@postgenre

@postgenre has been a member of Linktree for 6 years and joined in May 2020. The social media accounts linked to from @postgenre are: Facebook, Instagram, Email, X. Besides social media accounts, postgenre has populated their site with Never Stop Grooving: Bernard “Pretty” Purdie Previews his Newport Leader Debut, Beyond the Myth: Rick Anderson on His Mother’s Dance That Fueled Ellington’s Rebirth at Newport ’56, Review: Helen Sung Big Band’s ‘Oracles’, Resonances: A Conversation with DM Hotep on Marshall Allen’s Ghost Horizons, Review: Your Brother’s Keeper and Gary Bartz’s ‘Where Rivers Meet’, Temporal Stream of Consciousness: A Conversation with Tyshawn Sorey, Review: James Brandon Lewis Quartet’s ‘Omni’, Review: Lakecia Benjamin’s ‘We Dream’, Review: Steven Bernstein’s ‘ResoNation Trio’ and ‘Ultra Resonance’, Unlimited World of Possibilities: A Conversation with Joe Morris (Part Two), Unlimited World of Possibilities: A Conversation with Joe Morris (Part One), Review: Alvaro Torres Trio’s ‘Mairena’, Review: Tyshawn Sorey’s ‘Members… Don’t!’, Keeping the Flame Burning: A Conversation with Hannah Marks, Review: David Sanchéz’s ‘Tambó’, Review: Eric Harland’s ‘Vipassana II’, Review: Altin Sencalar’s ‘Natural Rhythm’, Review: Harry Skoler’s ‘Echoes’, Support our site through Patreon, Between Beauty and Horror: A Conversation with David Torn, Review: New Jazz Underground’s ‘Hoodies’, Remembering Miles Davis at 100: A Conversation with Marcus Miller, Review: Joe Lovano’s ‘Paramount Quartet’, Review: Chris Potter’s ‘Alive with Ghosts Today’, Review: Jamile and Vinicius Gomes’s ‘Boundless Species’, Opening Your Heart: A Conversation with DoYeon Kim on ‘Wellspring’, Review: ‘Matthew Stevens’, Review: Reverso’s ‘Between Two Silences’, Moving as One: A Conversation with Satoko Fujii and Myra Melford - PostGenre, Review: Phil Haynes’s ‘Terra’, Review: Dave Douglas’s ‘Transcend’, Finding Through the Unknown: A Conversation with Willy Rodriguez, Review: Jason Moran, BlankFor.ms and Marcus Gilmore’s ‘Shards’, Letting the Silence In: A Conversation with Nate Wooley, Review: Javier Nero Jazz Orchestra’s ‘Alkebulan’, Review: Lo Steele’s ‘Only a Drop’, Alone with Nature: A Conversation with Caroline Davis on ‘Fallows’, Review: Gregory Hutchinson’s ‘Kind of Now: The Pulse of Miles Davis’, Review: Clovis Nicolas’s ‘Blues in Blueprint’, Review: Adam O’Farrill’s ‘Elephant’, Review: Jon Irabagon’s ‘Saturday’s Child’ and ‘Focus Out’, Review: Irreversible Entanglements’ ‘Future Present Past’, Textural Abundance: Big Ears 2026, Slow Absorption: A Conversation with Ned Rothenberg on solo performance and ‘Looms & Legends’, Review: Miroslav Vitous’s ‘Mountain Call’, Review: Luke Norris’s ‘Moment From The Past’, Piecing Together the Cracked Fragments: A Conversation with Bill Orcutt, Review: Michael Formanek’s ‘New Digs’, Review: Mark Turner’s ‘Patternmaster’, Electrical Field of Love: A Conversation with Harriet Tubman (Brandon Ross, Melvin Gibbs, J.T. Lewis) and Georgia Anne Muldrow (Part Two), Electrical Field of Love: A Conversation with Harriet Tubman (Brandon Ross, Melvin Gibbs, J.T. Lewis) and Georgia Anne Muldrow (Part One), Review: Willy Rodriguez’s ‘In the Unknown (I Will Find You)’, Review: Ben Wendel’s ‘BaRcoDe’, Review: ‘Daggerboard: The Skipper and Mike Clark’, Taking the Journey: A Conversation with Shabaka on ‘Of the Earth’, Review: Edward Simon’s ‘Venezuela: Latin American Songbook Vol. 2’, Holding On: A Conversation with Bill Frisell on ‘In My Dreams’, Review: ‘The Setting’, Review: Ben Rosenblum Nebula Project’s ‘The Longest Way Round’, Review: Corcoran Holt’s ‘Freedom of Art’, Transcending: A Conversation with Sam Morrison and Bill Laswell on ‘Cosmic Trip’, Embracing the Grittiness: A Conversation with Steph Richards and Qasim Naqvi on ‘Talk Show’, Review: Brandon Seabrook’s ‘Hellbent Daydream’, Review: ‘Deface the Currency’ by The Messthetics and James Brandon Lewis, Review: Shawn Lovato’s ‘Biotic’, Intervention and Observation: A Conversation with Mariel Roberts Musa on ‘Sunder’, Review: Dave Douglas’s ‘Four Freedoms’, Review: Tigran Hamasyan’s ‘Manifeste’, Considering the Composer’s Black Box: A Conversation with Ted Gordon, Review: Julian Lage Quartet’s ‘Scenes from Above’, Echoes of Chickadee Valley: A Conversation with Christopher Hoffman on ‘Rex’, Review: John Ellis and Doublewide’s ‘Fireball’, Finding Cues: A Conversation with Elias Stemeseder on ‘Studies in Prolation, for S-L plus Ensemble’, Review: Craig Taborn’s ‘Dream