Another Gaze

Two Decades in Another Decade - Another Gaze

Another Gaze - A journal of films and feminisms

Susaki Paradise by Yoshiko Shibaki | Another Gaze Journal

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Great, Motionless Ship: Patricio Guzmán’s Chile - Another Gaze

Woman, Viewer, Subject, Object: The Faces of Lynn Hershman Leeson - Another Gaze

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Another Gaze Editions

Who will wear a crown? On Angela Schanelec’s 'Music'

Seis Vezes Mulher (Six Times Woman) | REDCAT

Before Law – Second Natures

Rebecca Liu on 'Barbie' - Another Gaze: A Feminist Film Journal

'Another Gaze' is seeking writing for its sixth print issue

Open City x Another Gaze: Applications open for Critics Workshop 2023 - Open City Documentary Festival

‘Nothing but defeats’: Fassbinder beyond fragments

Alternative Biographies: The Lives of Artworks in Hanka Włodarczyk’s "Ślad" - Another Gaze: A Feminist Film Journal

Helen Charman on 'The Eternal Daughter'

The Lesbian Allure and Colonial Unconscious of Todd Field’s Tár

Rebecca Liu on Maria Schrader's She Said

Nathalie Olah on Aftersun

Another Gaze Editions – Order

The Commodification of Jin, Jiyan, Azadi (Woman, Life, Freedom) by Art Institutions in the West

Films from Iran for Iran

Autour de Jeanne Dielman (1975)

Little Deaths: Two queer films for Halloween

Georgie Carr on Ruben Östlund's 'Triangle of Sadness'

Laura Staab on Ann Oren's 'Piaffe' (2022)

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My Own Lens and Skin: An Interview with Betzy Bromberg - Another Gaze: A Feminist Film Journal

Twenty-Eight Portraits of Linda Manz (1961–2020) - Another Gaze: A Feminist Film Journal

Inside the Dream: Infant observation during the pandemic and the screen as psychic portal - Another Gaze: A Feminist Film Journal

Open City x Another Gaze: Applications open for Critics Workshop 2022 - Open City Documentary Festival

Laura Staab On Lucile Hadžihalilović’s ‘Earwig’

Another Screen: Sandra Lahire retrospective · Six Brazilian documentaries about women and work

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Mulheres, uma outra história | Another Screen

📖 Alice Blackhurst on Audrey Diwan's 'Happening', after Annie Ernaux's 'L'événement'

📖 The Legacies of Sarah Maldoror (1929–2020): A Roundtable Discussion

📖 The End of Joachim Trier’s Oslo Trilogy, The End of Art and Community by Laura Staab

📖 Agnes Martin and Perfection by Lizzie Borden

📖 Lina Žigelytė on Kira Muratova's 'Queer Bloc'

📖 Fall Into The Centre Of The Earth And Deal With Yourself: On Sadie Benning's Video Diaries (1989-1990)

📖 Rebecca Liu on Maggie Gyllenhaal's 'The Lost Daughter'

🎥Watch Marie-Claude Treilhou's 'Simone Barbès or Virtue' on Another Screen

📖 Georgie Carr on Pablo Larraín’s 'Spencer'

🎥 Watch Djouhra Abouda's Ali in Wonderland (1976) | Another Screen

🎟️ Seven Films by Mako Idemtisu, BFI, 15 & 29 December

🎥 Another Screen: Two Films by Fronza Woods

📖 Rebecca Liu on Jane Campion's 'The Power of the Dog'

🎟️ Naomi Kawase's early experimental video diaries at the BFI, 01 + 15 December

📖 Buy Another Gaze 05

🎟️ The Far Road (Sachiko Hidari, 1978) at the BFI, 14 + 28 December

🎟️ The Far Road (Sachiko Hidari, 1978) at the BFI, 28 December

📖 In Search of Lost Time: Theresa Hak Kyung Cha’s Cinematic Imagination

📖 For Magdalena Montezuma

📖 To Describe the World Otherwise: A Conversation with Courtney Stephens about "Terra Femme"

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Applications open for Critics Workshop with Another Gaze

Bessie Rubinstein on Emma Seligman's 'Shiva Baby'

Lina Attalah on 'For a Free Palestine'

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FOR A FREE PALESTINE: FILMS BY PALESTINIAN WOMEN (ANOTHER SCREEN)

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Kaelen Wilson-Goldie on “For a Free Palestine: Films by Palestinian Women” in Artforum

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Daniella Shreir on Another Screen, interviewed by Caitlin Quinlan

“Yes, Girls, We Love Your Corpses”: Emerald Fennell’s ‘Promising Young Woman’

Jessa Crispin on Dasha Nekrasova's 'The Scary of Sixty-First' (2021)

ANOTHER SCREEN PRESENTS – 'A ONE-WOMAN CONFESSIONAL: EIGHT FILMS BY CECILIA MANGINI'

Passion Imperfect: On Danielle Arbid’s Simple Passion

Layers Of Reality: Zheng Lu Xinyuan’s ‘The Cloud In Her Room’

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How Do You Solve a Problem like Duszejko?: On Olga Tokarczuk’s ‘Drive Your Plow Over the Bones of the Dead’ and Agnieszka Holland’s ‘Spoor’

Rehearsed Realities: Cecilia Mangini’s Documentary Fictions of Rural South Italy

Desirous Dreams: The Feminist Erotics Of Rebecca Horn’s ‘Berlin Exercises In Nine Parts’ (1974–75)

Imagined Adaptations

Sense-Making From The Ground Up: The Films Of Beatriz Santiago Muñoz

Another Gaze Gift Subscriptions

An Unwavering Self-Regard: Sofia Coppola’s ‘On The Rocks’ (2020)

Charlie Kaufman’s ‘I’m Thinking Of Ending Things’ Begs For Forgiveness Yet Again

Cao Fei’s ‘Blueprints’ Finds Freedom In Fantasy

Against Inheritance: Stanya Kahn’s ‘No Go Backs’

There Is The Sound, Too, Of A Ticking Clock: A Time-Based Reading Of Anne Charlotte Robertson’s ‘Five Year Diary’

Describing The World Otherwise: Anne Charlotte Robertson’s ‘Five Year Diary’