@postgenre

@postgenre has been a member of Linktree for 6 years and joined in May 2020. The social media accounts linked to from @postgenre are: • Facebook • Instagram • Email • X Besides social media accounts, postgenre has populated their site with: • Toward the Infinite: Anoushka Shankar on Creativity, Spirituality, and Sound Worlds at Newport • Leaving Space: Marquis Hill on Artistic Lineage and his 2026 Newport Jazz Performance • Finding the Strange Heavens: Linda May Han Oh on Improvisation, Hope, and Community at the 2026 Newport Jazz Festival • The Dey Way: Mohini Dey on Family, Evolution, and Leading at the 2026 Newport Jazz Festival • Indivisible: Paul Horton and Greg Bryant on Concurrence at the 2026 Newport Jazz Festival • Where Spirit Meets Groove: NEA Jazz Master Terri Lyne Carrington Previews her 2026 Newport Jazz Performance and New Album • Past, Present, and Future: Day Three of the 2024 Newport Jazz Festival • Minimalist Funk Mantras: Charlie Hunter and Ella Feingold Preview their 2026 Newport Jazz Festival Performance • Never Stop Grooving: Bernard “Pretty” Purdie Previews his Newport Leader Debut • Beyond the Myth: Rick Anderson on His Mother’s Dance That Fueled Ellington’s Rebirth at Newport ’56 • Review: Helen Sung Big Band’s ‘Oracles’ • Resonances: A Conversation with DM Hotep on Marshall Allen’s Ghost Horizons • Review: Your Brother’s Keeper and Gary Bartz’s ‘Where Rivers Meet’ • Temporal Stream of Consciousness: A Conversation with Tyshawn Sorey • Review: James Brandon Lewis Quartet’s ‘Omni’ • Review: Lakecia Benjamin’s ‘We Dream’ • Review: Steven Bernstein’s ‘ResoNation Trio’ and ‘Ultra Resonance’ • Unlimited World of Possibilities: A Conversation with Joe Morris (Part Two) • Unlimited World of Possibilities: A Conversation with Joe Morris (Part One) • Review: Alvaro Torres Trio’s ‘Mairena’ • Review: Tyshawn Sorey’s ‘Members… Don’t!’ • Keeping the Flame Burning: A Conversation with Hannah Marks • Review: David Sanchéz’s ‘Tambó’ • Review: Eric Harland’s ‘Vipassana II’ • Review: Altin Sencalar’s ‘Natural Rhythm’ • Review: Harry Skoler’s ‘Echoes’ • Support our site through Patreon • Between Beauty and Horror: A Conversation with David Torn • Review: New Jazz Underground’s ‘Hoodies’ • Remembering Miles Davis at 100: A Conversation with Marcus Miller • Review: Joe Lovano’s ‘Paramount Quartet’ • Review: Chris Potter’s ‘Alive with Ghosts Today’ • Review: Jamile and Vinicius Gomes’s ‘Boundless Species’ • Opening Your Heart: A Conversation with DoYeon Kim on ‘Wellspring’ • Review: ‘Matthew Stevens’ • Review: Reverso’s ‘Between Two Silences’ • Moving as One: A Conversation with Satoko Fujii and Myra Melford - PostGenre • Review: Phil Haynes’s ‘Terra’ • Review: Dave Douglas’s ‘Transcend’ • Finding Through the Unknown: A Conversation with Willy Rodriguez • Review: Jason Moran, BlankFor.ms and Marcus Gilmore’s ‘Shards’ • Letting the Silence In: A Conversation with Nate Wooley • Review: Javier Nero Jazz Orchestra’s ‘Alkebulan’ • Review: Lo Steele’s ‘Only a Drop’ • Alone with Nature: A Conversation with Caroline Davis on ‘Fallows’ • Review: Gregory Hutchinson’s ‘Kind of Now: The Pulse of Miles Davis’ • Review: Clovis Nicolas’s ‘Blues in Blueprint’ • Review: Adam O’Farrill’s ‘Elephant’ • Review: Jon Irabagon’s ‘Saturday’s Child’ and ‘Focus Out’ • Review: Irreversible Entanglements’ ‘Future Present Past’ • Textural Abundance: Big Ears 2026 • Slow Absorption: A Conversation with Ned Rothenberg on solo performance and ‘Looms & Legends’ • Review: Miroslav Vitous’s ‘Mountain Call’ • Review: Luke Norris’s ‘Moment From The Past’ • Piecing Together the Cracked Fragments: A Conversation with Bill Orcutt • Review: Michael Formanek’s ‘New Digs’ • Review: Mark Turner’s ‘Patternmaster’ • Electrical Field of Love: A Conversation with Harriet Tubman (Brandon Ross, Melvin Gibbs, J.T. Lewis) and Georgia Anne Muldrow (Part Two) • Electrical Field of Love: A Conversation with Harriet Tubman (Brandon Ross, Melvin Gibbs, J.T. Lewis) and Georgia Anne Muldrow (Part One) • Review: Willy Rodriguez’s ‘In the Unknown (I Will Find You)’ • Review: Ben Wendel’s ‘BaRcoDe’ • Review: ‘Daggerboard: The Skipper and Mike Clark’ • Taking the Journey: A Conversation with Shabaka on ‘Of the Earth’ • Review: Edward Simon’s ‘Venezuela: Latin American Songbook Vol. 2’ • Holding On: A Conversation with Bill Frisell on ‘In My Dreams’ • Review: ‘The Setting’ • Review: Ben Rosenblum Nebula Project’s ‘The Longest Way Round’ • Review: Corcoran Holt’s ‘Freedom of Art’ • Transcending: A Conversation with Sam Morrison and Bill Laswell on ‘Cosmic Trip’ • Embracing the Grittiness: A Conversation with Steph Richards and Qasim Naqvi on ‘Talk Show’ • Review: Brandon Seabrook’s ‘Hellbent Daydream’ • Review: ‘Deface the Currency’ by The Messthetics and James Brandon Lewis • Review: Shawn Lovato’s ‘Biotic’ • Intervention and Observation: A Conversation with Mariel Roberts Musa on ‘Sunder’ • Review: Dave Douglas’s ‘Four Freedoms’ • Review: Tigran Hamasyan’s ‘Manifeste’ • Considering the Composer’s Black Box: A Conversation with Ted Gordon • Review: Julian Lage Quartet’s ‘Scenes from Above’ • Echoes of Chickadee Valley: A Conversation with Christopher Hoffman on ‘Rex’ • Review: John Ellis and Doublewide’s ‘Fireball’ • Finding Cues: A Conversation with Elias Stemeseder on ‘Studies in Prolation, for S-L plus Ensemble’ • Review: Craig Taborn’s ‘Dream Archives’ • The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues - The Arts Fuse • Encuesta 2025 – Periodistas Internacionales - El Intruso • Crossroads: A Conversation with Either/Orchestra’s Russ Gershon on Èthiopiques and Nerses Nalbandian • Review: Kris Davis and the Lutosławski Quartet’s ‘The Solastalgia Suite’ • Quest for Magic: A Conversation with Paul Winter on Earth Music and ‘Horn of Plenty’ • Evolution of Seeds: A Conversation with Peter Evans on ‘Ars Ludicra’ • Music as Movement: A Lost Conversation with Marilyn Mazur • The Cellar Door Sessions at Fifty-Five: December 17, 1970 • The Cellar Door Sessions at Fifty-Five: December 16, 1970 • The Cellar Door Sessions at Fifty-Five: An Introduction • EIC Rob Shepherd’s Favorite Albums of 2025 • PostGenre’s Best of 2025 • Review: Jerome Sabbagh’s ‘Stand Up!’ • Living Proof of the Same Cell: A Conversation with Lucian Ban and Mat Maneri on ‘Cantica Profana’ and ‘The Athenaeum Concert’ • Review: Bill Ware and the Club Bird All Stars’ ‘Martian Sunset’ • Review: John O’Gallagher’s ‘Ancestral’ • Review: Simón Willson’s ‘Feel Love’ • Review: John Scofield and Dave Holland’s ‘Memories of Home’ • The Willpower of Notes: A Conversation with Eyvind Kang on ‘Riparian’ • Review: Billy Hart’s ‘Multidirectional’ • Review: Lina Allemano’s ‘The Diptychs’ • Review: Mark Turner’s ‘Reflections on: The Auto-Biography of an Ex-Colored Man’ • Review: Thomas Morgan’s ‘Around You is a Forest’ • La Belle Ville: A Conversation with David Binney and Tommy Crane on ‘The Isle’ • Review: Chad Taylor’s ‘Smoke Shifter’ • Review: Pat Thomas’ ‘Hikmah’ • Review: For Living Lovers’ ‘Natural Name’ • Touching the Purple Haze: A Conversation with Stanley Jordan on Reimagining Jimi Hendrix • Review: Bob Schlesinger’s ‘Falling From Earth’ • Review: Jakob Bro’s ‘Murasaki’ and ‘The Montclair Sessions’ • Looking to the Cosmos: A Conversation with Patricia Brennan on ‘Of the Near and Far’ (Part Two) • Looking to the Cosmos: A Conversation with Patricia Brennan on ‘Of the Near and Far’ (Part One) • Review: Armen Donelian’s ‘Stargazer’ • Jazz Detective Zev Feldman Begins Yet Another Journey with New Imprint, Time Traveler Recordings, and Resurrecting Three Largely Forgotten Gems from the Muse Records Catalog • Review: Phil Haynes & Free Country’s ‘Liberty Now!’ • Review: Sarah Elizabeth Charles’s ‘Dawn’ • Review: Donny McCaslin’s ‘Lullaby for the Lost’ • Musical Tether: A Conversation with Sonya Belaya on ‘Dacha’ • Review: Mike Clark’s ‘Itai Doshin’ • Beyond Category: How Three Mus… - The Buzz: The JJA Podcast • Honoring the Feeling: A Conversation with Mocean Worker (Adam Dorn) and Joe Alterman on ‘Keep the Line Open’ • Review: Noah Garabedian’s ‘Quartets and Solos’ • Review: ‘Trio of Bloom’ with Nels Cline, Craig Taborn, and Marcus Gilmore • Review: Henry Threadgill’s ‘Listen Ship’ • Review: Carmen Staaf’s ‘Sounding Line’ • Hearing the Future: A Conversation with Gary Bartz • Review: Gary Bartz’s ‘The Eternal Tenure of Sound: Damage Control’ • Review: Charlie Rouse’s ‘Cinnamon Flower: The Expanded Edition’ • Review: Patricia Brennan’s ‘Of the Near and Far’ • Review: Shuteen Erdenebaatar and Nils Kugelmann’s ‘Under the Same Stars’ • Review: Nicole Zuraitis’ ‘Live at Vic’s Las Vegas’ • Review: Dave Douglas’ ‘Alloy’ • Folklore: A Conversation with Ben Lamar Gay • Review: ‘George Coleman with Strings’ • Review: Lucian Ban, Mat Maneri, and John Surman’s ‘Cantica Profana – The Béla Bartók Field Recordings’ • Review: Caelan Cardello’s ‘Chapter One’ • Hanging in the Clouds: A Conversation with Rob Mazurek and Chad Taylor on Chicago Underground Duo • Review: Jacob Garchik’s ‘Ye Olde 2: At The End of Time’ • Review: Linda May Han Oh’s ‘Strange Heavens’ • Review: Aruán Ortiz’s ‘Créole Renaissance’ • Review: Eric Alexander and Vincent Herring’s ‘Split Decision’ • Flower in the Heart: A Conversation with Zoh Amba • Review: Adegoke Steve Colson and Iqua Colson’s ‘GLOW: Music for