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Buzz Magazine has been a member of Linktree for 4 years and joined in March 2022. The social media accounts linked to from Buzz Magazine are: • Facebook • Instagram • TikTok • YouTube • Email • X Besides social media accounts, buzzmag has populated their site with: • Ones To Watch for 2026 • Discover Wales' biggest 2026 events • Welsh National Theatre reimagine American classic Our Town • Immersed Festival returns for 2026 • Here & Now: Steps' greatest hits make for a sweet, cheesy musical • Jason Derulo tells Cardiff to treat tonight like it's their 'Last Dance' • Curator Lucy Wood on Museum Wales' new Gwen John exhibition • New VR experience Haunts depicts teen life in mid-00s north Wales • New Welsh music releases you may have missed for February • Welsh comic Mel Owen: “Don’t be scared to ask for what you want!” • Deftones unite the rock tribes across the generations in Cardiff • Maria Somerville's shoegaze styles pack subtle punch in Cardiff • American heights & German splendour: BBC NOW in concert • Romance bookshop Love Stories: making a casual idea into reality • The Ballad Of Johnny & June salutes country's favourite couple • One to watch: Hana Lili, Vale alt-rocker with a trad folk grounding • Science, songs and shrooms: Welsh musical comic Carys Eleri • “Everybody leaves happy”: Bonnie Tyler returns to the Welsh stage • Buzz’s 2026 festival guide • New Welsh music releases • Live Review: Dry Cleaning make deadpan feel exciting • Live Review: Yungblud lights up Cardiff • Interview: TV classicist Mary Beard is face-to-face with the past: • Interview: Welsh National Opera’s Adele Thomas & Sarah Crabtree • Sunny Afternoon - The Kinks Musical • Interview: Matt Haig on new novel The Midnight Train • Interview: Green Man's Fiona Stewart discusses the ups and downs of her job • Interview: Connor Allen on Forgiveness Of A Monster & empathy • Books: Bethany Handley gives a personal perspective on Wales' landscape • After a “brutal year”, Wynne Evans plots a five-town Welsh tour • One day at Hay Festival: how to spend it • Ones to watch: Sold For Parts • A new adaption of Under Milk Wood entrances a Cardiff audience • Judith Owen prepares for a Welsh homecoming • Super Furry Animals' return to the stage is a 90s nostalgia trip • Jessica Fostekew rails against "monsters and egos" in Machynlleth • The Annwn Prize: “human experiences enhanced by technology” • Eye Festival: a glorious weekend in Newport for photography lovers • Screen icon Kiefer Sutherland previews new album for Cardiff fans • Madfabulous: is Ynys Môn having its ‘cinematic moment’ in 2026? • New Welsh Music: releases you may have missed in May • Effi O Blaenau: survival, identity and being a woman in Wales • Pete Tong on turning club classics into classical gas • Devauden Festival: folk, roots and community in Monmouthshire • Callum Scott Howells shines in Madfabulous • Wrenna on her first ever festival set at In It Together • One to watch: Catty • Dermot Kennedy shelters Cardiff from the rain with Celtic soul • Courtney Marie Andrews turns Clwb Ifor Bach into a spectral sauna • Empire Of The Sun transcend high expectations at Cardiff Castle • Rebecca F John's Red Dragon Song is "a love letter to Wales' landscapes" • Aussie hairballs Airbourne mine a golden hard rock seam in Cardiff • Don Letts screens and discusses his Windrush film in Newport • A unique stage and a bombardment of metal classics: Metallica live • Katy Perry spikes her fluffy pop with industrial language in Cardiff • Temples make ravey pivot on their fifth album, with muddled results • Biffy Clyro bring out the spiffy pyro for sold-out Cardiff Castle show • From the Maes to the USA: Theatr Cymru broaden their horizons • The Streets return to Cardiff to perform their second album in full • Two Door Cinema Club & Friendly Fires: retro-indie-electro pairing • Born Of Guilt tells a generational tale of immigration and sisterhood • Japanese novel Five Blessings For A Wedding debuts in English • The Colour Of Home: love triangles & racial fissures during wartime • Cardiff From The Rooftops: what does the city look like in the sky? • Marion Gibson on the story behind the witch panic of 1600s Britain • Joanna Wallace's latest thriller: a scarily funny serial killer romp • Roland Orzabal's memoir offers insight into Tears For Fears' story • A new Red Dwarf novel is a fitting tribute to late creator Rob Grant • Bora Lee Reed's debut book maps a journey through wartorn Korea • Hot 8 Brass Band bring the sound of Bourbon Street to Newport • Arca’s XXXXX album explores modernity and our nearing future • Newport's Darling Buds return with contagiously catchy melodies • Vini Reilly revives The Durutti Column for a lush comeback album • Bywater