Archives’, The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues - The Arts Fuse, Encuesta 2025 – Periodistas Internacionales - El Intruso, Crossroads: A Conversation with Either/Orchestra’s Russ Gershon on Èthiopiques and Nerses Nalbandian, Review: Kris Davis and the Lutosławski Quartet’s ‘The Solastalgia Suite’, Quest for Magic: A Conversation with Paul Winter on Earth Music and ‘Horn of Plenty’, Evolution of Seeds: A Conversation with Peter Evans on ‘Ars Ludicra’, Music as Movement: A Lost Conversation with Marilyn Mazur, The Cellar Door Sessions at Fifty-Five: December 17, 1970, The Cellar Door Sessions at Fifty-Five: December 16, 1970, The Cellar Door Sessions at Fifty-Five: An Introduction, EIC Rob Shepherd’s Favorite Albums of 2025, PostGenre’s Best of 2025, Review: Jerome Sabbagh’s ‘Stand Up!’, Living Proof of the Same Cell: A Conversation with Lucian Ban and Mat Maneri on ‘Cantica Profana’ and ‘The Athenaeum Concert’, Review: Bill Ware and the Club Bird All Stars’ ‘Martian Sunset’, Review: John O’Gallagher’s ‘Ancestral’, Review: Simón Willson’s ‘Feel Love’, Review: John Scofield and Dave Holland’s ‘Memories of Home’, The Willpower of Notes: A Conversation with Eyvind Kang on ‘Riparian’, Review: Billy Hart’s ‘Multidirectional’, Review: Lina Allemano’s ‘The Diptychs’, Review: Mark Turner’s ‘Reflections on: The Auto-Biography of an Ex-Colored Man’, Review: Thomas Morgan’s ‘Around You is a Forest’, La Belle Ville: A Conversation with David Binney and Tommy Crane on ‘The Isle’, Review: Chad Taylor’s ‘Smoke Shifter’, Review: Pat Thomas’ ‘Hikmah’, Review: For Living Lovers’ ‘Natural Name’, Touching the Purple Haze: A Conversation with Stanley Jordan on Reimagining Jimi Hendrix, Review: Bob Schlesinger’s ‘Falling From Earth’, Review: Jakob Bro’s ‘Murasaki’ and ‘The Montclair Sessions’, Looking to the Cosmos: A Conversation with Patricia Brennan on ‘Of the Near and Far’ (Part Two), Looking to the Cosmos: A Conversation with Patricia Brennan on ‘Of the Near and Far’ (Part One), Review: Armen Donelian’s ‘Stargazer’, Jazz Detective Zev Feldman Begins Yet Another Journey with New Imprint, Time Traveler Recordings, and Resurrecting Three Largely Forgotten Gems from the Muse Records Catalog, Review: Phil Haynes & Free Country’s ‘Liberty Now!’, Review: Sarah Elizabeth Charles’s ‘Dawn’, Review: Donny McCaslin’s ‘Lullaby for the Lost’, Musical Tether: A Conversation with Sonya Belaya on ‘Dacha’, Review: Sarah Elizabeth Charles’s ‘Dawn’, Review: Donny McCaslin’s ‘Lullaby for the Lost’, Review: Mike Clark’s ‘Itai Doshin’, Beyond Category: How Three Mus… - The Buzz: The JJA Podcast, Honoring the Feeling: A Conversation with Mocean Worker (Adam Dorn) and Joe Alterman on ‘Keep the Line Open’, Review: Noah Garabedian’s ‘Quartets and Solos’, Review: ‘Trio of Bloom’ with Nels Cline, Craig Taborn, and Marcus Gilmore, Review: Henry Threadgill’s ‘Listen Ship’, Review: Carmen Staaf’s ‘Sounding Line’, Hearing the Future: A Conversation with Gary Bartz, Review: Gary Bartz’s ‘The Eternal Tenure of Sound: Damage Control’, Review: Charlie Rouse’s ‘Cinnamon Flower: The Expanded Edition’, Review: Patricia Brennan’s ‘Of the Near and Far’, Review: Shuteen Erdenebaatar and Nils Kugelmann’s ‘Under the Same Stars’, Review: Nicole Zuraitis’ ‘Live at Vic’s Las Vegas’, Review: Dave Douglas’ ‘Alloy’, Folklore: A Conversation with Ben Lamar Gay, Review: ‘George Coleman with Strings’, Review: Lucian Ban, Mat Maneri, and John Surman’s ‘Cantica Profana – The Béla Bartók Field Recordings’, Review: Caelan Cardello’s ‘Chapter One’, Hanging in the Clouds: A Conversation with Rob Mazurek and Chad Taylor on Chicago Underground Duo, Review: Jacob Garchik’s ‘Ye Olde 2: At The End of Time’, Review: Linda May Han Oh’s ‘Strange Heavens’, Review: Aruán Ortiz’s ‘Créole Renaissance’, Review: Eric Alexander and Vincent Herring’s ‘Split Decision’, Flower in the Heart: A Conversation with Zoh Amba, Review: Adegoke Steve Colson and Iqua Colson’s ‘GLOW: Music for Trio …. Add Voice’, Review: Josh Lawrence’s ‘Still We Dream’, Review: Nicole Glover’s ‘Memories, Dreams, Reflections’, Review: Jon Irabagon PlainsPeek’s ‘Someone to Someone’, Bringing Back the Heartbeat: A Conversation with Theon Cross, Review: Ron Blake’s ‘SCRATCH Band’ - PostGenre, Keeping the Tradition Contemporary: Christian McBride on his Big Band and the 2025 Newport Jazz Festival, Review: Rachael & Vilray‘s ‘West of Broadway’, Touching the Continuum: Sebastian Rios Previews New Jazz Underground at Newport - PostGenre, Review: Jimmy Greene’s ‘As We Are Now’ - PostGenre, Flying to a New Land: Patrick Patterson and Steve Scipio Preview Cymande at the 2025 Newport Jazz Festival m, Past, Present, and Future: Day Two of the 2024 Newport Jazz Festival, Enchanted: Marcus Gilmore on Honoring Roy Haynes at Newport and Journeying to the New, Taking the Journey: Rich Ruth Previews his 2025 Newport Jazz Festival Performance, The Annual Francis Davis Jazz Critics Poll -- Sharing What We Know at Mid-Year - The Arts Fuse, Feeling the Spirit: A Conversation with Tim Carman, Jimmy James, and Adam Scone on Parlor Greens at Newport, Odyssey: Nubya Garcia Previews her 2025 Newport Jazz Festival Performance l, Review: Etienne Charles’ ‘Gullah Roots’, Always Listening: A Conversation with Deborah Ross, Executive Director of the Joyce and George Wein Foundation -, Migration of Knowledge: A Conversation with Gaia Wilmer and Ra Kalam Bob Moses, Review: Itai Kriss’s ‘Daybreak’, Review: James Brandon Lewis Quartet’s ‘Abstraction Is Deliverance’, Review: Julian “J3PO” Pollack’s ‘Soul & Circuitry’, Review: Amina Claudine Myers’ ‘Solace of the Mind’, For Those Who Need to Hear It: A Conversation with Chris Weller on Hanging Hearts, Review: Joshua Redman’s ‘Words Fall Short’, Review: Matthew Shipp’s ‘The Cosmic Piano’, Review: Ivo Perelman and the Matthew Shipp String Trio’s ‘Armageddon Flower’, Trusting Fate: A Conversation with Brandee Younger, Letting the Spirit In: A Conversation with Amina Claudine Myers on ‘Solace of the Mind’, Past, Present, and Future: Day One of the 2024 Newport Jazz Festival, Review: Isaiah J. Thompson’s ‘The Book of Isaiah: Modern Jazz Ministry’, Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part Two), Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part One), Review: Ches Smith’s ‘Clone Row’, Fighting the Algorithm: A Conversation with Ken Vandermark on his No Idea Festival Residency, Resonances: A Conversation with DM Hotep on Marshall Allen’s Ghost Horizons, Trying to Be Free: A Conversation with Curtis Hasselbring, To Be Beyond: A Conversation with Tisziji Muñoz and Paul Shaffer on ‘Quantum Blues’, Stretching the DNA: A Conversation with Amir ElSaffar and Lorenzo Bianchi Hoesch on ‘Inner Spaces’, Review: ‘Quantum Blues’, Trust: A Conversation with Sylvie Courvoisier and Mary Halvorson - PostGenre, Fear, Resilience, and Reflection: A Conversation with Adam O’Farrill on ‘For These Streets’, Review: Nels Cline’s ‘Consentrik Quartet’ - PostGenre, Musical Tourism on the Edges – Big Ears 2025, Finding a Universal Consciousness: A Conversation with Ambrose Akinmusire, Dealing in Ideas: A Conversation with Seymour Wright on أحمد [Ahmed], Transient Luminous Event: A Conversation with Dougie Bowne, Outside the Academy: A Conversation with Jeff Parker on the ETA IVtet, Slipping into Something: A Conversation with Nels Cline on the Consentrik Quartet, Steve Coleman: A Man of Many Turns, SPACE: A Conversation with Roscoe Mitchell, Uncovering Forgotten Bridges: A Conversation with Ghazi Faisal Al-Mulaifi and Arturo O’Farrill, Under the Influence of Music: A Conversation with George Porter, Jr. (Part Two), Under the Influence of Music: A Conversation with George Porter, Jr. (Part One), Unfolding: A Conversation with Lesley Mok and Phillip Golub on Dream Brigade, Front-Row Seat: A Conversation with Jason Miles, Subliminal Input: A Conversation with Jon Irabagon on ‘Server Farm’, Bloom: A Conversation with Ellen Fullman and Theresa Wong, Protecting the History: A Conversation with Ebo Taylor, Review: Michel Petrucciani’s ‘Jazz Club Montmartre – CPH 1988’, Sound Navigation: A Conversation with Ava Mendoza on ‘The Circular Train’, The 19th Annual Francis Davis Jazz Poll: The Shape of Jazz That Keeps Us Going - The Arts Fuse, Always There: A Conversation with George Burton, Anthony Dean-Harris’ Favorite Albums of 2024, Rob Shepherd’s Favorite Albums of 2024, Going Beyond What We Know: A Conversation with Evan Parker and Matt Wright on Trance Map, PostGenre’s Best of 2024, Dream House: A Conversation with Kalia Vandever, Normal Give or Take: A Conversation with Fred Frith (Part Two), Normal Give or Take: A Conversation with Fred Frith (Part One), Keeping the Flame: A Conversation with Archival King Zev Feldman - PostGenre, Slicing through Silence: A Conversation with Jessica Pavone, Beautiful Imperfections: A Conversation with Aaron Parks on ‘Little Big III’, Jazz Master: A Conversation with Terry Gibbs (Part One), Infinite Possibility: A Conversation with Nate Mercereau on ‘Excellent Traveler’, Quilting Sound: A Conversation