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OKAY, BOOMER: A RESPONSE TO MARC SPIEGLER
OKAY, BOOMER: A RESPONSE TO MARC SPIEGLER
Former Art Basel Marc Spiegler used the New York Times to tell us galleries are in trouble. London-based gallerist Jacob Barnes has a two-word response, and then a longer one.Art Basel 2026. Site-specific commission across Messeplatz by Nairy Baghramian. Courtesy of Art Basel.I have always thought the okay boomer social media trend was a little boring. I imagine it being said to my own mother or grandmother and felt it both a little dirty and sad, or at the very least, comedically lazy. The enun
HOLD TO THIS EARTH
HOLD TO THIS EARTH
The drive into Yorkshire Sculpture Park takes you past three bronzes on a far hill, presently on loan to the nearby Henry Moore Foundation. Five hundred acres of eighteenth-century parkland, the former Bretton Hall estate, make this the largest sculpture park in Europe. It is also, this year, an institution under new leadership: Joe Hill, who grew up in the area and watched the park develop from its modest beginnings into an internationally recognised museum, has taken over as Director in time t
SCENE & HEARD: SUMMER SESSIONS
SCENE & HEARD: SUMMER SESSIONS
Minor Attractions’ Summer Sessions hit The Glove That Fits for a Friday takeover by Casual Encountersz, Die Quieter Please and Soho Reading Series, with readings, an open mic, and music by Kieran Gaskell — followed on Saturday by a night of music hosted by The Social for music app Cantilever's launch. Fetch was on the ground to take photos, loiter, gossip, and generally get in the way.
TECH & MAGIC: AFROMERM INTERVIEW
TECH & MAGIC: AFROMERM INTERVIEW
Cecilia Morgan performs as afromerm at Rearrange, Displace, Replace: Sound and Performance Night this Thursday 28th at Avalon Café, SE14, as part of Minor Attractions’ Summer Sessions alongside Yuri Umemoto (with Eliott Bougant on violin and Ozgur Kaya on cello), Kenichi Iwasa, Miles Scharff, and snake_case.I arrive apologising to my interview with Cecilia Morgan, better known as sound artist afromerm, delayed by the trains that in London reliably fail the moment the temperature nudges past twen
FRANKIE FACCION ON 'DIE QUIETER PLEASE'
FRANKIE FACCION ON 'DIE QUIETER PLEASE'
I didn’t think I would be spending my Wednesday night extolling the virtues of 2022 roleplaying game Disco Elysium. And yet, on one of the first genuinely warm evenings of London summer, I am sat outside the Euston Tap with a pint, a cigarette, and - more importantly - Frankie Faccion, founding editor of Die Quieter Please, chatting about how much the game has influenced our respective practices. I catch up with her ahead of her appearance at Minor Attractions' Summer Sessions alongside Soho Rea
VENICE 2026: CRITIC'S DIARY
VENICE 2026: CRITIC'S DIARY
A survey weakened by curatorial absence and institutional timidity, redeemed by a handful of pavilions with the courage to say something, and overturned, finally, by the largest protest the Biennale has seen since 1968: Marta Orsola Sironi reports from the 2026 Venice Biennale.Usually, my mother doesn’t ask me much about the art system. For her contemporary art is just something I do, for which she supports me, but doesn’t give a damn, as for her, everything ended with Picasso. On Monday, my mot
