Amanda Shires’ new circle of positivity • REVIEW: Kehlani makes a 'splash' at Oakland Arena • Interview: Metric brings its mental oasis 'Formentera' on the road • ALBUM REVIEW: Pop go the Pixies on 'Doggerel' • ALBUM REVIEW: Yeah Yeah Yeahs get vulnerable on 'Cool It Down' • REVIEW: Jack Johnson finds his butter zone at the Greek • REVIEW: Iron Maiden makes all the effort at Concord Pavilion • Tuesday Tracks: Your new music discovery for Sept. 27 • REVIEW: Roxy Music and fans celebrate Bryan Ferry's birthday at Chase Center • Chemical Brothers, Four Tet + Floating Points smooth out Portola Festival's rough grooves • REVIEW: Hardwell woos all of the ravers at Bill Graham Civic • REVIEW: Roger Waters has his doomsday clock ticking at Chase Center tour stop • Q&A: Congolese artist Fally Ipupa wants Americans to see how his people celebrate • REVIEW: Gorillaz rev up Chase Center and debut new song • Tuesday Tracks: Your weekly new music discovery - Sept. 20 • Talking music with Gabe Kapler and the SF Giants • REVIEW: Twenty One Pilots melt the ice at fiery Chase Center gig • REVIEW: Coma Girls bring their new album to the Echoplex • PHOTOS: Swedish House Mafia finds 'Paradise Again' at Chase Center • ALBUM REVIEW: Death Cab for Cutie full of existential dread on 'Asphalt Meadows' • REVIEW: Bad Bunny sets Oakland on fire with his World's Hottest Tour • PHOTOS: The Kid LAROI shows 'STAY'-ing power at the Warfield • Tuesday Tracks: Your Weekly New Music Discovery – Sept. 13 • Interview: Alice Merton gets her 'Loveback' on new album 'S.I.D.E.S.' • REVIEW: Def Leppard, Mötley Crüe, Poison and Joan Jett regale the past at Oracle Park • Tuesday Tracks: New music discovery – Sept. 6 • REVIEW: Osees are better late at The Chapel • REVIEW: Duran Duran and Nile Rodgers mix old with new at Chase Center • REVIEW: Alicia Keys unlocked but still loaded at Chase Center • Interview: Courtney Reed, 'Moulin Rouge!' bringing Top-40 singalongs to SF • REVIEW: Hanson bops through all the colors at the Fillmore • REVIEW: Franz Ferdinand clubs Oakland with its 'Hits to the Head' • Tuesday Tracks: Your Weekly New Music Discovery – Aug. 30 • Interview: Chris Spino (Coma Girls) on facing addiction, homelessness to get to his new LP • The Weeknd dances 'After Hours 'til Dawn' at Levi's Stadium • ALBUM REVIEW: Muse comes full circle on expansive 'Will of the People' • REVIEW: The Killers spread peace, love and rock at Chase Center • Michael, Kevin Bacon pushing past quarter-century as the Bacon Brothers • REVIEW: Kid Cudi leaves the audience over the moon at Oakland Arena • Tuesday Tracks: Your Weekly New Music Discovery – Aug. 23 • REVIEW: Warpaint gets dynamic at Berkeley's UC Theatre • Q&A: José González on how fatherhood has helped him find his playful side • REVIEW: K-poppers Seventeen show '_WORLD'-dominating potential at Oakland Arena • Tuesday Tracks: New music discovery - Aug. 16 • REVIEW: Phil Lesh & Friends breathe life into The Dead at Stern Grove • REVIEW: Ahead of Bay Area gig, Chris Brown, Lil Baby bring One of Them Ones tour to Florida • Q&A: Actress Frankie McNellis on bringing '13: The Musical' to Netflix • REVIEW: Sum 41, Simple Plan reignite the past at the Masonic • Tuesday Tracks – Aug. 9 • REVIEW: The Lumineers light up Chase Center with 'Brightside' • Outside Lands: Post Malone, Weezer and 6 more Sunday highlights • Outside Lands: Green Day, Jack Harlow and 7 more Saturday highlights • Outside Lands: SZA, Lil Uzi Vert, Oliver Tree and more Friday