Creatives Unite

Creatives Unite has been a member of Linktree for 1 year and joined in January 2025. The social media accounts linked to from Creatives Unite are: • Facebook • Instagram • LinkedIn Besides social media accounts, creativesunite_eu has populated their site with: • Glenn Micallef on Creatives Unite: Agora EU will be a place where culture, media and EU values meet • Imaginarius | Performing Arts in Public Spaces • A new fair for independent journalism publications and self-publishing projects • Glenn Micallef at FLIP Final Conference: We Are Exploring New Ways To Support Culture • TOWCHED | Call for Expression of Interest for Museums • ELIA | UAxEU Internship Programme 2026 • Locarno Film Festival supports emerging film creators • Cave Walk: Exploring Geological Heritage through Virtual Reality • Velosonics: Listening to the City Through Machines • Creatives unite |EU launches Simone Veil Prize for cultural heritage with €10,000 awards • Goethe-Institut | FILE NOT FOUND Residency • Venice Biennale in Historical Turmoil Due to Participation of Russia and Israel • Eurovision at 70: Boycotts, Booing and a Contest in Crisis • Polygona Kunstverein| Residency Programme in Photography and Film • Europe Races for Strategic Independence With Strong Support by Its Citizens • Revoltech is Turning Hemp Waste into Leather's Replacement • Europa Nostra | European Heritage Awards • Culture Helps Solidarity | Individual Care Grants 2026 • Press Freedom Has Reached Its Worst Point in 25 Years • Académie des beaux-arts European | Art Explora Award • Eco-Soundscapes | International Artist Selection • Available but invisible: Europe's cultural works are losing the algorithm • Jan van Eyck Academie | Food Lab Fellowship 2027 • Belgian Ruin and Slovenian Temporary Theatre Win Mies van der Rohe Awards 2026 • Design Academy SIZE | co-hosted by Zalando and VORN • OASis project | One Caucasus Music Academy • KONTEJNER: Reanimating a Void Through Bio-Art and Sensory Practice • Citofonare PimOff | Residencies Programme for Contemporary Dance 26/27 • IJ4EU | Impact Award 2026 • The EU Opened the Books on €2.44 Billion in Cultural Funding. Here's What the Data Shows • From Pixels to Patches: When AI supports sustainable making • FABER | Open Call for Designers 2026 • Moleskine Foundation | Creativity Pioneers Fund 2026 • Our Picks | April 2026 Open Calls for Artists, Designers & Cultural Professionals • Creatives unite | Open Call for Designers and Craftspeople: Re-Imagine Resources • Jordi Baltà Portolés: 'We Need A Stronger Recognition Of Culture In International Frameworks' • Culture Helps Solidarity | Call for Project Grants • Realities in Transition | The Reciprocal Trap Residency open call #1 • EU Gender Equality Strategy 2026–2030: What It Is, What It Does, and Why It Matters • How Magbago's Learning Lab redefines a vocational training on Fashion & Design • Creative Europe | Call for European Cooperation projects 2026 • New European Bauhaus | NEB Prizes 2026 • Fashion Forward CCC (Coláiste Chú Chulainn) • Culture Helps Solidarity | Collaboration Grants 2026 • European Media Art Platform (EMAP) | Residencies 2026 • Denim Remix – Rethinking Fashion in Barcelona • AI set to slash creators’ revenues by up to 24% by 2028, UNESCO warns • Tracks4Crafts | Accelerator4Crafts Residencies Open Call • MFRR: 2025 Report Reveals Alarming Decline of Press Freedom in Europe • Oulu2026, Piia Rantala-Korhonen: "Our ECoC brings a Culture Climate Change and recreates getting together" • A dimora by LAMA fosters culture-led regeneration in rural Tuscany • Forecast | Mentorships 2026–2027 • MGLC Švicarija | Critic-in-Residence Programme 2026 • EU Issues Rulebook to Shield Press From Tech Giants' Content Moderation • Évora 2027 – European Capital of Culture | Our Lab Open Call for artists • New European Bauhaus: EU's favourite green design projects to a public vote • Europe Moves to Shield Minors From Social Media as Regulatory Wave Builds • NEMO | Northern European