CORSICA STUDIOS: A EULOGY
CORSICA STUDIOS: A EULOGY
Nothing (good) last forever. Reda Belhadfa bids farewell to Corsica Studios, with three letters of goodbye from those who called it home.Photography courtesy of Clayton BurkeRequiem aeternam. In a departure from our normally scheduled reviews, what's whats, and otherwise well-earned artistic snobbery, I come today to eulogise. For our more regular readers, this article will come as something of a shock: nauseatingly earnest, without my usual thin veneer of bitchiness, in short, not for the faint
TAMM REYNOLDS AT THE SOUTHBANK CENTRE
TAMM REYNOLDS AT THE SOUTHBANK CENTRE
On a sunny morning in March, over Zoom, Tamm Reynolds introduces me to the best drag name I have heard in years. Midgitte Bardot is Reynolds’s drag persona: a glamorous, furious creation at the centre of Shooting From Below, a new live performance work blending drag, cabaret, music and social history. This April, Reynolds brings the show to the Southbank Centre’s Purcell Room, and Midgitte has a few things to say.Photography courtesy of Holly RevellThe premise is sharp: Midgitte Bardot, famous i
THE PATHOJEN PROJECT AW26
THE PATHOJEN PROJECT AW26
Reda Belhadfa attends The Pathojen Project, London Fashion Week's final — and most gloriously defiant — event of the season.Isn’t it all so tragic? The ever-chugging steamroller of post-modernity has so oft and so violently bereft us of ornamentation, that we are left standing naked, alone and afraid, simply clad in some God awful skinny jeans and an ill fitting t-shirt. But this article isn’t about Demna or the horror show he put on in Milan. No, this article is about rakish dandyism, fashion f
ROSE WYLIE PUTS THE PICTURE FIRST
ROSE WYLIE PUTS THE PICTURE FIRST
At the RA, Rose Wylie reframes figuration through scale and text. Tanya Mascarenhas unpacks the 90-work exhibition.Rose Wylie’s exhibition The Picture Comes First at the Royal Academy of Arts brings together an electric mix of 90 artworks. While Marina Abramović’s 2023 exhibition was widely framed as a historic first, the RA’s Main Galleries were first given over to a solo female artist in 1985, when Elizabeth Frink exhibited there. Wylie’s exhibition marks a different milestone: she is the firs
UNDER THE ROOF INVITES YOU INTO THE CRÈCHE
UNDER THE ROOF INVITES YOU INTO THE CRÈCHE
Last week at Galleria Objets, something was being made. Not a finished piece, not a polished performance — just work in progress, in public, in good company. That, in short, is Crèche: a new recurring arts session from London collective Under the Roof, held at Galleria Objets, and built around the idea that the creative process is worth showing as much as the end result.Under the Roof is not easy to categorise, and that appears to be entirely the point. "A teacher, an artist, a PhD student," the
LAVIN KARAKOC AW26: NEW WAVE, NEW NAME
LAVIN KARAKOC AW26: NEW WAVE, NEW NAME
CLAUDIA WANG'S DREAM STATE
CLAUDIA WANG'S DREAM STATE
