Nicholas Galanin

Nicholas Galanin has been a member of Linktree for 5 years and joined in September 2020. The social media accounts linked to from Nicholas Galanin are: • Website Besides social media accounts, galanin has populated their site with: • Subscribe to the Nicholas Galanin Newsletter • Welcome — Alaska Native Heritage Center: Hít Wóoshdei Yadukícht: Dancing Our House Together • Bio/ CV/ Artist Statement • Power 100 • Phillips Exhibition Sale Another Sign of Rising Market Interest in Contemporary Native And Indigenous Art • Contact • Ya Tseen - Full Performance (Live on KEXP) • Anything could happen at Sculpture on the Gulf 2024 - NZ Herald • Tickets for Timber! Outdoor Music Festival • Liverpool Biennial | Apollo Magazine • Hyperallergic Spring 2026 New York Art Guide • How to experience NYC’s amazing art offerings for free or on the cheap • Nicholas Galanin - News letter • Sculpture On the Gulf, Waiheke Island - Sculpture On The Gulf • Ya Tseen: Stand on My Shoulders - Spectrum Culture • morningstaronline.co.uk • 208: 500 Years | MoMA • www.culturesummitabudhabi.com • FLOOD - Ya Tseen Is Exploring the Continuums of Genre and Ancestry • Calendar | Emory | Michael C. Carlos Museum • Pratt Manhattan Gallery Presents “RugLife” • Baitulmaal Org Gaza Aid Fundraiser • Review: Ya Tseen - „Stand On My Shoulders“ – Lebendig — Rolling Stone • Jovonta Patton, Broken Ice and other fun things to do Jan. 31-Feb. 6 • Ya Tseen: Stand on My Shoulders Album Review | Pitchfork • Sculpture on the Gulf 2024 • New Music Friday: The best albums out Jan. 16 : All Songs Considered : NPR • Artists and Speakers Withdraw From SXSW Over U.S. Military’s Support of Israel • Immaculate Collection with Yéil Ya-Tseen - The Stranger • "White Carver" by Nicholas Galanin, performed by Perry Hohlstein - CCS Bard • Sub Pop standouts, Grammy contenders highlight upcoming Seattle concerts | The Seattle Times • Indian Theater: Native Performance, Art, and Self-determination Since 1969 - CCS Bard • The Most Anticipated Museum Openings in 2026 • Nicholas Galanin and Ya Tseen - Fisher Center at Bard • “Indian Theatre: Native Performance, Art, and Self-Determination since 1969” – Border Crossings Magazine • Armory Show Lines Up More than 225 Galleries for 2023 Edition • In 2025, Censorship and Firings Defined a Fractured Art World • BINÁLÉ – Artbinale site • Hyperallergic’s 20 Most Read Stories of 2025 • The Culture: Hip Hop and Contemporary Art in the 21st Century | Baltimore Museum of Art • Contemporary Indigenous Art Reflects Life By The Water In Vancouver, B.C. • Art installation calls for return of Native lands • How Trump Impacted Arts and Culture in 2025 • Ya Tseen wields the power of love, collaboration on stunning Sub Pop debut • Thoughts on a Year of Tracking the Top 'Museum Artists' | Artnet News • Ya Tseen: the Alaska-based star mixing psych pop and giant political art • Best Art of 2025 - The New York Times • Ya Tseen - Popmatters • The Best Booths at Art Basel Miami Beach, From Visions of Palestine to Scenes of Queer Life • Hundreds Of Indigenous Artists, Hollywood Stars Urge Biden To Release Leonard Peltier • Power 100 - ArtReview • Hold to this Earth: Works by Contemporary Indigenous North American Artists from Tia Collection | Yorkshire Sculpture Park • Shadow Totem (I Think it Goes Like This) | The High Line • AN INCOMPLETE HAUNTING — 601Artspace • Sovereign Futures: A Conversation About Land Use in New York City - Public Art Fund • 16 Acts of Artistic Resistance Happening This Weekend • SAM TALKS: NICHOLAS GALANIN • Help Rania and her children survive in Gaza • Summer Exhibitions at Bard College’s Hessel Museum of Art • Acting Up/Out: Being and Beyond ‘Racist-Isms’ - The Brooklyn Rail • 10 best needle drops in Reservation Dogs (so far) • BOMB Magazine | Nicholas Galanin by Jessica Lanay • Indigenous artist's exhibit explores the impacts of colonization • Top Highlights At Frieze London And Frieze Masters 2025 • An Indigenous Takeover of the Met Asks Who Should