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Stories on SIR

Stateless in West Bengal’s Matua heartland - PARI - PARI

‘How can my vote be deleted?’ - PARI - PARI

In Bihar: ‘dead’ Adivasis tell their tales - PARI - PARI

Stories on Drought

The search for water - PARI - PARI

The water tanker - PARI - PARI

Kolhapur district's water crisis - PARI - PARI

A flood of assessments, a drought of humanity - PARI - PARI

‘Even in the heat, there is some guilt if I drink the water…’ - PARI - PARI

Sarsela’s samosa seller - PARI - PARI

Silicosis in Jharkhand: fast and fatal - PARI - PARI

No bridge across the Kiul river - PARI - PARI

A Birha song for Kashi - PARI - PARI

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pari.network

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JoinedFebruary 2020

pari.network has been a member of Linktree for 6 years and joined in February 2020. Resources pari.network has populated their site with include: • Open Sesame! • Kids in Drass: we don’t have no education • In classrooms: the strength of a good story • Storytelling for Social Media: Creating awareness and impact • Support our work • The search for water • Migrants…don’t lose that number • Colouring Mysuru with pride • Birds in West Kameng: Micah has them in focus • R. Nallakannu’s fight for many forgotten freedoms • Doing it the ‘write’ way • There is no caste but being human • In Agartala, driving up the wall! • Wayanad: water, soil, banks and bodies • The Grindmill Songs Project: all stories so far • 'I don't want to go home' • In the Sundarbans, a tiger-shadowed wedding • The humble heroism of Bhabani Mahato passes • Kuno National Park: Cheetahs in, Adivasis suffer • Palghar school teacher pushes for Warli • Dances in Bodoland • ‘They would keep me barefoot’ • Series: Let Them Eat Rice • Corneal diseases are coming into sight • Selvi amma: Coimbatore’s biryani master • In Patiala, the thriving craft of phulkari • To walk a mile • In Tripura: brewing langi, recalling home • ‘I get to share my worries here’ • ‘I have come here because I am a woman’ • A shrine to love in the desert • In Nagar: denying schooling to the deprived • ‘Saraikela Chhau’s soul lies in its masks’ • The dam the village built • Storytelling & Social Media Best Practices • A friendship in the forest • Indigenous fishing traps decline in shrinking Assam waters • Stories on sexual and gender based violence • “I kept thinking of…my career and what I wanted to achieve. And, now this?” • The wedding singer • In Nagaland: women weave through challenges • In Chhindwara: Bhariati language declining fast • An elephant never forgets his phandi • Sarkari schemes, forsaken hymns • Bhagat Yadav’s charpais • The trekker of Harishchandragad - PARI Education • In Tikari: a depot holder of stories and secrets • ‘Our boats are the face of Varanasi’ • Agniveer • Adivasis of Jharkhand — landless in their own land • Hyperrealism and the art of Sathyapriya • ‘These are Kharai camels, they need the sea’ • Adivasis in Panna tiger park: dammed futures • Along the Majuli silk route • The winter night with no end… • ‘Everyone accepts me the way I am’ • 'I cannot lead a false life' • Godna art: stories in ink • ‘There is no such thing as professional grief’ • PARI – the precious decade • How to make an organic fertiliser • Fish while you play, play while you cook • Return of the native seeds • Going nuts over a game in Arunachal Pradesh • Walking with elephants in Udanti Sitanadi Tiger Reserve • 'The budget is men's business' • In Punjab – death of an Agniveer • In a mother’s tongue • The only hat we wear • The fall of a tumbler... • In Rewari: toiling away, in a field not her own - PARI Education • One Seed at a Time • In Kolhapur’s cane fields: a bitter harvest • The foaming Yamuna: perilous piety • “We are Indian women, we are sparks, not flowers!” • Ambedkar Jayanti • In Sunderbans, women feel the heat • Pride and punishment • The Great Indian Bustard • ruralindiaonline.org • In the chokehold of a wood-fired stove - PARI - PARI • Trans artists in Madurai: bullied, isolated, broke - PARI - PARI • The daily cycle of Ganesan’s life - PARI - PARI • A body that knows no rest - PARI - PARI • Working the waters of Pazhaverkadu - PARI - PARI • Playing with fire in Sivakasi - PARI - PARI • My mother and her life of struggle - PARI - PARI • Drilling in life lessons with father - PARI - PARI • Methi, my mother - PARI - PARI • Seven wonders of the Peoples’ Photographers Collective - PARI - PARI • Delhi Police failed to ‘book’ this library - PARI - PARI • A missile from the US-Iran war hits Salaya in Gujarat - PARI - PARI • Burgers, langar and a protest that refused to go hungry - PARI - PARI • Twilight of the taru – the saga of Sangat Ram - PARI - PARI • In Punjab: flooded fields, uneasy minds - PARI - PARI • In Amritsar district: a flood of challenges - PARI - PARI • Boom Boom Mattukarars: 'We are still in the dark’ - PARI - PARI • Surviving a flood of problems in Assam - PARI - PARI • Wayanad: water, soil, banks and bodies - PARI - PARI • Song for Niyamgiri | Kalahandi, Odisha • Stuck between a brick and a wall of debt - PARI - PARI • Ears of experience - PARI - PARI • Disability deepens farm distress - PARI - PARI • Gabie in the jhum fields - PARI - PARI • In Jharkhand protests, the personal is political too - PARI - PARI • Vadhavan fisherfolk: nets in troubled waters - PARI - PARI • The theatre of the flood and the act of resilience - PARI - PARI • The aching bodies of sugarcane workers - PARI - PARI • The teacher who dreams big…for her students - PARI - PARI • A school away from school in a Santal village - PARI - PARI • Ezhil anna, he made me from clay - PARI - PARI • 'Love makes you a good teacher' - PARI - PARI • In Odisha’s Koinpur: when the teacher is also a student - PARI Education • Learning to read Musahar dreams - PARI - PARI • A farm loan attracts organ traffickers - Part 1 • Farmer hounded by loan sharks to sell kidney - PARI - PARI • Kidney sold; farmer walks into Laos job trap - PARI - PARI • A Birha song for Kashi - PARI - PARI • No bridge across the Kiul river - PARI - PARI • Silicosis in Jharkhand: fast and fatal - PARI - PARI • Sarsela’s samosa seller - PARI - PARI • The search for water - PARI - PARI • Stateless in West Bengal’s Matua heartland - PARI - PARI • ‘Who gives a girl multiple chances to sit for an exam?’ - PARI - PARI • The water tanker - PARI - PARI • ‘How can my vote be deleted?’ - PARI - PARI • Democracy – the forever shape-shifter - PARI - PARI • Kolhapur district's water crisis - PARI - PARI • In Bihar: ‘dead’ Adivasis tell their tales - PARI - PARI • 'I came to remind Parliament that we exist’ - PARI - PARI • A flood of assessments, a drought of humanity - PARI - PARI • ‘Even in the heat, there is some guilt if I drink the water…’ - PARI - PARI • Childhood trapped in loops of zardosi - PARI - PARI • No more seashells on the seashore - PARI - PARI • The life and labour of women farmers - PARI - PARI • Madkot’s mimicry man - PARI - PARI • Covid chronicles: Patna Doms displaced, erased - PARI - PARI • In Dimapur, migrants do the heavy lifting - PARI - PARI • Cultivating a mother tongue in Assam - PARI - PARI • ‘Our hands keep working’ - PARI - PARI • The stigma lingers long after… - PARI - PARI • Grandmother’s days out - PARI - PARI • Iran war drives Maharashtra farmers to bullocks - PARI - PARI • The weight on her heart and her head - PARI - PARI • Sabars in Jhargram: into the darkness - PARI - PARI • Adivasis of Adhaura: fear in the forest - PARI - PARI • From thalassaemia to HIV in West Singhbhum - PARI - PARI • Latabai’s waste full life in Latur - PARI - PARI • Donate to The People's Archive of Rural India • Dancing to abusive tunes in Bihar • Saving Olive Ridley turtles in Visakhapatnam • In Umela: labouring through all odds • In Uluberia: a century of crafting shuttlecocks • Will the mango run out? • In HP: Palampur has gone to waste • Vajesinh Pargi: a life in letters, and worse • In Deverayapatna, ‘you've got mail!’ • Chandrapur’s cultivators: farming in fear • All the way to the top of the toddy tree • M.S. Swaminathan lives on in farmers’ hearts • ‘I collect garbage. It doesn’t mean I am garbage’ • In the beginning was the word: a story in translation • Hanging by strings on Mumbai locals • Serving Farmers and Saving Farming – First Report • In Karadaga, jali making hangs by a thread • In Bagribari: the river takes it all • Athipattu's idol maker keeps fisherfolk safe • Stories told in leather • ‘My students tell their stories through photos’ • ‘Who drowned Delhi?’ • The travelling teacher of Lidder valley • Special teachers for special students | PARi Film • 'Love makes you a good teacher' • Cheetahs and chow mein • Karuvadu: the wet world of dry fish • In Manipur: ashes and dust • PARI photographs: a language of their own • 'Must I choose between Gandhi and Ambedkar?' • Hunger in the belly of the beast • Arunachal’s birds: canary in the coalmine • Chadar Badni puppets at Santhal festival • When elephants come calling in Birbhum • A fight to save orans | ओरण बचाने की लड़ाई | Jaisalmer, Rajasthan • Hair collection: a tangled life • MMF-PARI FELLOWSHIPS 2023-24 • In Jaisalmer: gone with the windmills • ‘There are no jobs for people like us’ • Sankariah: nine decades a revolutionary • Whose shrine is it anyway? • All work and no play for cricket ball makers • When Yamuna’s ‘dead fish will be fresher’ • The Rani of Thoothukudi’s salt pans • What happens when you act against the wishes of the powerful • Drying out fast: laundry work in Fort Kochi • Cuddalore harbour’s ice woman • ‘They respect their animals more’: Voices of child domestic workers • The many masks of Majuli • Srinagar’s purazgars in search of tools • Surviving Vidarbha’s mental healthcare maze • A fall that felled a tree and a family • 'Fish turned me into a good photographer' • Hunting for crabs in the shadow of the Bengal tiger • In Kholdoda: a night watch on a machan • Tales from the shadows: tholpavakoothu puppetry of Malabar | PARI Film • In Kolhapur, athletes get that sinking feeling • Notes from the PARI Library: Women’s Health • In Dharmshala: marching with pride • For children of migrants, school is out • Bakarwal blankets: out in the cold • Snails pace through crops in Darakwadi • Sardine loads are falling in Vadakara • Ever played cricket with a leather ball? • Farm alarms: sounds of desperation • In Gujarat: gassed to death in Dahej • A Mising feast at Risong’s Kitchen • Kangra’s tea gardens: falling off the map • Archive of knowledge: burnt to ashes • Humayun’s climb up the coconut tree • Building a jhopdi • A ear full is just not enough • In the Nilgiris: Bokkapuram’s birdman • “Madam, do you know how to drive?” • Gig workers: on a wing and a prayer • A hundred years of crafting polo mallets • Maharashtra farmers give state marching orders • The bookseller of Dhamtari • The Price Some Pay for Sugar • ‘We are drowning in the fear of floods’ • The times of untimely rain • In Vidarbha: agrarian distress, playing on the mind • Great Indian Bustard: sacrificed for power • It was Sombari who volunteered to be a translator • Sweet waters of Kutch: songs of the Rann • In Kutch: a lake and a love story • Where freedom is a song women sing • In Kolhapur, ASHAs tell a SAD story • Your knowledge lit a million lamps • The World through the Art of Adivasi Children • In remote TN, women ushering mental care • It is also impossible to believe that Indravati Jadhav is only 31 years old • In the name of the people • ''We are here are living. Isn't that proof enough?'' • A Sundarban's musical • The jasmine falls like rain • Slavery on high street: the Suma • Shut Up Ya Kunal - Episode 26 - P. Sainath, Journalist & Author • In TN: the struggles behind the scent of jasmine • ‘I don’t know how much I owe’ • Living on the edge of civilisation - PARI Education • Making the Mising brew in Majuli • Saving Ravan in Udaipur • Women fish-cutters: pushed into the shadows • Donate to PARI • Women and leisure: a tangled web • Along the coconut trail • The making of an envelope is not as easy as it may appear • Richest 21 Indian billionaires have more wealth than 700 million Indians • Migrant labourers: speaking in borrowed tongues • Facing History and Ourselves: Rashida Begum recalls the Nellie massacre • A patachitra of the East Kolkata Wetlands A patachitra of the East Kolkata Wetlands • Sexual violence and