Mobility Opportunity • Creative Europe | Support European Heritage Label implementation • Submit your video and showcase your creative craft practice • Creatives unite | Our Picks | February 2026 Opportunities Across Culture & Media • Perform Europe | 3rd Open call for performing arts collaborations • IN SITU: (UN)COMMON PLACES furthering cultural rights and democracy • In a Historic First, EU Institutions Commit to Place Culture at The Heart of Policy • RIDCC | Dance Competition for duets 2026 • EIT Culture & Creativity opens €6 million in funding to reshape fashion and the lived environment • 2026 will be a key year for copyright in the EU, says GESAC's Burak Özgen • Kristin Danielsen: Culture Is a Method, Not a Product • Co-Branding Grants for the Cultural Sector • PERMA(CULTURE): Green Storytelling in the European Capital of Culture Budweis 2028 • So You Need Money! • Fashion SMEs Say They Struggle With Regulatory Overload And Uneven Competition • Creatives unite | Home page! • The Artist and the Others | Residency for artist-parents in Munich • Creatives unite | Open Calls • Wild Bits | Residency 2026 • My Intellectual Property! IP Tips • Our Picks | January Open Calls for Cultural and Creative Practice • From Analogue Roots to Digital Rights: Benoît Theunissen’s IP Journey • Arts, Culture and Heritage for Green Storytelling and Transformation • Audiences Have Strong Concern About Climate, But Low Trust to Politicians and The Media • Culture and Health Platform | European Call for Projects 2025-2026 • Creative Europe | Journalism Partnerships - Collaborations (2026) • Artistic Research Residency for Palestinian Artists in Helsinki • 9M euros for youth media independent journalism • New European Bauhaus: An enabler for the clean transition and innovation • Weaving Heritage and Innovation: The Learning Labs Transforming Fashion Education • Culture Moves Europe | Call for residency hosts 2025-2026 • Creative Europe | European co-development • Small Grants for Individuals in Western Balkans • RAD Curatorial 2026 | 2026 Open Call for Curators • The Quiet Erosion of Artistic Freedom in Europe • Transparent by Design: Turning Creativity into an IP Asset • G.Micallef: "We are making AgoraEU funding Conditional to proper Working Conditions for Artists" • Lottozero: Modernising Italy’s Textile Heart With Innovation, Sustainable Methods and Inclusion • EU’s first ever GI protection for Craftsmanship turns Cultural Heritage to Opportunity • Deutsche Börse Photography Foundation | Curatorial Fellowship 2026 • Tiny Spaces | 2026 Residency Programme • Our Picks | Funding & Residency Opportunities to End 2025 • The European Cultural Ecosystem Applauds the Culture Compass for Europe • EUIPO launches Copyright Knowledge Centre to support creators in the AI era • Geert Lovink: The Internet's Descent into Dependency and the Illusion of AI • European Crafts Alliance | Call for Research Proposals • Europeans go Online to Watch Videos more than to Read the News • TMLAB | Open Call for Curators • COP30: Expectations on establishing Culture in the Climate Change Agenda? • Culture Compass for Europe spotlights Artistic Freedom and Fair Working Conditions • €2 million Perform Europe call highlights fair working conditions • ERC Mapping: The New European Bauhaus Reimagines Urban Life • Upcycling Garments, Upcycling Success: The IP Story of Atelier Riforma • Eurostat: €11.9 billion Surplus in extra-EU trade of cultural goods championed by Italian Jewellery • What do Future Cultural Spaces in Cities look like? • Creative Europe | Circulation of European Literary Works 2026 • AI Assistants Threaten News Integrity and Public Trust, Major Study Finds • Case Study | The Braille of Colours: How the Scripor Alphabet Colours the World of the Visually Impaired • Jan van Eyck Academie | Residency 2027 • ACCESS | Artistic Residencies with focus on Music and Sound • Interview | Beyond SLAPPs and Spyware: The Erosion of Media Freedom in Europe • Festivals in