Trio …. Add Voice’ • Review: Josh Lawrence’s ‘Still We Dream’ • Review: Nicole Glover’s ‘Memories, Dreams, Reflections’ • Review: Jon Irabagon PlainsPeek’s ‘Someone to Someone’ • Bringing Back the Heartbeat: A Conversation with Theon Cross • Review: Ron Blake’s ‘SCRATCH Band’ - PostGenre • Keeping the Tradition Contemporary: Christian McBride on his Big Band and the 2025 Newport Jazz Festival • Review: Rachael & Vilray‘s ‘West of Broadway’ • Touching the Continuum: Sebastian Rios Previews New Jazz Underground at Newport - PostGenre • Review: Jimmy Greene’s ‘As We Are Now’ - PostGenre • Flying to a New Land: Patrick Patterson and Steve Scipio Preview Cymande at the 2025 Newport Jazz Festival m • Past, Present, and Future: Day Two of the 2024 Newport Jazz Festival • Enchanted: Marcus Gilmore on Honoring Roy Haynes at Newport and Journeying to the New • Taking the Journey: Rich Ruth Previews his 2025 Newport Jazz Festival Performance • The Annual Francis Davis Jazz Critics Poll -- Sharing What We Know at Mid-Year - The Arts Fuse • Feeling the Spirit: A Conversation with Tim Carman, Jimmy James, and Adam Scone on Parlor Greens at Newport • Odyssey: Nubya Garcia Previews her 2025 Newport Jazz Festival Performance l • Review: Etienne Charles’ ‘Gullah Roots’ • Always Listening: A Conversation with Deborah Ross, Executive Director of the Joyce and George Wein Foundation - • Migration of Knowledge: A Conversation with Gaia Wilmer and Ra Kalam Bob Moses • Review: Itai Kriss’s ‘Daybreak’ • Review: James Brandon Lewis Quartet’s ‘Abstraction Is Deliverance’ • Review: Julian “J3PO” Pollack’s ‘Soul & Circuitry’ • Review: Amina Claudine Myers’ ‘Solace of the Mind’ • For Those Who Need to Hear It: A Conversation with Chris Weller on Hanging Hearts • Review: Joshua Redman’s ‘Words Fall Short’ • Review: Matthew Shipp’s ‘The Cosmic Piano’ • Review: Ivo Perelman and the Matthew Shipp String Trio’s ‘Armageddon Flower’ • Trusting Fate: A Conversation with Brandee Younger • Letting the Spirit In: A Conversation with Amina Claudine Myers on ‘Solace of the Mind’ • Past, Present, and Future: Day One of the 2024 Newport Jazz Festival • Review: Isaiah J. Thompson’s ‘The Book of Isaiah: Modern Jazz Ministry’ • Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part Two) • Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part One) • Review: Ches Smith’s ‘Clone Row’ • Fighting the Algorithm: A Conversation with Ken Vandermark on his No Idea Festival Residency • Trying to Be Free: A Conversation with Curtis Hasselbring • To Be Beyond: A Conversation with Tisziji Muñoz and Paul Shaffer on ‘Quantum Blues’ • Stretching the DNA: A Conversation with Amir ElSaffar and Lorenzo Bianchi Hoesch on ‘Inner Spaces’ • Review: ‘Quantum Blues’ • Trust: A Conversation with Sylvie Courvoisier and Mary Halvorson - PostGenre • Fear, Resilience, and Reflection: A Conversation with Adam O’Farrill on ‘For These Streets’ • Review: Nels Cline’s ‘Consentrik Quartet’ - PostGenre • Musical Tourism on the Edges – Big Ears 2025 • Finding a Universal Consciousness: A Conversation with Ambrose Akinmusire • Dealing in Ideas: A Conversation with Seymour Wright on أحمد [Ahmed] • Transient Luminous Event: A Conversation with Dougie Bowne • Outside the Academy: A Conversation with Jeff Parker on the ETA IVtet • Slipping into Something: A Conversation with Nels Cline on the Consentrik Quartet • Steve Coleman: A Man of Many Turns • SPACE: A Conversation with Roscoe Mitchell • Uncovering Forgotten Bridges: A Conversation with Ghazi Faisal Al-Mulaifi and Arturo O’Farrill • Under the Influence of Music: A Conversation with George Porter, Jr. (Part Two) • Under the Influence of Music: A Conversation with George Porter, Jr. (Part One) • Unfolding: A Conversation with Lesley Mok and Phillip Golub on Dream Brigade • Front-Row Seat: A Conversation with Jason Miles • Subliminal Input: A Conversation with Jon Irabagon on ‘Server Farm’ • Bloom: A Conversation with Ellen Fullman and Theresa Wong • Protecting the History: A Conversation with Ebo Taylor • Review: Michel Petrucciani’s ‘Jazz Club Montmartre – CPH 1988’ • Sound Navigation: A Conversation with Ava Mendoza on ‘The Circular Train’ • The 19th Annual Francis Davis Jazz Poll: The Shape of Jazz That Keeps Us Going - The Arts Fuse • Always There: A Conversation with George Burton • Anthony Dean-Harris’ Favorite Albums of 2024 • Rob Shepherd’s Favorite Albums of 2024 • Going Beyond What We Know: A Conversation with Evan Parker and Matt Wright on Trance Map • PostGenre’s Best of 2024 • Dream House: A Conversation with Kalia Vandever • Normal Give or Take: A Conversation with Fred Frith (Part Two) • Normal Give or Take: