@shapeplatform

shapeplatform has been a member of Linktree for 6 years and joined in June 2020. Resources shapeplatform has populated their site with include: • ‘I can’t stop making music.’ An interview with The Stanley Maneuver - SHAPE+ • ‘We both came from making slightly more “strange” music’. An interview with Tilliander&Goran Kajfeš - SHAPE+ • ‘Noise is everything to me.’ An interview with R3YWYA - SHAPE+ • ‘Never stop being curious.’ An interview with Ljubljana’s SWAI - SHAPE+ • ‘Nothing makes you more present than a blast of noise from a powerful sound system.’ An interview with PΞB - SHAPE+ • Marie Delprat: ‘I’ve been very inspired by Baroque music, especially in how it relates to pop.’ - SHAPE+ • SWAI video premiere • Pizza Noise Mafia: ‘Brussels remains one of the most exciting European cities for music.’ - SHAPE+ • ‘Belgrade has a great scene.’ An interview with Matej Rusmir - SHAPE+ • ‘I’m a lo-fi person.’ An interview with Polje - SHAPE+ • ‘I believe more than ever in the collective power of the underground.’ An interview with Jazz Lambaux - SHAPE+ • ‘Playing live is the most important part of making music.’ An interview with Laikka - SHAPE+ • I needed a new space to hide in. An interview with GbClifford - SHAPE+ • ‘I’m a collector of sounds.’ An interview with Gary Gwadera - SHAPE+ • ‘Music has always been the way to navigate life’s biggest decisions.’ An interview with funcionário - SHAPE+ • ‘I don’t fear AI replacing artists. I fear artists forgetting what makes them irreplaceable.’ An interview with Farzané - SHAPE+ • 'I’m always looking to give myself a shock.' An interview with Canva6 - SHAPE+ Platform • ‘Music has often been therapeutic for me’. An interview with Admina - SHAPE+ • 'I’m drawn to sonic fiction, uncertainty, and constant communication.' An interview with sofi - SHAPE+ Platform • SHAPE+ announces its final artist list and new online compilation - SHAPE+ Platform • 'It’s hardship—not abundance or equal opportunity—that sparks artistic expression.' An interview with Sissi Rada - SHAPE+ Platform • 'Music-making and live performance in my life have come from a certain urgency or necessity.' An interview with Radio Hito - SHAPE+ Platform • Crack Mix 606: Nic Krog • 'Most women in my family have practiced as shamans.' An interview with PYUR - SHAPE+ Platform • 'I love the energy of things possibly going wrong.' An interview with Julian Sartorius - SHAPE+ Platform • 'Art is something that makes me pay attention to things more.' An interview with Paula Vītola - SHAPE+ Platform • Life experience is the soil in which the soul grows. An interview with otay:onii. - SHAPE+ Platform • SHAPE+ announces showcases in Almaty and Banja Luka - SHAPE+ Platform • 'I always wanted music to seek out some form of truth about who I am.' An interview with Nic Krog - SHAPE+ Platform • 'Singing became a form of resistance and care.' An interview with Santiago Latorre - SHAPE+ Platform • SHAPE+ announces showcases at Cafe OTO, Jogja Noise Bombing and JellyZone - SHAPE+ Platform • 'I’m much more interested in musicians than music.' An interview with Nick Dunston - SHAPE+ Platform • Existing in non-existence. An interview with Lénok - SHAPE+ Platform • Marylou: The finest way to reach people’s minds or hearts isn’t the obvious.