the news media: Issues, challenges, and guidelines for journalists in India • ‘I am not a marriageable woman’ • The Kachchh caravan stumbles on • KFC in Majuli, Kulamora style • Love and a place of one’s own in a metropolis • In UP: left high and dry in policy flood, period • India’s biggest archive of itself needs everyone to participate • Libra • Is BBC Documentary Pushing Fake Propaganda? | Should Govt Rebut Documentary Instead Of Banning It? • It's a long way to school in Jajpur • In Joshimath: sinking town, sinking hopes • Missing school; minding orchards • Saranya’s search for a silver lining • In Dariba: Brand them witches, grab their land • Celebrating Saga Dawa in Ladakh • Bhadels of Goa • In Gujarat: ‘Everyone drinks, only the poor die’ • Thieving rats! Medicinal plants and more - PARI Education • Library - Covid-19 • ‘This is our favourite game’ • Fenced out: pastoral lives of Bakarwals • The temporary ‘chairwomen’ of Banswara • A historic moment; ignored voices • Amreli’s fisherfolk wait for a lifeline • Census of India, 1911; Volume I; Part I – Report • A buffalo herder sings a love song in the Oinitom style in Jorhat district, Assam • The PARI Library • Assam’s Santo Tanti sings a jhumur • ‘She worked in bondage as a child labourer’ • ‘I did not know manual scavenging was illegal’ • ‘I’ve spent my whole life waiting to get my land’ • The magical hands of Gunamay dai • खराई ऊंट | Camels of the sea: the Kharai in Gujarat • The Last Heroes: Foot Soldiers of Indian Freedom • ‘Nobody should go hungry’ - PARI Education • Searching for grazing grounds in Spiti • Mid-day meal: curbing hunger in the classroom • Women beedi workers’ health: up in smoke • When free treatment comes at a hefty price • Crafting Diwali diyas for eight decades in Vizag • Jamnagar’s ‘swimming camels’ in deep waters • The house that Lakshmi built in Panruti • When it rains, it pours misery • Beauty is more than skin deep in Jamui • Unity in heterogeneity, delight in diversity • Climate Change • Climate Change 2022: Impacts, Adaptation and Vulnerability • Footprints of protest in the sands of a mine • Let them eat rice - PARI series on 7 crops in Tamil Nadu • Telling the wood from the trees in Tamil Nadu • Let’s FACE it • Of trees, people and civilisations • Katkyeti: whirling dreams, Bengal to Bengaluru • No country for menstruating girls and women • In Kuno: Cheetahs in, Adivasis out • Home - PARI Education • Rinku Yadav looks for work at 46° C • The headmaster of Dabli Chapori • ‘My head aches from carrying all the weight’ • The private torment of Asundi’s Dalit women • Mukta Hazarika: Majuli’s makeup maestro • Terah Taali: the dance of the 13 cymbals • Freedom fighter Mallu Swarajyam: ‘The police ran away in fear’ • Bhagat Singh Jhuggian’s fight for our freedoms • Marking Muharram in Suru valley • A name and the conspiracy of naming • ‘My hands still have life’ • Not a marital arrangement of choice • In Kuno Park – no one gets the lion’s share • Help Ezhil Recover • Shepherding in Garhwal: a dangerous life • When Dalit women united in Dindigul • Govindamma: ‘I have been in water all my life’ • In red hot pursuit: Tamil Nadu’s chilli farmers • Gharapuri island: missing medical care • Nanoi floods: the night of June 16 • The brick kilns where men, women, children and donkeys work like clockwork • In locked-down Kashmir, pigeons take flight - PARI Education • ‘This is the final chapter of our bhisti job’ • Slavery in India’s Brick Kilns & the Payment System: Way forward in the fight for fair wages, decent work and eradication of slavery • ‘If we stop making liquor, we will die’ • ‘They grope me when they give my medicines’ • “I have a photograph of an elephant testing the fence with a small branch to see if there is electricity,” • MMF-PARI Fellowships (2022-2023) • Fishermen? In New Delhi?! • ‘The happy days are now just nostalgia’ • The ebb and flow of rural India’s rivers • The missing figures of Gorakhpur • The tale of Bulli Boy and 4-yr-old Kundavi • From the kitchens of Kangra - PARI Education • Women bank on moonj grass in Mahewa • Tanubai Govilkar: Jambhali’s last vakal maker • One nation, one