Australian Design Review

Australian Design Review has been a member of Linktree for 1 year and joined in January 2025. The social media accounts linked to from Australian Design Review are: • Facebook • YouTube • LinkedIn Besides social media accounts, ausdesignreview has populated their site with: • www.australiandesignreview.com • Read the latest on Australian Design Review • Sign up to the ADR newsletter • Instagram • New study shows potential for decarbonising cement • Adelaide Design Week 2026 showed a city connected by design • Studio news: latest practice updates and appointments - Australian Design Review • Shadowplay turns the Gold Coast dark - Australian Design Review • A hospital that listens to its place - Australian Design Review • Atong Atem brings all shades of brilliance to the NGV • Densification and 13 million spare rooms at the Future Suburb Symposium • Can there be sustainable data centre design? • Birdcage – Hecker Guthrie leads the design at Flemington in 2026 • Lighting the way for waste-derived materials - Australian Design Review • A Singapore silhouette is heading for our Sydney skyline • International Passivhaus Open Days set for record year in Australia • The question of whether we should use AI has left the building • Co-design on display at Twelve Apostles Visitor Centre - Australian Design Review • memobottle launches first round bottle • Itera isn't just another Brunswick bakery • Sense of Self opens new sanctuary in Sydney • Australian solar innovation takes top honour at 2026 Good Design Awards • MDS takes a circular approach to Birkenstock HQ and store • Art Centre Melbourne's State Theatre reopens after significant but subtle renovations • Studio news: latest practice updates and appointments • Sydney turns building sites into open-air galleries - Australian Design Review • Kerry Hill Architects designs Small Wonder Winery • Yona Lee announced as 2027 Judy Wheeler Commission winner • Bang & Olufsen opens new Sydney flagship featuring local artist • Watercolours turn Melbourne's inner north into a love letter - Australian Design Review • 'AI should deliver public value, not productivity alone' • New Heyson Gallery completes in the Adelaide Hills • A pair of shoes can change a life • Zero Waste Festival debuts Rewear Runway • Victoria's Parliament House gets a glow-up • Adelaide Design Week asks what happens when design stops being a solo act • Margaret Preston review – flora, flora everywhere, but then you stop to think - Australian Design Review • Basil Bangs X Tom Mark Henry launch 'Verso' collection - Australian Design Review • Breaking the mould for financial services • Miele unveils first outdoor kitchen range in Australia • Eva's new showroom launches in Richmond - Australian Design Review • A theatrical new collection from Greg Natale • Perth Design Week announced for 2027 • An early learning centre designed to feel like a warm hug • Open House Latrobe brings archi-tourism to Gippsland • Sabbia Residence unites art and design for everyday living • A new recipe for alfresco living: inside Miele’s ‘Dreams’ Outdoor Kitchen - Australian Design Review • Pineapple Soup: The Business of Design with Shaun Lockyer • Designing Your Career: values, adaptability and the future of design • Three Australian homes that make a feature of light and shade • From life in a suitcase to owning my first Eva sofa • A timeless bathroom collection made for life • Surface design reframed through five new material expressions • Genton goes international with new London studio • How to choose tiles for every space in an Australian home • RJ Living expands its design language through material, colour and form - Australian Design Review • Designing a home sauna: integrating wellness into residential projects • A future-ready masterplan for Cairns Hospital • Designer Rugs celebrates 40 years with an evening of Design, Heritage and Community at Sydney's MCA - Australian Design Review • Sparkling wines and designs, and everyone welcome at the table • Alexander Gulfer's All'essenza chair comes to Innerspace • Rethinking the way we sit: why the Aeron chair's ergonomic performance matters • Grid Glass: where craft