@awkwarishma

awkwarishma has been a member of Linktree for 6 years and joined in May 2020. Resources awkwarishma has populated their site with include: • Author- Social Ketchup • Behind the laughter: The sexism we ignore in Taarak Mehta ka Ooltah Chashmah - Social Ketchup • Unpopular popular opinion: Jawan's feminism is partly superficial • Killers of the Flower Moon review: Plain story, incredible performances and Scorcese's mastery • Kaala Paani review: A gripping and relevant tale about survival of the fittest • Kaala Paani mid-series review: This intriguing survival drama is a slow burn • Jawan review: SRK and Atlee deliver 2023's grandest blockbuster with relevant politics • 27 years of Dilwale Dulhania Le Jayenge: On the inherent Indianness of its charm and follies • The sudden birth, death, and extremities of Twitter's 'micro trends' • Why the brilliantly written women of Ponniyin Selvan-I stand out in the world of historical fiction • How the moon is at the heart of romantic Bollywood songs • Rehnaa Hai Terre Dil Mein: A misogynist reminder of the evolving interpretation of art as per changing times • 9 years of The Lunchbox: To the lovers who write, be it letters or a hey on DMs • Revisiting Mughal-e-Azam and its unmatchable grandeur as it completes 62 years • 13 years of Love Aaj Kal: A look at the trinity of modernity, love, career and the legacy of its successor • 12 years of Peepli Live: Why the film sadly continues to be refreshing yet relevant today • Charles Boyle and the art of being a selfless friend • Dear Zindagi: A therapy session, a fun watch, and a warm hug all-in-one • Elle Woods walked so Barbie could run by reclaiming pink and feminine potential • Ganapath review: Tiger Shroff fights and dances • Detoxing from the Scroll- Understanding social media fatigue • Moving Towards Zero Waste Homes- Steps for Beginners • Is social media destigmatizing mental health or making it worse? We asked mental health professionals to understand its impact! • Nirali Shah and Hana Nakhwa tell us how Pinterest is making content creation more 'satisfying' for artists and creators! • Thank You For Coming Review: This fun chick-flick mostly stumbles but entertains a bit • Wes Anderson short films on Netflix review: Fun, simple, yet an intriguing telling of Roald Dahl stories • The Wonderful Story of Henry Sugar review: A typical yet renewed short film by Wes Anderson • The Great Indian Family review: Predictable but fun and simple with a genuine sociopolitical message • Scam 2003: The Telgi Story: Gagan Dev Riar gives career-defining performance in a dragged series • Goldfish review: An overwhelming film that explores dementia and damaged relationships • Asteroid City review: Wes Anderson's latest film is to be enjoyed more than understood • Gadar 2 delivers its promise: Nostalgia, hyper masculine jingoism, and gore • The Hunt for Veerappan review: A masterclass in stirring, fascinating, and ethical documentation • Polite Society: Girls literally fight patriarchy as Bollywood meets kung fu in the UK • Kisi Ka Bhai Kisi Ki Jaan is a violent cringefest desperate to appease Salman Khan fans • Tu Jhooti Main Makkaar is a masterclass in misogyny and an underwhelming rom-com • What's Love Got to Do With It? is a pleasant and refreshing cross-cultural rom-com • Qarib Qarib Singlle: A note on how to make a non-stereotypical yet winning rom-com • Is Instagram the new Tinder? Social media and dating seem to be a match • Gadar 2 delivers its promise: Nostalgia, hyper masculine jingoism, and gore - Social Ketchup • Sweet Kaaram Coffee: Feminist yet regressive but significant nevertheless • Tiku Weds Sheru brags of empathy and genuineness, but serves crass and absurdity • Dahaad review: A repetitive serial-killer story with significant politics • Mindful parenting: Prioritising children's mental health while taking care of your own • Why Joy and Evelyn's 'mommy issues' in Everything Everywhere All At Once feel cathartic to South Asian women • Afwaah is an intriguing and crucial film with lessons for all • The Song of Scorpions aesthetically displays a poetic but repulsive story • Beef is full of anger, catharsis, and our anti-heroism in our own lives • Happy Family: Conditions Apply is wholesome in its Indianness with a few hiccups • The Romantics: A dreamy ode to Bollywood when its not a PR exercise • Shehzada, with its muddled and regressive sociopolitics, is barely funny • Pathaan review: SRK reigns in this adventurous yet politically mature blockbuster - Social Ketchup • Cirkus review: This 'Comedy of Errors' is not funny despite its skilled cast • Goodbye: A sentimentally appealing but Baghban-like centrist guilt trip • Qala: A spectacular and aesthetically poetic but cynical tale with few hiccups • Drishyam 2 lets down its predecessor and actors with a lousy plot and little mystery! • Monica, O My Darling is a perfect balance of thrill, noir, and humour in a retro get-up • Double XL review: Predictable, preachy, and an unimpactful story coupled with mediocre acting • Doctor G review: A refreshing and praiseworthy accomplishment with a few problematic moments • Chhello Show review: A visually aesthetic and emotionally mature ode to cinema and filmmaking • An otherwise weak thriller, Chup: Revenge of the Artist is a daring but dull ode to Guru Dutt • Everything Everywhere All at Once – A never-seen-before, absurd, chaotic, and hilarious multiverse of madness! • Netflix's 'Indian Predator: The Diary of a Serial Killer' meanders without structure or gore • Has Marvel’s ‘Moon Knight’ done justice to ‘Dissociative Identity Disorder’? • An effort that could have achieved more: Viewing Jayeshbhai Jordaar from a feminist perspective • Sharmaji Namkeen: Modern, funny, light-hearted Baghban • Gehraiyaan: Dives deep into many subjects, gets most right • Does the #NationalityChallenge on Instagram border on cultural appropriation or not? • Free Press Journal • Unorthodox on Netflix: A series that needs to reach the audience that can’t access it. • The Prisons We Broke- a look into the life of the ‘untouchables’ • Zoey's Soulful Playlist • Of Locker Room, Screenshots and Misleading Headlines • Acne And Fat Bodies Don’t Exist In Bollywood, But Tide Is Turning • Politics of Body Shaming- SheThePeople • Feminist Conference- Srishti Bakshi • Feminist Conference- Key takeaways • Neighbourhood Safety Tips for your Children • Emerging Leader- Safecity.in • Freedom- Reality or Myth