ration card, still no ration • The Bengali chop seller of Nanakmatta • “I have no money, but I work very hard” • ‘I never got the chance to play for India again’ • Painting away the pain of polio - PARI Education • When Bhabani Mahato fed the revolution • ‘What no one could do, Ambedkar did’ • The garland on Anantapur’s Ambedkar statue • PARI's journalism prizes, awards and honours • Dr. Babasaheb Ambedkar (Vol. 1): Annihilation of Caste and Other Writings • Reading WhatsApp forwards, my mind veered completely towards right-wing tendencies • Last student standing on Elephanta island • P. Sainath Explains Caste Geography In Irrigation & Thirst Economy In India | #ConclaveMumbai19 • An elderly farmer battles economics, elephants and climate change • Sometimes I get angry at the children for no reason • The handlers of India’s human waste • You might have seen her. She was beautiful • In the wrong lane • What it takes to run this Goan bakery • ASHAs in UP: 'We are free servants or what?' • A Palghar village battles a national highway • The bookseller of Mahakali, Mumbai • “Even if we are poor, we don’t want to die.” • The story of how a rising football coach had to return to fishing • FACES • Vanagiri’s women: lifting the lockdown load • Her grandfather named her ‘Puli’, Tamil for tiger, to match her energy • 'Oh, that house? It’s in the sea now – there!' • ‘So many things changed the day she was born’ - PARI Education • It takes time to realise that Tshering Dorjee Bhutia never earned his living from making bows • Contribute to Faces • It's another day of loveless labour • The anonymous shop in Hyderabad's Old City • A moment in history dies with Captain Bhau • I am fed up with your harshly bitter words, Like the banana leaf being torn by the breeze • Chhattisgarh’s jhola chaaps: where there is no doctor - PARI Education • ‘We could have really used the compensation’ • Trying to make the grade in a Van Gujjar basti • RMPs in Jharkhand: a ‘healing’ driven by trust • Learning the tricks of the turmeric trade in TN • Kachchh camels’ custody: ships of the deserted • No rest till the buffaloes come home • PARI Education • Thiru Murthy Facebook account • In Tamil Nadu: Thiru’s turmeric triumph • "Pregnancies stop only if the family and the husband want it to" • Kite makers craft Gujarat’s Sankranti skies • In Coimbatore: death, disease and divinity • Kashmir’s Internet Siege • ‘I fall, but I am able to stand up’ - PARI Education • Women, patriarchy and songs of rivalry • Open letter to the Chief Justice of India • 'Repeal of laws will not bring my brother back' • Rampyari cannot read the books he sells, but he is on a mission • Chronicling climate change: Everyday lives, extraordinary stories • Phalai's forgotten alphabets, fraying uniforms • Quiet blows the kombu in Madurai • There's a slow, slow train coming... • Give good journalism a chance • Life of my mother – in the light of a lamppost • Growing 50 years older in and with Dharavi • Narasingapettai’s nadaswaram makers • The Mumbai guard who never knew security • Annual Status of Education Report (Rural) 2021 • A hole for a heart and a hope for a hammer • Possessed by his art • Why is a private company deciding the worth of my product? • Caste-hate speech: Addressing hate speech based on work and descent • Pung Cholom • Connect with Us - PARI Education • Suresh Mehendale is worried about his beloved bus stand • ‘I have to leave Ghoramara, but why should I?’ • Stories on farm widows • Surviving Stigma: Housing and Land Rights of Farm Widows of Vidarbha, Maharashtra • 'Think a thousand times before...' • Borewell failure is one of the top reasons noted in the police reports of farmers' suicides in Chittoor • Climate change impacts are not gender neutral • ‘I want to live my truth as a trans man’ • Chased by development in Chikapar • Tikri farmers: ‘Will remember all this for life’ • Farmers win on many fronts, media fails on all • PM announces farm laws to be repealed • Stories of the people who make our salt • 'You can buy everything at Jurudi haat… except your father and mother!' - PARI Education • The rising cost of petrol is decimating