FETCH LONDON

FETCH LONDON has been a member of Linktree for 2 years and joined in January 2024. The social media accounts linked to from FETCH LONDON are: • Instagram • LinkedIn • Email Besides social media accounts, fetchlondon has populated their site with: • OKAY, BOOMER: A RESPONSE TO MARC SPIEGLER • HOLD TO THIS EARTH • SCENE & HEARD: SUMMER SESSIONS • TECH & MAGIC: AFROMERM INTERVIEW • FRANKIE FACCION ON 'DIE QUIETER PLEASE' • SUMMER SESSIONS | ARTSVP • GRAHAM CROWLEY ON 'LIGHT FICTION' AT DOMOBAAL • REVIEW | EROTIC ECOLOGIES • THE PATHOJEN PROJECT AW26 • REVIEW: ROB LYON AT HALES GALLERY • HOME • VENICE 2026: CRITIC'S DIARY • CORSICA STUDIOS: A EULOGY • TAMM REYNOLDS AT THE SOUTHBANK CENTRE • ROSE WYLIE PUTS THE PICTURE FIRST • VICKEN PARSONS: 'TIME' AT CRISTEA ROBERTS • STORE • UNDER THE ROOF INVITES YOU INTO THE CRÈCHE • LONDON GALLERY WEEKEND 2024: THE GOOD, THE BAD AND THE CLEVER • LAVIN KARAKOC AW26: NEW WAVE, NEW NAME • IN HERACLITEAN FLUX AND FLOW: ‘PANTA RHEI’ AT ALICE AMATI • CLAUDIA WANG'S DREAM STATE • INTERVIEW: MIWA KOMATSU • MITHRIDATE AW26: PATRICK BATEMAN GOES TO THE MOORS • FANNY LATOUR-LAMBERT’S BEAUTIFUL CREATURES • QUEER BRITAIN REOPENS • OPINION: SOUPGATE ISN'T GOING NOT FAR ENOUGH • 'OH, MARY!' REVIEW: LOVE AMERICAN STYLE • AUTUMN WALLACE AT JOSH LILLEY • LYU CHIRKOVA & THE UNMAKING OF HOME • URI ARAN 'ZERO POINT EVERYTHING' AT SADIE COLES • 'WUTHERING HEIGHTS' REVIEW • MEET THE ACME ALUMNI BEHIND KUPFER'S LATEST EXHIBITION • PHILIPPA FOUND’S LOVE CONFESSIONS • INTERVIEW: MARIE MCPARTLIN ON DIRECTING SOMERSET HOUSE STUDIOS • LONDON @ FERIA MATERIAL • SPELUNKING FOR SUBVERSION AT FRIEZE NEW YORK • GO FERAL LIKE THE BIG DOGS • INTERVIEW: MARK COUSINS ON WILHELMINA BARNS-GRAHAM • ELLEANA CHAPMAN & COMRADE BEYONCÉ • LAURA LANCASTER 'IN DREAMS' AT WORKPLACE • APPETITE AND THE AESTHETICS OF DESIRE • HUMANITY IS PUT ON TRIAL IN PAUL WINSTANLEY’S 'REPRISE' • FERIA MATERIAL'S NEW CHAPTER • MAJA NOVAKOVIĆ ON 'AT THE DOOR OF THE HOUSE WHO WILL COME KNOCKING' • DEPTFORD LITERATURE FESTIVAL 2026 • INTERVIEW: PENNY SLINGER • LAF 2026: CRITIC'S DIARY • DAYANITA SINGH AT FRITH STREET GALLERY • 'MS. HOLMES AND MS. WATSON': VERY LITTLE IS AFOOT • INTERVIEW: NINA GONZALEZ-PARK • THE METAMODERNISM OF KAARI UPSON • SET Film Festival • IN CONVERSATION WITH MAL FOSTOCK • JEFF GARNER AT THE TOWER OF LONDON • BRITISH ART FAIR: CRITIC'S DIARY • JAMES DEARLOVE’S 'THE TRILLING WIRE' AT GALERIEPCP, PARIS • 'PERPETUAL MOTION MACHINES' AT PILAR CORRIAS • AMERICA'S SECOND GREATEST TABLOID HITS LONDON • SIMULACRA IN SOHO: ROSA BENITO ON THE NEW STREET GUIDE • THE E8 ART TRAIL 2025 THROUGH THREE ARTISTS • BONA DE MANDIARGUES AT ALISON JACQUES • THE WAYS OF THE UNDERWORLD ARE PERFECT • DOWN THE PUB WITH CANDIDE • JAZMIN JONES & OLIVIA MCKAYLA ON SEEKING MAVIS BEACON • XU YANG’S ‘FORGET ME NOT’ AT CHÂTEAU DE LANTHEUIL • RACHEL JONES AT DULWICH PICTURE GALLERY • MARIE HARNETT ASKS IF WE'RE DREAMING • FETCH FAVES: GERTRUDE'S QUEER ICONS • WE'RE ALL HOME ON ME'S BABYDOLLS • CORNELIA PARKER AT FRITH STREET GALLERY • IN CONVERSATION WITH ALISA OLEVA • BEX WADE AND THE POLITICS OF PRESENCE AT