At Indra Gallery, waiting for Claudia Wang’s SS26/AW26 LFW presentation to begin, the atmosphere already feels faintly surreal. Three stacks of silk pillows sit deliberately against the concrete-grey flooring — soft interruptions in an otherwise austere gallery space. Their presence feels intentional rather than decorative, as though the audience has stepped into a staged dream rather than a traditional runway venue.The crowd — largely young, distinctly Gen Z — moves with urgency, phones already
MITHRIDATE AW26: PATRICK BATEMAN GOES TO THE MOORS
MITHRIDATE AW26: PATRICK BATEMAN GOES TO THE MOORS
Thank God for the internet — from where else would I derive beauty in my life? Certainly I wouldn’t be able to enjoy my pirated Chinese harem TV dramas. However, aside from the internet, the only remaining ever spring of beauty is fashion — and, having just run the gamut of London Fashion Week yet again, I am pleased to report beauty does still remain in our city. Of the many shows attended, some of which will or have appeared in this magazine, Mithridate's AW26 runway demands particular mention
QUEER BRITAIN REOPENS
QUEER BRITAIN REOPENS
'OH, MARY!' REVIEW: LOVE AMERICAN STYLE
'OH, MARY!' REVIEW: LOVE AMERICAN STYLE
LYU CHIRKOVA & THE UNMAKING OF HOME
LYU CHIRKOVA & THE UNMAKING OF HOME
What can “home” mean in contemporary art once the domestic space stops being a stable site of comfort? Curated by Arina Baburskova, My Home Is… at Roha Gallery, Lyu Chirkova stages the familiar vocabulary of toys, furniture, and household surfaces as materially and psychologically unstable in an attempt to answer the question of what "home" really means.Installation view courtesy of Arina BaburskovaThere is a particular tension running through Lyu Chirkova's My Home Is… at Roha Gallery: everythi
'WUTHERING HEIGHTS' REVIEW
'WUTHERING HEIGHTS' REVIEW
Valentine’s Day, a cinema full of spinsters, and a two-hour lesson in meandering, self-important, tone-deaf excess: critic Reda Belhadfa reviews Wuthering Heights and wonders if St Valentine’s stoning might be preferable to Emerald Fennell’s latest.Courtesy of Warner Bros/YouTubeI am not entirely certain that we aren’t in purgatory. Certainly, with headlines of late, one might be forgiven for believing we are being divinely punished for our sins. And, after having sat through the entirety of Eme
PHILIPPA FOUND’S LOVE CONFESSIONS
PHILIPPA FOUND’S LOVE CONFESSIONS
LONDON @ FERIA MATERIAL
LONDON @ FERIA MATERIAL
GO FERAL LIKE THE BIG DOGS
GO FERAL LIKE THE BIG DOGS
ELLEANA CHAPMAN & COMRADE BEYONCÉ
ELLEANA CHAPMAN & COMRADE BEYONCÉ
APPETITE AND THE AESTHETICS OF DESIRE
APPETITE AND THE AESTHETICS OF DESIRE
FERIA MATERIAL'S NEW CHAPTER
FERIA MATERIAL'S NEW CHAPTER
DEPTFORD LITERATURE FESTIVAL 2026
DEPTFORD LITERATURE FESTIVAL 2026
LAF 2026: CRITIC'S DIARY
LAF 2026: CRITIC'S DIARY
'MS. HOLMES AND MS. WATSON': VERY LITTLE IS AFOOT
'MS. HOLMES AND MS. WATSON': VERY LITTLE IS AFOOT
THE METAMODERNISM OF KAARI UPSON
THE METAMODERNISM OF KAARI UPSON
IN CONVERSATION WITH MAL FOSTOCK
IN CONVERSATION WITH MAL FOSTOCK
JEFF GARNER AT THE TOWER OF LONDON
JEFF GARNER AT THE TOWER OF LONDON