Call: eclectic rocking with soul at root from Canadian band • Blake Watt's Family Stereo alias is aptly chosen on folk-rock debut • Aussie indie rocker Way Dynamic on "letting mistakes breathe" • Tuna Feminina De Medicina Do Porto perform at Cardiff bakery • Ten new Welsh music releases you may have missed: August 2026 • Read the Cardiff Mini Film Festival report • Green Man 2026 is a bucolic refresher in the Welsh countryside • Read the Lightning Thief musical review • Grandmas House shake the foundations on grungy debut album • Read biffy clyro live review • Westside Cowboy: clear-cut and confident on buzzy indie debut • Sleeping Beauty at New Theatre Cardiff • Brandon Flowers goes country on the lovingly crafted Thrasher • Buzz photographers’ 20 best live shots of 2025 • Jah Wobble & sons: the dub Beatles covers you've been waiting for • Rapunzel Tickets • Love and loss abound in Irish arena men The Script's latest album • New Welsh Music • Soul, funk, pop, disco, rap, bossa nova... it's the new Jungle album • Justin Hawkins Rides Again • The Womack Sisters uphold family legacy on harmony-heavy debut • AEG Presents: Justin Hawkins Rides Again • Portland folk-rocker LAURA VEIRS is more self-reliant than ever on latest album • Interview: Kids In Glass Houses • A Sparks live album finds the band as theatrical and curious as ever • Mumford & Sons fill Cardiff Arena on their first tour this decade • Wales' capital captured in short story collection The Book Of Cardiff • Interview: It’s Beginning To Look A Lot Like Business • Interview: Gethin Jones On His Sleeping Beauty Role, Tights & Team Wales • Rory Clements' latest is built around Edward and Hitler's meeting • Christmas in Wales (PART ONE) • What was life as JIMI HENDRIX's roadie like? ERIC BARRETT tells all in EXPERIENCED - Buzz Magazine • Christmas in Wales 2025 (PART TWO) • Jamie Fisher goes the full distance for her Elliott Smith biography • Interview: Bryan Adams • Fireman Sam, Byker Grove, and 98 more objects from 90s kids' TV • Bristol's Invada Films and debut Game • A plethora of very British traditions are detailed in The Ritual Year • Interview: Pete Doherty on Babyshambles’ debut LP, 20 years on • In Cardiff, Jimmy Eat World are a tonic for 10,000 nostalgic rockers • Interview: Matthew Rhys On Fear, Wales and Playing Burton • Cover versions galore as HOLLYWOOD VAMPIRES and THE DAMNED ham it up in Cardiff Castle - Buzz Magazine • Christmas in Wales | Part One • What a night! Jersey Boys raises the Wales Milennium Centre roof • Out There: new Welsh sci-fi heads to Edinburgh for world premiere • Deaf Gathering Cymru • Sprints: the Dublin rockers bringing ferocity to Green Man 26 • Website • GREEN MAN 2025: The Lowdown • Magazine • Write For Us • From laverbread to nori: how the Welsh coast saved Japan’s sushi industry • Competitions • RIVERDANCE 30: Irish dance behemoth still dazzles in movement and music • What's On Guide • Hip Hop: Stori Cymru • ALICE COOPER's return to Wales is macabre, energetic rock theatre • “It’s never about perfection, it’s about feeling good”: BADLY DRAWN BOY interviewed • UB40 ft. Ali Campbell – Cardiff Castle, 20 July 2025 • Kneecap Pre-Sale • The Marriage of Figaro Mozart | WNO • Lunar New Year • Newport Riverfront smash panto season again with DICK WHITTINGTON • SPIRITUALIZED help us sail on through the Christmas period in Cardiff • Coracle Europe Fringe • The Debutantes - Turn The Funk Up • RIGOLETTO: Verdi’s dark masterpiece shines with stellar performances at WNO • LLAIS: five shows to catch over six days at the WMC • Cardiff sisters THE DEBUTANTES release symphonic, 60s pop song • Frontiers of change: National Dance Company Wales harness community power in autumn shows • Uptown Festival 2024: high hopes, low notes – a critical look at Cardiff’s inaugural event • The local initiatives in Wales tackling food insecurity through community & education • WNO’s new era: ADELE THOMAS returns to Wales with bold take on RIGOLETTO • SOPHIE's posthumous album: lost potential and cherished creativity • DELILAH BON's EVIL, HATE FILLED FEMALE: a bold, rage-filled feminist anthem • DOPE GIRLS: inside the bold new BBC drama of Soho’s roaring, criminal women • From comedy to classics: autumn’s best theatre in Wales • JON HOPKINS' RITUAL: a ceremonial journey through soundscapes • SABRINA CARPENTER: SHORT N' SWEET is pop with a bold, unfiltered edge • THE POSTAL SERVICE & DEATH CAB FOR CUTIE unite for cult 00s indie comeback show • Buzz Competitions • STEELHOUSE FESTIVAL 2024: soaring high atop Ebbw Vale's mountain of classic rock • The scoop on Welsh ice cream: 10 family-run parlours steeped in tradition & taste • New Welsh music you may have missed in July, from shivery experiments to agonised sludge metal • International Women’s Month