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larishapaul has been a member of Linktree for 2 years and joined in December 2023. The social media accounts linked to from larishapaul are: • Instagram • X Besides social media accounts, larishapaul has populated their site with: • Manon's Katseye Hiatus Reflects Racism Black Girl Group Members Face • Tickets: MAIN POP GIRL PARTY • Charli XCX, Doechii, Troye Sivan Lead Wave of Pop Star Substack Essays • Rihanna Released 'Anti' 10 Years Ago. She Still Rules Pop and Culture • Dermot Kennedy on New Album 'The Weight of the Woods,' Zach Bryan, More • Dating in 2025, According to Olivia Dean, Sabrina Carpenter, Amber Mark • Stories by Larisha Paul : Contently • How Tyler, the Creator Landed Regina King Cameo for 2026 Grammy Awards • Harry Styles Fans React to New Single at NYC Listening: 'As Soon As I Heard His Voice, I Was Crying' • The Kid LAROI Made an Album About His Breakup. Is It Any Good? • One Direction and Justin Bieber Album Battle 10 Years Later: Who Won? • The Weeknd's 'Hurry Up Tomorrow' Not Nominated for 2026 Grammy Awards • Shawn Mendes Returns With Greatest Hits Show at Forest Hills Stadium • 5 Seconds of Summer Interview: New Album ‘Everyone’s a Star’ • Olivia Dean 'The Art of Loving' Review • Halsey Interview: 'Badlands' 10th Anniversary, 2025 Tour, Videos • Mark Ronson Talks Debuting New Biggie in the Club, Meeting Aaliyah, and Growing Up in New York • Mark Ronson Talks New Memoir 'Night People,' Nineties New York • The Perpetual Pop-Punk Love Affair: Why Both Genres Keep Coming Back for More • Taylor Swift's Original Recordings Were Always Going to Be Better • Calum Hood Unseals the Cathartic Confessions of 'Order Chaos Order' • Why Does Everything Sound Like an Audition Song for 'The Voice'? • Morgan Wallen Is One of Music's Most Radioactive Stars. Tate McRae Stepped in the Hazard Zone • 5 Seconds of Summer's Calum Hood Gives in to Heartbreak on Solo Debut 'Don't Forget You Love Me' • Malcolm Todd Steps Into the Pop Arena With Knockout Debut • Critics Called Sabrina Carpenter's Show 'Explicit.' Her Choreographer Backs Every Move • When Are Young Women In Pop Allowed To Grow Up? • Parasocial Bonds and Political Attacks: Why It's Never Been Harder for Artists to Protest • Hozier Unearths Devotional Epic 'Hymn to Virgil': 'I Didn't Think It Was Worth Releasing' • Hozier Thought About Taking a Long Break. Instead He Made a Smash Hit • Shaboozey Deserves More Than What the CMA Awards Gave Him -- Including an Apology • How Griff Raced Against the Clock to Rescue 'Last Night's Mascara' From Her Graveyard of Demos • Griff and Rachel Chinouriri Didn't Fit Into the Typical Pop Mold -- So They Created Their Own • I Owe One Direction Everything. Liam Payne's Death Means Mourning My Memories • How Halsey Is Keeping the Spirit of Tumblr Alive • Charli XCX Brought Her 'Brat' Remix Album to an Outdoor Art Museum. It Fit Right In • 'Cowboy Carter' Was Never Going to Change the CMA's Mind About Beyoncé • Terrorists Threatened a Taylor Swift Concert. Here's How the Swifties Fought Back • Porter Robinson Dissects Codependency With MySpace-Era Maximalism on 'Smile! :D' • Omar Apollo Is the Sweet, Moody Pop Polymath We Need • How Real Hitmakers and a Boy Band Bootcamp Made Nicholas Galitzine a Pop Star in 'The Idea of You' • Taylor Swift and Jack Antonoff Have Reached Their Limit • Taylor Swift and Post Malone Were in the 'Tortured Poets Department' Together Way Before 'Fortnight' • Where to Next? Predicting Beyoncé's Act III • Beyoncé's 'Cowboy Carter' Rollout Pays Homage to Country Music's History: All the Easter Eggs • Justin Timberlake's 'Everything I Thought It Was' Tells Us What We Already Knew • Tyla Wants To Show America How To Really Party • How a Retired YouTube Astrologer Ended Up on Ariana Grande's 'Saturn Returns Interlude' • How Galantis and David Guetta Met Their Match With 5 Seconds of Summer on 'Lighter' • Beyoncé Always Said You'll Never Take the Country Out Her • Macklemore Made His Private Apology Public 10 Years Ago and the Grammys Haven't Been the Same • Jay-Z Stands With Hip-Hop and Defends Beyoncé at Grammys: 'At Least Get It Close to Right' • Booking Joni, Rescuing Mariah From Traffic: The Making of the 2024 Grammys • Are Lil Nas X's Provocations Getting Old? • Beyoncé and Taylor Swift Shared Spotlights This Year -- Their Legacies Are Still Incomparable • Pop Girl Tate McRae Has No Tears Left To Cry On 'Think Later' • POPCAST: Tate McRae, Dua Lipa and the Fight to Be ‘Main Pop Girl’ • Luke Hemmings Is a Fountain of Existentialism on His New Single -- And He Doesn't Want to Turn It Off • Hayley Williams Was Afraid She Couldn't Face the World -- Then Paramore 'Found Each Other Again' • How Beyoncé Has Used Her Concert Films to Tell Us Who She Really Is • How Lorde Prophesied the Tumblr Generation's Bittersweet Coming-of-Age on 'Ribs' • The Recording Academy Won't Give