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mwatsonfore has been a member of Linktree for 2 years and joined in December 2023. The social media accounts linked to from mwatsonfore are: • Instagram • X • Bluesky Besides social media accounts, mwatsonfore has populated their site with: • Join me for Literary Criticism: a Love Letter - course with Literary Liberation • [Review] Slow Guillotine, by Teo Rivera-Dundas | Full Stop • [Panel Recording] A Song of Mothers and Daughters -- Author Panel with Charis Books & More • Jeffrey Epstein Used Dr. James Dobson’s Advice to Groom a Victim — The Revealer • Critic at Play | McKenzie Watson-Fore | Substack • [Essay] Christian Nationalism and the Dubious Possibility of Change, at MAYDAY • [Review] Everything in Color: A Love Story by Stephanie Stalvey at Hippocampus • [News Article] CU delays ChatGPT rollout after backlash over $2M OpenAI deal - Boulder Reporting Lab • [Review] Seeking a Way In: Woman House by Lauren W. Westerfield - The Rumpus • Thunderdome Conference • 8 Books Featuring Cathartic Bathhouse Scenes - Electric Literature • [Review] Trained to disappear: Famished by Anna Rollins | The Christian Century • [Essay] Please Don't Make Fun of God | Mayday magazine • [Review] La Carte Postale, by Ann Berest | Cincinnati Romance Review • [Review] Hymn to Moray Eels – Mireille Best | Full Stop • [Essay] Singing the Newsboys with Flamy Grant | The Christian Century • [Review] Getting Dressed in the Dark, by Gabriella D’Italia | Heavy Feather Review • [Review] Worldly Girls, by Tamara Jong | Full Stop • [Review essay] The Year of the Fundamentalist Escape Memoir • [Review] Lonesome Ballroom, featured in the print issue of Rain Taxi Review of Books • [Essay] The Silo of Spirituality at Mayday • An Interview with Natasha Lehrer, Translator of Sad Tiger - The Masters Review • Video Chat with Jon Mathieu of The Christian Century • Substack Live with Cara Meredith: Revisiting Cry Night • [Essay] Dear Jesus, Am I broken enough yet? at Christian Century • [Review] After David by Catherine Texier, at Full Stop • Interview with For Page & Screen Magazine • [Review] Sad Tiger by Neige Sinno, trans. Natasha Lehrer, at Full Stop • The Gravel Path of Belief, Non-Belief, and the Ambiguous In-Between • The Crowd Collective on Pearl Street, for Boulder Reporting Lab • [Review] Howling Women by Shelby Hinte, at Full Stop • Panel Recording: Art Under Duress with Jaydra Johnson, Elizabeth Cooperman, and Eula Biss • Book List for the webinar/panel, via Bookshop • [Review] Making Love with the Land, at Full Stop • What I Learned About Monetization by Launching a Lit Mag, in Lit Mag News • [Essay] Christmas Eve at Calvary Bible, in For Page and Screen • [Local Reporting] Boulder County's Caribou Ranch Artist-in-Residence Program • [Blog post] On quitting my job! -- No Longer the Liquor Girl • [Video Interview] PACT (Pacific Alumni Craft Talks) with Ben Porter • [Review] The Propagandist, at Full Stop • Subcribe to sneaker wave magazine! • [Review] Family Meal by Bryan Washington, at Bridge Eight • [Interview] To Bisquick and Beyond, at Boulder Magazine • [Review] Low: Notes on Art and Trash, at Full Stop • Board Game Instructions for Purity—Race to the Altar, in The Offing • [Essay] To Cut the Rot From the Fruit, in Belmont Story Review • [Essay] the girl who dressed as a turd, at sneaker wave • My blog at MWatsonFore.com • [Review] Search Histories, at Full Stop • [Review] The Weird Sister Collection, at Full Stop • [Interview] with Margo Steines, at Full Stop • [Review] Closures: Heterosexuality and the American Sitcom, at Full Stop • [Essay] The Chicken Harvest, at Psaltery & Lyre • [Review] The Inconsistent Insight of Leslie Jamison's Splinters, at the San Antonio Review • [Essay] The Problem with the Evangelical Story Structure, at Write or Die magazine • [Review] The Loneliness Files, at Barrelhouse • [Review] Brutalities: A Love Story, at Full Stop • [Review] Because We Were Christian Girls, at Colorado Review online • [Review] Shannon Harris’s Exvangelical Reckoning and the Slow Excavation of the Self, at New Critique • MWatsonMade - Etsy