@rtmaramis

rtmaramis has been a member of Linktree for 3 years and joined in June 2023. The social media accounts linked to from rtmaramis are: • Instagram • X Besides social media accounts, rtmaramis has populated their site with: • FlixChatter Review: The Invite (2026) – This year’s best psychological sex comedy you must RSVP to ASAP – FLIXCHATTER FILM BLOG • Musings on 2025 Oscar Nominations – The egregious snubs + enchanting surprises • FlixChatter’s 15 Most Anticipated 2025 Movies • FlixChatter’s Top 10 Films of 2024 + 20 Honorable Mentions • FlixChatter Review: I’m Still Here (2024) – Brazilian humanist drama is a reflection of resilience and not letting tragedy define them • TCFF 2024 Review: MAGPIE – Daisy Ridley continues to show off her range in this enigmatic, slow-burn thriller • TCFF 2024 music-themed documentary reviews – LUTHER: NEVER TOO MUCH and CAMP RICSTAR • TCFF 2024 Review: CONCLAVE – Ralph Fiennes delivers his finest performance in this engrossing papal mystery thriller • FlixChatter Review: Beverly Hills Cop: Axel F – Eddie Murphy still brings the heat in this light & fun action flick with an undemanding plot • FlixChatter Review: The Bikeriders (2024)—the bad boys Hardy + Butler are cool but it’s Comer who’s the real scene-stealer • FlixChatter Review: A24’s JANET PLANET (2024) – Annie Baker’s kooky but tender mom-daughter drama starring the criminally underrated Julianne Nicholson • TV Series Spotlight: TOKYO VICE Season 2 (MAX)—this exquisite, gripping neo-noir is even more captivating than the solid first season • Documentary Review: Andrew McCarthy’s BRATS (2024)—an amusing, introspective walk down memory lane, especially for Gen Xers • FlixChatter Review: GHOSTLIGHT (2024)–The redemptive power of theater brought to life in a personal and authentic way • FlixChatter Review: Pixar’s INSIDE OUT 2 (2024) – Vibrant & funny, an outstanding successor to the wildly imaginative original • FlixChatter’s TOP 10 Favorite PIXAR films • Top 10 Fave Pixar Characters – Vote for your favorites • FlixChatter Review: HIT MAN (2024) – A lively crime caper armed with charm and laughs • FlixChatter Review: Bad Boys: Ride or Die (2024) – They’re no spring chickens but this buddy cop duo still got some life left in them • FlixChatter Review: GODZILLA MINUS ONE (2023) – Come for the roaring giant monster, stay for the rousing human story • FlixChatter Review: ONE LIFE (2023) – Anthony Hopkins is heart-wrenching in a stirring tribute to British humanitarian Nicholas Winton • FlixChatter Review: Netflix’s DAMSEL – Millie Bobby Brown is a spunky dragon slayer in this revisionist fairy-tale • Oscars 2024 – Full Winners list + highlights from the 96th Academy Awards • FlixChatter Review: Perfect Days (2023) – a soulful Japanese drama about finding joy & beauty in life’s simplest moments • FlixChatter Review: DUNE Part Two – Denis Villeneuve’s magnum opus is even more mesmerizing than the first • TV Series Review: FX’s SHŌGUN – the epic saga set in feudal Japan is masterfully crafted, lavish & immersive • FlixChatter Review: MARMALADE (2024) – a Minnesota-made, romantic heist flick brimming with manic energy • Valentine Special: BRIEF ENCOUNTER (1945) – An appreciation for the exquisite romance drama by David Lean • Capsule Reviews: NYAD + Priscilla – a pair of female-directed films based on memoirs • FlixChatter’s Top 10 Films of 2023 + 20 Honorable Mentions • When Hitler Stole Pink Rabbit (2021) review – a poignant coming-of-age refugee drama based on the true story of author Judith Kerr • 2024 Oscar Nominations – Musings on the egregious snubs + enchanting surprises • FlixChatter Review: FOE – Saoirse Ronan + Paul Mescal’s marriage unravels in this slo-burn dystopian drama • FlixChatter Review: POOR THINGS (2023) – Emma Stone delivers a bravura performance in this wild + weird odyssey of