with Travis Laplante on ‘The Golden Lock’, Drawing Energy from the Silence: A Conversation with Jason Kao Hwang on ‘Soliloquies’, Most Like Myself: A Conversation with Brian Marsella on the iMAGiNARiUM, Spirit Walking: A Conversation with Luke Stewart, Natural Sounds: A Conversation with Ellen Reid on ‘Big Majestic’, No Isolation: A Conversation with Dave Holland (Part Two), No Isolation: A Conversation with Dave Holland (Part One), Finding the Common Denominators: A Conversation with Patricia Brennan on ‘Breaking Stretch’, Thread of Humanity: A Conversation with Lucian Ban and Mat Maneri on ‘Transylvanian Dance’, Laboratory: A Conversation with Danilo Pérez and John Patitucci on the Legacy of Wayne Shorter, Review: Milton Nascimento and esperanza spalding’s ‘Milton + esperanza’, Collision and Coexistence: A Conversation with Nicole Mitchell on ‘Bamako*Chicago Sound System’, Tradition Fuels the Future: A Conversation with Artistic Director Christian McBride on the Newport Jazz Festival at Seventy, Jazz Feature: Diversity Brings Riches -- A Mid-Year Jazz Critics Poll - The Arts Fuse, Room For It All: Braxton Cook Previews ‘Newport at 70’, Forever: Stanley Clarke Previews N•4EVER’s Performance at the 2024 Newport Jazz Festival (Part Two), Forever: Stanley Clarke Previews N•4EVER’s Performance at the 2024 Newport Jazz Festival (Part One), Fearless: A Conversation with Donny McCaslin on David Bowie, Elvis Costello, and the Newport Jazz Festival, Trumpet Evolution: Riley Mulherkar Previews his 2024 Newport Jazz Festival Leader Debut, Truly Magical Place: Jaleel Shaw Previews his 2024 Newport Jazz Festival Leader Debut, Prepared Piano with a Brazilian Identity: Amaro Freitas Previews his 2024 Newport Jazz Performance, At Heart: A Conversation with Fred Wesley on his Incredible Career and a Preview of his 2024 Newport Jazz Festival Performance, In Its Own Backyard: A Conversation with Newport Festivals’ Music Education Manager Leland Baker on his Role and SUNDAY JAZZ, Bringing Together: Rob Garza Previews Thievery Corporation’s 2024 Newport Jazz Festival Performance, Melting Pot of Old and Young: A Conversation with Newport Jazz Festival Security’s Ron Cudworth, Engagement: A Conversation with Lakecia Benjamin on ‘Phoenix Reimagined (Live)’, Vessel: A Conversation with Deron Johnson on Miles Davis and ‘Free to Dance’, Weaving: A Conversation with Janel Leppin, Observations form Day Three of the 2023 Newport Jazz Festival - PostGenre, Saving the Duck: A Conversation with Alfredo Colòn on ‘Blood Burden’, Double Bill : A Conversation with Bill Frisell and Bill Morrison, Observations from Day Two of the 2023 Newport Jazz Festival, Freeing the Lion: A Conversation with James Blood Ulmer on Harmolodics and the Black Rock Trio, Channel to the Future: A Conversation with Elliott Sharp on ‘Die Grösste Fuge’, Bringing the Instrumental Back: A Conversation with Molly Miller on ‘The Ballad of Hotspur’, Physical Expression: A Conversation with Steph Richards on ‘Power Vibe’, Constructing Sound: A Conversation with Tomeka Reid on ‘3+3’, Spontaneous Combustion: A Conversation with Chloë Sobek and Tim Berne on ‘Burning Up’, Pass Everything in My Soul: A Conversation with David Murray on ‘Francesca’, Filter: A Conversation with Isaiah Collier on ‘The Almighty’, The Journey: A Conversation with Kenny Garrett on ‘Who Killed AI?’, Virtues of Melody: A Conversation with Alan Braufman on ‘Infinite Love Infinite Tears’, Electric Connection: A Conversation with gabby fluke-mogul on ‘GUT’, Tranquility and Rest to the Mind: Conversations with Wadada Leo Smith and Amina Claudine Myers on ‘Central Park’s Mosaics of Reservoir, Lake, Paths and Gardens’, Intervalic Awakening: A Conversation with Modney on ‘Ascending Primes’, Solo? : A Conversation with Josh Johnson on ‘Unusual Object’, Reflections : A Conversation with Karriem Riggins on Jahari Massamba Unit’s ‘YHWH is Love’, Pushing Off: A Conversation with Christopher Hoffman on ‘Vision is the Identity’, Watchtower: A Conversation with Dezron Douglas, Traveling the Sound World : A Conversation with Brandon Ross on Phantom Station, Collaborative High Intensity : A Conversation with Anthony Pirog on ‘The Messthetics and James Brandon Lewis’, Easier to See from the Outside: A Conversation with John Lurie, Moving by Breath: A Conversation with David Leon on ‘Bird’s Eye’, Translating the Language: A Conversation with Lenny White (Part Two), Translating the Language: A Conversation with Lenny White (Part One), Review: ‘Triple Fever’, “If You’re Not