Write Art History • These amazing public artworks will wow you this summer • Indigenous Artists Use AR to Rewrite the Narrative in the Met’s American Wing • Florence’s Vasari Corridor Vandalized, OpenSea Exec Sentenced for Insider Trading, and More: Morning Links for August 24, 2023 • Indigenous artists transform works at Metropolitan Museum in unsanctioned augmented reality project - The Art Newspaper - International art news and events • Ya Tseen - Close The Distance (Mar 66 Remix) • Indigenous Artists Reclaim The Met’s American Wing • ictnews.org • Indigenous Artists Infiltrate the Met With a Guerrilla A.R. Project • A Guide to Art Exhibitions in New York and Massachusetts • What the National Gallery’s Closure Says About Culture in America | Observer • Native American Artists Offer Unique Takes on Contemporary Art • Soros's Foundations, Which Fund Artists, May Be Investigated • The Top-10 Vermont Art Exhibitions of 2023 • "It Often Rhymes" Group exhibit at The Current in Vermont. • Liverpool Biennial 2023 • The Artworld That Cried Wolf - ArtReview • Artforum - Press - Nicholas Galanin - Liverpool Biennial • Announcing the 2025 Frieze x ICA Film Programme | Frieze • Upcoming Exhibitions | City Art Space | RIT • These 15 Artists Are the Biggest at U.S. Museums Right Now • Datebook: The Art World’s Fall Happenings to Add to Your Calendar • Two Artists Withdraw From Smithsonian Symposium • Public Art Fund Talks: Nicholas Galanin • Kahlil Joseph’s sprawling audio-visual compendium BLKNWS returns as a feature-length film - The Art Newspaper - International art news and events • Off-Market: 11 Must-See Satellite Shows and Events for Santa Fe Indian Market 2025 • Artists Seek Removal of Sculpture from National Gallery Show in Protest of US Funding to Israel • Let's Talk! Kinship & Process | MassArt Art Museum • Arts picks: Screaming at SAM, an anger jar at the Frye, and butterbeer in Bellevue • Stand On My Shoulders, by Ya Tseen Limited edition vinyl • The Art World Responds to Israel's War on Gaza | Widewalls • ICA Santa Fe | Indigenous Humor as Resistance: A Panel Discussion • Living with Art: The Changing Landscape • Museum in Stowe has visitors vocalizing • More Than Just a Milestone: the National Gallery’s First Show of Contemporary Native American Art in 70 Years • Ya Tseen - Taste On My Lips (feat. Portugal. The Man, Meshell Ndegeocello, Sidibe) [Official Video] • 10 Must-See Artworks by Indigenous American Artists at the Seattle Art Museum | Art & Object • New digital album Stand On My Shoulders from Ya Tseen, out January 16th, 2026 on Sub Pop! Pre-save now and stream the new single "Taste On My Lips"! • Hyperallergic Fall 2023 New York Art Guide • Can you mount an art exhibition about race in the age of Trump? | CNN Politics • Indigenous artists in the spotlight at this year’s Armory Show • The Shape of Power: the Exhibition the Trump Administration Doesn't Want You to See - BmoreArt • 2023 Year in Review: Unframed • With the Triennial, Indigenous Artists Reckon with Memory and Monuments • Focus Highlights Indigenous Artists at the 2023 Armory Show - First American Art Magazine • Boston’s Public Art Triennial Embraces the Commons • These amazing public artworks will wow you this fall • Nicholas Galanin’s New American National Anthem • 'An Indigenous Present' Is a Paradigm-Shifting Illumination of Native North American Art Today — Colossal • ‘A space for mourning’ or a trauma theme park? Dark Mofo struggles with its most powerful works • Indian Theater • In Boston’s sprawling Triennial exhibition, an Indigenous artist’s evocations of cultural extinction haunt - The Boston Globe • Announcing the 2023 Joan Mitchell Fellows • BOSTON GETS BOLD: THE CITY’S FIRST-EVER PUBLIC ART TRIENNIAL - Fused Magazine • Public Art Fund Talks: Nicholas Galanin - Public Art Fund • Boston’s Triennial Reimagines Public Art Through the City’s Social, Historical and Ecological Realities • Care, Critique, and Return: Artist Talk with Nicholas Galanin and Joseph M. Pierce - SITE SANTA FE • Programs: Banksia – Nicholas Galanin on Neon Anthem at Dark Mofo, Banksia — Triple R 102.7FM, Melbourne Independent Radio • Street Aesthetics and Fine Art: UP Magazine’s Selection of Highlights from 2023 Armory Week • Inaugural Boston Public Art Triennial Strives To Bring City More ‘Wow’ Moments • ocula.com • Boston Public Art Triennial launches with more than a dozen projects across the city • Phillips announces additional artists for 'New Terrains: Contemporary Native American Art' • ArtReview May 2025 Issue Out Now • Mayor Wu Announces Year Two Recipients of Un-Monument | Re-Monument |De-Monument: Transforming Boston • Phillips' First Major Exhibition of Native American Art to Open 5 January • In an Exhibition of Native Artists, Clichés Give Way to Charged Memories • National Gallery of Art - Indigenous Futures lottery • Blamo! • Phillips' to Host a Landmark Contemporary Indigenous Art Selling Exhibition | Widewalls • Boston Public Art Triennial Hopes to Offer a New Image of the City • ArtAsiaPacific: Weekly News Roundup: November 10, 2023 • Don Tyson Prize winner Nicholas Galanin talks about his art | Northwest Arkansas Democrat-Gazette • Sculptor Nicholas Galanin's work has been targeted by Trump order. He says he won’t stop making art • HONORARY DOCTOR OF HUMANE LETTERS RSVP Nicholas Galanin • Indigenous Art History Has Been Waiting for You to Catch Up • Catch the Public Art Abu Dhabi Biennial before it closes • Tasmania’s Dark Mofo is back with a bang – and a car crash: festival announces 2025 programme • Dark Mofo festival returns with screams and a car crash • The Newfound Fervor for Indigenous Art Masks Thorny Questions • Trump Takes Aim at Smithsonian, Wading Into Race and Biology • Painting US Empire • From Iceland — Where North Begins: Eight Perspectives On What It Means To Live In The North • Nicholas Galanin • The Hollywood Sign: a problematic symbol of fantasy and exclusion • Nicholas Galanin | MassArt Art Museum • Mother Nature In the Bardo • Building Bridges Totem Carving Apprentice Application • Hyperallergic Spring 2025 New York Art Guide • Crystal Bridges Celebrates Indigenous Art with Former U.S. Poet Laureate Joy Harjo, Don Tyson Prize Recipient Nicholas Galanin | Crystal Bridges Museum of American Art • A common thread: Exhibit at the Shepherd explores intersection of textiles, technology • Northern Exposure: Art from the Arctic - Icelandictimes.com • Zimmerli Art Museum Opening Exhibition Of Contemporary Native American Art Curated By Recently Deceased Jaune Quick-To-See Smith • 21 Events That Defined the Art World’s Response to Israel’s War in Gaza • hyperallergic.com • For Nicholas Galanin, Art Is a Tool of Indigenous Resilience and Resistance • A new vision: Looking back on TMA's 2024 acquisitions • 8 New York City Art Shows to Kick Off the New Year • 17 Art-World Tastemakers on the Artist They're Most Excited About in 2025 • Art World Dos and Don’ts for 2025 • A Quiet Spot in Uruguay Is the ‘Hamptons of South America’ • Nicholas Galanin Hews Visions of the Present From Indigenous Knowledge, Land, and Memory • Top 50 Exhibitions Around the World in 2024 • NICHOLAS GALANIN WINS CRYSTAL BRIDGES MUSEUM’S $200,000 DON TYSON PRIZE • Crystal Bridges Museum of American Art Awards Visual Artist Nicholas Galanin (Tlingit-Unangax̂) with the 2024 Don Tyson Prize for the Advancement of American Art | Crystal Bridges Museum of American Art • Nicholas Galanin Wins Crystal Bridges Museum’s $200,000 Prize • Year In Review: 2024 Saw a New Level of Interest in Indigenous Art—the Market Response Has Been More Complicated • Indigenous Lullabies - Mon. Dec. 16th 2024 • The Defining Art Events of 2024 • The persistence of Land claims in a climate of change November 8, 2024 – January 18, 2025 • Art Basel Miami 2024: Peter Blum Gallery’s Nicholas Galanin and Su-Mei Tse — Musée Magazine • The Shape of Power Examines America’s Racial History Through the Lens of Sculpture • Art Basel Miami Beach 2024 Clayton Calvert Reveals His Top