@Anas1018

Anas1018 has been a member of Linktree for 4 years and joined in July 2021. The social media accounts linked to from Anas1018 are: LinkedIn, Email, X. Besides social media accounts, Anas1018 has populated their site with Superboys of Malegaon is not about the movies, but about the life between them · The Movie Mail, Vicky Kaushal’s Chhaava is weighed down by its own fundamental cluelessness, Opinion: Opinion | Supermen Of Malegaon Is Everything Bollywood Needs To Be Reminded Of, Opinion: Opinion | Is Bollywood Only About 'Reels' And 'Memes' Now?, Paatal Lok 2’s writers on crafting a successful sequel, Ansari’s death and addressing criticism: ‘Personal is political’, Varun Dhawan’s Baby John reveals how stardom can be both a blessing and a curse for a mass entertainer, Beyond sprawling scale and complex characters, Vetrimaaran’s Viduthalai Part 2 is a coming-of-age journey of an ideology, In Citadel: Honey Bunny, Raj and DK go by the book and still manage to shock, surprise, and subvert, Freedom At Midnight is a pulpy portrayal of Partition politics, where its flaws are its greatest strengths, Zanjeer, Ardh Satya and Soni: The definitive cop trilogy that dismantles Rohit Shetty’s Cop Universe, Vasan Bala’s unabashed cinephilia nearly salvages a lacklustre Jigra, Issue II: Desiring Bollywood, Opinion: Opinion | Deva: Why Bollywood Loves Bachchan, But Not His Rebellion, Akshay Kumar’s Sky Force surprisingly subverts the military drama genre as it dares to ask: Is there an enemy at all?, Paatal Lok Season 2 uses violence as a smokescreen to expose how the personal is inherently political, From Jigra to Bhool Bhulaiyaa 3: A year of Hindi cinema where climaxes reshaped stories, All We Imagine As Light Is a Spectacular Snapshot of Mumbai’s Mirages and Melancholy by Anas Arif, With Joker: Folie à Deux, Todd Phillips delivers a bold rebuke to the Joker’s toxic fandom, Why, even after 18 years, does Khosla Ka Ghosla continue to be relevant?, Opinion: Opinion | On Imtiaz Ali's 20 Years, A Tribute To His OG 'Rockstar', Aarti Bajaj, Black Warrant is a genre-defying coming-of-age tale inside Tihar Jail where endurance triumphs over defiance, Amidst excess and indulgence, Sukumar crafts a blockbuster with a heart in Pushpa 2: The Rule, Abhishek Bachchan-starrer I Want To Talk is Shoojit Sircar’s heaviest and most daring work yet, Movie review: Mari Selvaraj’s ‘Vaazhai,’ bearing a semi-autobiographical essence, is a masterpiece, Stree 2: Amar Kaushik’s film dismantles patriarchy with a supernatural twist, In A Dissent Manner (2023) Documentary Review, Sherni, on Prime Video: A First-Rate Critique of Humans Conquest of Nature, Aaya Tere Dar Par: Love Both Tender and Tumultuous, In The Buckingham Murders, Hansal Mehta Undermines An Exceptional Kareena Kapoor Khan Performance, Sector 36 Is A Snapshot Of India At War With Itself, Atul Sabharwal’s Berlin Is A Genre-Defying Exploration Of Espionage, Laapataa Ladies: Of Inherent Innocence and Kindness, Anatomy of a Fall: A Thing Called Elusive Truth, Sriram Raghavan’s Mastery in Film Endings, Memorable Moments of 2023, Tara Khanna: An Outsider Who Made It To The Inside, The Paradoxical Impulses of Oppenheimer, Pathaan: SRK entertains in a stylish, subversive, self-aware spy actioner, The Family Man S2: A technically sound successor that adroitly clutters all the shackles of a regular espionage drama, Aspirants: A sagacious social commentary that transcends into just another parochial dramedy, Bengal Post-Poll Analysis: Didi’s pungent dumping of the BJP’s hegemony is a classic underdog tale, Ajeeb Dastaans: An incoherent mishmash of some trite storytelling and few enthralling ideas, Is Love Enough? Sir: An unusual love story that anatomizes the class structure, Gullak S2: A thing of beauty, Tandav: Patchy, Silly but Addictive, Best of 2020 - Hindi Cinema, Finding Muslims - Analyzing the Depiction of Muslim Characters in Hindi Film Industry post Liberalization.