Still Learning, You’re Still”: A Conversation with Kahil El’Zabar on the Ethnic Heritage Ensemble at Fifty - PostGenre, Past, Present, and Future: A Conversation with Chief Xian aTunde Adjuah, Chieftain of the Xodokan Nation of Maroons and Grand Griot of New Orleans (Part Two), Past, Present, and Future: A Conversation with Chief Xian aTunde Adjuah, Chieftain of the Xodokan Nation of Maroons and Grand Griot of New Orleans (Part One), Broken Trance: A Conversation with Ches Smith on ‘Laugh Ash’, Review: Mary Halvorson’s ‘Cloudward’, Harmony on Your Side: A Conversation with George Coleman (Part Two), Harmony on Your Side: A Conversation with George Coleman (Part One), Premiere: NEA Jazz Master Abdullah Ibrahim’s Single “Water from an Ancient Well” from ‘3’, Complex Dream: A Conversation with Rubin Kodheli on his Music and Remembering Ryuichi Sakamoto, Marathon of Discovery: A Conversation with Winter Jazzfest Founder/Producer Brice Rosenbloom on the Festival at Twenty Years, Cloudward: A Conversation with Mary Halvorson, The 18th Annual Francis Davis Jazz Poll: The State of Our Union Could Be Better - The Arts Fue, Mourning and Hope: A Conversation with Susan Alcorn, PostGenre’s Best of 2023, Dedication: A Conversation with Dr. Eddie Henderson, Rob Shepherd’s Favorite Albums of 2023, PostGenre Media 2023 Readers' Poll, Review: Lucas Pino’s ‘Covers’, Painting with Sound: A Conversation with Sam Newsome, Viking of Sixth Avenue: A Conversation with Ghost Train Orchestra’s Brian Carpenter on Moondog, Sit with Sound: A Conversation with Sarah Belle Reid, Composing Peace: A Conversation with Miguel Atwood-Ferguson on ‘Les Jardins Mystiques, Volume 1’ - PostGenre, Unmined Field: A Conversation with Kate Gentile on ‘Find Letter X', Resilient Hope: A Conversation with Caroline Davis on ‘Alula: Captivity’ - PostGenre, Shimmer Wince: A Conversation with Anna Webber on Just Intonation, Hearing Voices: A Conversation with George Lewis, Live Composing: A Conversation with Vijay Iyer on ‘Love in Exile’, Vibration Aiming at Silence: A Conversation with Matthew Shipp, Inevitable Funkiness: A Conversation with Larry Goldings on Scary Goldings, Arcus Pluvius: A Conversation with Steve Lehman on Big Bands, Artificial Intelligence, and ‘Ex Machina’, Five Music Boxes: A Conversation with Kris Davis on ‘Diatom Ribbons Live at the Village Vanguard’ - PostGenre, Review: Kris Davis”Diatom Ribbons: Live at the Village Vanguard’, Process Prevails: A Conversation with Darius Jones on ‘FluXkit Vancouver (i̶t̶s suite but sacred)’, Something Bigger: A Conversation with James Brandon Lewis on Mahalia Jackson, Observations from Day One of the 2023 Newport Jazz Festival, Friends Old and New: Artistic Director Christian McBride Previews the 2023 Newport Jazz Festival, Tide is My Witness: Cautious Clay Previews his 2023 Newport Jazz Festival Performance and New Blue Note Album, Magic is Real: Vijay Iyer Previews the 'Love in Exile' Trio's 2023 Newport Jazz Festival Performance, Armstrong Now: Giveton Gelin Previews Louis at Newport, Even the Sparrow: James Brandon Lewis Previews his 2023 Newport Jazz Festival Performance, Review: David Ake's 'Green Thumb' —, Laced With Creativity: A Conversation with Zeena Parkins, The Jazz Gallery Interview with Firas Zreik, Getting Them There: A Conversation with Newport Festivals Driver/Photographer Jack Casey, Relationships Through Music: A Conversation with Zakir Hussain on Shakti at 50 (Part Two), Relationships Through Music: A Conversation with Zakir Hussain on Shakti at 50 (Part One), Newport Jazz Festival History - The Recorded Legacy: Five Newport Performances that Changed Music History, Peace Through Sound: A Conversation with Lonnie Liston Smith (Part Two), Peace Through Sound: A Conversation with Lonnie Liston Smith (Part One), Conduit : A Conversation with Todd Clouser on The Mexico City Experiment, Mysterious Textures: A Conversation with Brandon Seabrook, Opportunity to Make Something Special: A Conversation with George Benson, Music at the Heart: A Conversation with Erik Friedlander, Voyage Austin Interview with Rob Shepherd, Review: Avram Fefer’s ‘Juba Lee’, April 2023 Capsule Reviews, Mixing Vocabularies: A Conversation with Mike Dillon on Punkadelick, March 2023 Capsule Reviews, Quiet Within: A Conversation with Ingrid Laubrock, Blasting Through the Barriers: DoomCannon and SXSW's Jazz re:freshed Outernational — PostGenre, February 2023 Capsule Reviews, Interview: A Conversation with an Anonymous Artist, Jazz Gallery Interview with Ethan