‘ • Lenhart Tapes: 'There’s a feeling of solidarity that hasn’t been here before.' - SHAPE+ Platform • Blue Sky • Mastodon account • Between between luminous landscapes and darker realms: An interview with Lamina - SHAPE+ Platform • Kinga Ötvös: 'I love being bilingual and bicultural' - SHAPE+ Platform • Khrystyna Kirik: 'I seek stillness amid the rush' - SHAPE+ Platform • Hear our latest Resonance FM show with Nic Krog - SHAPE+ Platform • 'I want a physical experience while playing.' An interview with Junge Eko - SHAPE+ Platform • Vangelis goes to Silent Hill. An interview with Jan Nemeček - SHAPE+ Platform • 'Sometimes I see performing complicated emergency procedures as similar to performing live.' An interview with Dania - SHAPE+ Platform • 'In flamenco, there’s melancholy, but there’s also joy and humour.' An interview with Fiesta en el vacío - SHAPE+ Platform • Open call for Ukrainian interns - SHAPE+ Platform • 'Music had always been my favorite way to view the world.' An interview with Irene Bianco - SHAPE+ Platform • 'The music scene in Ljubljana is one of the best in the region.' An interview with Fujita Pinnacle - SHAPE+ Platform • 'I wasn't really interested in following a predictable path.' An interview with Enrico Malatesta - SHAPE+ Platform • 'The body has always been the starting point.' An interview with HA KYOON. - SHAPE+ Platform • Marylou Crack Magazine Mix • Listen to our latest Resonance FM show with Khrystyna Kirik - SHAPE+ Platform • Elischa Heller: 'What often pushed me to explore my musicality was the desire to belong' - SHAPE+ Platform • "If someone asks me to play at a rave, I’ll do an ambient set." An interview with Drogded - SHAPE+ Platform • Dali Muru & The Polyphonic Swarm: 'I feel like we are service providers, holding the space for people to dream.' - SHAPE+ Platform • Exiting the Vampire Castle: An interview with Donna Haringwey - SHAPE+ Platform • SHAPE+ announces 2024/2025 roster of artists - SHAPE+ Platform • Daniel Szwed: 'Drums were always my one and only instrument' - SHAPE+ Platform • 'Juxtaposing my melancholic roots with the euphoria of rave'. An interview with Dino Spiluttini - SHAPE+ Platform • 'Neapolitan music is an immense cultural treasure.' An interview with Ciro Vitiello - SHAPE+ Platform • Carolina Santiago: 'Rejecting elitism and prejudices and listening to each other.' - SHAPE+ Platform • Below The Radar Special Edition: SHAPE 2023–24 - The Wire • 'I tend to make music that isn’t easy to dance to.' An interview with Assyouti - SHAPE+ Platform • Antonina Nowacka: "I love to perform in spaces like gardens, old churches, monasteries, museums and palaces." - SHAPE+ Platform • SHAPE+ announces newly formed radio network - SHAPE+ Platform • Rituals, tribalism, shamanism, and therapy sessions: An interview with Andriy K - SHAPE+ Platform • 'I always go down online rabbit holes': An interview with alys(alys)alys - SHAPE+ Platform • 'The music I make doesn't exist in a vacuum': An interview with Adela Mede - SHAPE+ Platform • 'I have no wall between me and my art’. An interview with Abdullah Miniawy - SHAPE+ Platform • Sonica Festival x SHAPE+ Residency Bridget Ferrill, rouge-ah & Pixel Bambi, Ljubljana (SI), April 2024 • 'I feel that the dramaturgy is built inside of the listener’s mind and body.' An interview with Zesknel - SHAPE+ Platform • ROKOLECTIV | PETRA HERMANOVA IN CONVERSATION WITH APPARATUS 22 - KAJET DIGITAL • ROKOLECTIV | MIHAI MIHALCEA IN CONVERSATION WITH bela - KAJET DIGITAL • 'I remember having a whole world of imagination linked to music.' An interview with Sara Persico - SHAPE+ Platform • Creating another reality: An interview with Sabiwa - SHAPE+ Platform • SHAPE+ Ukrainian Internships 2024/2025 • 'It has been one of my priorities to live slower'. An interview with Tahereh Nourani - SHAPE+ Platform • Is it order? Is it chaos? An interview with Paul Gründorfer - SHAPE+ Platform • Maya Shenfeld - Maintenant Festival • From the soothingly melodic to the harsh, indefinable extremes. An interview with PÖ - SHAPE+ Platform • Robert Schwarz: 'I'm curious about sounds that are usually hidden from our