@kmmendez

kmmendez has been a member of Linktree for 6 years and joined in November 2019. The social media accounts linked to from kmmendez are: • Instagram • TikTok Besides social media accounts, kmmendez has populated their site with: • Primary Colors | Karla | Substack • www.haymarketbooks.org • Subjectivity, Anonymity, and Representation in the Art of Lorna Simpson — Black Women Radicals • Julien Creuzet Brings the Sounds of the Atlantic to Brown's Bell Gallery • Archiving the Life of Amy Ashwood Garvey: An Interview with Nydia A. Swaby — Black Women Radicals • “I Kept On, Kept On and Kept On”: Honoring the Life and Times of Lady Java — Black Women Radicals • “You Got to Bring People In”: An Interview With Chirlane McCray on the 50th Anniversary of the Combahee River Collective — Black Women Radicals • Why Combahee? Why Now? A Critical Conversation with Margo Okazawa-Rey — Black Women Radicals • More than a portrait: Otis Kwame Kye Quaicoe interviewed • “We Were Undeterred”: Demita Frazier on the Complex History of the Combahee River Collective — Black Women Radicals • 50 Years of Combahee: Special Blog Issue — Black Women Radicals • Paving the Way: The Radical Life of Journalist and Activist Charlotta Spears Bass — Black Women Radicals • “I can’t study while our people are suffering.”: The Life Long Activism of Dorie Ladner — Black Women Radicals • Turn of the Tide: Zilia Sánchez at the ICA, Miami • Jean-Marie Appriou: At the Intersection of Reality and Mythology • In Defense of Black Women: The Case of Joan Little — Black Women Radicals • The Laboring and Disposable Latina Body — The Latinx Project at NYU • Photography as a site of safety: Thalía Gochez interviewed • Alberta Whittle’s LA Photo Diary and Examination of Wayward Rest • Tracing Reality and Fantasy in the Choreography of Suspiria, Hexentanz, and Blaubart • Wilmer Wilson IV Locates Staples and Wood As Sites of Being and Communication • A Reminiscence on Youth and Our Former Selves • Blanca Canales Led Puerto Rico’s Historic Rebellion for Independence • “Me gritaron negra”: Reflecting On the Cultural Work of Victoria Santa Cruz — Black Women Radicals • Why Maren Hassinger Isn’t Interested in Being Discouraged • Claudia Martínez Garay and Arturo Kameya Explore Peruvian History • Something is Missing From the Walls: Examining the Radical History of Black Feminist Art — Black Women Radicals • “Faith Ringgold: Freedom to Say What I Please” at Worcester Art Museum • How ‘Unnamed Figures’ at the American Folk Art Museum Challenges Dominant Narratives of American History - ELEPHANT • Female Adolescence, Isolation and Hauntings in the Work of Francesca Woodman — Polyester • Henry Taylor’s ‘B Side’: A Photo Album of Black Existence - ELEPHANT • Juana Valdés at The Sarasota Art Museum, Sarasota • How ‘Chopped and Screwed’ at White Cube, New York, Investigated Systems and Structures - ELEPHANT • The Future Possibilities of Children: An Interview with Gwendolyn Wallace — Black Women Radicals • Bearing Witness to the Work of Kaveri Raina - ELEPHANT • The Disorienting Vibrancy of Sable Elyse Smith’s Work - ELEPHANT • Karla Méndez | Ampersand: An American Studies Journal • BLACK WOMEN RADICALS