Iverson on his 50th Birthday Performances, Harlem Hellfighter: A Conversation with Jason Moran on James Reese Europe (Part Two), Harlem Hellfighter: A Conversation with Jason Moran on James Reese Europe (Part One), Review: Thumbscrew’s ‘Multicolored Midnight’, January 2023 Capsule Reviews: Lakecia Benjamin, Satoko Fujii, Patricia Brennan, and Leland Whitty, Encuesta 2022 - Periodistas Internacionales - El Intruso, The 17th Annual Francis Davis Jazz Poll: A Profusion of Geniuses - The Arts Fuse, Singing Through the Horn: A Conversation with Billy Harper (Part Two) — PostGenre, Singing Through the Horn: A Conversation with Billy Harper (Part One), Review: Jussi Reijonen's 'Three Seconds | Kolme Toista' — PostGenre, Rob Shepherd’s Favorite Albums of 2022, PostGenre’s Best of 2022, Narrative Freedom: A Conversation with Anthony Davis (Part Two), Narrative Freedom: A Conversation with Anthony Davis (Part One), Roots to Infinity: A Conversation with Donald Harrison, Jr. (Part Two), Roots to Infinity: A Conversation with Donald Harrison, Jr. (Part One), Review: Jakob Bro and Joe Lovano’s ‘Once Around the Room: A Tribute to Paul Motian’, Jazz Speaks/Jazz Gallery interview with Kenny Barron, Stranger Than Fiction: A Conversation with Trevor Dunn, All Singing Together: A Conversation with William Parker (Part Two) — PostGenre, All Singing Together: A Conversation with William Parker (Part One), All Connected: A Conversation with Ron Carter (Part One), All Connected: A Conversation with Ron Carter (Part Two), Vibrational Miracle: A Conversation with Adam Rudolph (Part Two), Vibrational Miracle: A Conversation with Adam Rudolph (Part One), Time is Fluid: A Conversation with Angelica Sanchez, Sound is Everywhere: A Conversation with Jeff Coffin (Part Two), Sound is Everywhere: A Conversation with Jeff Coffin (Part One), Veer: A Conversation with Sarah Bernstein, Continuum: A Conversation with Steve Lehman on Sélébéyone (Part Two), Continuum: A Conversation with Steve Lehman on Sélébéyone (Part One), True Voice: A Conversation with Sasha Berliner, What to See at the 2022 Newport Jazz Festival - Sunday, What to See at the 2022 Newport Jazz Festival - Saturday, What to See at the 2022 Newport Jazz Festival - Friday, What the World Needs Now: Christian McBride on the 2022 Newport Jazz Festival and the Legacy of George Wein, Review: Tyshawn Sorey Trio’s ‘Mesmerism’, Human Nature: A Conversation with Nate Wooley (Part Two), Human Nature: A Conversation with Nate Wooley (Part One), Review: Steve Cardenas, Ben Allison, and Ted Nash's 'Healing Power - The Music of Carla Bley', Rebooting the Connection : A Conversation with Ronnie Foster (Part Two), Rebooting the Connection : A Conversation with Ronnie Foster (Part One), Outside the Comfort Zone: A Conversation with Anna Butterss, Genuine Expression: A Conversation with Julius Rodriguez, The Jazz Gallery's Conversation with Benoit Delbecq, Informed by Art: Signmaker Nan Parati on Newport, New Orleans, and Her Craft, Oliver Lake: Making Justice And Love A Reality, Undercurrent: A Conversation with Ulf Ivarsson and Bill Laswell (Part Two), Undercurrent: A Conversation with Ulf Ivarsson and Bill Laswell (Part One), Open to Interpretation: A Conversation with Ches Smith, Poisonous Beauty: A Conversation with Mary Halvorson (Part Two), Poisonous Beauty: A Conversation with Mary Halvorson (Part One), Traveling the Universe: A Conversation with Bill Summers (Part Two), Traveling the Universe: A Conversation with Bill Summers (Part One), Out Into the World: A Conversation with Stuart Bogie (Part Two), Out Into the World: A Conversation with Stuart Bogie (Part One), Peaks and Valleys: A Conversation with Michael Leonhart (Part Two), Peaks and Valleys: A Conversation with Michael Leonhart (Part One), Trying to Do Right by the Music: Selected Recordings with Jim Anderson, An Immersive Conversation with Jim Anderson and Ulrike Schwarz, Live Review: Pat Metheny's Side-Eye Trio at Austin's One World Theatre on February 24, 2022, Review: Tomas Fujiwara's Triple Double's 'March', Golden Rule: A Conversation with Sonny Rollins (Part Two), Golden Rule: A Conversation with Sonny Rollins (Part One) — PostGenre, Bridging the Space Between: A Conversation with Alexander Flood — PostGenre, Review: Irreversible Entanglements' 'Open the Gates', I Want My... : A Conversation with MTV Co-Founder Fred Seibert — PostGenre, Under Niagara Falls: Producer Fred Seibert on Cecil Taylor's Complete, Legendary, Live Return Concert — PostGenre, Orbital Rings of Saturn: A Conversation with Tyler Mitchell and Marshall Allen (Part Two), Orbital Rings of Saturn: A Conversation with Tyler Mitchell and Marshall Allen (Part One) — PostGenre, Technology and Community: A Conversation with Greg Spero on The Chicago Experiment and NFTs, Up for the Challenge: A Conversation with Bob James (Part Two), Up for the Challenge: A Conversation with Bob James (Part One), Review: William Parker's 'Migration of Silence into and Out of the Tone World [Volumes 1-10]', Fela Kuti & Africa 70's 'Zombie' (1977), 2021 Annual Jazz Critics' Poll, Rob Shepherd's Favorite Albums of 2021, Anthony Dean-Harris’ Favorite Albums of 2021, The Jazz Gallery Interview with Henry Threadgill, Part 2 — Jazz Speaks, The Jazz Gallery Interview with Henry Threadgill, Part 1 — Jazz Speaks, PostGenre's Best of 2021, Four Score: A Conversation with Wadada Leo Smith on Turning 80 (Part One), Four Score: A Conversation with Wadada Leo Smith on Turning 80 (Part One), An Alternative Holiday Playlist, Days in December: A Conversation with Jacqueline Kerrod — PostGenre, 2021 PostGenre Hall of Fame Inductee: John Cage’s “4'33"", Review: Jonny Greenwood's Soundtrack to 'Spencer', Sound World Exploration: A Conversation with Sara Schoenbeck, Density and Space: A Conversation with Yuma Uesaka and Marilyn Crispell, Melding of Worlds: A Conversation with Sylvie Courvoisier and Mary Halvorson, Eclecticism Continued: A Conversation with Dave Liebman (Part Two), Eclecticism Continued: A Conversation with Dave Liebman (Part One), Talk Memory: A Conversation with BADBADNOTGOOD’s Leland Whitty, Miles Davis: The Final Decade Revisited, Introduction, Review: Henry Threadgill Zooid's 'Poof', Live Review: Herbie Hancock at the Paramount Theatre, Austin, TX, September 13, 2021, The Jazz Gallery's Interview with Kendrick Scott on 'Corridors', Changing Molecules: A Conversation with Steven Bernstein (Part Two), Changing Molecules: A Conversation with Steven Bernstein (Part One), Forward Motion with George Burton - A Conversation with Meshell Ndegeocello, Review: Terence Blanchard’s ‘Absence’ featuring the E-Collective and Turtle Island Quartet, Observations from Day Three of the 2021 Newport Jazz Festival, Observations from Day Two of the 2021 Newport Jazz Festival, Observations from Day One of the 2021 Newport Jazz Festival, Newport Jawn: A Conversation with Christian McBride (Part Two), Newport Jawn: A Conversation with Christian McBride (Part One), Five Genre-Defying Selections from the Newport Jazz Festival’s 2021 Lineup, A History of the Newport Jazz Festival - Chapter XV: Passing the Torch, 2009-2016, The Jazz Gallery's Interview with Morgan Guerin on 'Sanctuary', A History of the Newport Jazz Festival - Chapter XIV: Destinations, 2005-2009, Review: L'Rain's 'Fatigue', Review: Questlove's 'Summer of Soul (… Or When the Revolution Could Not Be Televised)', Ritual for the Losses: A Brief Conversation with Jen Shyu, Review: Marc Ribot's Ceramic Dog's 'Hope', A History of the Newport Jazz Festival - Chapter XIII: Echoes of the Past, 2004, A History of the Newport Jazz Festival - Chapter XII: Expansion, 1995-2003, Celebrate Sun Ra's 107th Birthday with a Review of his Arkestra's latest album, Review: ‘Impulse! Records: Music, Message & The Moment’ and Sons of Kemet’s ‘Black to the Future’, A History of the Newport Jazz Festival - Chapter XI: Futures, 1990-1994, Review: Tony Allen’s ‘There is No End’, A History of the Newport Jazz Festival - Chapter X: Smooth Sailing?, 1984-1989, A History of the Newport Jazz Festival - Chapter IX: Homecoming, 1981-1983, Creative Necessity: A Conversation with Skerik, Making Contact: Max Ribner’s 1st Language, Review: Logan Richardson’s ‘Afrofuturism’, Looking Within: A Conversation with Joe Dyson, Moving Forward: A Conversation with Marcus Miller (Part Two), Review: Thumbscrew's 'Never is Enough', Moving Foward: A Conversation with Marcus Miller (Part One), Shepherd Tone: Exploring the Violin’s Versatility, Reflections Through Geography with Joni Mitchell and Theo Bleckmann and The Westerlies, Review: ‘R+R = Now Live’, Review: Archie Shepp & Jason Moran's 'Let My People Go', Review: Dave Brubeck's 'Time Outtakes' and Bill Evans' 'Live at Ronnie Scott's', Premiere: Mike Casey and Blori's "Breath In", Review: Joe Lovano Trio Tapestry's 'Garden of Expression', 2020 PostGenre Hall of Fame Inductee: Miles Davis’ “On the Corner”, John Chacona's Best of 2020, NPR Music's 2020 Jazz Critics Poll, Part Two: Ancient to the Future: A Conversation with Michael Wimberly on ‘Afrofuturism’, Part One: Ancient to the Future: A Conversation with Michael Wimberly on ‘Afrofuturism’, 2020 PostGenre Hall of Fame Inductee: Professor Longhair’s “Mardi Gras in New Orleans”, 2020 PostGenre Hall of Fame Induction: Louis Armstrong and his Hot Five’s “West End Blues”, 2020 PostGenre Hall of Fame Induction: Ivor Stravinsky’s Rite of Spring, Review: Moor Mother and billy woods' 'Brass', 2020 PostGenre Hall of Fame Induction: J Dilla's 'Donuts', 2020 PostGenre Hall of Fame Induction: John Zorn's Naked City, Anthony Dean-Harris' Best "Jazz" Albums of 2020, Rob Shepherd's Best of 2020, PostGenre’s Best of 2020, Review: Brandee Younger & Dezron Douglas 'Force Majeure', Interview: Ted Feighan (“Monster Rally”), Review: Susan Alcorn’s Pedernal, Review: Keith Jarrett’s ‘Budapest Concert’, Review: EYOT’s ‘557799’, Review: Emi Makabe’s ‘Anniversary’, Review: Small Bills' 'Don't Play it Straight', Underappreciated Giant: Marc Urselli on ‘Angelheaded Hipster’ and the legacy of Hal Willner, Review: Luke Stewart Exposure Quintet, Traveling the Spaceways: Sun Ra Arkestra's 'Swirling' and M'Lumbo and Jane Ira Bloom's 'Celestial Mechanics', Reivew: Bootsy Collins' 'The Power of One', Review: Butcher Brown's '#KingButch', Review: Azymuth, Adrian Younge, & Ali Shaheed Muhammad's 'JID004', Review: Blue Note Re:imagined, Review: Josh Johnson's 'Freedom Exercise', Review: Cat Toren's Human Kind's 'Scintillating Beauty', Review: Bob James' Once Upon A Time: The Lost 1965 New York Studio Sessions’, Admas’ Sons of Ethiopia’, and Takuya Kuroda’s Fly Moon Die Soon’, Scott Haas' Jazz from A to G: Sullivan's Travels, 2020, Review: Jesse Fischer's 'Resilience', Interview: Producer Ben Rubin on the Analog Players Society's Tilted and Soundtrack to a Nonexistent Film, List: Five Non-Traditional Tributes to Charlie Parker, Review: Christian Scott aTunde Adjuah’s ‘Axiom’, Review: Marcos Valle, Adrian Younge, & Ali Shaheed Muhammad's 'Marcos Valle JID 003', Review: Idris Ackamoor & The Pyramids 'Shaman!', Scott Haas' Jazz from A to G: The Way In, A History of the Newport Jazz Festival - Chapter VIII: Fortress in the Wings, 1972-1980, A History of the Newport Jazz Festival - Chapter VII: Memory of a Giant, 1970-1971, A History of the Newport Jazz Festival - Chapter VI: Electric Aquidneck Experiment, 1969, A History of the Newport Jazz Festival - Chapter V: The New Thing, 1965-1968, Review: Regina Carter's 'Swing States: Harmony in the Battleground', A History of the Newport Jazz Festival - Chapter IV: Revival, 1961-1964, A History of the Newport Jazz Festival - Chapter III: Goodbye Newport Blues, 1957-1960, A History of the Newport Jazz Festival - Chapter II: Diminuendo and Crescendo, 1956, A History of the Newport Jazz Festival - Chapter I: A New Tradition, 1954-1955, Review: Thumbscrew's 'The Anthony Braxton Project', A History of the Newport Jazz Festival – Prologue: Born in Storyville, 1950-1954, Review: Gerald Clayton's 'Happening: Live at the Village Vanguard', Musical Mentors: Gary Bartz & Maisha's 'Night Dreamer' and Archie Shepp, Raw Poetic and Damu the Fudgemunk's 'Ocean Bridges', Review: Roy Ayers, Adrian Younge & Ali Shaheed Muhammad's 'Roy Ayers JID 002', The Jazz Gallery's Interview with Marcus Gilmore, Interview: Alexander Flood's HEARTBEAT, Review: Okkyung Lee's 'Yeo-Neun', Review: HiFiLo's 'Speak Your Name', Review: Norah Jones' 'Pick Me Up Off the Floor', Review: Brecker Brothers' 'Live and Unreleased', Review: Michael Olatuja's 'Lagos Pepper Soup', Review: Irreversible Entanglements ‘Who Sent You?’, The Jazz Gallery's Interview with Ambrose Akinmusire, PostGenre Review: Ambrose Akinmusire's 'on the tender spot of every calloused moment', PostGenre Review: Aaron Parks' 'Little Big II: Dreams of a Mechanical Man', PostGenre Review: Shabaka and the Ancestors' 'We Are Sent Here by History', PostGenre Review: Nicholas Payton's 'Quarantined with Nick', PostGenre Review: Takahiro Izumikawa's 'Life is Your Thoughts', PostGenre Review: Nduduzo Makhathini's 'Modes of Communication: Letters from the Underworlds', PostGenre Review: R.A.P. Ferreira's 'Purple Moonlight Pages', Miles Davis Birthday Collection, PostGenre Review: Lakecia Benjamin's 'Pursuance: The Coltranes', PostGenre Review: Hailu Mergia's 'Yene Mircha (የኔ ምርጫ)', PostGenre Review: Charles Lloyd's '8: Kindred Spirits (Live from the Lobero)', PostGenre Review: George Burton's 'Reciprocity', Review: Kassa Overall's 'I THINK I'M GOOD', Review: Ben Williams' 'I AM A MAN', Review: Dave Liebman Expansions' 'Earth'.