Context: The Role of the Arts in Local Cultural Policy • European Capital of Culture brings Visitors, Investment and Long-term Benefits • Gasworks Residency for Palestinian Artists 2026 • Case Study | Essemme Studio: Crafting Identity and Creating Customer Trust Through IP • EMMA - Kreativzentrum Pforzheim | Designers in Residence • ECCCH | Second Call • Museum organisations "appalled" at closing Belgium's oldest contemporary art museum • Lars Ebert, CAE: “Artists must be free and Culture instrumental, - but not instrumentalised” • Engaging Impact Investors in Your Strategy To Realize Transformative Change in Music • Goethe-Institut Ukraine | Resilience Fund 2025 • Loewe Foundation | Craft Prize 2026 • Culture Moves Europe | Call for individual mobility 2025-2026 • Report: Culture: the missing SDG, UNESCO’s landmark report is out! • Culture as Cure: A New EU Report Challenges Our Perception of Health • Creative Europe Funding for Four Ukrainian - European collaboration projects • Art Explora x Cité internationale des arts | Artist Residencies 2026 • Case Study: Rural Hackers Reimagine Intellectual Property as Creative Community Goods • 31 Cultural & Creative Sector Organizations Draft A Roadmap for European Strategy • The Supporting Act Foundation | 2025 Impact Grant • The Supporting Act Foundation | 2025 Artist Grant • UNESCO MONDIACULT 2025: Culture to be included in the Sustainable Development Goals? • Jan van Eyck Academie | Future Materials Fellowships 2026 • Case Study: Reinventing Film Licensing through Blockchain and Smart Contracts • European Sentiment Compass 2025: It’s culture, stupid! • Atelier Josepha | Residencies for Artists From the Baltic Sea Region 2026 • Independent European producers raise concerns over the proposed AgoraEU (2028–2034) • European Creative Skills Week 2025: Create. Transform. Regenerate! • Case Study: Architecture Design for Healthy and Ecological Co-Working Spaces in Madrid • kültüř gemma | 6-month fellowship at Kunsthalle Wien • Prince Claus Fund: Apply for the Moving Narratives Fellowship • OASis | Residency Program in Georgia • Animated Cosmos, Bill Plympton and a VR Lounge in Animasyros 2025 • Helsinki International Artist Programme | Learning Materials Artists in Residence 2026 • Who Cares? Museums, Wellbeing, and Resilience: NEMO’s 2025 Conference programme is out! • Progress and New Report on Access to Social Protection for Artists • From Insight to Impact: Powering Quality Journalism with Audience Data • Heidelberg UNESCO City of Literature | Writers in Residence Program • Proposal for a new EU platform Unleashing the Potential of the CCIs • PartArt4OW | Sailing Lab on Water Pollution 2026 • Von der Leyen's 2025 Vision calls for "Independence Moment" but omits culture • Europavox Campus 2025: Mentoring Program for young editors • Nordic Culture Point | Residency Centers Grant to Support Ukrainian Artists • EFFEA | Fourth Call for two residency categories • European Solidarity Residency | Residency for early-career curators and CPs • European Heritage Days 2025: Architectural Heritage celebrations in September • EIT Culture & Creativity | Call for Master’s & PhD Modules 2025 • Polish Institute in Kyiv | Kazimir Malevich Art Prize 2025 • Case Study: Tokenisation of Art as a Service to the Public • European Cultural Heritage Summit 2025: Heritage Matters for Europe • Pilsen Busking Arts Fest 2025 opens doors to the World • OASis | Artists Residency in Slovenia • Our Picks | 5 Open Calls to Start Your Autumn • Shape the Next New European Bauhaus Festival • Transforming Fashion SMEs Toward Circular Practices • Case Study: Scaling a Purpose-Driven Fashion Brand: Growth Through Investment and Loans • Case Study: How a Mental Health Film Project Reimagined Funding and Community Impact • Helienne Lindvall: Secure authors' rights in the AI Act, funding and a European strategy for music • ECA's Annual Conference 2025 Positions Crafts in the Contemporary Economy • Bratislava Declaration: CCS join forces