@regionfree

regionfree has been a member of Linktree for 3 years and joined in December 2022. The social media accounts linked to from regionfree are: • Instagram • YouTube • Bluesky Besides social media accounts, regionfree has populated their site with: • My reviews on Rotten Tomatoes • My reviews on OpenCritic • My reviews on Metacritic • My Portfolio • Interview with the cast of The Furious • Night Visions interview: Hammer legend Caroline Munro • Region Free • Letterboxd Film Diary • Walton Goggins, Ella Purnell, and Aaron Moten talk Fallout alongside their brand-new trailer • 3 Body Problem is a grand and humane sci-fi epic that was worth the wait • Godzilla X Kong: The New Empire is one loud, gigantic bore • Support my work! • Princess Peach: Showtime! is a joyful platformer that was worth the wait • Ghostbusters: Frozen Empire is a surprisingly great sequel • Sugar is a frustrating misfire • Monkey Man is one of the best action films of the decade • Fallout is the best game adaptation ever made • Hollywood 90028 is a forgotten gem that deserves a second chance • Ryland Brickson Cole Tews vs. Hundreds of Beavers • Civil War is a brave, unrelenting cinematic warning for our time • John McTiernan on his career, Shakespeare, and the language of film • April Jones and Chris Nieratko on Concrete Law and the importance of Suvilahti DIY • Dark Matter is a twisty story of regret • Kingdom of the Planet of the Apes is a spectacular dystopian fantasy • Cannes 2024: Megalopolis is a sincere, chaotic work of visionary confusion • Cannes 2024: Furiosa – A Mad Max Saga • Cannes 2024: Horizon: An American Saga proves Kevin Costner once more as the master of the western • Hit Man is the funniest and sexiest romantic comedy in years • Love Lies Bleeding is a relentlessly gripping thriller • Paper Mario: The Thousand-Year Door is a joyous nostalgia trip • Star Wars: The Acolyte shows promise, but would be better as a film • Bad Boys: Ride or Die is a lifeless and drab parody of itself • Cannes 2024: Rendez-vouz Avec Pol Pot makes evil the default state of the world • Cannes 2024: The Second Act is a messy fable about filmmaking • Cannes 2024: My Sunshine is a touching coming of age story • Cannes 2024: Twilight of the Warriors: Walled In is a fairytale action film like no other • Physical Media Reviews • Luigi’s Mansion 2 HD is a delightful update of a 3DS classic • The Bikeriders is a majestic portrait of America • Fly Me to the Moon is cute and breezy but with a boatload of problems • Twisters is unexpectedly one of the best films of the summer • Deadpool & Wolverine is a frustrating ode to glibness • Longlegs is one of the most terrifying films in years • The Instigators is nearly the perfect buddy comedy • Trap is two M. Night Shyamalan movies for the price of one • Four gems from Espoo Cine 2024 you can still see - Toisto • The Rings of Power returns with a more confident second season - Toisto • Interview: Naoki Yoshida wants to take players on a journey - Toisto • Beetlejuice Beetlejuice is a delightfully gruesome legacy sequel - Toisto • Kino Konepaja dreams of cinema - Toisto • The Texas Chain Saw Massacre 4k is still scary as hell • The Apprentice is a Trumpian Frankenstein • Interview: Lena Olin vs. The Darkness • The best films of 2024 • Babygirl • Cannes 2025: The Resurrection of Kevin Smith • Nintendo Switch 2 Review: bigger and better – to a degree • Superman is the essential summer blockbuster • Poker Face Season 2 continues the winning streak • Fantasia Festival: Foreigner • Fantasia Festival: Blank Canvas - My So-Called Artist's Journey • Fantasia Festival: Burning • Fantasia Festival: Dog of God • Peacemaker Season 2 is a vast improvement in every way • Project Hail Mary Review: An instant timeless classic • TIFF Review: The Testament of Ann Lee