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Dr Tara Lomax has been a member of Linktree for 4 years and joined in December 2021. The social media accounts linked to from Dr Tara Lomax are: • LinkedIn • Email • X Besides social media accounts, tlomax has populated their site with: • Assembled Illusions • Talking Franchises: The World of Transmedia Development with Jeff Gomez • The Franchise Era: Blockbuster Hollywood in the 2010s…and Beyond (English) • The Franchise Era: Blockbuster Hollywood in the 2010s…and Beyond (French) • Cruising Stardom in Hollywood Franchising: Tom Cruise as Franchise Star in the ‘Mission: Impossible’ and ‘Dark Universe’ Storyworlds (Peer-Reviewed) • Senses of Cinema World Poll (2017 — ) • ‘You Were the Chosen One!’ Darth Vader and the Sequential Dynamics of Villainy in the Star Wars Prequel Trilogy (Peer-Reviewed) • “Thank the Maker!” George Lucas, Lucusfilm, and the Legends of Transtextual Authorship Across the Star Wars Franchise (Peer-Reviewed) • “That’s Not How the Force Works!” Rebooting the Franchise Mythos in ‘Star Wars: The Last Jedi’ (Essay) • ‘Rogue One’ and the Paradoxes of Franchise Development (Essay) • Practicing Superhuman Law: Creative License, Industrial Identity, and Spider-Man’s Homecoming (Peer-Reviewed) • Eternal Variation in the Marvel Cinematic Universe (Review/Essay) • ‘Black Panther’ Defies Wakanda’s Self-Containment in the Marvel Cinematic Universe (Review/Essay) • “Too Busy Building a World to Tell a Story”: Between World-Building and Storytelling in the Cleverman Storyworld (Peer-Reviewed) • Hannibal Lecter’s Monstrous Return: The Horror of Seriality in Bryan Fuller’s ‘Hannibal’ (Peer-Reviewed) • Cannibalizing Montage: Slicing, Dicing, and Splicing in Bryan Fuller’s ‘Hannibal’ (Peer-Reviewed) • “Make it in Post:” Digital Visual Effects and the Temporality of Creative Value in Post-Production (Peer-Reviewed)