towards a European Artistic Freedom Act • Matej Drlička: We need a European Artistic Freedom Act • Our Picks | Explore What’s Open This August in the Cultural Sector • Journalismfund Europe | Pascal Decroos Fund for Investigative Journalism • Workshop: Co-Create, Co-Manage & Sustain Your Creative Hub • Artist Residency in Munich: Antifascist Cultures of the Present • AgoraEU is the new programme of the next MFF, combining Culture, Media+ and CERV • transmediale e.V. | Open Call for Exhibition Curation 2027 • International exchange programme for Ukrainian professionals in Matera • European Journalism Centre | Journalism Science Alliance • Arte Laguna Prize | 2025 Edition • Meet the Winners of the 2025 European Heritage Label Call for Projects • Massive Attack call artists to join movement speaking out for Gaza • Re Renovate: Symposium, Architecture Tour and Networking Event • Halaqat project seeks artists for residencies in Lebanon, Morocco, Jordan, and Egypt • Majority of UK artists earn less than minimum wage • LINA Architecture Fellowship for Emerging Architects • AICA International | Incentive Prize for Art Critics 2025 • Venice Biennale Danza 2025 opens doors! • Moving Classics Sonic Bridges | Residency in Ireland 2025 • Ása Richardsdóttir On The Strategic Power of Culture in Uncertain Times • Apply to Ukrainian MusicLab 2025 • Rule of Law Report 2025: Overall Improvement but with “Serious” Media Freedom Threats • First Reactions on the Commission’s Leaked Proposal on Creative Europe’s future • EU Culture Statistics on Gender Balance: Gender Pay Gap Persists • Institute for Human Sciences | Documenting Ukraine program • Perform at Moving Balkans Contemporary Dance Showcase 2026 • Let Culture Lead us Forward • OASis | Artist Residency in Naples • OASis | Artists Residency in Poland • NEB Prizes 2025: Last Chance to Vote by 10 July! • European Audiovisual Observatory: 2% Growth for the European Audiovisual Sector • New EU Report: Ukraine Heritage Fund Needs $524 Billion for Restoration • Horizon Europe | Innovative approaches for affordable housing • How to Protect Creative Spaces in a Changing Urban Landscape • Manon Moulin: European Culture Needs Digital Independence • Horizon Europe | Street furniture design for the transformation of neighbourhoods • "Save Creative Europe" by Culture Action Europe and 900+ CCS Professionals • Anthropic Wins US Court Case over AI Training Use of Copyrighted Books • Culture and responsible media feature in the Danish Presidency's democratic agenda • President Macron wants UNESCO Cultural Heritage Status for French Touch Music • Explore sustainable models for innovation funding in an online workshop • EUmies Awards Young Talent 2025: Architecture for Inclusion and Sustainability • Apply to Perform at MENT 2026 in Ljubljana • European Heritage Awards 2025 Highlight Diversity and Inclusion • Festivals as Future Spaces: EFA’s Contribution to the EU Culture Compass • Culture as Infrastructure: Live DMA’s Vision for Europe’s Creative Future • The Body Politic: Contemporary Dance and Europe's Cultural Compass Strategy • Lars Ebert: “Now is the moment to start talking about European culture” • Apply to Perform at Tallinn Music Week 2026 • Artists and authors are calling for stronger protections for generative AI • IMPALA proposes Twelve Recommendations on EU Music Policy • Isabelle Schwarz: “Culture should be recognised as a compass for Europe” • CPJ and global media leaders call for urgent, unrestricted access to Gaza for journalists • The 3Fs of the Compass for European Creativity • Disney and Universal sue Midjourney on Copyright Infringement • Media Organisations call for Journalists' Safety and Economic Viability • The Basic Income for the Arts in Ireland enables artists and creative workers to break the cycle of precarity • Civitates | Protecting and Expanding Civic Space in Italy • Symposium: Parenting in the Arts • "Europe Needs Solid and Sustainable Funding for Culture" • Tracks4Crafts Video