perception' - SHAPE+ Platform • Disconnecting from the reality you live in: An interview with Nemerov - SHAPE+ Platform • Seeking links between church organ and contemporary electronic music. An interview with Maxime Denuc - SHAPE+ Platform • SHAPE+ Platform Open Call 2024 • Nicola Ratti: 'Freedom of movement is a privilege that many people take for granted' - SHAPE+ Platform • 'I like to bring my own experiences and emotions into music-making.' An interview with Nexcyia - SHAPE+ Platform • Body, Electric. An interview with Maya Shenfeld - SHAPE+ Platform • 'Sound as an energy can reveal many elements of our daily life and environment.' An interview with Anthea Caddy - SHAPE+ Platform • Shape: Heinali 28th January 2024 • 'If I were a sound, what would I sound like?' An interview with Morita Vargas - SHAPE+ Platform • SHAPE+ at CTM ‘24 • Max Eilbacher: 'An audience is a mental manifestation of the material at hand.' - SHAPE+ Platform • Pö | Campus Club x Shape Platform • 'The fringes are important': An interview with L. Zylberberg - SHAPE+ Platform • 'Mistakes became a source of inspiration.' An interview with Martyna Basta - SHAPE+ Platform • 'Extended mind-body listening is my favourite state of being.' An interview with Manja Ristić - SHAPE+ Platform • Hear our latest Resonance FM show with Bridget Ferrill - SHAPE+ Platform • 'There's a real beauty in collectives and mutual empowerment.' An interview with Juba - SHAPE+ Platform • Heinali: 'Ukrainian culture is still underrepresented in the West' - SHAPE+ Platform • 'Experimental music should not be so much about self-presentation.' An interview with Félicia Atkinson - SHAPE+ Platform • Hydrofeminism and the healing properties of sound: An interview with Francesca Heart - SHAPE+ Platform • Hear our latest Resonance FM show with XEXA, Francesca Heart, PÖ and others - SHAPE+ Platform • Bass is the original instrument: An interview with Cassius Lambert - SHAPE+ Platform • Hear our latest Resonance FM show with tracks from Sara Persico, Heinali, Petra Hermanova and more - SHAPE+ Platform • Music as a coping mechanism: An interview with Cucina Povera - SHAPE+ Platform • Bintang Manira Manik: 'I believe music has the power to initiate collective healing' - SHAPE+ Platform • 'Everything has the possibility of beauty: An interview with Amina Hocine' - SHAPE+ Platform • Synapse Again in Prague • AWWWARA delve deep into Georgian musical traditions - SHAPE+ Platform • A light dose of sadness: An interview with bela - SHAPE+ Platform • Anna Fišere: 'I would like make a sci-fi opera in a volcanic crater.' - SHAPE+ Platform • SHAPE+ announces 2023/2024 roster of artists - SHAPE+ Platform • Modern troubadours: An interview with Alto Fuero - SHAPE+ Platform • Below The Radar Special Edition: SHAPE 2022–23 - The Wire • The voice as a universal instrument and musical as well as conceptual starting point in the work of Ulla Rauter - SHAPE+ Platform • Shape + Mutant Days [23-24.06.2023] • Focusing on the sound of the present moment - Interview with Orsolya Kaincz - SHAPE+ Platform • 'Music is like dance and sound art is like sculpture.' – Interview with Esteban de la Torre - SHAPE+ Platform • How languages shape identities – and how identities shape meanings. Interview with Hui Ye - SHAPE+ Platform • Hear a new track from Maryana Klochko, Ion D and Inana - SHAPE+ Platform • Sound and politics: An interview with Pisitakun - SHAPE+ Platform • 'Vanligt Folk was born out of dying.' - SHAPE+ Platform • Hear our latest Resonance FM show from Budapest - SHAPE+ Platform • The chimeric world of Vica Pacheco - SHAPE+ Platform • 'Parts of our creativity belong to the same weird and crazy hidden universe': An interview with