meets contemporary manufacturing - Australian Design Review • Hassell launches its 2026 Workplace Futures Survey • Materiality, memory and process – a Pineapple Soup experience • Roche Bobois brings an expressive new language to outdoor living • The table at the centre of modern collaboration - Australian Design Review • AJC’s Brewarrina Sports Centre rethinks how we build in outback Australia • Designer Rugs marks 40 years with a charity auction for design and purpose • Gray Puksand comes aboard as a 30UNDER30 practice partner • Meet Lawless & Meyerson's Jo Lawless, 30UNDER30's latest practice partner • The triple-barrelled dynamic duo at Tom Mark Henry - Australian Design Review • Bradhly Le returns to 30UNDER30 as a shortlist judge • From shortlist judge to mentor – Steven Toia rejoins 30UNDER30 • Meet Tom Black... from football to fostering the 30UNDER30 as a practice partner - Australian Design Review • On engaging with authenticity – Hare + Klein joins 30UNDER30 as a practice partner - Australian Design Review • DKO is the latest practice partner to join ADR's 30UNDER30 program • On spontaneity and treasuring your advocate – Amy Papas • Buy a copy of inside issue 122 - IDEA winners edition • Subscribe to inside magazine • IDEA Gala 2026 Tickets, Friday 4 December • Starts at 6:30 PM | Eventbrite • Designer of the Year presentations for IDEA 2026 – class conquers the cloudburst • IDEA's Emerging Designer of the Year presentations • IDEA 2026 Shortlist Reveal event – the Art Gallery of NSW hosts the A+D industry • ‘Simplicity is my mantra’ – Daniel Boddam joins the IDEA jury for 2026 • Designing Futures on Spotify • Designing Futures on Apple podcasts • Meet IDEA 2024 Gold Medallist: Dr Natalie Wright • Axolotl adds artisanal finishing touches to Machine Hall • How design can help build a fire-resilient future • IDEA 2025 timeline • So you want to teach interior design • New design books, films and podcasts • Cult introduces Patryk Koca’s Boardwalk collection • Stylist Kerrie-Ann Jones’ artful discoveries • Introducing ADR's 30UNDER30 for 2024/25 • MillerKnoll unveils bold new sustainability strategy • John Wardle’s Kew residence hits market • The evolution of Australian design identity • What’s on at Perth Design Week 2025 • Saltlick by DKO is a salute to long Balinese sunsets • IDEA 2024 winners share their shelfies • Meet 30UNDER30’s Samantha Wardle • The 2025 MECCA x NGV Women in Design Commission • IDEA 2025 is now open for entries! • Start your IDEA 2025 entry • Everything else you need to know about IDEA 2025 • MillerKnoll partners with Queers in Property • Windale Hub – A catalyst for transformation • IDEA jury chair Paul Hecker reveals what he will be looking for at IDEA 2025 • Meet 30UNDER30’s Soozy Lee • A bakery designed to delight • V-ZUG arrives in Melbourne • Melbourne Design Week announces 2025 program • Meet 30UNDER30’s Kate Riley • HAY unveils timeless design with a modern twist • Melissa Leung to judge IDEA • Nucleo® by HVG Facades on the way to setting new benchmarks in sustainable cladding • BRITA launches high-capacity commercial water dispensers for modern workplaces • WoodWall – Real timber veneer by Elton Group • IDEA 2025 reveals sustainability judge Jade Whittaker • The Remmy lighting collection by Leah Martin • Interface and GO Foundation partner to support First Nations students • Designer Selects – Larissa Haddad • Future architects embrace on-Country learning at Baaka • British sleep brand adored by royalty lands in Australia • The top songs on rotation at work for ADR’s 30UNDER30 • 30UNDER30 work playlist on Spotify • BTS: ADR’s 30UNDER30 Melbourne dinner • Andrew Glover to judge IDEA 2025 • Meet 30UNDER30’s Eddie Poate • Easel by Tom Fereday and Zenith – a lounging solution that frames the beauty within • Perth Design Week highlights • Bankston and Sans-Arc Studio reimagine the rules of hardware design • Lusso by HVG Facades celebrates the raw beauty of cement • Meet 30UNDER30's Daniella Bassin • Simone Haag at L’Appartamento for Milan Design Week • Chandon Estate’s Homestead by Melanie Beynon Architecture & Design • Conrad Lowry to judge IDEA 2025 • Bradfield city’s First Building