Contest 2025 • Against the Tide 2025 – Socio-Cultural Conference in Kotor • Exploring the Future of Film: Share Your Insights • Winners of the European Charlemagne Youth Prize 2025 • ITER 2025 – International Touring and Environmental Responsibility Programme • TIDAL ArtS | Lighthouse Calls • S+T+ARTS Afropean Intelligence Residencies 2025 • Uncertainty about making a livelihood leads young artists to change careers • €118.4 million in 11 New Calls for NEB Facility Projects • Grants for digitization of cultural heritage of national communities • 380 British and Irish Writers Demand Immediate Ceasefire In Gaza • Last Chance to Have your Say on the EU Cultural Compass! • Rules on European Capitals of Culture Are about to Change? • Ukrainian Film Academy | Post-Production Grant Program • S+T+ARTS | AQUA MOTION – Open Call for Artistic Residencies • How Laurens von Oswald Reinvented The Berlin Atonal • Supporting young artists in the spotlight of EU Culture Ministers • Europa Nostra | European Heritage Awards 2026 • Ars Electronica | State of the ART(ist) Prize • S+T+ARTS Buen-TEK Residencies 2025 • G. Micallef: “Mental health is a fundamental right - and culture can be a powerful tool for preventing and healing” • Silence Shatters: Juliette Binoche Takes A Stand for Fatma Hassona • OASis | Lisbon Artist Residency Program • Art Explora | Tirana - Vila 31 Residencies • Ethical Shift: European Culture Demands Digital Independence • 13th European Forum on Music Celebrates Musical Diversity • The Europe Challenge 2025/26 • Académie des beaux-arts European Award | 2025 Art Explora • House of Europe | Grants for cooperation with cultural institutions • What Europeans Really Think About Arts, Culture and Heritage • Nearly 400 Film Industry Figures Condemn the Israeli Atrocities in Gaza • NEMO European Museum Conference 2025 – Open Call for Young Professionals • Design Academy NOVA – Open Call for Fashion Designers • Lakescape | Crafting Sustainable Futures by the Lake • 75 Years of Peace, Democracy, Cooperation, and Shared Heritage • Creative FLIP | Call for Hosts: Ambassadors of Good Practice in non-urban areas • Mobilities for Craft Practitioners and Hosts • Ramallah Design Week 2026 for Palestinian Designers and Artisans • Halaqat | Photography Residency in Cairo • Art Meets Tech: Creative Workshops for Artists and Cultural Workers • ARTWORKS | Grants Program 2025 • Code as Canvas: Charles Sandison's Digital Poetry at Delphi • Our Picks | Creative Funding and Residency Opportunities for May • British Council Biennales and Festivals Design Grants 2025–26 • Have your say on the future of EU cultural policy, funding and democracy • EUNIC Romania | Reclaiming Post-Industrial Futures • A new home for international cultural collaboration in Amsterdam • Narva Art Residency | NAIR 2025 Public Space Installation Residency • International Press Institute | New Media Incubator • Narva Art Residency | Creative Grant for Children’s book writers and illustrators • TMLAB | Kiosk Open Call for Curators • And the Oscar goes to... AI • Charting Europe's Creative Future • Goethe-Institut | International Coproduction Fund (IKF) • Palette for the planet, a site specific public art project • EU study: Unfair remuneration for creators and threat to cultural diversity from transfer of IP rights to non-EU streamers • EU Parliament Debate: A Compass for a Cultural Giant • Take Part in the European Democracy Shield Consultation • AIR InSILo | Curatorial Residency 2025 • Quantum Leaps: Art Meets the Future of Computing in Berlin • Sineglossa | A Discovery Guide for Ukraine • Inclusive European Heritage Residency 2025 • Fondation Etrillard and the Académie des beaux-arts | Digital Arts Prize 2025 • ECHOES | Cascading Grants Programme • Online Art Residency for Parent Artists • House of Europe | Grants for residencies dedicated to national communities • Beyond Borders 2025 Pitching Lab From Idea to Project • US-Europe trade war reaches audiovisual sector • Studio