Broadly Specific Indonesia
Website Broadly Specific Versi Bahasa Indonesia!
Broadly Specific Indonesia Instagram
Broadly Specific Indonesia Instagram
Saat Fotografi Bertemu Melodrama - Broadly Specific
Saat Fotografi Bertemu Melodrama - Broadly Specific
[English] When Photography Encounters Melodrama - Broadly Specific
[English] When Photography Encounters Melodrama - Broadly Specific
Kabar Segar Modernitas: Sensasi Rantau di Dusun Besar - Broadly Specific
Kabar Segar Modernitas: Sensasi Rantau di Dusun Besar - Broadly Specific
[English] Fresh News of Modernity: The Sensation of Rantau in the Big Village - Broadly Specific
[English] Fresh News of Modernity: The Sensation of Rantau in the Big Village - Broadly Specific
Stories move from person to person when they are told. Initially, stories required the presence of the storyteller and the listener in the same space and time. These two important elements became less significant when stories could be transferred onto paper, first written, then printed, and finally uploaded. Space and time were eliminated so that stories could move from person to person, making mass communication possible. Thus, a window is opened to transfigure stories into something more; stories into something […]
Pertanyaannya, Apakah Angin Kebebasan bernama Reformasi itu Mengiringi Daun di Atas Bantal dan Kuldesak? - Broadly Specific
Pertanyaannya, Apakah Angin Kebebasan bernama Reformasi itu Mengiringi Daun di Atas Bantal dan Kuldesak? - Broadly Specific
[English] The Question is, Does The Wind of Freedom Called Reformation Accompany Daun di Atas Bantal and Kuldesak? - Broadly Specific
[English] The Question is, Does The Wind of Freedom Called Reformation Accompany Daun di Atas Bantal and Kuldesak? - Broadly Specific
For me, there is no objective work, including works of art. The involvement of elements such as thoughts, feelings, experiences, skills, physical, and spiritual factors, which fuel and ultimately influence the work’s construction and presentation strategy, is an unavoidable form of subjectivity. Furthermore, the creation of a work is the result of the will of its creator. Therefore, it is difficult to judge a work by separating the creator. However, it is important to remember that when linking these two […]
Bengawan Solo: Bagaimana Lagu Folk Indonesia menjadi Zeitgeist Asia Pasca-Perang Dunia II - Broadly Specific
Bengawan Solo: Bagaimana Lagu Folk Indonesia menjadi Zeitgeist Asia Pasca-Perang Dunia II - Broadly Specific
[English] Bengawan Solo: How an Indonesian folk song became the post-WWII Asian Zeitgeist - Broadly Specific
[English] Bengawan Solo: How an Indonesian folk song became the post-WWII Asian Zeitgeist - Broadly Specific
My first viewing of Wong Kar-Wai’s deeply melancholic In The Mood for Love (2000) was also the first time I’ve heard of Bengawan Solo in a foreign film or any foreign media for that matter. It was odd and surprising. I was completely ignorant of the influence this local Indonesian folk song had overseas before I undertook this piece. The Bengawan Solo that played in In The Mood for Love was not the original version by Gesang and it was […]
[Video Essay] Why you hear this Indonesian song everywhere | Bengawan Solo
[Video Essay] Why you hear this Indonesian song everywhere | Bengawan Solo
Bahasa Indonesia subtitles are available! (Ada subtitle Bahasa Indonesia!). Bengawan Solo is a song that you can hear everywhere in Asia, watch this video to...
Sandiwara Modernitas: Apa sih Pernikahan dan Keluarga? - Broadly Specific
Sandiwara Modernitas: Apa sih Pernikahan dan Keluarga? - Broadly Specific
(English) Modernity as Performance: What’s Marriage and Family, Anyway? - Broadly Specific
(English) Modernity as Performance: What’s Marriage and Family, Anyway? - Broadly Specific
Bukan Sandiwara (1980): Isyarat Utopis Sjuman - Broadly Specific
Bukan Sandiwara (1980): Isyarat Utopis Sjuman - Broadly Specific
(English) Bukan Sandiwara (1980): Sjuman’s Repressed Utopia - Broadly Specific
(English) Bukan Sandiwara (1980): Sjuman’s Repressed Utopia - Broadly Specific
Arisan! (2003): Mimpi Basah Kaum Marginal, Mimpi Buruk Audiens Kritis - Broadly Specific
Arisan! (2003): Mimpi Basah Kaum Marginal, Mimpi Buruk Audiens Kritis - Broadly Specific
(English) Arisan! (2003): Wet Dreams for the Marginalized, Nightmares for the Critical - Broadly Specific
(English) Arisan! (2003): Wet Dreams for the Marginalized, Nightmares for the Critical - Broadly Specific
Godzilla (1954): Rekonfigurasi Sosok Trauma Nasional menjadi Simbol Nasional - Broadly Specific
Godzilla (1954): Rekonfigurasi Sosok Trauma Nasional menjadi Simbol Nasional - Broadly Specific
Film Godzilla (1954) yang disutradarai oleh Ishiro Honda telah melampaui popularitas lokalnya menjadi sebuah sensasi monster yang berskala global-keberadaannya menjadi salah satu contoh utama yang hadir dalam ingatan orang-orang jika membahas monster-monster ikonik dalam industri perfilman. Saya yakin kebanyakan orang saat ini telah sadar akan asal-usul atomik lahirnya Godzilla. Monster ini sendiri telah diatributkan sebagai sebuah alegori terhadap dampak luar biasa dari bom nuklir yang menghancurkan kota Hiroshima dan Nagasaki. Sosoknya yang menjulang dan raksasa serta kepalanya yang berbentuk seperti […]
Home – Indonesia - Broadly Specific
Home – Indonesia - Broadly Specific
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