Beyoncé Her Flowers, But Lizzo Definitely Will • Your Favorite Romance Author Is Probably a Swiftie • This Swiftie Went to 20 Eras Tours. It Only Cost Her $5,000 • 'The Eras Tour' Movie: Theater Employees Brace for Rowdy Swifties and Concert Culture • Take Me Home Found One Direction Rewriting The Boy-Band Script • Beyond Wonderland Attendees Detail 'Chaos' of Shooting: 'I'm Not OK' • 20 Years of Brandy’s ‘Full Moon’: How the ‘Vocal Bible’ Set the Gold Standard For Modern R&B Vocalists • USA Today's Beyoncé Reporter Is More Than Just a Fan • Inside the industrial world of Doja Cat’s headline-ready Coachella performance • GloRilla Concert Venue Was Known Locally as a 'Death Trap.' Now It's Actually Become One • 'I Hope to Be Back Here': Lil Nas X Manifests Decades of Success at Songwriters Hall of Fame Ceremony • How the Intimate ‘Charli XCX: Alone Together’ Doc Came Together • The Incomparable Creative Vision Of Lil Nas X: 'Montero' Collaborators Detail How "We're All Just An Extension Of Him & His Ideas" | GRAMMY.com • Inside The Visual World Of Billie Eilish's 'Happier Than Ever,' A Testament To Her "Brilliant" Creative Vision | GRAMMY.com • The Fugees Bask in the 'Miracle' of Their Reunion at First Show in 15 Years • Why pop music’s girl group resurgence isn’t afraid to take up space • Nicki Minaj Isn't Afraid of Setting Fires -- But Her Legacy Might Get Scorched, Too • Men Will Try Anything Online to Provoke Megan Thee Stallion • On 'Bangerz,' Miley Cyrus Shook Culture and Ass. It Took a While to Shake Off the Shame • Beyonce’s ‘Break My Soul’ Whips Up a Timely Resilience Anthem With House Beats and Self-Reflection • ‘Your World Is Waiting’: On ‘As It Was,’ Harry Styles Reemerges Different But Wiser • 'Better Than Revenge (Taylor's Version)': Why Taylor Swift Shouldn't Rewrite Her Own History • The Drake-ification of Jack Harlow • The Internet Went From Playground to Minefield for Artists Like Doja Cat -- So They're Logging Off • Billboard’s Greatest Pop Stars of 2021: Rookie of the Year — Olivia Rodrigo • What is the true purpose of the pop music documentary? • 20 Questions With Luke Hemmings: Why the 5 Seconds of Summer Leader ‘Needed To Make’ His Solo Debut • Uproxx Cover Story: Conan Gray And The Art Of Healing • We've Got A File On You: Hailee Steinfeld • Victoria Monét on Sex, Soul, and Women 'Doing What the F-ck We Want' • Burnout Drained the Color From Del Water Gap's World. His New Album Brought it Back • Brent Faiyaz on Bad Habits, Zodiac Signs, and Scorsese • Allison Russell Is Changing People's View of Americana -- The Grammys Are Next • How Zara Larsson Became Her Own Poster Girl • Life Taught Willow a Lot in Recent Years. You Can Hear It on Her New Single • 20 Questions With Louis Tomlinson: How ‘Faith in the Future’ Built His Confidence and Showed Who He Truly Is • Jorja Smith Put Herself First and the Rest Fell Into Place • The Band Camino Always Held Onto Their Past. Their New Album Helped Them Let Go • Joshua Bassett Gets The Hard Conversations Off His Chest On His EP • How meditation took Tamino to the “in-between realm” on Sahar • On Panorama, Hayley Kiyoko takes in the view while the stars align • How Mod Sun Went From Tortured Artist to a 'Messenger for the Other Side of Life' • Chlöe Has a Message for the 'People Who Told Me I Couldn't Do This' • Gen F: Zora is living her truth • How Labrinth scored Euphoria’s second season on pure instinct • On Banish The Banshee, Isaac Dunbar explores his inner villain • BANKS needed to transform to shed the weight of the past • PinkPantheress Battles Anxiety, Follows Her Curiosity, and Finds New Life on 'Heaven Knows' • Doja Cat Brawls in the Trenches of the IDGAF War on 'Scarlet' • Miley Cyrus Needs No Audience or Introduction in 'Endless Summer Vacation' Special • Louis Tomlinson Revisits Past Challenges, Celebrates Hard-Won Success in 'All of Those Voices' Documentary • Niall Horan Enters His Certified Lover Boy Era on 'Heaven' • Taylor Swift’s ’Midnights’ Is Only Profound If You Need It To Be • Harry Styles finally feels at home on Harry’s House • Bastille’s guide to the escapist thrills of new album Give Me The Future • Rina Sawayama Repackages Therapeutic Breakthroughs On ’Hold The Girl’ • On ’Smithereens,’ Joji Can’t Escape The Past • On Holy Fvck, Demi Lovato sounds like herself • Calvin Harris and pop music’s search for connection • Charli XCX embraces pop like never before on CRASH • Harry Styles' Stomper Robot Searches for Connection in Disney Pixar-Rivaling 'Satellite' Video • Angsty Pop Stans Are Ready for Olivia Rodrigo to Tell Them How to Feel • The 1975's Matty Healy Apologizes for Offending Ice Spice, But Not for Those Same Offensive Jokes • Halsey Puts Years-Long Emotional Ride to Rest on 'Die 4 Me' Extended Version • Song You Need to Know: Lizzo's 'Coldplay' • New York Times Popcast: What's Next for Jack Harlow? • The Best 5 Seconds Of Summer Songs, Ranked