Frédéric D. Oberland and Irena Z. Tomažin - Shape • SHAPE+ platform announces open call for 2023/2024 - Shape • Hear our latest Resonance FM show with Thea Soti - Shape • Space is a place to question listening: An interview with Oï les Ox - Shape • How do you play a city? An interview with Yara Mekawei - Shape • Improvisation is music for a blink of an eye: An interview with Isabella Forciniti - Shape • Hear our latest Resonance FM show with NZIRIA - Shape • Tony Elieh on the Lebanese music scene, his photographic memory and Berlin collaborations - Shape • Magic, matter, resistance: An interview with Heta Bilaletdin - Shape • Biliana Voutchkova & Svetlana Maraš on Resonance FM • Hear our latest Resonance FM show with Stefanie Egedy - Shape • Between Berlin and the Black Sea: An interview with Biliana Voutchkova - Shape • m.a.t.a.d.a.t.a. is a kind of survival instinct - Shape • Listen to our latest Resonance FM show from Sonica Festival - Shape • Horizon of Possibility: An interview with Forces - Shape • Roxane Métayer's fictional flora - Shape • 'Sub-bass makes me happy': An interview with Stefanie Egedy - Shape • Fifth World Music: An interview with Babau - Shape • Collectively living another life: An encounter with Passepartout Duo - Shape • Felisha Ledesma: 'I had to let go of fear and take the time to listen' - Shape • Aleksandra Słyż: 'We should never sacrifice our self-expression for technology' - Shape • Wojciech Rusin: ‘I like to spin clichés around’ - Shape • SHAPE+ adds four acts to its 2022 artist list - Shape • ABADIR: 'The future has been completely uncancelled in music' - Shape • Ale Hop on growing up under an authoritarian regime, church bells and Latin America's sonic practices - Shape • Thea Soti: 'I spent long weeks breeding my own extra-terrestrial world.' - Shape • SHAPE+ platform announces 2022 list of artists - Shape • Read our SHAPE publication - Shape • Embodied experience: An interview with Lisa Stenberg - Shape • JOB: SHAPE+ Financial coordinator • SHAPE+ Open Call • Yantan Ministry: 'I enjoy facing contradictions' - Shape • SHAPE Platform: The video takeover • SHAPE Platform: TTristana • SHAPE Platform: Nazar • SHAPE Platform: Julia Reidy • SHAPE Platform: Heith • SHAPE Platform: Gaspar Claus • SHAPE Platform: Grand River • TTristana: 'I talk about love, insecurity, melancholy and loneliness' - Shape • SHAPE Platform: Ábris Gryllus • SHAPE platform & Crack Magazine announce online collaboration - Shape • SHAPE Mix Series • Hear our latest Resonance FM show with schiev festival special - Shape • TERRINE: 'I remember playing in a shopping cart' - Shape • SIKSA on recording under bridges and love and art as a way of protest - Shape • Kali Malone performing with Stephen O’Malley at Modular Organ System • Below The Radar Special Edition: SHAPE 2021 - The Wire • Riccardo La Foresta: 'Curating has taught me how to share' - Shape • Hear our artist roster mix! - Shape • Entering the unknown: An interview with Pak Yan Lau - Shape • Mark IJzerman & Sébastien Robert: 'Cultural appropriation is something we both take very seriously.' - Shape • Mathilde Fernandez: 'Destabilisation allows moving forward' - Shape • Hear our latest Resonance FM show with Gischt live - Shape • Loup Uberto: Documenting sound - Shape • Koenig: 'I have always loved people with a strong, extreme sound' - Shape • Linda Leimane's sonic explorations - Shape • Mars Can Wait, curated by Rokolectiv • The outside is droning: An interview with KMRU - Shape • Shape: Siksa 16th October 2021 • Julek Ploski: 'The more engaging the music, the safer I felt.' - Shape • Screaming into the abyss: An interview with Johanna Hedva - Shape • Nothing stands still: An interview with Grand River - Shape • Julia Reidy: Sounding an internal world - Shape • Synapse Knowledge x SHAPE: 𝙰𝚟𝚝𝚘𝚖𝚊𝚝, 𝚈𝚊𝚗𝚝𝚊𝚗 𝙼𝚒𝚗𝚒𝚜𝚝𝚛𝚢 & 𝙰𝚟𝚜𝚕𝚞𝚝𝚊 • Jiska Huizing & Rudi Valdersnes: 'We want to challenge what you dance to on the dance floor' - Shape • The mindset of an explorer - a conversation with Hüma Utku - Shape • ELVI: ‘My path is a path of much inner conflict’ • SONICA X Kamfest: Black Pulse • Gaspar Claus: ‘My career is like a monster chasing me, instead of me chasing a career.’ • Foldable Sounds Collective: ‘We wanted to celebrate noises through all their layers of lag’ • musikprotokoll 2021 - programme • Hear our latest Resonance FM show with Riccardo La Foresta • Interview: Eiger Drums Propaganda: ‘I love being transported by a vortex of sounds and visuals’ • Intonal joins SHAPE • Ensemble Podcast: KMRU • Interview: ‘Budokan Boys was born on Michael’s living room floor.’ Berlin-based duo Budokan Boys interviewed • Hear our latest Resonance FM show with Audrey Chen, Sofie Birch, Black Pulse and c/a • Black Pulse: “I learned to play drums by playing to old punk tapes” • Avtomat: ‘Our community was tired and angry’ • Earthquakes, colliding galaxies and slugs sliding down a wet window: Audrey Chen interviewed • Connecting worlds: An interview with Apollo Noir & Thomas Pons • Between science and mythology: An interview with Amosphère • Hear our April Resonance FM show with Ábris Gryllus, Riccardo La Foresta and ELVI • Adaptive desires: An interview with Ábris Gryllus • Trans Europe Postal Express Bandcamp • Hear our latest Resonance FM show with Jay Glass Dubs • SHAPE x RIAM 2021 • Ensemble podcast: upsammy • Online stream: TodaysArt visits Hobart • Podcast: Rojin Sharafi • Event: Womxn´s Day - Digital After Party • Listen: Hear our latest Resonance FM show with Simina Oprescu • Event: TodaysArt 𝙫𝙞𝙨𝙞𝙩𝙨 — Tromsø • SHAPE platform announces 2021 list of artists • EARTHLY SOUNDTRACKS FOR THE NON-HUMAN by Rokolectiv • CTM Festival 2021 - Transformation • NTS Radio: SHAPE W/ XIN • The Wire Below The Radar Special Edition: SHAPE Platform 2020 • XLR8R+26 Features Exclusive Tracks and a Sample-Pack from Jay Glass Dubs, Poly Chain, and Rian Treanor • SHAPE platform & XLR8R announce two-week collaboration • Clara de Asís: ‘I like to consider music as a manifestation of life’ • Peter Kutin's ROTOR @ ORF • Earthly Soundtracks For The Non-Human • Yann Gourdon x Musique Journal • upsammy: ‘Sound became more sculpture-like’ • Lawrence Lek: ‘Musicians always find a way to subvert the system’ • Sacrifice Seul: ‘My production looks like old modular synth mixed à la Mad Max” • Probabilities Around The Center • tingles & clicks • Jay Glass Dubs rend hommage à sa chienne Daria, qui est encore tout à fait vivante [podcast musique & soin, ép. 2] • Jay Glass Dubs: ‘If my head were a city, the music would come from a distant building’ • The sound is the soul: An interview with Simina Oprescu • Rian Treanor: ‘Being creative is also about not being happy with how things are’ • object blue: “I was really afraid of music” • Farida Amadou on working with Steve Albini, improvisation and her new collaborative platform • Piezo on the Milan and Bristol underground scenes, illegal raves and his new album • Just me and John Cage in my head: An interview with turntapelist Rrill Bell • SHAPE announces open call for 2021 • FOQL: ‘In Poland, art is always at the very bottom of the pecking order’ • Lyra Valenza: ‘We’re gonna have a cultural boom’ • ‘I can’t be creative if I don’t have time to get lost a little’: An interview with Céline Gillain • Rojin Sharafi’s musical journey • Oliver Torr on Prague’s music scene, playing 5-hour sets and sonifying trains • Svetlana Maraš x The Quietus