Choices • At Miami's Art Basel fair, elephants and a buried ship are bringing out the locals • Submerged shipwreck sculpture on Miami beach confronts colonialism • Miami Art Week Preview 2024; Nicholas Galanin Installation Grounds Luxury Fantasyland • Grand Opening Miami Art Week • During This Year’s Miami Art Week, These Activations Will Be the Talk of the Town • submerged pavilions & kinetic sculptures: new meeting points at abu dhabi public art biennial • Art Basel Miami Events 2024: Artists, Venues, And Must-See Exhibitions • Miami Art Week is overwhelming but these are the events you don’t want to miss • Nicholas Galanin - Viewing Room - Peter Blum Gallery, New York • PUBLIC ART ABU DHABI • Nicholas Galanin - Exhibitions - Peter Blum Gallery, New York • Toronto Biennial of Art: Benefit Auction 2024 • We need to talk about: Indigeneity - land, food, and creative engagement with place - Oxford Food Symposium • ‘We Are Here: Scenes From the Streets’ Review: On-the-Ground Action at the International Center of Photography • “We Are Here” In Conversation—Anthony Hernandez & Nicholas Galanin • The Third Toronto Biennial of Art Is Joyfully Defiant • Nicholas Galanin expose à la Biennale d’art de Toronto • Tribal sovereignty defined • International exhibition The Space Between highlights Indigenous knowledge and methodology • First Exhibition To Examine the Intertwined Histories of American Sculpture and Race Opens Nov. 8 at the Smithsonian American Art Museum | Smithsonian Institution • At the Toronto Biennial, precariousness is a good thing • Inauguración de seis exposiciones y encuentro El espacio en medio: arte, diálogos y performances • One Fine Show: Nicholas Galanin’s “Exist in the Width of a Knife’s Edge” in Baltimore • Caine College of the Arts Dean's Convocation to Feature Artist Nicholas Galanin • What Happened to the Armory Show? • At 30, The Armory Show Asks, Can Art Fairs Still be Relevant? • APAA’s Top Picks from The Armory Show 2024 — Association of Professional Art Advisors • Armory Live 2024 | The Armory Show • We Are Here: Scenes from the Streets • 2024 | Show Guide | Platform | The Armory Show • Common Ground: A Flourishing Partnership Between Davidson College and the Catawba Nation • Montclair Art Museum Reinstalls Permanent Collection of Indigenous Art Following Major Collaborative Revision | Montclair Art Museum • Public Art in Review • See the future through the eyes of 6 Indigenous artists • Donate to LANDBACK, organized by Yéil Ya-Tseen • Nicholas Galanin: kʼidéin yéi jeené (You're doing such a good job) Pittsburgh Wood Street Galleries July 26, 2024 - September 29, 2024 • Ear Expansion with Nicholas Galanin • A Native ‘Takeover’ At Baltimore Museum Of Art • Welcome – Toronto Biennial of Art • In Pursuit: Artists’ Perspectives on a Nation • National Liberty Museum debuts new large-scale exhibition, ‘In Pursuit’ – Metro Philadelphia • Art Guide - Is this North? • Boston Public Art Triennial reveals artist lineup - The Boston Globe • In the Studio: Nicholas Galanin • The transformative rise of Indigenous and First Nations artists • Recipients of the 2024 Guggenheim Fellowship Announced, Including Nicholas Galanin, Lorraine O’Grady, and More • Lorraine O’Grady and Nicholas Galanin Named Guggenheim Fellows • 2024 Guggenheim Fellows • Indigenous Visions | Venice Biennale • Nicholas Galanin: Exist in the Width of a Knife’s Edge | Baltimore Museum of Art • What the New Federal Regulations for Native American Ancestors and Sacred Objects Mean for Museums • Communitas Connects Students, Artists, Community • Nicholas Galanin: In every language there is Land / En cada lengua hay una Tierra at Public Art Fund • Nicholas Galanin Looks Past Trauma to Recovery • Broken Ice ⏤ Indigenous Sonic Salve from the North ★ First Avenue - First Avenue • Indigenous Futurism: In Conversation with Sean Sherman and Nicholas Galanin — The Great Northern • In New Show, Lingít Artist Nicholas Galanin Shows What Decolonization Actually Looks Like • The Top 10 