chantal nguyen

chantal nguyen has been a member of Linktree for 2 years and joined in August 2023. Resources chantaldn has populated their site with include: • Matilda Devine ran away to join the circus. Her parents couldn’t be prouder • Mackenzie - Bell Shakespeare review • Engine - SDC review • 'We dance better together’: How this couple’s marriage lets them ‘push a little bit further’ - How former Leipzig colleagues Piran Scott, Naiara de Matos and Fran Díaz are reuniting for The Mass Ornament • U>N>I>T>E>D - Chunky Move review • Sheltering - Bangarra review • Flora - Bangarra x Australian Ballet review • Eugene Onegin - Opera Australia review • Julius Caesar - Bell Shakespeare review • Boxing Day tsunami - SISA-SISA feature • SISA-SISA review • 'Save the last dance for me' review • Duck Pond - Circa review • My Syd Fest reviews! Scroll for Garabari, Post-Orientalist Express, Garrigarrang Badu • SDC continuum review • The Bogong's Song review • ‘Absolute nightmare’: The physical toll endured by violinists • A prodigy who skipped school for symphonies: John Painter’s unforgettable story • Dracula (the ballet!) review • The Face of Jizo review • SDC InDance 2025 review • Opera Australia’s Carmen • Bell Shakespeare’s Coriolanus strikes at the core of humanity • Kayah was bullied and ignored but people took notice when he danced • Somos review - SDC • Guys and Dolls review • MJ The Musical • A Hymn to Life: Dorcy Rugamba feature article • Folk-rock and ironic jokes make for a tonally disjointed Wuthering Heights adaptation • Syd Fest: Siegfried & Roy review • Syd Fest: AFTERWORLD review • Piran Scott interview: Award-winning dancer took Europe by storm – but something was missing • New Breed - Sydney Dance Company review • Nutcracker - Forget Love Actually – this is the ultimate Christmas feelgood show • Oscar Wilde ballet review • Rabab for the soul: Qais Essar • Gilgamesh showcases a powerful combination of Australian creative talent • This double bill from Sydney Dance Company is unmissable • Aged just five, violin virtuoso Karen Gomyo knew her path • Bell Shakespeare’s The Poetry of Violence is a deadly delight • Sunset Boulevard & MAUI review • Gothic Sublime: Pinchgut Opera’s Eternal Light opens the doors to sacred music • Hamilton’s return is spectacular – and exactly what we need right now • Feel the love: Sublime music and dance combine • Stage Direction: In the Heights • An imaginary world that is a delight for fans of Japanese playfulness • Fools and Madmen: Bell Shakespeare’s King Lear in the round • Torture, murder, lust and lies: Don’t miss this thrilling Tosca • Bangarra Horizon review • Bangarra prepares to cross the ditch with bold new project • Making ‘clouds’ onstage and other strange challenges solved by this design supremo • From the footy field to the stage for this Indigenous dancer • This charming performance feels like a catch-up with an honest and witty friend • SMH What's On - feat. Circle Electric review • SMH What's On - feat. Carmen review • Opera Australia's West Side Story • Peter Evans's A Midsummer Night's Dream • What it takes to go from tin shed dance classes to performing for 3000 people • Love ballet? See this. New to ballet? See this. • A very important date: Australian Ballet’s biggest ever production is back • Opera Australia’s new production of The Magic Flute • Skid & SAABA • Hello cello: I'll be Bach • Fashion week meets naked pillow fight in this colourful spectacle • Pinchgut Opera’s Rinaldo • Cowboy Barbie dolls, riots and an alien invasion: Welcome to the future of dance • Sublime beauty: The ‘sacred flame’ of Swan Lake burns more brightly than ever • Deaf, Indigenous and proud: The performers taking the dance world by storm • Ballet’s ‘dark horse’ Amy Harris bows out; career full, bucket list ignored • Gorgeous to look at and very funny: Australian Ballet at its finest • Should we laugh in the face of climate catastrophe? • Behind the scenes: Opera Australia’s vast, digital Ring cycle • Surrender to Fate: Artist William Kentridge • Conflict of Interest: Miss Saigon • INDance review ★★★★ Neilson Studio • How a ‘humiliating’ experience with police inspired this director’s next move • How four giant teddy bears are helping start a difficult conversation • ‘We have something to say’: Cast of Miss Saigon respond to controversy • ATI: A Dance Reckoning of Truth, Place and Belonging • Bell Shakespeare’s Romeo and Juliet • How Sydney Dance Company helped bring a Hollywood movie to life • Trans-Pacific space-age Wagner: Chen Shi-Zheng’s hybrid Ring cycle