faces the future while honouring the past • Behind the scenes of ADR’s 30UNDER30 Sydney dinner • Duigan Centre at Brighton Grammar by Architectus • Sydney Build Expo 2025 • Meet 30UNDER30’s Vincent Tsang • Guesthouse at ‘the edge of the world’: Vipp Tunnel in Tasmania • Where industry meets craft in the heart of Coopers country • Brisbane’s Trellis by Rothelowman ‘lets the landscape win’ • Meet 30UNDER30’s Lachlan Mackay • Milan Design Week highlights: Apartment edition • Designing where difference belongs • Australia Pavilion throws open its doors at World Expo 2025 Osaka • How Maria Uggla’s sustainable mindset drives innovation at Polestar • Meet 30UNDER30’s Tamara Glick • Materialised reveals new AcoustiCalm collection • Striking the right balance in workplace design with Carr’s Catherine Keys • Meet 30UNDER30’s Billie Murphy • AcoustiCalm panels by Materialised are a bold new presence in acoustic design • Studio Gram’s new Adelaide office • Neolith helps usher in a new era of sustainable home design at Belah House • Designer Selects with Harrison and Nicholas Condos • Meet 30UNDER30’s Ilianna Ginnis • Wendelbo applies residential prowess to commercial furniture market • Mexicairns proves style and sustainability can share a table • Multi-sensory karaoke playground hits Adelaide • Must-see events at Melbourne Design Week 2025 • Where home meets health: The rise of resi-medi neighbourhoods • Volker Haug wins 2025 Melbourne Design Week Award • Holding the line on what Passivhaus really means • Creative fire as Telstra NATSIAA finalists announced • Ballarat showcases creative city status at Craft Lab 2025 • Iconic Cairns landmarks recognised at architects awards • Sound and substance: Redefining the washbasin • Design meets durability in Crypton Leather • Planet City: Live at Vivid Sydney • Sans-arc's Matiya Marovich joins IDEA 2025 jury • ADR’s 30UNDER30 retreat reflections • BRITA envisages a bright and hydrated future for the workplace • Continued professional development with HVG Facades • One chair, 70 years of quiet conviction • Good design is enduring – the legacy of Knoll • Chandon joins IDEA • Zenn Design reveals the Elba seating collection • AILA celebrates finest in WA landscape design • Register for Melbourne Build Expo 2025 • Rethinking lab design: Minderoo Children’s Comprehensive Cancer Centre by BLP • ‘Black Women Rising’ – First Nations sculpture commissioned for Sydney’s Circular Quay • Hardie Grant’s new Collingwood workspace by Carr • Art and place in dialogue at Singleton Arts and Culture Centre by BKA • Meryl Hare announced as final judge for IDEA 2025 • Desert Mob returns in 2025 • 30UNDER30’s Katherine Luu on the forces that shape design • Nanimarquina’s latest collections explore new dimensions for contemporary rugs • How engaging with academia can strengthen architectural practice • 'Design Journeys' teaser video • Key takeaways from Jane Abernethy’s materials transparency talk for Humanscale • How Brisbane can design its Olympic legacy through place • Designer Rugs partners with Hare + Klein for striking new collection inspired by natural world • Introducing Hoshi Butter, a softer iteration of a SKEEHAN Studios classic • The next generation: Strength, vision and legacy with Jordan Ardler • 30UNDER30’s Kaila Cicchini on being the mentor she wishes she’d had • Designer Selects: Återvinna’s favourite Scandinavian pieces • Meet 30UNDER30’s Annie MacLean • 30UNDER30’s Siena Crestani on teaching and other creative outlets outside design • 'How to build strong relationships in design' panel • 30UNDER30’s Taylah Cheeseman on playful hospitality design and the joy of returning clients • Flawless timber has its flaws • NAU makes European debut at 3daysofdesign • Satara – a style and a service that facilitates relaxed luxury living • Meet 30UNDER30’s Dalton Stewart • Designer Selects: Zenn Design’s Hannah Goldberg • 30UNDER30’s Rachel Santos on creating meaningful relationships and shaping emotionally resonant spaces • What does regenerative design look like? • Nickolas Gurtler designs a menopause specialist clinic • Designer Selects: Adele Winteridge of Foolscap Studio on art infused sustainable materials • CO-architecture launches The Studio Accelerator • The Studio Accelerator launches to support Australia’s next wave of architecture and interior design founders • Halliday + Baillie finds seamless synergy with German brands • Meet 30UNDER30's Margot Lapalus • The Bosco collection by Greg Natale and Tongue & Groove brings a tessellated touch to timber flooring • Schiavello Furniture launches inspiring new digital space • Designer Selects: Streifen’s historic reference points • Sydney’s design community to gather for The 69 O’Riordan Collective 2025 • Future Future: Reflecting What’s Next • Tasmanian loudspeaker designers Pitt & Giblin bring warm sounds to cool spaces • Eames Shell Chair celebrates 75th anniversary • Meet 30UNDER30’s Julia Prell • Meet 30UNDER30's Charlotte Paule • Celebrating Australia’s most innovative furniture designers • Designing for taste, trust and transformation: BRITA’s vision for workplace hydration - Australian Design Review • Win an all-inclusive day out at Chandon’s Homestead • Elegant restraint meets liveable luxury • Zenith’s Jac initiative celebrates 100K trees planted • Nook Saunas leads new era of wellness at home • Win an all-inclusive day out at Chandon’s Homestead - Australian Design Review • Construction complete at BLP-designed Sydney Children’s Hospital and Cancer Centre • What's inside issue 121 of inside magazine • Buy a copy of inside issue 121 • MillerKnoll Archives inspires creatives with a century of storytelling • Classical elegance with a modern look - Australian Design Review • Designer Selects: Mim Design’s objects to desire and admire • Specify responsibly | Discover the ForestOne range • Discover the Nola Collection by Cult • Crafted Hardwoods x Skeehan – a hyper-local collaboration bringing back an icon • Watch Design Journeys: A film by Australian Design Review • IDEA 2025 shortlist • Designer Rugs invites Australian creatives to create their own bespoke rugs in 2025 Evolve Design Competition • A new format for ADR’s 30UNDER30 program • Emerging voices light up IDEA 2025 presentations at ForestOne - Australian Design Review • Enter Australian Design Review's 30UNDER30 • Learn more about entering 30UNDER30 in 2025/2026 • Entry criteria • Pierre Paulin’s F300 Lounge Chair makes long-awaited comeback • Sydney-based practice Folk Studio is reshaping interior design • Sacha Lakic’s bold, quirky Bubble collection for Roche Bobois • The beauty of simplicity: Celebrating 30 years of Halliday + Baillie hardware - Australian Design Review • Inside Flack Studio's new coffee table book • Reviving the craft of architectural glass design • 30UNDER30 alumni among finalists of Rigg Design Prize • The Evolve jury panel share their tips for Designer Rugs’ competition • Introducing 30UNDER30 mentor Chris Stribley • IDEA 2025 Designer of the Year finalists presented in Brisbane • Living Edge and Knoll host industry tribute to Florence Knoll • Nipa Doshi unveils MECCA x NGV Women in Design Commission • Three lessons from Sydney Design Week • MillerKnoll presents ‘Conversations for a Better World’ • 30UNDER30's Sophie Kebbell digs into the 'why' of interior design • 30UNDER30 mentor Brooke Lloyd on the power of ‘yes’ • Metz and Onyx Solar will showcase Atlassian Central’s BiPV technology - Australian Design Review • Emerging designer Nicholas Gilbert launches Studio Nicholas • ABI Interiors: where elegant design meets industrial-grade tapware • Waste to wonder: Crafted Hardwoods and the future of sustainable timber - Australian Design Review • Free Melbourne Build Expo tickets • Zaneti unveils new seating range: Catania, Greta and Sauvage chairs - Australian Design Review • Ross Gardam will mentor ADR's 30UNDER30 in 2026 • Download the free workplace trend report from Zenith • 30UNDER30’s Cristina Napoleone on founding Terrain • IDEA 2025 gala tickets • About Time bathhouse project feature • Bundanon unveils 2026 artists and researchers for landmark residencies - Australian Design Review • Ola Mexicola by Fenton & Fenton • 30UNDER30 practice partner Bradhly Le embraces the handmade • Balancing budget and buildability: Unita and Cameron & Co on the new PS Health clinic - Australian