Benil Biswas (Asst. Professor)

Performance- Between Theory and Praxis

Sahitya as Kinesis Performative Potential in Stage and Screen Adaptations of Mahasweta Devi's Works

Between Ekstasis, Ekphrasis and Kinesis: Theatricality and Performativities in the Poetry of Meena Kandasamy

Phenomenology of A Radical Aesthetics: Embodied Memories and Enmeshed ‘Shabd-O-Sangeet’ in Kobi-gaan from the Matua/Namasudra Performance Repertoire

UGC MHRD e Pathshala | Rise of Bhasha: Great Traditions and Little Traditions; Western Impact and Indian Response; Cultural Politics and Hybridity

UGC MHRD e Pathshala | Theatre: Architecture, Apparatus, Acting; Censorship and Spectatorship; Translations and Adaptations

Manipuri theatre on the crossroads of time

Reverberations of Badungduppa: Between Identity, Ecology and Theatre