small businesses • PARI reports on demonetisation • Seeking Covid-care in Kalyan: debt unto death • In Ballia, with nothing to her name • "Isn't this a romanticisation of rural life?" • Diwali in a Warli hamlet • ‘A college degree does not promise a job’ • Now do you understand why so many people still go to the moneylender? • We want her to be literate and educated, not tailors like us. People don’t respect if you can’t read-write • 'It got easier to threaten and harass me' • In Madhubani, girls are born but not certified • When Jayamma spotted the leopard • ‘Even in the heat, there is some guilt if I drink the water…’ • The Grindmill Songs • Ram Gandewad feels anxious and disturbed all the time • 'Toiling to make someone else a millionaire' • How can India help its farmers? • My Mother • It has been this way since I was born; I’ve worked as a labourer • Dear residents, the Goddess’ arrival on the earth is about to begin • He gave in to the fear of losing everything even before the second wave • Series on women's eproductive and sexual health • ‘Our village lives in another era’ • In locked-down Kashmir, pigeons take flight • Cook and clean two days after giving birth • An orphaned public • Every Indian language is your language • Bah Bot's drums, Khasi rhythms • Hausabai, an unsung hero • Why I am an Atheist by Bhagat Singh • Fear, faith and plastic • The Grindmill Songs Project • #METOO • Jodhpur puppeteers • “When everyone around you is struggling to ensure two meals a day, there is no time to discuss mental health.” • Building roads at over 10,000 ft • Santo's Youtube channel • Santo Tanti’s songs of sadness, work and hope • Crop insurance with no assurance • The show must go on • A day in the life of a Lakshadweep fishing family • Auctioned cabs, anguished drivers • ‘It feels like the men are always watching us’ • This is a love story • A shot in the arm at 11,000 feet • From from rakhal to rasogullas • Gag your mouth, Don’t utter a word. • ‘Wish I had known there's cancer in the water’ • Meenakshi 3000 • The great Indian vanishing rope trick • Dodging and ducking the virus • Dancing vigorously at 65 • A grandma at 36 • 'Earlier, I drank six litres of buffalo milk, ate 50 almonds, 12 bananas and two eggs every day' • There's not much of a story here: Things we wear • The unsung heroism of Hausabai • 'Today the man who has money rules. This is the state of our freedom.' • No shelter from this storm • Fish, friendship and a fighting spirit • Migrant workers: We don't want to go back to the city • 'From when I was a young girl, I used to accompany my mother to the forest. Now I bring my children with me' • Chronicling climate change • ‘We don’t trust government hospitals’ • An architect by instinct • Dance and theatre in rural India • The trauma of Madurai's trans folk artists • "Art is political. It is important for artists to respond to what is happening around them in society" • 'We have been pleading for a bridge in Sautada' • To those who have no fixed address • Altruistic suicides • Losing a generation • ‘I don’t want my daughters to end up like me’ • Girls who are upending a tradition • A short tale on earrings and tattoos & more stories on what people wear • Listen to Premlal • Walking the thin line for water • https://pari.education/articles/we-stopped-weaving-after-my-brother-tested-positive/ • A 100 trailblazing years • Delhi's lastline workers: burning in silence • A true artist doesn’t need a scale. It’s all from memory • If I go to work in a bigger city, I will stay in a separate room and not touch anything. • Out of focus: The life of a Gateway of India photographer • Santal Adivasi Women: Scavenging for Coal • Here's how you can help Ramling Sanap • 'The hospital told the patient about the charges, instead of his family. What was the need to burden him?' • Music, almost literally, to die for • The battle at the bank • PARI founder-editor P. Sainath wins the Fukuoka Grand Prize, among Japan’s most prestigious international awards • “I don’t know what finally caused her death but I know she did not get the attention she deserved.” • When will the music play again? • The