BRITISH ART FAIR: CRITIC'S DIARY
BRITISH ART FAIR: CRITIC'S DIARY
JAMES DEARLOVE’S 'THE TRILLING WIRE' AT GALERIEPCP, PARIS
JAMES DEARLOVE’S 'THE TRILLING WIRE' AT GALERIEPCP, PARIS
'PERPETUAL MOTION MACHINES' AT PILAR CORRIAS
'PERPETUAL MOTION MACHINES' AT PILAR CORRIAS
AMERICA'S SECOND GREATEST TABLOID HITS LONDON
AMERICA'S SECOND GREATEST TABLOID HITS LONDON
SIMULACRA IN SOHO: ROSA BENITO ON THE NEW STREET GUIDE
SIMULACRA IN SOHO: ROSA BENITO ON THE NEW STREET GUIDE
THE E8 ART TRAIL 2025 THROUGH THREE ARTISTS
THE E8 ART TRAIL 2025 THROUGH THREE ARTISTS
BONA DE MANDIARGUES AT ALISON JACQUES
BONA DE MANDIARGUES AT ALISON JACQUES
THE WAYS OF THE UNDERWORLD ARE PERFECT
THE WAYS OF THE UNDERWORLD ARE PERFECT
DOWN THE PUB WITH CANDIDE
DOWN THE PUB WITH CANDIDE
JAZMIN JONES & OLIVIA MCKAYLA ON SEEKING MAVIS BEACON
JAZMIN JONES & OLIVIA MCKAYLA ON SEEKING MAVIS BEACON
XU YANG’S ‘FORGET ME NOT’ AT CHÂTEAU DE LANTHEUIL
XU YANG’S ‘FORGET ME NOT’ AT CHÂTEAU DE LANTHEUIL
RACHEL JONES AT DULWICH PICTURE GALLERY
RACHEL JONES AT DULWICH PICTURE GALLERY
MARIE HARNETT ASKS IF WE'RE DREAMING
MARIE HARNETT ASKS IF WE'RE DREAMING
FETCH FAVES: GERTRUDE'S QUEER ICONS
FETCH FAVES: GERTRUDE'S QUEER ICONS
WE'RE ALL HOME ON ME'S BABYDOLLS
WE'RE ALL HOME ON ME'S BABYDOLLS
CORNELIA PARKER AT FRITH STREET GALLERY
CORNELIA PARKER AT FRITH STREET GALLERY
IN CONVERSATION WITH ALISA OLEVA
IN CONVERSATION WITH ALISA OLEVA
BEX WADE AND THE POLITICS OF PRESENCE AT SLQS GALLERY
BEX WADE AND THE POLITICS OF PRESENCE AT SLQS GALLERY
KEIFLER'S FATHERLAND: 'ANSELM KEIFER: EARLY WORKS' AT THE ASHMOLEAN
KEIFLER'S FATHERLAND: 'ANSELM KEIFER: EARLY WORKS' AT THE ASHMOLEAN
BRAINROT AND SLOP: PENNY GORING'S COLD HUNT CORSAGE AT ARCADIA MISSA
BRAINROT AND SLOP: PENNY GORING'S COLD HUNT CORSAGE AT ARCADIA MISSA
LOUISE COURVOISIER ON THE RURAL ADOLESCENCE OF 'HOLY COW'
LOUISE COURVOISIER ON THE RURAL ADOLESCENCE OF 'HOLY COW'
MEGA IS WHAT MILAN WAS MISSING
MEGA IS WHAT MILAN WAS MISSING
RICHARD SERRA AT CRISTEA ROBERTS
RICHARD SERRA AT CRISTEA ROBERTS
MEET HOME AT ME
MEET HOME AT ME
FETCH FAVES x GERTRUDE THE ART APP
FETCH FAVES x GERTRUDE THE ART APP
INTERVIEW: UDITH DEMATAGODA
INTERVIEW: UDITH DEMATAGODA
THE BASTARD ARISTOCRATS OF HECTOR MACLEAN
THE BASTARD ARISTOCRATS OF HECTOR MACLEAN
BARRUS AW25 BRINGS ANCIENT EPHESUS TO LFW
BARRUS AW25 BRINGS ANCIENT EPHESUS TO LFW
WHAT DO WE DO WITH LEIGH BOWERY?
WHAT DO WE DO WITH LEIGH BOWERY?
FROM THE ARCHIVES: PENNY GORING
FROM THE ARCHIVES: PENNY GORING
DANAË BY LA MÉDITERRANÉE AT PUSHER GALLERY
DANAË BY LA MÉDITERRANÉE AT PUSHER GALLERY
MY LOVE/HATE LETTER TO PVs
MY LOVE/HATE LETTER TO PVs
INTERVIEW WITH A SEX DOLL
INTERVIEW WITH A SEX DOLL
MALQUERIDAS: NOTES ON 'THE UNLOVED'
MALQUERIDAS: NOTES ON 'THE UNLOVED'
DOWN THE PUB WITH FULL FRONTAL THEATRE
DOWN THE PUB WITH FULL FRONTAL THEATRE
INTERVIEW: ARTHUR LEMONIER
INTERVIEW: ARTHUR LEMONIER
SHOULD WE BE LAUGHING AT CATTELAN'S COMEDIAN?
SHOULD WE BE LAUGHING AT CATTELAN'S COMEDIAN?
INTERVIEW: ANTONELLA SUDASASSI FURNISS
INTERVIEW: ANTONELLA SUDASASSI FURNISS
WHEN EVERYONE IS A PHOTOGRAPHER...
WHEN EVERYONE IS A PHOTOGRAPHER...