Ghibli’s layering of Japanese and western storytelling is key to their success • EIT Culture & Creativity | Request for proposal Education Consultant, Girls Go Circular • IDFA Bertha Fund | IBF Europe – Minority Co-production funding scheme • Moving Identities | Residency programme for performing artists • Moleskine Foundation | Creativity Pioneers Fund 2025 • Contour 11 | Call for curator for the 2026 Biennale • European Live Music Venues Grapple with Soaring Costs and Pandemic Aftermath • Travel Grant to Germany for Dance Educators • Our Picks | Creative Opportunities to explore in April • Open AI Faces Legal Challenge Over Defamation Claims By European NGO Noyb • Cronenberg defends Corbet's use of generative AI technology in making 'The Brutalist” • ECPMF | 5th annual IJ4EU Impact Award • Commissioner Micallef Calls on Cultural & Creative Stakeholders to Point the Way to Europe's Cultural Compass • ALForum 2025 calls for Interactive and Cultural Activities • Creative Skills Week 2025 – Shaping the Future of Creative Work • EIT Culture & Creativity | 2025 Innovation Programme • Incubator 2025: applications for ENCC's project writing training programme are now open • Torino Fashion Match 2025 Connects Global Fashion Innovators • Bounce mentoring programme for circus and outdoor arts professionals • Gender parity in European TV production could be achieved as early as 2046 • PartArt4OW | Open Call for Participatory Art Initiatives • Museums in the quest for diversity and inclusion • European coalitions for cultural diversity defend EU digital rules against Trump accusations • Project Funding Program for Media Art • EIT Culture & Creativity | Continuous Professional Development Courses 2025 • 21 sites compete for the European Heritage Label 2025 • Webinar on How Creativity and Entrepreneurship Can Foster Social Inclusion • Cultural Mobility Forum 2025: Rethinking International Pathways for Young Artists • Creative Europe | European Festivals 2025 • The AI Code of Practice of The EU Focuses on Transparency and Risk Management • Kastellorizo International Documentary Festival • Malta Delegation Open Call for the Music Cities Convention • “Cultural spaces are crucial for democracy” • NDPC's webinar on European Platforms for the Promotion of Emerging Artists • Rearm... Culture • Women in the Mountains Residency 2025 • DATAS Residency Programme • UK's AI Copyright Law Consultation: Creators Fight for Fair Digital Rights • Accelerate the greening of Norway's cultural sector • Creative Europe | Audience Development and Film Education • ВІЛЬНО/VILNO | Fellowship Program 2025 • circusnext | Open Call for Circus Projects 2026 • 30+ Organizations Urge EU to Fund Critical Data Infrastructure • Open Call: Redesign Belonging promotes solidarity through design • Submissions Now Open for the 2026 European Film Awards • Good News for Creators in The Battle Against AI Companies • Press Freedom Under Siege: A Troubling Decline in 2024 According to COE • SoAlive Showcase Festival 2025 • How Massive Attack created the greenest concert ever • Our Picks | This month's opportunities for creative professionals • Journalismfund Europe | Fossil Fuel Grant • House of Europe | Local Events Grants • House of Europe | National Minorities Local Events Grants • Are artists free to create and present their work? • Curatorial Residency Exchange Between Greece and Türkiye • Journalismfund Europe | Microgrants for Small Newsrooms • Pina Bausch Foundation | Fellowship for Dance and Choreography 2025 • Halaqat project seeks for residency hosts in Jordan, Lebanon and Morocco • “Don’t believe the hype of DeepSeek & Open AI” • Funding for eight new Ukrainian films • Code of Resistance: Gaming's Labor Uprising Sweeps France and Spain • Training Programme on Sustainable Business Models • Low use, lack of knowledge and bias towards AI in the audiovisual sector • Hyundai Artlab | 2025 Artlab Editorial Fellowship Open Call • BSR Cultural Pearls 2026: Strengthening Communities