A Conversation with Fred Frith (Part One) • Keeping the Flame: A Conversation with Archival King Zev Feldman - PostGenre • Slicing through Silence: A Conversation with Jessica Pavone • Beautiful Imperfections: A Conversation with Aaron Parks on ‘Little Big III’ • Jazz Master: A Conversation with Terry Gibbs (Part One) • Infinite Possibility: A Conversation with Nate Mercereau on ‘Excellent Traveler’ • Quilting Sound: A Conversation with Travis Laplante on ‘The Golden Lock’ • Drawing Energy from the Silence: A Conversation with Jason Kao Hwang on ‘Soliloquies’ • Most Like Myself: A Conversation with Brian Marsella on the iMAGiNARiUM • Spirit Walking: A Conversation with Luke Stewart • Natural Sounds: A Conversation with Ellen Reid on ‘Big Majestic’ • No Isolation: A Conversation with Dave Holland (Part Two) • No Isolation: A Conversation with Dave Holland (Part One) • Finding the Common Denominators: A Conversation with Patricia Brennan on ‘Breaking Stretch’ • Thread of Humanity: A Conversation with Lucian Ban and Mat Maneri on ‘Transylvanian Dance’ • Laboratory: A Conversation with Danilo Pérez and John Patitucci on the Legacy of Wayne Shorter • Review: Milton Nascimento and esperanza spalding’s ‘Milton + esperanza’ • Collision and Coexistence: A Conversation with Nicole Mitchell on ‘Bamako*Chicago Sound System’ • Tradition Fuels the Future: A Conversation with Artistic Director Christian McBride on the Newport Jazz Festival at Seventy • Jazz Feature: Diversity Brings Riches -- A Mid-Year Jazz Critics Poll - The Arts Fuse • Room For It All: Braxton Cook Previews ‘Newport at 70’ • Forever: Stanley Clarke Previews N•4EVER’s Performance at the 2024 Newport Jazz Festival (Part Two) • Forever: Stanley Clarke Previews N•4EVER’s Performance at the 2024 Newport Jazz Festival (Part One) • Fearless: A Conversation with Donny McCaslin on David Bowie, Elvis Costello, and the Newport Jazz Festival • Trumpet Evolution: Riley Mulherkar Previews his 2024 Newport Jazz Festival Leader Debut • Truly Magical Place: Jaleel Shaw Previews his 2024 Newport Jazz Festival Leader Debut • Prepared Piano with a Brazilian Identity: Amaro Freitas Previews his 2024 Newport Jazz Performance • At Heart: A Conversation with Fred Wesley on his Incredible Career and a Preview of his 2024 Newport Jazz Festival Performance • In Its Own Backyard: A Conversation with Newport Festivals’ Music Education Manager Leland Baker on his Role and SUNDAY JAZZ • Bringing Together: Rob Garza Previews Thievery Corporation’s 2024 Newport Jazz Festival Performance • Melting Pot of Old and Young: A Conversation with Newport Jazz Festival Security’s Ron Cudworth • Engagement: A Conversation with Lakecia Benjamin on ‘Phoenix Reimagined (Live)’ • Vessel: A Conversation with Deron Johnson on Miles Davis and ‘Free to Dance’ • Weaving: A Conversation with Janel Leppin • Observations form Day Three of the 2023 Newport Jazz Festival - PostGenre • Saving the Duck: A Conversation with Alfredo Colòn on ‘Blood Burden’ • Double Bill : A Conversation with Bill Frisell and Bill Morrison • Observations from Day Two of the 2023 Newport Jazz Festival • Freeing the Lion: A Conversation with James Blood Ulmer on Harmolodics and the Black Rock Trio • Channel to the Future: A Conversation with Elliott Sharp on ‘Die Grösste Fuge’ • Bringing the Instrumental Back: A Conversation with Molly Miller on ‘The Ballad of Hotspur’ • Physical Expression: A Conversation with Steph Richards on ‘Power Vibe’ • Constructing Sound: A Conversation with Tomeka Reid on ‘3+3’ • Spontaneous Combustion: A Conversation with Chloë Sobek and Tim Berne on ‘Burning Up’ • Pass Everything in My Soul: A Conversation with David Murray on ‘Francesca’ • Filter: A Conversation with Isaiah Collier on ‘The Almighty’ • The Journey: A Conversation with Kenny Garrett on ‘Who Killed AI?’ • Virtues of Melody: A Conversation with Alan Braufman on ‘Infinite Love Infinite Tears’ • Electric Connection: A Conversation with gabby fluke-mogul on ‘GUT’ • Tranquility and Rest to the Mind: Conversations with Wadada Leo Smith and Amina Claudine Myers on ‘Central Park’s Mosaics of Reservoir, Lake, Paths and Gardens’ • Intervalic Awakening: A Conversation with Modney on ‘Ascending Primes’ • Solo? : A Conversation with Josh Johnson on ‘Unusual Object’ • Reflections : A Conversation with Karriem Riggins on Jahari Massamba Unit’s ‘YHWH is Love’ • Pushing Off: A Conversation with Christopher Hoffman on ‘Vision is the Identity’ • Watchtower: A Conversation with Dezron Douglas • Traveling the Sound World : A Conversation with Brandon Ross on Phantom Station • Collaborative High Intensity : A Conversation with Anthony Pirog on ‘The