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inegevers has been a member of Linktree for 2 years and joined in October 2023. The social media accounts linked to from inegevers are: • Facebook • Instagram • LinkedIn • Email • X Besides social media accounts, inegevers has populated their site with: • AUTONOMOUS, Brutus, Rotterdam, 25 March - 17 June 2026 • I AM NOT AN ORACLE, IMPAKT, 14 Nov '25 - 1 Feb26 • DEAL WITH IT – The Cake is A Lie / IMPAKT Festival, Utrecht (Nov 2024 - Jan 2025) • Break The Wall – An (a)synchronous multiplayer game (2022-2024) • Feed Your Head – Gogbot festival, Enschede (Sept 2023) • Come Alive · The power of pleasure – Het Nieuwe Muntgebouw, Utrecht (Summer 2022) • Fake Me Hard · Your guide to the post-truth society – Brutus, Rotterdam (June-August 2021) • (Im)possible Bodies · What kind of cyborgs do we want to become? – Den Bosch Data Week (October 2020) • ROBOT LOVE, Can we learn from Robots about Love? (Sept-Dec 2018) • Robot Love Dutch Design Week (Oct 2017) • HACKING HABITAT, Art, Technology and Social Change • JA NATUURLIJK How Art Saves the World • NIET NORMAAL Difference on Display • Beyond Ethics and Aesthetics / Voorbij ethiek en esthetiek (English and Dutch Edition) • IK + DE ANDER / I + THE OTHER, Art and the Human Condition • View my website Ine Gevers • View my website Niet Normaal • Niet Normaal Institute for Inclusive Innovation • Loving Geopolitics Magazine podcast nr 6: Over grenzen, moed tonen en risico’s nemen - Loving Geopolitics Magazine podcasts | Podcast on Spotify • Nooit Meer Slapen - Ine Gevers - 15 april 2026 - NPO Radio 1 Gemist | NPO Radio 1 • AUTONOMOUS by Ine Gevers in Nu te Zien! afleveringen | AVROTROS • The Perfect Enemy - Ine Gevers en Sruti Bala | Frascati • The Wrong Ninna Nanna inspiratie.hku-events.nl • Feeling Forward | IMPAKT • You searched for Collaboration and Network - Spaces of Culture • Gallery AKINCI Artist Talk with Imogen Stidworthy • Wat helpt is terugpraten tegen digitech, met kunst, humor en empathie • Dealing With Ine Gevers | IMPAKT • Launch WETOPIA, Let's Swap Identity Now (Waag x NietNormaal, 2023) • 'Under his AI', conversation with Ine Gevers, Pinar Demirdag (SXSW, 2022) • 'Contemporary Curating: Radical, Digital, Diverse' (Impakt, 2022) • 'Fake Me Hard / Artistic Inspiration' (Art Snap New Theory Pictures, 2022) • Who is afraid of Robot Love? (Nederlands Theater Festival, 2021) • Algorithms take control. Let’s life-hack (TEDx, 2016) • Dropbox - Over Grenzen LGM Winternummer 2025_26.pdf - Simplify your life • Uit je Bubbel • Europa is dood! Leve Europa! in Loving Geopolitics Magazine (juli, 2024) • 'Feed Your Head, Drugs and AI' (Gogbot festival, 2023) • 'Kunstenaars bekommeren zich om wereldproblemen, we vragen Ine Gevers' (Loving Geopolitics, 2022) • 'Come Alive, Aftercare' (Issuu, 2022) • 'Fake Me Hard' (Issuu, 2021) • Acknowledging our cyborg selves, Glamcult (2020) • 'Can we learn from robots about Love?', Robot Love (Terra Publishers, 2018) • Ine Gevers on Hacking Habitat in Posthuman Glossary, 2018 • 'Society must be Hacked', Hacking Habitat (NAi010 Publishers, 2016) • 'Which Ghetto? Rethinking Disability World Perspectives in Culture and Society' (2016) • 'Curatorial Tactics and Artistic Knowledge-Production in Normality-Driven Societies', Parallel Lines (2016) • 'Yes Naturally, How Art Saves the World, Yes Naturally, (NAi010 Publishers, 2013) • 'Normalcy on Prescription', Niet Normaal / Difference on Display (NAi Publishers, 2009) • 'Images that demand consummation', Documentary Now (2006) • Subversive Tactics of Neurologically Diverse Cultures (2000) • 'Beyond Ethics and Aesthetics / Voorbij Ethiek en Esthetiek' (SUN, 1997) • CURATING: Stereotyping the Other or Risking one's own Subjectivity • Curating - The Art of Creating Contexts, Conversation Pieces (1995), Jan van Eyck Academy, Maastricht • Ik + de Ander. Art and the Human Condition • 'Kunstenaars die voor het Leven kiezen', Ik + Ander magazine (Stichting Artimo publishing, 1994) • Place, Position, Presentation, Public editorial (1993) • 'Cultural identity Fiction or necessity' — An Introduction (1992) • 'The Threatened Position of the Artist', Ine Gevers (1990) • Review AUTONOMOUS in Volkskrant 25-03-2026 • I AM NOT AN ORACLE at IMPAKT in Utrecht • Ine Gevers toont spiegels van een fucked up world - De Nuk • De curator als rockster en wat marketeers, bedrijven en organisaties daarvan kunnen leren - Marketingfacts • Voeten afvegen aan een Wildersdeurmat - Museumtijdschrift • Ongemak, frictie en frustratie: DEAL WITH IT - Metropolis M • Ficando com o Problema, Entrevista com Donna Haraway (2023) • The Brief Read of Postdocumentary Photography, Art and Ethics (2020) • Tech companies development of AI is “unethical”, says one of The Netherlands’ most radical curators Ine Gevers (Dezeen, 2019) • Should Society accept Sex Robots (2020) • Ethics of Coding, A Report on the Algorithmic Condition (2018) • Tech companies' development of AI is "unethical" says Robot Love curator • Frantz Fanon iconique ? Pensées à voir, l’Algérie de Fanon dans les arts visuels (2017) • New Forums for documentary / post-documentary Photography, Art and Ethics (2017) • Hacking Habitat: aanwakkering van het activistisch besef, De Volkskrant (2016) • Carl Withal Photography on ‘Images that Demand Consummation by Ine Gevers’ (2016) • Art for the Anthropocene Era – Art in America (2014) • 'Disabling' the Museum: Curator as Infrastructural Activist, Journal of Visual Art Practice (2013) – Amanda Cachia • Authorship (Ext)Ended: Artist, Artwork, Public and the Curator (2013) – Ute Meta Bauer & Yvonne P. Doderer • The Curatorial: A Philosophy of Curating (2013) – Ed. Jean-Paul Martinon, London Bloomsbury (Ine Gevers: ‘Curating: The Art of Creating Contexts’, cited by Aneta Szylak: Curating Context) • Art exhibition in Liverpool as part of Dadafest (2012) – The Guardian • Curating and the Educational Turn (2010) – Ute Meta Bauer • Book Review (2008) – Desa Philippi, Shaheen Merali & Kristian Romare, 'Beyond Ethics and Aesthetics', ed. Ine Gevers, Jeanne van Heeswijk (SUN, 1997) • Chair board at Future of Work Foundation – Platform for a new economy • Board member at Fentener van Vlissingen Fonds (SHV)