ARTnews Stories of 2023 • The Top 50 Exhibitions of 2023 • Will You Break Your Silence and Scream? Nicholas Galanin Wants to Know • The Defining Artworks of 2023 • The Defining Exhibitions of 2023 • Running 'Interference': Nicholas Galanin challenges the legacies, consequences of colonization through art • Nicholas Galanin’s Pointed Public Sculpture Inspires Glorious Noise in New York • Joan Mitchell Foundation Announces 2023 Fellowships • Whose Land? Indigenous Artist Nicholas Galanin Probes America’s Violent Past in Public • Screenprinting with Mobile Print Power - Public Art Fund • A new monument lands in Brooklyn • Nicholas Galanin - SITE SANTA FE • Five Outdoor Art Exhibitions to Check Out in New York This Summer • www.allarts.org • The Double Negative » A Reckoning: Liverpool Biennial – Reviewed • PUBLIC ART FUND - Interview with Susan Freedman | Art Insiders New York Podcast hosted by Anders Holst • A Conversation with Rebecca Belmore, Nicholas Galanin, and Candice Hopkins at Bard College • Influence of performance on contemporary Native American art • Liverpool Biennial 2023 review – devastating insights into the horrors of slavery | Art and design | The Guardian • Aesthetica Magazine - Liverpool Biennial 2023: 5 Artists to Know • Vengeful Orca Pod and Anna Delvey’s Pod…cast • Front Row - Dave Johns on I, Daniel Blake; the Liverpool Biennial; why Dario Fo's plays speak to this moment? - BBC Sounds • Liverpool Biennial 2023: a powerful, city-wide study of the scars of the slave trade • High Line Presents Proposals for 2026 + 2027 Plinth & They Want to Know What You Think | GothamToGo • Jaune Quick-To-See Smith Continues Breaking The ‘Buckskin Ceiling’ • Steel sculpture ‘lands’ in New York City • A New Brooklyn Sculpture Turns Pop Art on Its Head • A new sculpture at Brooklyn Bridge Park evokes colonization and migration with weathered steel • ‘My work holds a mirror to one’s perspective’: Nicholas Galanin on his new public sculpture made of border wall steel • A massive sculpture at Brooklyn Bridge Park forces a dialogue around land - Brooklyn Magazine • You can now walk through this 30-foot-tall sculpture in Brooklyn • New totem poles on Juneau’s waterfront will soon have signs explaining their significance • Nicholas Galanin | Ancestral Acumen (2019) | Available for Sale | Artsy • Totem poles raised along waterfront ahead of trail dedication ceremony | Juneau Empire • Podcasts • Liverpool Biennial Announces Programme for its 12th Edition Opening June 2023 | Liverpool Biennial of Contemporary Art • Nicholas Galanin on Apr 19, 2023 | UCSB Arts & Lectures • Nicholas Galanin: In every language there is Land / En cada lengua hay una Tierra - Public Art Fund • Indigenous Musicians Rising: An Interconnected View on Contemporary Creative Approaches - REDEFINE magazine - music art film journalism - reviews, interviews, features • Visiting NYC this year? 12 must-see exhibitions to enrich your trip • 2023 Exhibitions - Public Art Fund • Native Artists Step Into the Light • Truth-Telling Confronts the Colonial Gaze • NEWS_SHI sets dates for Totem Pole Trail, Faces of Alaska ceremony | Sealaska Heritage • Contemporary Indigenous photography: in pictures • Nicholas Galanin is Letting Generational Conversations Flow • New project spotlights work of modern Indigenous American artists • Indigenous art communities emerged from the pandemic more resilient • Download the Winter 2023 Experience Issue • Episode 9 – Nicholas Galanin • Best New Podcasts of 2022 • In an Indigenous artist’s unsparing work, powerful indictments of settler-colonial violence. • Past/Present/Future: Expanding Indigenous American, Latinx, Hispanic American, Asian American, and Pacific Islander Perspectives in Thomas J. Watson Library • Whitney acquisition • Yale University Interview • It Flows Through at Peter Blum Gallery • The 25 Best Artworks About the U.S. Flag • ‘Unshadowed Land’ Installation Celebrates Resilience of Indigenous Peoples • Ya Tseen: Tiny Desk (Home) Concert • LANDBACK