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inegevers has been a member of Linktree for 2 years and joined in October 2023. The social media accounts linked to from inegevers are: Facebook, Instagram, LinkedIn, Email, X. Besides social media accounts, inegevers has populated their site with AUTONOMOUS, Brutus, Rotterdam, 25 March - 17 June 2026, I AM NOT AN ORACLE, IMPAKT, 14 Nov '25 - 1 Feb26, DEAL WITH IT – The Cake is A Lie / IMPAKT Festival, Utrecht (Nov 2024 - Jan 2025), Break The Wall – An (a)synchronous multiplayer game (2022-2024), Feed Your Head – Gogbot festival, Enschede (Sept 2023), Come Alive · The power of pleasure – Het Nieuwe Muntgebouw, Utrecht (Summer 2022), Fake Me Hard · Your guide to the post-truth society – Brutus, Rotterdam (June-August 2021), (Im)possible Bodies · What kind of cyborgs do we want to become? – Den Bosch Data Week (October 2020), ROBOT LOVE, Can we learn from Robots about Love? (Sept-Dec 2018), Robot Love Dutch Design Week (Oct 2017), HACKING HABITAT, Art, Technology and Social Change, JA NATUURLIJK How Art Saves the World, NIET NORMAAL Difference on Display, Beyond Ethics and Aesthetics / Voorbij ethiek en esthetiek (English and Dutch Edition), IK + DE ANDER / I + THE OTHER, Art and the Human Condition, View my website Ine Gevers, View my website Niet Normaal, Niet Normaal Institute for Inclusive Innovation, Loving Geopolitics Magazine podcast nr 6: Over grenzen, moed tonen en risico’s nemen - Loving Geopolitics Magazine podcasts | Podcast on Spotify, Nooit Meer Slapen - Ine Gevers - 15 april 2026 - NPO Radio 1 Gemist | NPO Radio 1, AUTONOMOUS by Ine Gevers in Nu te Zien! afleveringen | AVROTROS, The Perfect Enemy - Ine Gevers en Sruti Bala | Frascati, The Wrong Ninna Nanna inspiratie.hku-events.nl, Feeling Forward | IMPAKT, You searched for Collaboration and Network - Spaces of Culture, Gallery AKINCI Artist Talk with Imogen Stidworthy, Wat helpt is terugpraten tegen digitech, met kunst, humor en empathie, Dealing With Ine Gevers | IMPAKT, Launch WETOPIA, Let's Swap Identity Now (Waag x NietNormaal, 2023), 'Under his AI', conversation with Ine Gevers, Pinar Demirdag (SXSW, 2022), 'Contemporary Curating: Radical, Digital, Diverse' (Impakt, 2022), 'Fake Me Hard / Artistic Inspiration' (Art Snap New Theory Pictures, 2022), Who is afraid of Robot Love? (Nederlands Theater Festival, 2021), Algorithms take control. Let’s life-hack (TEDx, 2016), Dropbox - Over Grenzen LGM Winternummer 2025_26.pdf - Simplify your life, Uit je Bubbel, Europa is dood! Leve Europa! in Loving Geopolitics Magazine (juli, 2024), 'Feed Your Head, Drugs and AI' (Gogbot festival, 2023), 'Kunstenaars bekommeren zich om wereldproblemen, we vragen Ine Gevers' (Loving Geopolitics, 2022), 'Come Alive, Aftercare' (Issuu, 2022), 'Fake Me Hard' (Issuu, 2021), Acknowledging our cyborg selves, Glamcult (2020), 'Can we learn from robots about Love?', Robot Love (Terra Publishers, 2018), Ine Gevers on Hacking Habitat in Posthuman Glossary, 2018, 'Society must be Hacked', Hacking Habitat (NAi010 Publishers, 2016), 'Which Ghetto? Rethinking Disability World Perspectives in Culture and Society' (2016), 'Curatorial Tactics and Artistic Knowledge-Production in Normality-Driven Societies', Parallel Lines (2016), 'Yes Naturally, How Art Saves the World, Yes Naturally, (NAi010 Publishers, 2013), 'Normalcy on Prescription', Niet Normaal / Difference on Display (NAi Publishers, 2009), 'Images that demand consummation', Documentary Now (2006), Subversive Tactics of Neurologically Diverse Cultures (2000), 'Beyond Ethics and Aesthetics / Voorbij Ethiek en Esthetiek' (SUN, 1997), CURATING: Stereotyping the Other or Risking one's own Subjectivity, Curating - The Art of Creating Contexts, Conversation Pieces (1995), Jan van Eyck Academy, Maastricht, Ik + de Ander. Art and the Human Condition, 'Kunstenaars die voor het Leven kiezen', Ik + Ander magazine (Stichting Artimo publishing, 1994), Place, Position, Presentation, Public editorial (1993), 'Cultural identity Fiction or necessity' — An Introduction (1992), 'The Threatened Position of the Artist', Ine Gevers (1990), Review AUTONOMOUS in Volkskrant 25-03-2026, I AM NOT AN ORACLE at IMPAKT in Utrecht, Ine Gevers toont spiegels van een fucked up world - De Nuk, De curator als rockster en wat marketeers, bedrijven en organisaties daarvan kunnen leren - Marketingfacts, Voeten afvegen aan een Wildersdeurmat - Museumtijdschrift, Ongemak, frictie en frustratie: DEAL WITH IT - Metropolis M, Ficando com o Problema, Entrevista com Donna Haraway (2023), The Brief Read of Postdocumentary Photography, Art and Ethics (2020), Tech companies development of AI is “unethical”, says one of The Netherlands’ most radical curators Ine Gevers (Dezeen, 2019), Should Society accept Sex Robots (2020), Ethics of Coding, A Report on the Algorithmic Condition (2018), Tech companies' development of AI is "unethical" says Robot Love curator, Frantz Fanon iconique ? Pensées à voir, l’Algérie de Fanon dans les arts visuels (2017), New Forums for documentary / post-documentary Photography, Art and Ethics (2017), Hacking Habitat: aanwakkering van het activistisch besef, De Volkskrant (2016), Carl Withal Photography on ‘Images that Demand Consummation by Ine Gevers’ (2016), Art for the Anthropocene Era – Art in America (2014), 'Disabling' the Museum: Curator as Infrastructural Activist, Journal of Visual Art Practice (2013) – Amanda Cachia, Authorship (Ext)Ended: Artist, Artwork, Public and the Curator (2013) – Ute Meta Bauer & Yvonne P. Doderer, The Curatorial: A Philosophy of Curating (2013) – Ed. Jean-Paul Martinon, London Bloomsbury (Ine Gevers: ‘Curating: The Art of Creating Contexts’, cited by Aneta Szylak: Curating Context), Art exhibition in Liverpool as part of Dadafest (2012) – The Guardian, Curating and the Educational Turn (2010) – Ute Meta Bauer, Book Review (2008) – Desa Philippi, Shaheen Merali & Kristian Romare, 'Beyond Ethics and Aesthetics', ed. Ine Gevers, Jeanne van Heeswijk (SUN, 1997), Chair board at Future of Work Foundation – Platform for a new economy, Board member at Fentener van Vlissingen Fonds (SHV).