highlights • REVIEW: Josh Groban brings Harmony to L.A.'s Greek Theatre • Tuesday Tracks - Aug. 2 • CONCERT REVIEW: Dierks Bentley brings the beer and the party to the Bay • Tuesday Tracks - July 26, 2022 • Interview: Artist and activist Ana Tijoux searches for the right words • REVIEW: Chris Stapleton sings the grateful blues at Shoreline • REVIEW: Machine Gun Kelly flies the friendly skies Oakland Arena • Interview: Hoodie Allen goes pop-punk on new breakup album • ALBUM REVIEW: Interpol discovers the dark on 'The Other Side of Make-Believe' • ALBUM REVIEW: Lizzo will make you feel 'Special' on new LP • REVIEW: Stray Kids muddy the waters of K-pop in exciting ways in Oakland • REVIEW: The Shins take a knee for indie rock nostalgia at the Warfield • Tuesday Tracks – July 12, 2022 • REVIEW: Fleet Foxes make the big feel intimate at the Greek Theatre • Interview: Mikel Jollett on The Airborne Toxic Event performing with SF Symphony • REVIEW: Kraftwerk goes 3D at Bill Graham Civic Auditorium • ALBUM REVIEW: James Bay tries to dig himself out of a pit on 'Leap' • Interview: Art Alexakis still cares: The Everclear leader on 30 years since 'World of Noise' • Tuesday Tracks - July 5, 2022 • REVIEW: Bikini Kill, The Linda Lindas speak the language of punk at Mosswood Meltdown • REVIEW: Norah Jones, Regina Spektor turn Oxbow RiverStage into a nightclub • ALBUM REVIEW: 'Superache' by Conan Gray is a cathartic Gen Z release • ALBUM REVIEW: Luke Combs shepherds country forward on 'Growin' Up' • 'The Matrix' composer Don Davis on his influences, hiring and live shows with SF Symphony • REVIEW: Carlos Santana brings Latin heat to scorching Shoreline • Tuesday Tracks - June 21, 2022 • REVIEW: Andrea Bocelli allures with his operatic songbook at SAP Center • REVIEW: Tori Amos brash and virtuosic on Los Angeles tour closer • RIFF RADIO: Mark Tremonti wants to 'Take a Chance' with Sinatra covers album • ALBUM REVIEW: Foals create smart, living dance rock on 'Life Is Yours' • Hadestown at BroadwaySF • Too Short, Tower of Power kick off Stern Grove Festival after 2021 flooding • REVIEW: Chicago and Brian Wilson at Concord Pavilion • REVIEW: Erykah Badu at the Greek • REVIEW: Prateek Kuhad at the Fillmore • INTERVIEW: Vance Joy • REVIEW: Jack White at Shoreline Amphitheatre • SLIDESHOW: Tears for Fears at Shoreline • REWIND: Dave Brubeck and four other jazz musicians you should know • PHOTOS: Pusha T at the Regency Ballroom • Tuesday Tracks – May 31, 2022 • BottleRock Day 3: P!NK, Alessia Cara, 12 others we loved on Sunday • BottleRock Day 2: Twenty One Pilots, Mount Westmore, 8 more we loved Saturday • BottleRock 2022 Day 1: Metallica, Greta Van Fleet, 6 other sets we loved on Friday • Tuesday Tracks – May 24, 2022 • INTERVIEW: Jordan Benjamin (grandson) builds a movement with 'Death of an Optimist' • REVIEW: Bauhaus gets stark during the first of two nights in S.F. • SLIDESHOW: Bauhaus glitters for two nights at The Masonic in San Francisco • PHOTOS: Durand Jones and The Indications at the Fox • REVIEW: LP at the Fox in Oakland • The 'new' Moonalice wants to give BottleRock the "Summer of Soul" feeling • INTERVIEW: The Warning • PHOTOS: Sigur Rós brings peace and chaos to Stanford • Tuesday Tracks – May 17, 2022 • REVIEW: Gang of Youths at the Fillmore • Guest column: Local 17-year-old drummer on performing with Pearl Jam • ALBUM REVIEW: The Chainsmokers 'So Far So Good' • REVIEW: Pearl Jam overcomes drummer's absence, teases Bridge School revival in Oakland • ALBUM REVIEW: Florence and the Machine 'Dance Fever' • Q&A: Dennis Quaid • Tuesday Tracks – May 10, 2022 • ALBUM REVIEW: Simple Plan, 'Harder Than It Looks' • PHOTOS: Suki Waterhouse at Café du Nord • REVIEW: Paul McCartney packed all the punches as he "Got Back" to Oakland • ALBUM REVIEW: Jack Harlow ‘Come Home the Kids Miss You’ • REVIEW: The Black Crowes at the Whisky a Go Go • REVIEW: Lorde at Bill Graham Civic • REVIEW: Royal Blood at the Fox Theater • Tuesday Tracks – May 3, 2022 • ALBUM REVIEW: Arcade Fire 'WE' • ALBUM REVIEW: Sharon Van Etten 'We've Been Going About This All Wrong' • ALBUM REVIEW: Simple Plan 'Harder Than It Looks' • ALBUM REVIEW: Sigrid 'How To Let Go' • Guest Column: Jean-Philip Grobler of St. Lucia • REVIEW: Joseph at Freight & Salvage • ALBUM REVIEW: Pusha T 'It's Almost Dry' • ALBUM REVIEW: Kehlani 'blue water road' • ALBUM REVIEW: Willie Nelson 'A Beautiful Time' • ALBUM REVIEW: Miranda Lambert 'Palomino' • ALBUM REVIEW: Rammstein 'Zeit' • ALBUM REVIEW: The Head and The Heart 'Every Shade of Blue' • Tuesday Tracks – April 26, 2022 • Q&A: Molchat Doma • INTERVIEW: Royal Blood • REVIEW: Mogwai at the Fillmore • INTERVIEW: Taylor Bennett • REVIEW: The Warning at Berkeley's Cornerstone • Tuesday Tracks – April 19, 2022 • ALBUM REVIEW: Dorothy 'Gifts From The Holy Ghost' • ALBUM REVIEW: King Gizzard & The Lizard Wizard 'Omnium Gatherium' • ALBUM REVIEW: Fontaines DC 'Skinty Fia' • ALBUM REVIEW: Metallica's Kirk Hammett 'Portals' • ALBUM REVIEW: Jewel 'Freewheelin' Woman' • ALBUM REVIEW: Orville Peck 'Bronco' • ALBUM REVIEW: Vince Staples 'Ramona Park Broke My Heart' • ALBUM REVIEW: Papa Roach 'Ego Trip' • INTERVIEW: Lola Kirke • CONCERT REVIEW: Ministry & the Melvins at the Warfield • REVIEW: Mike Campbell and the Dirty Knobs at the Independent • PHOTOS: Freddie Gibbs at the Regency Ballroom • ALBUM REVIEW: Kurt Vile, '(watch my moves)' • REVIEW: Denzel Curry at The Warfield • Interview: Alec Benjamin • Introducing Satya: Oakland-born artist in the Big Easy • BamBam at Warriors/Lakers game • REVIEW: Lights at the Regency Ballroom • Tuesday Tracks: April 5 • 2022 Grammy Awards: Complete live results and notable moments • ALBUM REVIEW: Wet Leg • Interview: Alexander Jean • REVIEW: Journey and Toto at Chase Center • REVIEW: Billie Eilish at Chase Center • PHOTOS: Inhaler at The Fillmore • REVIEW: Dua Lipa at SAP Center • ALBUM REVIEW: Red Hot Chili Peppers 'Unlimited Love' • REVIEW: Lights 'PEP' • ALBUM REVIEW: Denzel Curry 'Melt My Eyez See Your Future' • Obituary: Taylor Hawkins • REVIEW: Elle King at the Regency Ballroom • REVIEW: Machine Gun Kelly 'Mainstream Sellout' • ALBUM REVIEW: Maren Morris 'Humble Quest' • ALBUM REVIEW: Wallows 'Tell Me That It's Over' • Tuesday Tracks - March 22, 2022 • Q&A: Steve Dawson • ALBUM REVIEW: Placebo 'Never Let Me Go' • REVIEW: Daughtry at San Jose Civic • ALBUM REVIEW: Rosalía ‘MOTOMAMI’ • ALBUM REVIEW: Weezer 'SZNZ: Spring' • Tuesday Tracks: March 15, 2022 • Q&A: Melissa Etheridge • ALBUM REVIEW: Rex Orange County • REVIEW: The War On Drugs at Bill Graham • INTERVIEW: Cannons • REVIEW: Oliver Tree at the Warfield • Q&A: Keb' Mo' • REVIEW: Fletcher at the Fillmore • Alex Kapranos' fave best-of albums • REVIEW: Bad Bunny at SAP Center • REVIEW: JoJo at the Warfield • Insert Foot: Is Disneyland worth the $? • REWIND: IWD w/women who rock • REVIEW: Poppy at UC Theatre Berkeley • PHOTOS: Still Woozy at the Warfield • Tour of Nashville w/Camaron Ochs • REVIEW: Spoon at The Observatory