@acetivist
NOA – Nederlandse Organisatie Aseksualiteit
NOA – Nederlandse Organisatie Aseksualiteit
LinkedIn
LinkedIn
Interview Ministerie van OCW
Interview Ministerie van OCW
OneWorld - Aseksualiteit is geen ziekte, dus maak ‘genezen’ strafbaar - OneWorld
OneWorld - Aseksualiteit is geen ziekte, dus maak ‘genezen’ strafbaar - OneWorld
Video iedereenisanders.nl
Video iedereenisanders.nl
Publicaties Didactief
Publicaties Didactief
Volkskrant - ‘Ik heb nooit behoefte aan seks’
Volkskrant - ‘Ik heb nooit behoefte aan seks’
OneWorld - 'Ik hoef geen seks, ook dat is seksuele vrijheid'
OneWorld - 'Ik hoef geen seks, ook dat is seksuele vrijheid'
Movisie - 10x vraag en antwoord over aseksualiteit
Movisie - 10x vraag en antwoord over aseksualiteit
De Nederlandse Organisatie Aseksualiteit (NOA) en Movisie ontwikkelden samen de handreiking ‘10x vraag en antwoord over aseksualiteit’. In deze handreiking lees je veel informatie en kom je te weten wat je als gemeente en sociaal professional voor aseksuele personen kunt doen. Naar aanleiding van deze publicatie ging Movisie in gesprek met Amber Witsenburg, voorzitter van de NOA, over het belang van meer aandacht voor aseksualiteit.
Thesis - Asexual, AI, or Alien: (Un)linking the Nonhuman and Asexuality in Science Fiction Narratives
Thesis - Asexual, AI, or Alien: (Un)linking the Nonhuman and Asexuality in Science Fiction Narratives
Asexual, AI, or Alien: (Un)linking the Nonhuman and Asexuality in Science Fiction Narratives
"You Freud, Me Jane?" The Representation of Trauma and Asexuality in Hitchcock's Marnie
"You Freud, Me Jane?" The Representation of Trauma and Asexuality in Hitchcock's Marnie
The title character of Hitchcock’s film Marnie (1964) has previously been interpreted as a repressed heterosexual or a closeted lesbian. However, as this paper will argue, it is more logical to read her as asexual. Interpreting her character as such, it becomes clear that the film presents a discursive framework based on compulsory sexuality. Most notably, Marnie’s lack of interest in sex is seen as a symptom of a childhood trauma, rather than as a sexual orientation in itself. This paper will therefore explore how the film links asexuality to trauma by means of the concept of repression, and thus deconstruct compulsory sexuality as the film presents it.
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