@Anas1018

Anas1018 has been a member of Linktree for 5 years and joined in July 2021. The social media accounts linked to from Anas1018 are: • LinkedIn • Email • X Besides social media accounts, Anas1018 has populated their site with: • Superboys of Malegaon is not about the movies, but about the life between them · The Movie Mail • Vicky Kaushal’s Chhaava is weighed down by its own fundamental cluelessness • Opinion: Opinion | Supermen Of Malegaon Is Everything Bollywood Needs To Be Reminded Of • Opinion: Opinion | Is Bollywood Only About 'Reels' And 'Memes' Now? • Paatal Lok 2’s writers on crafting a successful sequel, Ansari’s death and addressing criticism: ‘Personal is political’ • Varun Dhawan’s Baby John reveals how stardom can be both a blessing and a curse for a mass entertainer • Beyond sprawling scale and complex characters, Vetrimaaran’s Viduthalai Part 2 is a coming-of-age journey of an ideology • In Citadel: Honey Bunny, Raj and DK go by the book and still manage to shock, surprise, and subvert • Freedom At Midnight is a pulpy portrayal of Partition politics, where its flaws are its greatest strengths • Zanjeer, Ardh Satya and Soni: The definitive cop trilogy that dismantles Rohit Shetty’s Cop Universe • Vasan Bala’s unabashed cinephilia nearly salvages a lacklustre Jigra • Issue II: Desiring Bollywood • Opinion: Opinion | Deva: Why Bollywood Loves Bachchan, But Not His Rebellion • Akshay Kumar’s Sky Force surprisingly subverts the military drama genre as it dares to ask: Is there an enemy at all? • Paatal Lok Season 2 uses violence as a smokescreen to expose how the personal is inherently political • From Jigra to Bhool Bhulaiyaa 3: A year of Hindi cinema where climaxes reshaped stories • All We Imagine As Light Is a Spectacular Snapshot of Mumbai’s Mirages and Melancholy by Anas Arif • With Joker: Folie à Deux, Todd Phillips delivers a bold rebuke to the Joker’s toxic fandom • Why, even after 18 years, does Khosla Ka Ghosla continue to be relevant? • Opinion: Opinion | On Imtiaz Ali's 20 Years, A Tribute To His OG 'Rockstar', Aarti Bajaj • Black Warrant is a genre-defying coming-of-age tale inside Tihar Jail where endurance triumphs over defiance • Amidst excess and indulgence, Sukumar crafts a blockbuster with a heart in Pushpa 2: The Rule • Abhishek Bachchan-starrer I Want To Talk is Shoojit Sircar’s heaviest and most daring work yet • Movie review: Mari Selvaraj’s ‘Vaazhai,’ bearing a semi-autobiographical essence, is a masterpiece • Stree 2: Amar Kaushik’s film dismantles patriarchy with a supernatural twist • In A Dissent Manner (2023) Documentary Review • Sherni, on Prime Video: A First-Rate Critique of Humans Conquest of Nature • Aaya Tere Dar Par: Love Both Tender and Tumultuous • In The Buckingham Murders, Hansal Mehta Undermines An Exceptional Kareena Kapoor Khan Performance • Sector 36 Is A Snapshot Of India At War With Itself • Atul Sabharwal’s Berlin Is A Genre-Defying Exploration Of Espionage • Laapataa Ladies: Of Inherent Innocence and Kindness • Anatomy of a Fall: A Thing Called Elusive Truth • Sriram Raghavan’s Mastery in Film Endings • Memorable Moments of 2023 • Tara Khanna: An Outsider Who Made It To The Inside • The Paradoxical Impulses of Oppenheimer • Pathaan: SRK entertains in a stylish, subversive, self-aware spy actioner • The Family Man S2: A technically sound successor that adroitly clutters all the shackles of a regular espionage drama • Aspirants: A sagacious social commentary that transcends into just another parochial dramedy • Bengal Post-Poll Analysis: Didi’s pungent dumping of the BJP’s hegemony is a classic underdog tale • Ajeeb Dastaans: An incoherent mishmash of some trite storytelling and few enthralling ideas • Is Love Enough? Sir: An unusual love story that anatomizes the class structure • Gullak S2: A thing of beauty • Tandav: Patchy, Silly but Addictive • Best of 2020 - Hindi Cinema • Finding Muslims - Analyzing the Depiction of Muslim Characters in Hindi Film Industry post Liberalization