through Culture • IETM Berlin Plenary Meeting 2025: Rehearsing Futures • For a culture that transcends the boundaries of species • Open call for translation of lyrics and recording of translated songs • Futurespective: Vogue Ukraine calls for Emerging Photographers • Creative hubs meet new challenges through international collaboration and knowledge sharing • Call for Abstracts: 2025 ENCATC Research Conference • Cultural and creative organisations take position on the next multiannual financial framework • Onassis Foundation | Onassis AiR Open Call 2025/26 • European Festival of Journalism and Media Literacy 2025 • Creative Europe | Journalism Partnerships • NEON Organization | Grants 2025 • Transforming museums into spaces of discourse • The Commission sets out the road to the next EU long-term budget • Cannes Makers 2025 Training for Future Film Industry Leaders • Demolition, inappropriate development, neglect threaten Europe's major heritage sites • Lottozero's Circular Wool Residency for weaving and textile artists • Culture in the regions. A romantic idea or a field of potential growth and innovation? • Slovakia's Cultural Democratic Uprising Against Authoritarianism • Goethe-Institut | Fellowship at the documenta archiv • For an inclusive and accessible cultural heritage in Europe • Share your perspective on Walking Arts in WALC's online event • Submit your manuscript on how CCI's Drive Europe's Green, Social & Digital Future • transmediale e.V. | Festival Curation for transmediale 2026 • Upheaval in Belgrade: Artists Blockaded the Ministry of Culture • #CulturalDealEU: Seeking the compass to increase funding for culture • Civitates | Strengthening independent public interest journalism in Europe • European museums under political pressure • FABRIX Project Open Call • WORTH partnership project • LOKAL | Programme for Culture and Engagement • Europe’s AI Ambition: Sovereignty, Innovation, and Ethical Tech • Longstanding Health Crisis In Creative Industries Linked To Passion-Driven Work, Research Finds • Our Picks | February's Creative Opportunities Across Europe • Europe Beyond Access: Survey on Accessibility • Italy's DeepSeek AI Ban Sparks European Scrutiny Over Data Privacy • Interview: “We must intervene with determination and help artists with their problems” • SAC | International Curatorial Residency Program 2025 • Associazone Mittelfest | Open Call Mittelyoung tabù 2025 • First Youth Policy Dialogue with Commissioner Glenn Micallef in Athens • Networking Civil Societies: CCP Synergy Programme • Breaking the 26% glass ceiling for women in the film industry • "There's a mental health crisis, and it's being treated by cruel optimism" • Crunch in the Gaming Industry: A Persistent Crisis in The Digital Playground • Fellowship Program for Art and Theory 2025-26 • Transition To 8 | European societies in flux • Young people in the UK opt for Europe, the Erasmus programme and cultural exchanges • International Prespa Walking Arts Encounters 2025: Walking Home / Walking in Transition • ETC Open Call for Contemporary European Drama Texts • ‘Every job counts’. Slovenia adopts a new philosophy on the criteria for the status of the self-employed in culture • The #CulturalDealEU campaign hosts its annual policy dialogue • Allianz Foundation | Grants Program 2025 • The Jugoslavija Hotel is being demolished • Open Call: Culture Helps | Individual grants for mental health support • A code of conduct for hate speech online into DSA - the controversy for speech online continues • Copyright uses for AI training go beyond the scope of the text and data mining exception: Several EU member states agree • Creative Europe announces the results of its 2024 calls • VAHA III: Reclaiming Common Spaces Through Art and Culture • UNESCO’s 2024 Call for Technical Assistance Projects • Meta.Morf 2026 – Art and Technology Biennale • Festivals as “tender spaces” • When Posters Speak Out - A Collection of 100 Illustrations From the Council of Europe’s Archives