Hannah Gold

Parting Waters: Passover at the Columbia Encampment (The Baffler, 2024)

Voices of Mourning: What Do We Owe the Dead? (The Baffler, 2024)

Lifesize Dioramas: At Carolee Schneemann’s House (The Paris Review, 2023)

The Archives of the East Village Eye Go to the New York Public Library (The New Yorker, 2023)

Interview with Kathy Ottersten (Jewish Currents, 2023)

David Wojnarowicz’s Home in the City (The Paris Review, 2022)

Emails Are Forever: Wading through Chris Kraus's inbox (Astra Magazine, 2022)

Goodbye to All That: The afterlives of Joan Didion's Possessions (The Baffler, 2022)

The Art of Propaganda: Framing the legacy of ACT UP's Gran Fury (The Baffler, 2022)

Nothing After This: On Gregg Bordowitz's Fast Trip, Long Drop (n+1, 2021)

Bold Fury: The overdose crisis and ACT UP's needle exchange legacy (n+1, 2021)

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About this account

hannahpgold

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JoinedOctober 2022

Hannah Gold has been a member of Linktree for 3 years and joined in October 2022. Besides social media accounts, hannahpgold has populated their site with Parting Waters: Passover at the Columbia Encampment (The Baffler, 2024), Voices of Mourning: What Do We Owe the Dead? (The Baffler, 2024), Lifesize Dioramas: At Carolee Schneemann’s House (The Paris Review, 2023), The Archives of the East Village Eye Go to the New York Public Library (The New Yorker, 2023), Interview with Kathy Ottersten (Jewish Currents, 2023), David Wojnarowicz’s Home in the City (The Paris Review, 2022), Emails Are Forever: Wading through Chris Kraus's inbox (Astra Magazine, 2022), Goodbye to All That: The afterlives of Joan Didion's Possessions (The Baffler, 2022), The Art of Propaganda: Framing the legacy of ACT UP's Gran Fury (The Baffler, 2022), Nothing After This: On Gregg Bordowitz's Fast Trip, Long Drop (n+1, 2021), Bold Fury: The overdose crisis and ACT UP's needle exchange legacy (n+1, 2021).