Justin Duyao

Justin Duyao has been a member of Linktree for 4 years and joined in November 2021. The social media accounts linked to from Justin Duyao are: • Instagram • LinkedIn • Email Besides social media accounts, justinduyao has populated their site with: • Subscribe to Good Soup • PREVIEW | Art in the Pearl celebrates 30th anniversary • REVIEW | Trisha Baga’s ‘MORE’ at Converge 45 Triennial: A disorienting, ultimately revealing mind trip • INTERVIEW | Avantika Bawa at the sā Ladakh Biennial • PREVIEW | TBA ’26 finds new ways to bring artists and audiences together • FEATURE | Artist Mentorship Program gives homeless youth a place to find a meal, mentorship, and music • REVIEW | ‘In Search of Portland’: Author Brian Libby takes readers on six walking tours around a city in constant flux • PROFILE | Honoring a legacy: Confluence celebrates Patricia Whitefoot • REVIEW | The 2026 Converge 45 Triennial: Here, To you, Now • Listen to Tertiary • PREVIEW | Portland Arts Week debuts with a citywide celebration of art and sports • INTERVIEW | Steven L. Grafe retires from Maryhill Museum of Art • PROFILE | ‘Lillian Pitt: Art, Memory, Home’ at the Museum at Warm Springs • INTERVIEW | A maritime mystery inspires Stephen Hayes’ debut novel, ‘Return of the Mary Celeste’ • REVIEW | Sable Elyse Smith at The Contemporary Austin • REVIEW | Rana Begum: Reflection • FEATURE | Buckman Journal: ‘We print stuff that we enjoy’ • REVIEW | Yoko Ono: Music of the Mind • INTERVIEW | What is the point of an art critic? Oregon arts writers share their thoughts • ESSAY | Maybe the critics are already dead • REVIEW | Portland Poetry Confluence brings poets working on the margins to center stage • REVIEW | Gather:Make:Shelter and Oregon Symphony present ‘Midsummer Night’s Dream Machine’ • FEATURE | What Portland’s First New York Art Gallery Means for the City • REVIEW | An Incomplete Catalog of Disappearance • REVIEW | Dinh Q. Lê at Elizabeth Leach Gallery • REVIEW | Trio of exhibits celebrates Arlene Schnitzer’s contributions • REVIEW | Livien Yin: Thirsty • ESSAY | Where Bison Roam Free • REVIEW | Jordan Weber: New Forest, Ancient Thrones • INTERVIEW | Dao Strom & Jyothi Natarajan • PROFILE | Jimmy Fike • PROFILE | Nancy Good • REVIEW | A Mouth Holds Many Things • REVIEW | My Heart Has So Many Flaws • ESSAY | Art and activism come together at the Canal Projects Library • REVIEW | How the nine-to-five gave artists ways to make a living • REVIEW | Fair Deal: High Desert Art Fair’s New Take on an Old Format • ESSAY | One Work: Philip Brun Del Re • INTERVIEW | Elizabeth Rooklidge, On Life Though the Lens of Chronic Illness • REVIEW | Performa Biennial — New York’s mesmerising performance art festival returns • REVIEW | Light, Life, and Color: Tiny Tree by Kelly Lynn Jones at The Pit, Palm Springs • REVIEW | Morris Hirshfield Rediscovered • INTERVIEW | Heath Creel, Why Photography? Why Now? • REVIEW | Chase Biado at The Pit Los Angeles • REVIEW | Alic Brock at Simchowitz • ESSAY | On Marinta Skupin's "You Will Never Be Lovlier" • PROFILE | Josh Tafoya • PROFILE | Bella Maria Varela • REVIEW | Xican-a.o.x. Body • PANEL | Minga Opazo at Oolong Gallery • ESSAY | On C Fodoreanu's “Ode to the Lake Sacalaia” • PROFILE | Brie Ruais Invigorates Body-Based Conceptual Art for a New Generation • REVIEW | Esther Pearl Watson at Vielmetter Los Angeles • REVIEW | Death of the Flower, Birth of the Fruit • ESSAY | Celia Álvarez Muñoz’s Situates Her Practice at the U.S.-Mexico Confluence • INTERVIEW | Evan Apodaca with HereIn • ESSAY | A-Z West Might Make You Rethink Absolutely Everything • REVIEW | Desert X 2023 Attempts to Engage Problems Facing the Coachella Valley, With Varied Results • ESSAY | On Robots, Emotions, and the Enigma of Good Art Writing — HereIn • NEWS | MOPA Celebrates 40-Year Legacy of Inspiring Photography and Art in Balboa Park • INTERVIEW | Hugo Crosthwaite with HereIn • NEWS | SDMA Selects The Globally Renowned Foster + Partners For Renovation Project • REVIEW | Marcella Torres-Sanchez's "A.B.I." is a Compelling Manifesto for Social Justice • INTERVIEW | The Other Side of San Diego: An Interview with Armando de la Torre • REVIEW | I Like You at HeyThere Projects • ESSAY | There Are No Winners in a War Against Winter • REVIEW | American Framing at Palm Springs Art Museum Peeks into America’s Complex Psyche • REVIEW | Terence Blanchard's "Absence" is an Ambient, Innovative Triumph • PREVIEW | San Diego Dance Theatre Live Arts Festival Returns With A New Focus on Community • PREVIEW | Cross-Border Group Exhibition Explores Bi-nationality at Sparks Gallery • PREVIEW | Newly Renovated and Renamed North County Theatre Celebrates Opening of Tony Award-Winning "The Ferryman" • ESSAY | On Tatiana Ortiz-Rubio • ESSAY | "The Importance of Staring" for Clackamas Literary Review • PREVIEW | At MCASD, Carmen Argote redefines her art and herself • REVIEW | "Land art" at Blackfish Gallery • ESSAY | Death, Denial and Other Ways to Talk about the End of the World • REVIEW | “The Quick” at Lumber Room • INTERVIEW | K-Ming Chang, “Bestiary” (One World/Penguin Books, 2020) • INTERVIEW | Dr. Taylor Eggan, “Unsettling Nature” (UVA Press, 2021) • REVIEW | Barbara Sternberger’s “Emanating” • REVIEW | Birthe Piontek’s “Abendlied” at Blue Sky Gallery • ESSAY | Shelter (n.) • REVIEW | “Power Positions” at Elisabeth Jones Art Center • REVIEW | "Coalesce" at Stelo • ESSAY | What We Hold On To • Variable West Bookshop | Justin’s List • REVIEW | "Patterns Do Furnish a Life" at SATOR Projects • INTERVIEW | Jay Ponteri • REVIEW | Antifascist Climate Noir: Ryan Pierce at Elizabeth Leach Gallery • INTERVIEW | Vi Khi Nao • REVIEW | Love Letter to Alexa Grambush • INTERVIEW | Poupeh Missaghi • INTERVIEW | Typer Wright, Up Close and Personal • CULTURE | A New Kind of Surf Culture: Inclusivity, Activism and Intersectionality • CULTURE | White, Black, etc. • OPINION | Opposing Viewpoints: DACA – Is It Fundamental? • OPINION | Trump's Nationalism is Dehumanizing • INTERVIEW | 'The Hypnotist' on 13 Years of Impact • OPINION | The Other Side • CULTURE | Real Men Don't Cry • FEATURE | Moving Forward: Life After Sexual Assault