THEN AND NOW: NOTES ON CIARÁN CASSIDY'S 'HOUSEWIFE OF THE YEAR'
THEN AND NOW: NOTES ON CIARÁN CASSIDY'S 'HOUSEWIFE OF THE YEAR'
ONES TO WATCH: LONDON FASHION CROSSOVER
ONES TO WATCH: LONDON FASHION CROSSOVER
INTERVIEW: MAYA GOLYSHKINA AT SEVENTEEN GALLERY
INTERVIEW: MAYA GOLYSHKINA AT SEVENTEEN GALLERY
HONEYED VIOLENCE: DISCOMFORT, DESIRE, AND A BIT OF PSYCHOANALYSIS
HONEYED VIOLENCE: DISCOMFORT, DESIRE, AND A BIT OF PSYCHOANALYSIS
HAS BASEL BEAT FRIEZE?
HAS BASEL BEAT FRIEZE?
INTERVIEW: IAN DAVENPORT AT CHRISTEA ROBERTS
INTERVIEW: IAN DAVENPORT AT CHRISTEA ROBERTS
METAMORPHOSIS & TEMPTATION: HECTOR MACLEAN SS25
METAMORPHOSIS & TEMPTATION: HECTOR MACLEAN SS25
AMAR SINGH IS CHAMPIONING UNTOLD ARTIST’S STORIES
AMAR SINGH IS CHAMPIONING UNTOLD ARTIST’S STORIES
SEX, POWER AND FOOD: FULL FRONTAL THEATRE'S 'TO WATCH A MAN EAT'
SEX, POWER AND FOOD: FULL FRONTAL THEATRE'S 'TO WATCH A MAN EAT'
WHAT IS AND WHAT IS NOT
WHAT IS AND WHAT IS NOT
THE POST-IRONIC FEMININITY OF 'OBSIDIAN UPSET'
THE POST-IRONIC FEMININITY OF 'OBSIDIAN UPSET'
REVIEW: SAIGON EXPERIMENTAL FILM FESTIVAL
REVIEW: SAIGON EXPERIMENTAL FILM FESTIVAL
EMBRACING THE UNEASE: 'HOLDING PLACES' AT BELMACZ
EMBRACING THE UNEASE: 'HOLDING PLACES' AT BELMACZ
ART BASEL IS THE BEAUTIFUL CESSPIT WE DESERVE
ART BASEL IS THE BEAUTIFUL CESSPIT WE DESERVE
AVANT ARTE PRESENTS MIWA KOMATSU AT FITZROVIA CHAPEL
AVANT ARTE PRESENTS MIWA KOMATSU AT FITZROVIA CHAPEL
HOMESICK: LIDIA RUSSKOVA-HASAYA IN CONVERSATION WITH ZOE GOETZMANN
HOMESICK: LIDIA RUSSKOVA-HASAYA IN CONVERSATION WITH ZOE GOETZMANN
‘UNRAVEL: THE POWERS AND POLITICS OF TEXTILES IN ART’ AT THE BARBICAN
‘UNRAVEL: THE POWERS AND POLITICS OF TEXTILES IN ART’ AT THE BARBICAN
SOUMYA SANKAR BOSE'S 'BRAIDING DUSK AND DAWN' AT DELFINA GALLERY
SOUMYA SANKAR BOSE'S 'BRAIDING DUSK AND DAWN' AT DELFINA GALLERY
ISA GENZKEN'S 'WASSERSPEIER AND ANGELS' AT HAUSER & WIRTH
ISA GENZKEN'S 'WASSERSPEIER AND ANGELS' AT HAUSER & WIRTH
"YOU DON'T REBUILD HISTORY, YOU MODIFY IT": TIM KENT'S 'HISTORIES IN FLUX' AT JD MALAT GALLERY
"YOU DON'T REBUILD HISTORY, YOU MODIFY IT": TIM KENT'S 'HISTORIES IN FLUX' AT JD MALAT GALLERY
THE ART DADDY'S DISPATCH FROM TEFAF NEW YORK
THE ART DADDY'S DISPATCH FROM TEFAF NEW YORK
MOURNING GIRL DINNER
MOURNING GIRL DINNER
MICHEAL MUIR AT JD MALAT GALLERY
MICHEAL MUIR AT JD MALAT GALLERY
THE ART DADDY’S DADDY DISPATCH FROM FRIEZE NEW YORK
THE ART DADDY’S DADDY DISPATCH FROM FRIEZE NEW YORK
WHAT'S WRONG WITH MAYA GOLYSHKINA?