self-discovery • FlixChatter Review: ORIGIN – Heart-wrenching & defiant, Ava DuVernay brings Isabel Wilkerson’s fascinating life + literary journey to life • FlixChatter Review: The Taste of Things (2023) – Juliette Binoche is exquisite in this vivid, sensuous French foodie romance • 20 Memorable but Overlooked Movie Performances of 2023 • FlixChatter Review: All Of Us Strangers (2023) – Andrew Scott is mesmerizing in this haunting, heart-wrenching mystery drama • FlixChatter Review: FERRARI (2023) – Despite the electric racing scenes, it lacks a certain oomph (or vroom) to mark a memorable comeback for Michael Mann • FlixChatter Review: American Fiction (2023) – Jeffrey Wright delivers an Oscar-worthy performance in this shrewd + bitingly funny satire • FlixChatter Review: Wonka (2023) – Paul King’s sprightly musical has just the right dose of kookiness, magical whimsy + heart • FlixChatter Review: MAESTRO (2023) – Cooper really ups his game as a filmmaker, while Mulligan is the film’s acting MVP • FlixChatter Review: SALTBURN (2023) – A promising young man’s tale of obsession and covetous ambition is not for the squeamish • FlixChatter Review: Dream Scenario (2023) – Nic Cage is hysterical as a hapless man caught on a rollercoaster of newfound fame • FlixChatter Review: WISH (2023) – no amount of fairy dust on the screen could magically turn this mediocre Disney movie into a magnificent one • FlixChatter Review: Taika Waititi’s Next Goal Wins (2023) starring Michael Fassbender • FlixChatter Review: The Holdovers (2023) – Alexander Payne’s funny and poignant drama is a new holiday classic • TCFF 2023 Indie Film Review: ABROAD (2023) • FlixChatter Review: ASTEROID CITY – Wes Anderson’s first foray into sci-fi is soulless + overly self-indulgent • FlixChatter Review: THE CREATOR (2023) – a visually arresting sci-fi that challenges us whether AI is truly the enemy • FlixChatter Review: A Haunting In Venice (2023) – Kenneth Branagh’s Poirot’s latest murder mystery is opulently spooky • FlixChatter Review: The Equalizer 3 – Denzel caps off his vigilantism in an Italian village with equal gore and gravitas • Finally caught up with Denzel Washington’s only film franchise The Equalizer 1 & 2 – now I’m excited to see The Equalizer 3 • Streaming Picks: LOU (2022) and CARMEN (2021) – These two female-led films directed by women are well worth your time • FlixChatter Review: Netflix’s HEART OF STONE (2023) – As a franchise starter, this Gal Gadot action vehicle fails to ignite • FlixChatter Review: Shortcomings (2023) – has its own set of flaws but this irreverent & funny movie is a solid debut from Randall Park • Documentary Review: Netflix’s The Deepest Breath (2023) – a riveting, emotional freediving tale with breathtaking visuals • FlixChatter Review: BARBIE (2023) – Robbie perfectly embodies Barbie, but Gosling steals the spotlight with his hilarious Kenergy • FlixChatter Review: OPPENHEIMER (2023) – a majestic, haunting, thought-provoking piece of cinema that further cements Nolan’s auteur status • TV Review: SILO (S1) – Rebecca Ferguson shines in Apple TV+’s dystopian sci-fi noir • FlixChatter Review – Mission Impossible: Dead Reckoning Part One (2023) – the story takes a back seat to breathtaking action, but the sky-high level of craftsmanship still makes this franchise so irresistible. • FlixChatter Review: Love Gets A Room (2023) – an affecting WWII musical drama set in Warsaw ghetto filmed in real-time • FlixChatter Review: PAST LIVES (2023) is beautifully spellbinding, never has something so low-key hit me like a ton of bricks. • FlixChatter Review: RYE LANE (2023) – the perfect junction where comedy, heartbreak, and romance intersect beautifully • FlixChatter Review: ELEMENTAL (2023) – Pixar’s first rom-com proves that a tale as old as time can still spark when told in a refreshingly creative way