Messthetics and James Brandon Lewis’ • Easier to See from the Outside: A Conversation with John Lurie • Moving by Breath: A Conversation with David Leon on ‘Bird’s Eye’ • Translating the Language: A Conversation with Lenny White (Part Two) • Translating the Language: A Conversation with Lenny White (Part One) • Review: ‘Triple Fever’ • “If You’re Not Still Learning, You’re Still”: A Conversation with Kahil El’Zabar on the Ethnic Heritage Ensemble at Fifty - PostGenre • Past, Present, and Future: A Conversation with Chief Xian aTunde Adjuah, Chieftain of the Xodokan Nation of Maroons and Grand Griot of New Orleans (Part Two) • Past, Present, and Future: A Conversation with Chief Xian aTunde Adjuah, Chieftain of the Xodokan Nation of Maroons and Grand Griot of New Orleans (Part One) • Broken Trance: A Conversation with Ches Smith on ‘Laugh Ash’ • Review: Mary Halvorson’s ‘Cloudward’ • Harmony on Your Side: A Conversation with George Coleman (Part Two) • Harmony on Your Side: A Conversation with George Coleman (Part One) • Premiere: NEA Jazz Master Abdullah Ibrahim’s Single “Water from an Ancient Well” from ‘3’ • Complex Dream: A Conversation with Rubin Kodheli on his Music and Remembering Ryuichi Sakamoto • Marathon of Discovery: A Conversation with Winter Jazzfest Founder/Producer Brice Rosenbloom on the Festival at Twenty Years • Cloudward: A Conversation with Mary Halvorson • The 18th Annual Francis Davis Jazz Poll: The State of Our Union Could Be Better - The Arts Fue • Mourning and Hope: A Conversation with Susan Alcorn • PostGenre’s Best of 2023 • Dedication: A Conversation with Dr. Eddie Henderson • Rob Shepherd’s Favorite Albums of 2023 • PostGenre Media 2023 Readers' Poll • Review: Lucas Pino’s ‘Covers’ • Painting with Sound: A Conversation with Sam Newsome • Viking of Sixth Avenue: A Conversation with Ghost Train Orchestra’s Brian Carpenter on Moondog • Sit with Sound: A Conversation with Sarah Belle Reid • Composing Peace: A Conversation with Miguel Atwood-Ferguson on ‘Les Jardins Mystiques, Volume 1’ - PostGenre • Unmined Field: A Conversation with Kate Gentile on ‘Find Letter X' • Resilient Hope: A Conversation with Caroline Davis on ‘Alula: Captivity’ - PostGenre • Shimmer Wince: A Conversation with Anna Webber on Just Intonation • Hearing Voices: A Conversation with George Lewis • Live Composing: A Conversation with Vijay Iyer on ‘Love in Exile’ • Vibration Aiming at Silence: A Conversation with Matthew Shipp • Inevitable Funkiness: A Conversation with Larry Goldings on Scary Goldings • Arcus Pluvius: A Conversation with Steve Lehman on Big Bands, Artificial Intelligence, and ‘Ex Machina’ • Five Music Boxes: A Conversation with Kris Davis on ‘Diatom Ribbons Live at the Village Vanguard’ - PostGenre • Review: Kris Davis”Diatom Ribbons: Live at the Village Vanguard’ • Process Prevails: A Conversation with Darius Jones on ‘FluXkit Vancouver (i̶t̶s suite but sacred)’ • Something Bigger: A Conversation with James Brandon Lewis on Mahalia Jackson • Observations from Day One of the 2023 Newport Jazz Festival • Friends Old and New: Artistic Director Christian McBride Previews the 2023 Newport Jazz Festival • Tide is My Witness: Cautious Clay Previews his 2023 Newport Jazz Festival Performance and New Blue Note Album • Magic is Real: Vijay Iyer Previews the 'Love in Exile' Trio's 2023 Newport Jazz Festival Performance • Armstrong Now: Giveton Gelin Previews Louis at Newport • Even the Sparrow: James Brandon Lewis Previews his 2023 Newport Jazz Festival Performance • Review: David Ake's 'Green Thumb' — • Laced With Creativity: A Conversation with Zeena Parkins • The Jazz Gallery Interview with Firas Zreik • Getting Them There: A Conversation with Newport Festivals Driver/Photographer Jack Casey • Relationships Through Music: A Conversation with Zakir Hussain on Shakti at 50 (Part Two) • Relationships Through Music: A Conversation with Zakir Hussain on Shakti at 50 (Part One) • Newport Jazz Festival History - The Recorded Legacy: Five Newport Performances that Changed Music History • Peace Through Sound: A Conversation with Lonnie Liston Smith (Part Two) • Peace Through Sound: A Conversation with Lonnie Liston Smith (Part One) • Conduit : A Conversation with Todd Clouser on The Mexico City Experiment • Mysterious Textures: A Conversation with Brandon Seabrook • Opportunity to Make Something Special: A Conversation with George Benson • Music at the Heart: A Conversation with Erik Friedlander • Voyage Austin Interview with Rob Shepherd • Review: Avram Fefer’s ‘Juba Lee’ • April 2023 Capsule Reviews • Mixing Vocabularies: A Conversation with Mike Dillon on Punkadelick • March 2023 Capsule