WHAT'S WRONG WITH MAYA GOLYSHKINA?
THE ART DADDY’S ULTIMATE GUIDE TO ART DADDY FAIR SPOTTING
THE ART DADDY’S ULTIMATE GUIDE TO ART DADDY FAIR SPOTTING
REVIEW | THE COMEUPPANCE AT THE ALMEIDA
REVIEW | THE COMEUPPANCE AT THE ALMEIDA
ART ON A POSTCARD X WAR CHILD
ART ON A POSTCARD X WAR CHILD
SOFÍA SALAZAR ROSALES AT ALICE AMATI
SOFÍA SALAZAR ROSALES AT ALICE AMATI
FEAR & LOATHING IN LAS VENICE
FEAR & LOATHING IN LAS VENICE
CAN INTIMACY BE VIOLENT? 'I CAN FIT A FIST IN MY MOUTH' A CUBITT
CAN INTIMACY BE VIOLENT? 'I CAN FIT A FIST IN MY MOUTH' A CUBITT
THE ART DADDY | WHY IS HENRY HIGHLEY SO HOT?
THE ART DADDY | WHY IS HENRY HIGHLEY SO HOT?
INTERVIEW: TANIA DELGADO
INTERVIEW: TANIA DELGADO
ART BASEL HONG KONG: WHERE IS ALL THE GOOD ART?
ART BASEL HONG KONG: WHERE IS ALL THE GOOD ART?
INTERVIEW: KATARZYNA PERLAK
INTERVIEW: KATARZYNA PERLAK
INTERVIEW | IT'S ALL ABOUT BIBA
INTERVIEW | IT'S ALL ABOUT BIBA
INTERVIEW | MARIA FUSCO
INTERVIEW | MARIA FUSCO
SHOULD WOMEN STOP PAINTING WOMEN?
SHOULD WOMEN STOP PAINTING WOMEN?
REVIEW | UNCLE VANYA
REVIEW | UNCLE VANYA
LOUIS BEKK & FRIENDS
LOUIS BEKK & FRIENDS
INTERVIEW | CAYHATI PRESS
INTERVIEW | CAYHATI PRESS
INTERVIEW | OLIVIA STRANGE
INTERVIEW | OLIVIA STRANGE
SABIRAH 1.7 AT LONDON FASHION WEEK
SABIRAH 1.7 AT LONDON FASHION WEEK
REVIEW: UNVEILING ABSTRACTIONS AT HYPHA STUDIOS
REVIEW: UNVEILING ABSTRACTIONS AT HYPHA STUDIOS
ROCKY STAR AT LONDON FASHION WEEK
ROCKY STAR AT LONDON FASHION WEEK
PETER COPPING'S ALL-CONSUMING LOVE AFFAIR WITH ART
PETER COPPING'S ALL-CONSUMING LOVE AFFAIR WITH ART
ERWIN WURM'S 'SURROGATES' AT THADDAEUS ROPAC
ERWIN WURM'S 'SURROGATES' AT THADDAEUS ROPAC
WHEN DID SEX SCENES BECOME A BAD THING?
WHEN DID SEX SCENES BECOME A BAD THING?
REVIEW: ANNA PERACH AT GASWORKS
REVIEW: ANNA PERACH AT GASWORKS
INTERVIEW: PENNY GORING
INTERVIEW: PENNY GORING
INTERVIEW: STANLEY SCHTINTER
INTERVIEW: STANLEY SCHTINTER
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