PROTOTYPE Festival
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Watch The All-Sing WHALE ROAD, HWAEL RĀD
Watch The All-Sing WHALE ROAD, HWAEL RĀD
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IN THE PRESS
Modern American Opera Wouldn’t Be the Same Without Her - The New York Times
Modern American Opera Wouldn’t Be the Same Without Her - The New York Times
Beth Morrison has shepherded dozens of new works into existence over the past 20 years. And her footprint continues to grow.
Review: Snider’s Brilliant Score Anchors HILDEGARD at Prototype under Pulitzer’s Caring Eye
Review: Snider’s Brilliant Score Anchors HILDEGARD at Prototype under Pulitzer’s Caring Eye
This is Beth Morrison’s first year as sole curator, producer and presenter of New York’s PROTOTYPE Festival of indie opera/music theatre. She’s also midwife for the birth of Sarah Kirkland Snider’s gorgeously composed HILDEGARD, its centerpiece, which I heard at the Gerald Lynch Theater at John Jay College on January 11. Morrison has proven herself, once again, to be true to her eponymous organization’s seeming marching orders: “I never do anything twice.”
NYT: Applying Richard Foreman’s Off-Kilter Aesthetic (and Ducks) to Opera
NYT: Applying Richard Foreman’s Off-Kilter Aesthetic (and Ducks) to Opera
The composer Michael Gordon collaborated with Foreman on “What to Wear” in 2006. The opera makes its belated New York premiere at BAM on Thursday.
NYT: Viva the Absurd: ‘What to Wear’ and a Wave of Opera Surrealism
NYT: Viva the Absurd: ‘What to Wear’ and a Wave of Opera Surrealism
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