Another Gaze

Another Gaze has been a member of Linktree for 5 years and joined in November 2020. The social media accounts linked to from Another Gaze are: • Facebook • Instagram • Email • X Besides social media accounts, anothergaze has populated their site with: • Two Decades in Another Decade - Another Gaze • Jocelyne Saab / Arab Loutfi | Another Screen • Another Gaze - A journal of films and feminisms • Susaki Paradise by Yoshiko Shibaki | Another Gaze Journal • Donate to Another Gaze • Support us on Patreon • Great, Motionless Ship: Patricio Guzmán’s Chile - Another Gaze • Woman, Viewer, Subject, Object: The Faces of Lynn Hershman Leeson - Another Gaze • Buy 'My Cinema' by Marguerite Duras • Another Gaze Editions • Who will wear a crown? On Angela Schanelec’s 'Music' • Seis Vezes Mulher (Six Times Woman) | REDCAT • Before Law – Second Natures • Rebecca Liu on 'Barbie' - Another Gaze: A Feminist Film Journal • 'Another Gaze' is seeking writing for its sixth print issue • Open City x Another Gaze: Applications open for Critics Workshop 2023 - Open City Documentary Festival • ‘Nothing but defeats’: Fassbinder beyond fragments • Alternative Biographies: The Lives of Artworks in Hanka Włodarczyk’s "Ślad" - Another Gaze: A Feminist Film Journal • Helen Charman on 'The Eternal Daughter' • The Lesbian Allure and Colonial Unconscious of Todd Field’s Tár • Rebecca Liu on Maria Schrader's She Said • Nathalie Olah on Aftersun • Another Gaze Editions – Order • The Commodification of Jin, Jiyan, Azadi (Woman, Life, Freedom) by Art Institutions in the West • Films from Iran for Iran • Autour de Jeanne Dielman (1975) • Little Deaths: Two queer films for Halloween • Georgie Carr on Ruben Östlund's 'Triangle of Sadness' • Laura Staab on Ann Oren's 'Piaffe' (2022) • Another Screen: Free film programmes • One-off donation • Become a Patreon supporter • My Own Lens and Skin: An Interview with Betzy Bromberg - Another Gaze: A Feminist Film Journal • Twenty-Eight Portraits of Linda Manz (1961–2020) - Another Gaze: A Feminist Film Journal • Inside the Dream: Infant observation during the pandemic and the screen as psychic portal - Another Gaze: A Feminist Film Journal • Open City x Another Gaze: Applications open for Critics Workshop 2022 - Open City Documentary Festival • Laura Staab On Lucile Hadžihalilović’s ‘Earwig’ • Another Screen: Sandra Lahire retrospective · Six Brazilian documentaries about women and work • Become a Friend of Another Gaze • Mulheres, uma outra história | Another Screen • 📖 Alice Blackhurst on Audrey Diwan's 'Happening', after Annie Ernaux's 'L'événement' • 📖 The Legacies of Sarah Maldoror (1929–2020): A Roundtable Discussion • 📖 The End of Joachim Trier’s Oslo Trilogy, The End of Art and Community by Laura Staab • 📖 Agnes Martin and Perfection by Lizzie Borden • 📖 Lina Žigelytė on Kira Muratova's 'Queer Bloc' • 📖 Fall Into The Centre Of The Earth And Deal With Yourself: On Sadie Benning's Video Diaries (1989-1990) • 📖 Rebecca Liu on Maggie Gyllenhaal's 'The Lost Daughter' • 🎥Watch Marie-Claude Treilhou's 'Simone Barbès or Virtue' on Another Screen • 📖 Georgie Carr on Pablo Larraín’s 'Spencer' • 🎥 Watch Djouhra Abouda's Ali in Wonderland (1976) | Another Screen • 🎟️ Seven Films by Mako Idemtisu, BFI, 15 & 29 December • 🎥 Another Screen: Two Films by Fronza Woods • 📖 Rebecca Liu on Jane Campion's 'The Power of the Dog' • 🎟️ Naomi Kawase's early experimental video diaries at the BFI, 01 + 15 December • 📖 Buy Another Gaze 05 • 🎟️ The Far Road (Sachiko Hidari, 1978) at the BFI, 14 + 28 December • 🎟️ The Far Road (Sachiko Hidari, 1978) at the BFI, 28 December • 📖 In Search of Lost Time: Theresa Hak Kyung Cha’s Cinematic Imagination • 📖 For Magdalena Montezuma • 📖 To Describe the World Otherwise: A Conversation with Courtney Stephens about "Terra Femme" • 💸 SUPPORT US ON PATREON • Applications open for Critics Workshop with Another Gaze • Bessie Rubinstein on Emma Seligman's 'Shiva Baby' • Lina Attalah on 'For a Free Palestine' • WE'RE NOT FUNDED OR PAID! ONE-OFF DONATION TO ANOTHER GAZE & ANOTHER SCREEN • FOR A FREE PALESTINE: FILMS BY PALESTINIAN WOMEN (ANOTHER SCREEN) • FOR A FREE PALESTINE GOFUNDME PAGE • Kaelen Wilson-Goldie on “For a Free Palestine: Films by Palestinian Women” in Artforum • MARGUERITE DURAS ON TELEVISION (ANOTHER SCREEN) • BUY ANOTHER GAZE IN PRINT • ANOTHER GAZE JOURNAL • ANOTHER SCREEN FREE STREAMING SERVICE • Daniella Shreir on Another Screen, interviewed by Caitlin Quinlan • “Yes, Girls, We Love Your Corpses”: Emerald Fennell’s ‘Promising Young Woman’ • Jessa Crispin on Dasha Nekrasova's 'The Scary of Sixty-First' (2021) • ANOTHER SCREEN PRESENTS – 'A ONE-WOMAN CONFESSIONAL: EIGHT FILMS BY CECILIA MANGINI' • Passion Imperfect: On Danielle Arbid’s Simple Passion • Layers Of Reality: Zheng Lu Xinyuan’s ‘The Cloud In Her Room’ • Another Gaze website • How Do You Solve a Problem like Duszejko?: On Olga Tokarczuk’s ‘Drive Your Plow Over the Bones of the Dead’ and Agnieszka Holland’s ‘Spoor’ • Rehearsed Realities: Cecilia Mangini’s Documentary Fictions of Rural South Italy • Desirous Dreams: The Feminist Erotics Of Rebecca Horn’s ‘Berlin Exercises In Nine Parts’ (1974–75) • Imagined Adaptations • Sense-Making From The Ground Up: The Films Of Beatriz Santiago Muñoz • Another Gaze Gift Subscriptions • An Unwavering Self-Regard: Sofia Coppola’s ‘On The Rocks’ (2020) • Charlie Kaufman’s ‘I’m Thinking Of Ending Things’ Begs For Forgiveness Yet Again • Cao Fei’s ‘Blueprints’ Finds Freedom In Fantasy • Against Inheritance: Stanya Kahn’s ‘No Go Backs’ • There Is The Sound, Too, Of A Ticking Clock: A Time-Based Reading Of Anne Charlotte Robertson’s ‘Five Year Diary’ • Describing The World Otherwise: Anne Charlotte Robertson’s ‘Five Year Diary’