Ande Thomas

Ande Thomas has been a member of Linktree for 2 years and joined in April 2024. The social media accounts linked to from Ande Thomas are: • Instagram • Threads • X • Bluesky Besides social media accounts, wsb_ande has populated their site with: • [Movie Review] Avalon Fast’s “CAMP” is the Latest in the New Wave of Transgressive Filmmaking • Penny Lane is Dead Review: Ozploitation With Punk Swagger • [Movie Review] Izabel Pakzad’s “Find Your Friends” Debuts on Shudder • “Don’t Go in the Water”: Jennifer Van Gessel’s ‘Water Horse’ [Movie Review] • Interview with 'Beyond the Drumlins' Composer, Johnny Tomasiello • Alice Maio Mackay's 'The Serpent's Skin' [Movie Review] • The Critics are Wrong: Long Live 'The Bride!' • The R.I.P Man (2025) [Movie Review] • Second Star to the Right: Queer Victimization in 'Peter Pan's Neverland Nightmare' • Haunters of the Silence (2025) [Movie Review] • Interview with P.J. Starks, Writer and Co-Director of ‘New Fears Eve,’ Now Streaming! • [Movie Review] Don’t Trip (2025) • [Movie Review] Winnie-the-Pooh: Blood and Honey 2 • How ‘Crimson Peak’ Might Inform Guillermo del Toro’s ‘Frankenstein’ • Vigilance Theater Returns with ‘Campfire Stories’ • WSB x Moving Picture Review: Weapons • WSB x Moving Picture Review: Together • ‘Sweet Relief’ Leans into its Mumblegore Influences • Adrian Țofei: Director of ‘We Put the World to Sleep’ and ‘Be My Cat: A Film for Anne’ • An Interview with Adrian Țofei, Director of ‘Be My Cat: A Film for Anne’ • Winnie-the-Pooh: Blood and Honey [Movie Review] • WSB x Moving Picture Review: Bring Her Back • WSB x Moving Picture Review: Clown in a Cornfield • Presence (2025) [Movie Review] • Shudder Original: Frewaka (2025) [Movie Review] • We Are All 'Sinners' - Movie Review • [Movie Review] Call of the Void (2025) • Upcoming Horror From Women Authors, Part II • Revenant Journal: [Book Review] Women of Horror and Speculative Fiction in Their Own Words • Upcoming Horror From Women Authors • A Priest and an Alcoholic Walk Into a Bar: “Thou Shalt Kill” (2025) • Toxic Relationships in The Loved Ones [movie review] • Four Short Horror Films to Watch in 2025 • A Disquieting Thriller of Familial Drama - "Endless Summer Syndrome" • WSB x Moving Picture Review: Nosferatu (2024) • The Only Way Out is Through: A Review of Heretic (2024) • Short Film Showcase: Three Shorts with a Taste for Blood • Pittsburgh Moving Picture Festival’s Thriller Picture Show Recap • WSB x Moving Picture Review: Terrifier 3 • Book Review: All These Steps Lead Down • Pascal Plante's 'Red Rooms' Challenges Our Fascination with True Crime • [Movie Review] Steven Boyle’s Debut Film ‘The Demon Disorder’ Coming to Shudder • Full Moon Features Presents: 'Quadrant' • WSB x Moving Picture Review: Longlegs (2024) • Watching Ti West's The House of The Devil on VHS • WSB x Moving Picture Review: Tarot (2024) • [REVIEW] Winnie-the-Pooh: Blood and Honey 2 — Hear Us Scream • REVIEW - Late Night with The Devil (2024) • REVIEW - The Omicron Killer (2024) • The Book of Queer Saints, Vol. 2 - Reviewed • REVIEW: There Is a Monster (2024) • Book Review: Silver Nitrate by Silvia Moreno-Garcia • Navigating Shared Trauma in Oculus • A Master in the Making: Mike Flanagan's Absentia • [CFF 2023]: Interview with Soft Liquid Center writer Steph Holmbo • [CFF 2023] Review: Mind Body Spirit • Chattanooga Film Festival 2023: Dangerous Visions Showcase • Book Review: Maeve Fly by CJ Leede • Writing a Scene Analysis: Creep (2014) • The Entity: Trauma and the Transgression of Spirits, Pt. 3 • Top 10 British Horror Films - What Sleeps Beneath • [REVIEW] Winnie-the-Pooh: Blood and Honey — Hear Us Scream • Review: Gabriel Bier Gislason's Attachment on Shudder • Skinamarink Preys on Your Worst Childhood Nightmares • Top 10 Films on Shudder You Need to Watch Right Now • Interview with Spirit of Fear Director Alex Davidson • Book Review: Hear Us Scream: The Voices of Horror Volume II • Deadly Manners: The Limits of Tolerance in Speak No Evil • The Entity, Part II: Trauma and the Transgression of Spirits • Housewarming Horror: Who Invited Them (2022) • Ryan Imhoff's "Stranger" Haunts a Zoom Reunion in FRESH HELL • Phil Tippett Revives Stop Motion Animation in Mad God • The Entity: Trauma and the Transgression of Spirits • Depictions of Trauma in When a Stranger Calls Back • New 4K Restoration of Iván Zulueta's Arrebato • Christmas Chills: The Advent Calendar Review • The Horrors of the Human in Midnight Mass • Los parecidos: A Tribute to Rod Serling's The Twilight Zone • (Re)building a Legend: Candyman (2021) • The Overlooked Terrors of Stuart Gordon’s Dagon • The Hauntological in Lake Mungo • The Nature of God in Andrzej Żuławski's Possession • The Amusement Park: The Horrors of Ageism • 10 Years After The Skin I Live In: Abject, Object, and Gender • Sundance Reviews: Three Knock-out Horror Films • Sundance 2021: Violation & Knocking, reviewed • In the Earth & Eight for Silver, Sundance Review • Sundance 2021 Preview • David Cronenberg's Scanners, 40th Anniversary Review • Identity & Technology in Cronenberg's Possessor • Review: Ben Wheatley's Rebecca (2020) on Netflix • The Exorcist III 30th Anniversary • I Saw The Devil 10th Anniversary Review • Jigoku 60th Anniversary Review • Challenging Perception in The Last Wave • The Transfiguration: Vampires & the Stigma of Mental Illness • Does "The Hunt" (2020) Land its Political Satire? • Movie Review: The Lodge • How Ginger Snaps Breathes Life into the Werewolf Genre • Winter's Coming - The snowy horror movies you haven't seen • Shark Week: 24 Hours of the Best & Worst Sharks in Film, Part VI • Shark Week: 24 Hours of the Best & Worst Sharks in Film, Part V • 24 Hours of the Best & Worst Sharks in Film, Part IV • Marianne Makes Her Sinister Debut on Netflix • Shark Week: 24 Hours of the Best & Worst Sharks in Film, Part III • Shark Week: 24hrs of the Best & Worst • Shark Week: 24 Hours of the Best and Worst Sharks in Film