@dilmunite

dilmunite has been a member of Linktree for 4 years and joined in August 2021. The social media accounts linked to from dilmunite are: • Instagram • X Besides social media accounts, dilmunite has populated their site with: • Art Basel Debuts in Qatar - The Markaz Review • Behind the Seen: Mona Hatoum on Art and Palestine - The Markaz Review • Featured Artist Ala Younis: Ambiguous Architectures in Abu Dhabi - The Markaz Review • On Bilgé, Time Arrows, and the Indigenous Turn - The Markaz Review • Hope Without Hope: Rojava and Revolutionary Commitment • Syria and the Future of Art: an Intimate Portrait • 50 Years of Déjà-Vu: Archiving the Gaps of Lebanon’s Unresolved Conflict • Nabil Kanso’s “Echoes of War:” Remember Past Middle East Injustice • In Lebanon, Art and Culture Respond to Another Moment of Intense Upheaval • Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen's Glyptotek • Lin May Saeed • War Again Shatters Life in Beirut, a Cultural Hub Constantly on Edge • Beyond Rubble—Cultural Heritage and Healing After Disaster • Une histoire de l'art bleue autour des océans - Le Quotidien de l'Art • Biennale Gherdëina : rester sauvage - Le Quotidien de l'Art • Abdullah Al Saadi / Hassan Sharif : la magie dans l'ordinaire - Le Quotidien de l'Art • Life Along Istanbul's Byzantine Walls, a Review • À propos de trois œuvres présentées à la biennale de Venise - Le Quotidien de l'Art • Anu Põder, Edith Karlson, Kris Lemsalu : la liberté de trois artistes estoniennes - Le Quotidien de l'Art • Remembering Yvette Achkar, Lebanon’s Pioneering and Enigmatic Abstract Painter • Art contemporain et archéologie : faire résonner la terre - Le Quotidien de l'Art • How Egyptian Artist Wael Shawky Excavates History, Memory and Myth • Paris, Abstraction and the Art of Yvette Achkar • The Myth of the West: A Discontinuous History • The Suspended Future of Varosha • The Oath of Cyriac: Recovery or Spin? • Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous • Meditations on Occupation, Architecture, Urbicide • Arqueología de la guerra • Istanbul/Beirut: “We were waiting for the apocalypse and the apocalypse finally came.” • The Archaeology of War • Antioch’s real heritage is the lives of its peoples and their pasts • Antioch is a city geologically and environmentally complex and without parallel • Memory Art: Water and Islands in the Work of Hera Büyüktaşçıyan • Se l’arte contemporanea incontra l’archeologia, è la Calabria di In-Ruins 2023 | EcodelloJonio.it • Traveling Through Turkey With Gertrude Bell and Pat Yale • On Museums and the Preservation of Cultural Heritage • A Farewell to the Birds • The Ghost of Gezi Park—Turkey 10 Years On • Newly Re-Opened, Beirut's Sursock Museum is a Survivor • On Lebanon and Lamia Joreige’s “Uncertain Times” • Etel Adnan's Sun and Sea: In Remembrance • The Stargazer: Archaeology, Classics and Contemporaneity • A Mourner’s Meal - Sententiae Antiquae • Blog: Antioch in Ruins: An Interview with Arie Amaya-Akkermans | Society for Classical Studies • Dispatch from Antioch: Greek and other minorities in the Turkish earthquake, Neos Kosmos • Deprem kültürel mirası da vurdu, Gazete Kadiköy • Like a Bird on Barbed Wire, Hyperallergic • Argo Navis & the Abolished Constellations, Sententiae Antiquae • For Those Who Dwell in Tents, Home is Temporal—Or Is It?, The Markaz Review • Letter From Turkey—Antioch is Finished, The Markaz Review • The Charonion: Antioch’s Gate to the Underworld - Perambulation