Laurel V. McLaughlin Official: Instagram

Laurel V. McLaughlin

Curator, writer, art historian //Lvmclaughlin7@gmail.com //@lvmclaughlin

review: Jayson Musson: His History of Art
article: Caucuses of Inhalation: Anicka Yi's Mycological Networks
exhibition catalog: Dyschronics
exibition catalog: Footnotes and other embedded stories
exhibition: Footnotes and other embedded stories
program series: Footnotes and other embedded stories, Artspace New Haven
interview: Theaters for Frankensteins with Yuyang Zhang
interview: Seed as Idea: Aeron Bergman and Alejandra Salinas
exhibition: Dyschronics, Artspace New Haven
review: Simone Fischer at Astoria Visual Arts by Kyle Cohlmia
review: Tracing a wound through my body: Interview with Emilio Rojas by Steph Garcia
exhibition: The Longest Leg: Emmanuela Soria Ruiz at Fuller Rosen
exhibition: OFFAL
essay: pax epistle: you told me not to look to etymology
exhibition: Emilio Rojas Survey Programming
review by Lindsay Costello: Spring and other cycles: Thesis exhibitions from PNCA’s Low-Residency Visual Studies
interview: Strategies to enflesh the archive: a conversation with Emilio Rojas
exhibition series: some rites from a spring reckoning
interview: Wandering down 82nd Ave. with Simone Fischer: Part II—a sermon for crows
interview: Wandering down 82nd Ave. with Simone Fischer: Part I-ANTITOURS
exhibition: Emilio Rojas: tracing a wound through my body, Sep. 2-Nov. 13, 2021
essay: everyday beats and hierophants
interview: Rami George: The Tangents, Pivots, and Slants of Artistic Research
review: Autumn Knight: Disappointment as Pedagogy, or Eating in Costume
interview: the spaces between objects and images: A Conversation with M Acuff
Interview with Carlos Motta: We Got Each Other’s Back
review: Searching for a More Perfect Union: Tannaz Farsi at HOLDING Contemporary
interview: ‘Critical Plagiarism’ as Discursive Labour: A Conversation with Leah Modigliani
review: Melanie Flood: Notions
interview: the briefness of things and multiple forms: An Interview with maximiliano
Review by Lindsay Costello of "Rami George: and one day will tell you so many stories"
exhibition: Networks of (Be)longing—PNCA Online Galleries
exhibition: Rami George, and one day will tell you so many stories, Paragon Arts Gallery, PCC, Portland, OR
exhibition: Networks of (Be)longing, Center for Contemporary Art & Culture, PNCA, Portland, OR
review: Devin Harclerode and Laura Camila Medina: Loopholes
review: Fusebox Festival 2020: 'Living' Roots in the Virtual
Gray Areas: An Interview with Allie Hankins
interview: Estado Vegetal, a Gesture of Imitation: An Interview with Manuela Infante
Conversation with Andra Silapētere, Latvian Centre for Contemporary Art (LCCA)
Conversation with Yates Norton, Rupert
Conversation with Marten Esko, Contemporary Art Museum of Estonia (EKKM)
Multiple Entry Points to Dis-ease: A Conversation with Amiko Li
review: Danielle Roney: Frequencies of Opacity
Conversation with Lauren Schell Dickens, San José Museum of Art
review: Agniezska Polska: Love Bite
review: NEW DIALECTIC MEMORIES: Lindsay August-Salazar
review: Being Present: Revisiting, Somewhat Unfaithfully, Portland’s Most Experimental Art Experiment, PCVA
Conversation with Kristan Kennedy, PICA
a breaking from, a breaking with, a breaking out—A Conversation with James Allister Sprang
Conversation with Blake Shell, Disjecta Contemporary Art Center
review: The Dope Elf at Yale Union
interview: Mobile Projection Unit: A Conversation with Sarah Turner and Nanda D’Agostino
Monsters, fads, and detoxes: An Interview with Katie Hubbell
review: Cannupa Hanska Luger: A Frayed Knot / AFRAID NOT
a situation of relations: A Conversation with Adam Linder about “The WANT"
Multiple Ways to Pursue ‘Later Work’: A Conversation with Eiko Otake
When aesthetic, ethical, political, and poetic dimensions coincide. A Conversation about NEXUS 1
running, walking, standing: A Conversation with Mia Habib
We don’t have illusions that absurdity isn’t the ground floor: A Conversation with Miguel Gutierrez
Art as Tool, Riddle, Problem, Absurdity, Desire: A Conversation with Jess Perlitz
interview: “Unwilled Rhythms”: Walking through Film with Nishat Hossain
essay: Pierre Huyghe’s Untitled (Human Mask): The ‘Other’ in the ‘Open.’ Issue 42 (Winter 2017): 22–35