SLQS GALLERY • KEIFLER'S FATHERLAND: 'ANSELM KEIFER: EARLY WORKS' AT THE ASHMOLEAN • BRAINROT AND SLOP: PENNY GORING'S COLD HUNT CORSAGE AT ARCADIA MISSA • LOUISE COURVOISIER ON THE RURAL ADOLESCENCE OF 'HOLY COW' • MEGA IS WHAT MILAN WAS MISSING • RICHARD SERRA AT CRISTEA ROBERTS • MEET HOME AT ME • FETCH FAVES x GERTRUDE THE ART APP • INTERVIEW: UDITH DEMATAGODA • THE BASTARD ARISTOCRATS OF HECTOR MACLEAN • BARRUS AW25 BRINGS ANCIENT EPHESUS TO LFW • WHAT DO WE DO WITH LEIGH BOWERY? • FROM THE ARCHIVES: PENNY GORING • DANAË BY LA MÉDITERRANÉE AT PUSHER GALLERY • MY LOVE/HATE LETTER TO PVs • INTERVIEW WITH A SEX DOLL • MALQUERIDAS: NOTES ON 'THE UNLOVED' • DOWN THE PUB WITH FULL FRONTAL THEATRE • INTERVIEW: ARTHUR LEMONIER • SHOULD WE BE LAUGHING AT CATTELAN'S COMEDIAN? • INTERVIEW: ANTONELLA SUDASASSI FURNISS • WHEN EVERYONE IS A PHOTOGRAPHER... • THEN AND NOW: NOTES ON CIARÁN CASSIDY'S 'HOUSEWIFE OF THE YEAR' • ONES TO WATCH: LONDON FASHION CROSSOVER • INTERVIEW: MAYA GOLYSHKINA AT SEVENTEEN GALLERY • HONEYED VIOLENCE: DISCOMFORT, DESIRE, AND A BIT OF PSYCHOANALYSIS • HAS BASEL BEAT FRIEZE? • INTERVIEW: IAN DAVENPORT AT CHRISTEA ROBERTS • METAMORPHOSIS & TEMPTATION: HECTOR MACLEAN SS25 • AMAR SINGH IS CHAMPIONING UNTOLD ARTIST’S STORIES • SEX, POWER AND FOOD: FULL FRONTAL THEATRE'S 'TO WATCH A MAN EAT' • WHAT IS AND WHAT IS NOT • THE POST-IRONIC FEMININITY OF 'OBSIDIAN UPSET' • REVIEW: SAIGON EXPERIMENTAL FILM FESTIVAL • EMBRACING THE UNEASE: 'HOLDING PLACES' AT BELMACZ • ART BASEL IS THE BEAUTIFUL CESSPIT WE DESERVE • AVANT ARTE PRESENTS MIWA KOMATSU AT FITZROVIA CHAPEL • HOMESICK: LIDIA RUSSKOVA-HASAYA IN CONVERSATION WITH ZOE GOETZMANN • ‘UNRAVEL: THE POWERS AND POLITICS OF TEXTILES IN ART’ AT THE BARBICAN • SOUMYA SANKAR BOSE'S 'BRAIDING DUSK AND DAWN' AT DELFINA GALLERY • ISA GENZKEN'S 'WASSERSPEIER AND ANGELS' AT HAUSER & WIRTH • "YOU DON'T REBUILD HISTORY, YOU MODIFY IT": TIM KENT'S 'HISTORIES IN FLUX' AT JD MALAT GALLERY • THE ART DADDY'S DISPATCH FROM TEFAF NEW YORK • MOURNING GIRL DINNER • MICHEAL MUIR AT JD MALAT GALLERY • THE ART DADDY’S DADDY DISPATCH FROM FRIEZE NEW YORK • WHAT'S WRONG WITH MAYA GOLYSHKINA? • THE ART DADDY’S ULTIMATE GUIDE TO ART DADDY FAIR SPOTTING • REVIEW | THE COMEUPPANCE AT THE ALMEIDA • ART ON A POSTCARD X WAR CHILD • SOFÍA SALAZAR ROSALES AT ALICE AMATI • FEAR & LOATHING IN LAS VENICE • CAN INTIMACY BE VIOLENT? 'I CAN FIT A FIST IN MY MOUTH' A CUBITT • THE ART DADDY | WHY IS HENRY HIGHLEY SO HOT? • INTERVIEW: TANIA DELGADO • ART BASEL HONG KONG: WHERE IS ALL THE GOOD ART? • INTERVIEW: KATARZYNA PERLAK • INTERVIEW | IT'S ALL ABOUT BIBA • INTERVIEW | MARIA FUSCO • SHOULD WOMEN STOP PAINTING WOMEN? • REVIEW | UNCLE VANYA • LOUIS BEKK & FRIENDS • INTERVIEW | CAYHATI PRESS • INTERVIEW | OLIVIA STRANGE • SABIRAH 1.7 AT LONDON FASHION WEEK • REVIEW: UNVEILING ABSTRACTIONS AT HYPHA STUDIOS • ROCKY STAR AT LONDON FASHION WEEK • PETER COPPING'S ALL-CONSUMING LOVE AFFAIR WITH ART • ERWIN WURM'S 'SURROGATES' AT THADDAEUS ROPAC • WHEN DID SEX SCENES BECOME A BAD THING? • REVIEW: ANNA PERACH AT GASWORKS • INTERVIEW: PENNY GORING • INTERVIEW: STANLEY SCHTINTER