loneliest library • “My first child is from the man I love.He loves me too. At least that’s what he says,” Beauty giggles. “He’s one of my permanent clients.” • Cycle rickshaw wallahs: Pulling along somehow • 'We climbed on trees to save our lives' • Bringing rural India into urban classrooms • FACES or Project Unselfie • ‘Without RHOs we are helpless and hopeless’ • Medical help on thin ice for Dal Lake mohallas • Waiting for a shot in the arm in Beed • Cutting korai in Karur, Tamil Nadu - PARI Youtube • Covid and the calligraphers of a qabristan • How baby Mrutyunjay was born in Malkangiri • PARI series on women's health • Marathi rap song: ‘Tell me how to do farming?’ • Counting the dead and lessons unlearned • UP: ‘Nothing can be done, duty has to be done’ • Pardhis: positive, isolating in huts and broke • In Tamil Nadu: playing Parai on lockdown, live! • Rural reporters: losing lives without a voice • Report on Media’s Crackdown During COVID-19 Lockdown - Available on PARI Library • UP panchayats: teacher death toll hits 1,621 • ‘The dead aren’t aware of the funerals they get’ • The King and his palace on pyre • In Palghar, the price of a pandemic • In Tamil Nadu: taming TB in the time of Covid • Mohsin will never walk, go to school or play • UP panchayats: for whom the polls toll • In Bihar: 'I got married during corona' • Bharat is burning, Dharmaraja! • ‘I can’t do video editing in the village’ • ‘With strangers was the journey too…’ • It's been A Hard Day's Night • Five drops of crimson…farewell to the white • FACES or Project Unselfie - Akash Behera • Photo Essay : Making baskets in English • Dinkar Aiwale's many flutes of labour • In Maldah: 'Nobody leaves out of choice' • Rita akka’s life is going to the dogs (and cats) • Ganpati Yadav’s gripping life cycle • Scavenging for coal in Tamlabasti • FACES or Project Unselfie - Nand Kishor • FACES or Project Unselfie - Mahendar Singh • FACES or Project Unselfie - Balwan Singh • FACES or Project Unselfie - Sabera Bibi • FACES or Project Unselfie - Padmashree Sarkar • FACES or Project Unselfie - Anil Ghosh • FACES or Project Unselfie - Ritu Ramdas • FACES or Project Unselfie - Chandra Bhan • FACES or Project Unselfie - Kamlesh Briat • Forbes, India and Pandora’s Pandemic Box • Bhimrao: 'A diamond born to his parents' • ‘All my debts have been repaid’ • ‘I miss my family’ • ‘I wish I could go back to the past’ • Profiles of migrants: Journeys of hope – Part V • 'These korai fields are my second home' • ‘I have nine girls and this tenth one – a boy’ • In Kochi: canal bank residents in deep waters • In Hial, a house half-built, a family broken • 'Our office and sleeping area are the same' • 'He says if I keep studying, who will marry me?' • FACES or Project Unselfie Series • Profiles of migrants: Journeys of hope (Part VI) • Oxfam International's On Women’s Backs: India Inequality Report 2020 - Available on PARI Library • Tuning into India's many musical instruments • ‘For us there is always a lockdown – and work’ • Fading out: Maniram's flutes, Orchha's forests • Pushing the tempo at Mumbai's farm sit-in • 'My troubles begin after I get a good harvest' • Kids with disabilities – a fracture in learning • ‘I sing to raise awareness on farmers’ issues’ • Decrepit health centres, 'bina-degree' doctors • Jambhali farmer: Broken arm, unbroken spirit • The hills of hardship - An extract from P. Sainath's 'Everybody loves a good drought' • "We have achieved independence but not freedom" • Oxfam Report: The human cost of Assam tea - Available on PARI Library • UN Women's Gender Inequality In Indian Media Analysis - Available on PARI Library • In Almora, moving mountains for childbirth • Writings of B.R Ambedkar - Available on PARI Library • In Bengaluru: ‘We don't want corporate mandis’ • Notebandi takes the sauce out of Nashik’s tomatoes • The old man and the lonely village • Rich farmers, global plots, local stupidity • Rural trains and India • Journeys of hope (part 3) • Journeys of hope (part 2) • Journeys of hope • Pythagoras in the field • Taking their skills back to school in Sittilingi • A school away from school in a Santal village • The forest in Shanthi Teacher’s classroom • The Potato Song • A tuition centre coaching rebellion • The village that paid the price for raising the flag • Dashrath's route to rations • Children's hospital hamstrung by the lockdown • “How does it matter if we wear a mask?” • The forest enters the classroom with Shanti • Rita akka’s life is going to the dogs • A pillar of India's health infrastructure • The last living freedom fighters • The last battle of Laxmi Panda • When Salihan took on the Raj • Bloodletting was a common medical treatment for nearly 3,000 years • Demonised and blamed for the spread of the Corona virus • "Your eyes shine like the lustre of pearls" • It need not be this way: donate to PARI • Rural India is the teacher • The hottest place on earth? • When they didn't return that night, I got worried • A tales of two wheels • Go carting in the capital • To leave or not to leave • The Shadow Pandemic • Take a break from the regular news cycle • Seeing ‘the world through touch’ in a pandemic • Sitting idol • Truth in the face of intolerance • Rebel without a pause • "What can I say? My back is broken and my rib cage is protruding.” • Online classes: how are millions of India's rural poor coping? • 'There is no such thing as Dalit writing' • 'I find it funny that people bargain' • Karnataka silk route: coocoon farmers in crisis • 'Please do something or they will kill me soon' • Compassion has an annoying habit of evaporating when comfit returns • Custodians of the white walls • My uterus keeps coming out • A few rupees per saree • Feet of clay • Collecting 6000 leaves a day • The dying art of Kashmiri dyeing • A scarcity of sexual training • The cost of unsold cotton • 'I don't want to talk about it' • How many times can they cover their mouths? • Voices of the invisible citizens • Book of Bandipur • Homeward bound through the centre of India • Who will carry the palanquins of the rich now? • Kiss from two thorns • Four days and nights on a scooter • 'After some 12 children, it stops on its own' • Amphan meets lockdown • Ironed out of an income • It's like our arms and legs have been broken • ‘Even the boats must be missing their men’ • No basic needs, period • Jamlo's last journey along a locked-down road • Old lady and nephew on lockdown highway • The migrant march of red ants under lockdown • The protection of domestic violence Act, 2005 • Loans: fear and loathing in lockdown time • Hanging by a thread • Blood on the tracks • An inheritance of malnutrition • No country for old men • 'They keep their newborn children away from me' • Bangalore metro: no work, no pay • Locked into the kilns, brick by brick • 'I don't understand why we were being discriminated like that' • 'Eid will be very different this time' • A woman is nothing more than cattle • Between lockdown and the deep blue sea • Walking 104 kilometers without a break • A rainbow in the storms of lockdown life • How to make a face mask from a chunni • Paying a pandemic price • Haryana police beat ASHA workers on COVID19 duty • Only one meal a day now • Ambedkar: 'The diamond that lit up the sky' • Some are calling it the corona melon • Lockdown burden on little shoulders in Latur • Locking down craft: handmade, hung out to dry • The lady and the lamp • 'I don't have any disease. Why are they stopping me?' • How to elevate COVID19 messaging • 'Can you really enforce a curfew on art?' • Eating better in a lockdown • Where country roads don’t take you home • Ladakhis stuck in Covid-19 test limbo in Iran • Anantapur lockdown diary • In Chhattisgarh: barricades as social distancing • Corona refugees on a 538-kilometre journey • Lockdown with cancer on Mumbai's footpaths • 'Soap won't save us if we die of hunger first' • Sanitation workers - the wages of ingratitude • What should we do about COVID19 • 'It's the first time in history that we are experiencing this' • COVID19 - Essential services, expendable lives

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Stories on SIR

Stories on Drought

The Minthur Series

Teachers that build classrooms

Floods of displacement

TM Krishna-PARI award

Transgender Lives