Reviews • Quiet Within: A Conversation with Ingrid Laubrock • Blasting Through the Barriers: DoomCannon and SXSW's Jazz re:freshed Outernational — PostGenre • February 2023 Capsule Reviews • Interview: A Conversation with an Anonymous Artist • Jazz Gallery Interview with Ethan Iverson on his 50th Birthday Performances • Harlem Hellfighter: A Conversation with Jason Moran on James Reese Europe (Part Two) • Harlem Hellfighter: A Conversation with Jason Moran on James Reese Europe (Part One) • Review: Thumbscrew’s ‘Multicolored Midnight’ • January 2023 Capsule Reviews: Lakecia Benjamin, Satoko Fujii, Patricia Brennan, and Leland Whitty • Encuesta 2022 - Periodistas Internacionales - El Intruso • The 17th Annual Francis Davis Jazz Poll: A Profusion of Geniuses - The Arts Fuse • Singing Through the Horn: A Conversation with Billy Harper (Part Two) — PostGenre • Singing Through the Horn: A Conversation with Billy Harper (Part One) • Review: Jussi Reijonen's 'Three Seconds | Kolme Toista' — PostGenre • Rob Shepherd’s Favorite Albums of 2022 • PostGenre’s Best of 2022 • Narrative Freedom: A Conversation with Anthony Davis (Part Two) • Narrative Freedom: A Conversation with Anthony Davis (Part One) • Roots to Infinity: A Conversation with Donald Harrison, Jr. (Part Two) • Roots to Infinity: A Conversation with Donald Harrison, Jr. (Part One) • Review: Jakob Bro and Joe Lovano’s ‘Once Around the Room: A Tribute to Paul Motian’ • Jazz Speaks/Jazz Gallery interview with Kenny Barron • Stranger Than Fiction: A Conversation with Trevor Dunn • All Singing Together: A Conversation with William Parker (Part Two) — PostGenre • All Singing Together: A Conversation with William Parker (Part One) • All Connected: A Conversation with Ron Carter (Part One) • All Connected: A Conversation with Ron Carter (Part Two) • Vibrational Miracle: A Conversation with Adam Rudolph (Part Two) • Vibrational Miracle: A Conversation with Adam Rudolph (Part One) • Time is Fluid: A Conversation with Angelica Sanchez • Sound is Everywhere: A Conversation with Jeff Coffin (Part Two) • Sound is Everywhere: A Conversation with Jeff Coffin (Part One) • Veer: A Conversation with Sarah Bernstein • Continuum: A Conversation with Steve Lehman on Sélébéyone (Part Two) • Continuum: A Conversation with Steve Lehman on Sélébéyone (Part One) • True Voice: A Conversation with Sasha Berliner • What to See at the 2022 Newport Jazz Festival - Sunday • What to See at the 2022 Newport Jazz Festival - Saturday • What to See at the 2022 Newport Jazz Festival - Friday • What the World Needs Now: Christian McBride on the 2022 Newport Jazz Festival and the Legacy of George Wein • Review: Tyshawn Sorey Trio’s ‘Mesmerism’ • Human Nature: A Conversation with Nate Wooley (Part Two) • Human Nature: A Conversation with Nate Wooley (Part One) • Review: Steve Cardenas, Ben Allison, and Ted Nash's 'Healing Power - The Music of Carla Bley' • Rebooting the Connection : A Conversation with Ronnie Foster (Part Two) • Rebooting the Connection : A Conversation with Ronnie Foster (Part One) • Outside the Comfort Zone: A Conversation with Anna Butterss • Genuine Expression: A Conversation with Julius Rodriguez • The Jazz Gallery's Conversation with Benoit Delbecq • Informed by Art: Signmaker Nan Parati on Newport, New Orleans, and Her Craft • Oliver Lake: Making Justice And Love A Reality • Undercurrent: A Conversation with Ulf Ivarsson and Bill Laswell (Part Two) • Undercurrent: A Conversation with Ulf Ivarsson and Bill Laswell (Part One) • Open to Interpretation: A Conversation with Ches Smith • Poisonous Beauty: A Conversation with Mary Halvorson (Part Two) • Poisonous Beauty: A Conversation with Mary Halvorson (Part One) • Traveling the Universe: A Conversation with Bill Summers (Part Two) • Traveling the Universe: A Conversation with Bill Summers (Part One) • Out Into the World: A Conversation with Stuart Bogie (Part Two) • Out Into the World: A Conversation with Stuart Bogie (Part One) • Peaks and Valleys: A Conversation with Michael Leonhart (Part Two) • Peaks and Valleys: A Conversation with Michael Leonhart (Part One) • Trying to Do Right by the Music: Selected Recordings with Jim Anderson • An Immersive Conversation with Jim Anderson and Ulrike Schwarz • Live Review: Pat Metheny's Side-Eye Trio at Austin's One World Theatre on February 24, 2022 • Review: Tomas Fujiwara's Triple Double's 'March' • Golden Rule: A Conversation with Sonny Rollins (Part Two) • Golden Rule: A Conversation with Sonny Rollins (Part One) — PostGenre • Bridging the Space Between: A Conversation with Alexander Flood — PostGenre • Review: Irreversible Entanglements' 'Open the Gates' • I Want My... : A Conversation with MTV Co-Founder Fred Seibert — PostGenre • Under Niagara Falls: Producer Fred Seibert on Cecil Taylor's Complete, Legendary, Live Return Concert — PostGenre • Orbital Rings of Saturn: A Conversation with Tyler Mitchell and Marshall Allen (Part Two) • Orbital Rings of Saturn: A Conversation with Tyler Mitchell and Marshall Allen (Part One) — PostGenre • Technology and Community: A Conversation with Greg Spero on The Chicago Experiment and NFTs • Up for the Challenge: A Conversation with Bob James (Part Two) • Up for the Challenge: A Conversation with Bob James (Part One) • Review: William Parker's 'Migration of Silence into and Out of the Tone World [Volumes 1-10]' • Fela Kuti & Africa 70's 'Zombie' (1977) • 2021 Annual Jazz Critics' Poll • Rob Shepherd's Favorite Albums of 2021 • Anthony Dean-Harris’ Favorite Albums of 2021 • The Jazz Gallery Interview with Henry Threadgill, Part 2 — Jazz Speaks • The Jazz Gallery Interview with Henry Threadgill, Part 1 — Jazz Speaks • PostGenre's Best of 2021 • Four Score: A Conversation with Wadada Leo Smith on Turning 80 (Part One) • An Alternative Holiday Playlist • Days in December: A Conversation with Jacqueline Kerrod — PostGenre • 2021 PostGenre Hall of Fame Inductee: John Cage’s “4'33"" • Review: Jonny Greenwood's Soundtrack to 'Spencer' • Sound World Exploration: A Conversation with Sara Schoenbeck • Density and Space: A Conversation with Yuma Uesaka and Marilyn Crispell • Melding of Worlds: A Conversation with Sylvie Courvoisier and Mary Halvorson • Eclecticism Continued: A Conversation with Dave Liebman (Part Two) • Eclecticism Continued: A Conversation with Dave Liebman (Part One) • Talk Memory: A Conversation with BADBADNOTGOOD’s Leland Whitty • Miles Davis: The Final Decade Revisited, Introduction • Review: Henry Threadgill Zooid's 'Poof' • Live Review: Herbie Hancock at the Paramount Theatre, Austin, TX, September 13, 2021 • The Jazz Gallery's Interview with Kendrick Scott on 'Corridors' • Changing Molecules: A Conversation with Steven Bernstein (Part Two) • Changing Molecules: A Conversation with Steven Bernstein (Part One) • Forward Motion with George Burton - A Conversation with Meshell Ndegeocello • Review: Terence Blanchard’s ‘Absence’ featuring the E-Collective and Turtle Island Quartet • Observations from Day Three of the 2021 Newport Jazz Festival • Observations from Day Two of the 2021 Newport Jazz Festival • Observations from Day One of the 2021 Newport Jazz Festival • Newport Jawn: A Conversation with Christian McBride (Part Two) • Newport Jawn: A Conversation with Christian McBride (Part One) • Five Genre-Defying Selections from the Newport Jazz Festival’s 2021 Lineup • A History of the Newport Jazz Festival - Chapter XV: Passing the Torch, 2009-2016 • The Jazz Gallery's Interview with Morgan Guerin on 'Sanctuary' • A History of the Newport Jazz Festival - Chapter XIV: Destinations, 2005-2009 • Review: L'Rain's 'Fatigue' • Review: Questlove's 'Summer of Soul (… Or When the Revolution Could Not Be Televised)' • Ritual for the Losses: A Brief Conversation with Jen Shyu • Review: Marc Ribot's Ceramic Dog's 'Hope' • A History of the Newport Jazz Festival - Chapter XIII: Echoes of the Past, 2004 • A History of the Newport Jazz Festival - Chapter XII: Expansion, 1995-2003 • Celebrate Sun Ra's 107th Birthday with a Review of his Arkestra's latest album • Review: ‘Impulse! Records: Music, Message & The Moment’ and Sons of Kemet’s ‘Black to the Future’ • A History of the Newport Jazz Festival - Chapter XI: Futures, 1990-1994 • Review: Tony Allen’s ‘There is No End’ • A History of the Newport Jazz Festival - Chapter X: Smooth Sailing?, 1984-1989 • A History of the Newport Jazz Festival - Chapter IX: Homecoming, 1981-1983 • Creative Necessity: A Conversation with Skerik • Making Contact: Max Ribner’s 1st Language • Review: Logan Richardson’s ‘Afrofuturism’ • Looking Within: A Conversation with Joe Dyson • Moving Forward: A Conversation with Marcus Miller (Part Two) • Review: Thumbscrew's 'Never is Enough' • Moving Foward: A Conversation with Marcus Miller (Part One) • Shepherd Tone: Exploring the Violin’s Versatility • Reflections Through Geography with Joni Mitchell and Theo Bleckmann and The Westerlies • Review: ‘R+R = Now Live’ • Review: Archie Shepp & Jason Moran's 'Let My People Go' • Review: Dave Brubeck's 'Time Outtakes' and Bill Evans' 'Live at Ronnie Scott's' • Premiere: Mike Casey and Blori's "Breath In" • Review: Joe Lovano Trio Tapestry's 'Garden of Expression' • 2020 PostGenre Hall of Fame Inductee: Miles Davis’ “On the Corner” • John Chacona's Best of 2020 • NPR Music's 2020 Jazz Critics Poll • Part Two: Ancient to the Future: A Conversation with Michael Wimberly on ‘Afrofuturism’ • Part One: Ancient to the Future: A Conversation with Michael Wimberly on ‘Afrofuturism’ • 2020 PostGenre Hall of Fame Inductee: Professor Longhair’s “Mardi Gras in New Orleans” • 2020 PostGenre Hall of Fame Induction: Louis Armstrong and his Hot Five’s “West End Blues” • 2020 PostGenre Hall of Fame Induction: Ivor Stravinsky’s Rite of Spring • Review: Moor Mother and billy woods' 'Brass' • 2020 PostGenre Hall of Fame Induction: J Dilla's 'Donuts' • 2020 PostGenre Hall of Fame Induction: John Zorn's Naked City • Anthony Dean-Harris' Best "Jazz" Albums of 2020 • Rob Shepherd's Best of 2020 • PostGenre’s Best of 2020 • Review: Brandee Younger & Dezron Douglas 'Force Majeure' • Interview: Ted Feighan (“Monster Rally”) • Review: Susan Alcorn’s Pedernal • Review: Keith Jarrett’s ‘Budapest Concert’ • Review: EYOT’s ‘557799’ • Review: Emi Makabe’s ‘Anniversary’ • Review: Small Bills' 'Don't Play it Straight' • Underappreciated Giant: Marc Urselli on ‘Angelheaded Hipster’ and the legacy of Hal Willner • Review: Luke Stewart Exposure Quintet • Traveling the Spaceways: Sun Ra Arkestra's 'Swirling' and M'Lumbo and Jane Ira Bloom's 'Celestial Mechanics' • Reivew: Bootsy Collins' 'The Power of One' • Review: Butcher Brown's '#KingButch' • Review: Azymuth, Adrian Younge, & Ali Shaheed Muhammad's 'JID004' • Review: Blue Note Re:imagined • Review: Josh Johnson's 'Freedom Exercise' • Review: Cat Toren's Human Kind's 'Scintillating Beauty' • Review: Bob James' Once Upon A Time: The Lost 1965 New York Studio Sessions’, Admas’ Sons of Ethiopia’, and Takuya Kuroda’s Fly Moon Die Soon’ • Scott Haas' Jazz from A to G: Sullivan's Travels, 2020 • Review: Jesse Fischer's 'Resilience' • Interview: Producer Ben Rubin on the Analog Players Society's Tilted and Soundtrack to a Nonexistent Film • List: Five Non-Traditional Tributes to Charlie Parker • Review: Christian Scott aTunde Adjuah’s ‘Axiom’ • Review: Marcos Valle, Adrian Younge, & Ali Shaheed Muhammad's 'Marcos Valle JID 003' • Review: Idris Ackamoor & The Pyramids 'Shaman!' • Scott Haas' Jazz from A to G: The Way In • A History of the Newport Jazz Festival - Chapter VIII: Fortress in the Wings, 1972-1980 • A History of the Newport Jazz Festival - Chapter VII: Memory of a Giant, 1970-1971 • A History of the Newport Jazz Festival - Chapter VI: Electric Aquidneck Experiment, 1969 • A History of the Newport Jazz Festival - Chapter V: The New Thing, 1965-1968 • Review: Regina Carter's 'Swing States: Harmony in the Battleground' • A History of the Newport Jazz Festival - Chapter IV: Revival, 1961-1964 • A History of the Newport Jazz Festival - Chapter III: Goodbye Newport Blues, 1957-1960 • A History of the Newport Jazz Festival - Chapter II: Diminuendo and Crescendo, 1956 • A History of the Newport Jazz Festival - Chapter I: A New Tradition, 1954-1955 • Review: Thumbscrew's 'The Anthony Braxton Project' • A History of the Newport Jazz Festival – Prologue: Born in Storyville, 1950-1954 • Review: Gerald Clayton's 'Happening: Live at the Village Vanguard' • Musical Mentors: Gary Bartz & Maisha's 'Night Dreamer' and Archie Shepp, Raw Poetic and Damu the Fudgemunk's 'Ocean Bridges' • Review: Roy Ayers, Adrian Younge & Ali Shaheed Muhammad's 'Roy Ayers JID 002' • The Jazz Gallery's Interview with Marcus Gilmore • Interview: Alexander Flood's HEARTBEAT • Review: Okkyung Lee's 'Yeo-Neun' • Review: HiFiLo's 'Speak Your Name' • Review: Norah Jones' 'Pick Me Up Off the Floor' • Review: Brecker Brothers' 'Live and Unreleased' • Review: Michael Olatuja's 'Lagos Pepper Soup' • Review: Irreversible Entanglements ‘Who Sent You?’ • The Jazz Gallery's Interview with Ambrose Akinmusire • PostGenre Review: Ambrose Akinmusire's 'on the tender spot of every calloused moment' • PostGenre Review: Aaron Parks' 'Little Big II: Dreams of a Mechanical Man' • PostGenre Review: Shabaka and the Ancestors' 'We Are Sent Here by History' • PostGenre Review: Nicholas Payton's 'Quarantined with Nick' • PostGenre Review: Takahiro Izumikawa's 'Life is Your Thoughts' • PostGenre Review: Nduduzo Makhathini's 'Modes of Communication: Letters from the Underworlds' • PostGenre Review: R.A.P. Ferreira's 'Purple Moonlight Pages' • Miles Davis Birthday Collection • PostGenre Review: Lakecia Benjamin's 'Pursuance: The Coltranes' • PostGenre Review: Hailu Mergia's 'Yene Mircha (የኔ ምርጫ)' • PostGenre Review: Charles Lloyd's '8: Kindred Spirits (Live from the Lobero)' • PostGenre Review: George Burton's 'Reciprocity' • Review: Kassa Overall's 'I THINK I'M GOOD' • Review: Ben Williams' 'I AM A MAN' • Review: Dave Liebman Expansions' 'Earth'