Design Review • 30UNDER30 shortlist judge Alison Potter champions collaboration • Haymes Paint partners with ACMI for new exhibition Game Worlds • The material evolution of ILBAGNOALESSI • Why ForestOne wants to foster new design studios - Australian Design Review • Meet 30UNDER30 mentor Sally Campbell from BVN • Super Kaylene Whiskey lights up the National Portrait Gallery • North Adelaide ‘Treehouse’ by Das Studio • Designing a better tomorrow - Australian Design Review • Amaze discusses the Reset Room Design Guide • Defining Swissness – the Laufen way • New corporate insights report finds on-the-ground workplace to be strategic business tool • CDU’s new Centre for Better Health Futures considers context • What to expect at the IDEA 2025 gala in Sydney • The joys of an all-round view – the Vipp Swivel chair and Studio desk, from Cult • ‘Still Point’ exhibition at Villa Alba Museum • ArchiTeam Awards reveals 2025 winners • Emerging Designer of the Year presentation recap • Designer Rugs and Emma Elizabeth unveil Opal collection • 30UNDER30 shortlist judge Simon Fleet on the early experiences that shaped his career • Like Butter meets Crafted Hardwoods • MOTHER opens hearts and histories at NGV Australia - Australian Design Review • Video: Interface’s ReEntry program gives used carpet new life • Only angels have wings at Relic Design & Craft • Design’s new champion at the helm • Central by J.AR Office wins IDEA Overall Project of the Year • All the winners of IDEA 2025 • The art of designing a small workplace • IDEA 2025 winners • MillerKnoll’s latest Better World Report • A night of design: celebrating Cruda and Bosco • IDEA gala 2025 wrap-up – the good, the better and the best of the best • Presenting the shortlist for ADR's 30UNDER30 in 2025/2026 - Australian Design Review • 2025/2026 SHORTLIST • IDEA gala gallery • 10,000 rule putting designers at risk • The comeback Keyn by Herman Miller • Faucet Strommen unveils Figura luxury tapware and fixtures • Westwood | Kawakubo: world-premiere exhibition opens at NGV • Pavilion Volume Two by Ross Gardam • History, art and design collide at Lanson Place • Wilya Janta turns community-led remote housing design into reality • Waterloo’s new Field Rooms calls for residency applications • Aqua table, designed by Fabrice Berrux • Preview issue 122 – the IDEA winners edition • inside magazine issue 122 out now! • Explore ForestOne's DesignerOne colour range • Studio Manifold reflects on IDEA 2025 Residential Single award • Global recognition for place-shaping architecture • Scaling MMC from strategy to system • At Home with Kurt Crisp of Buck & Simple • A dual manufacturing footprint for a genuine end-to-end services response • 5 minutes with A Complete Thought Studio • A book light… made from a pile of books • COX and Hassell win Brisbane Stadium design contract • Leave it open – designing for the temporary spaces at the Australian Open • Giving Brisbane the Central spotlight • When legacy meets future thinking • A summer of design: events to see across Australia • Michiru Higginbotham revives a social hub at St Andrew’s College • Inside Rothelowman’s new Perth studio • So.Architecture profile • Dendy Beach Pavilion and Brighton Life Saving Club by JCB • Pacific PropTech's end-to-end solution simplifies delivery • Gate 8 and the civic future of work • New Sydney Fish Market opens as landmark destination • Winning an IDEA trifecta – getting to know Studio Gram • A force to be reckoned with • 205 North Quay – a subtropical approach to an office tower • How colour set the tone for success at Bar Julius • Let's go with LEGO • Peavey Residence II by FYC Architects • Mapping Hotel Indigo’s interiors at Melbourne Walk • A long road from promise to policy • A juxtaposition of spirit • The Harvest finds its footing in West Perth • Escultura and the discipline of liveable sculpture • Breathe’s IDEA-winning projects share a common home truth • M2 Melbourne – Designing a data centre with a human touch • IDEA 2026 timeline and pricing • Research proposes microalgae solutions for WA architecture • IFEX Indonesia • David Flack on the design of Hannah St Hotel • Aesthetics and awareness – how Roche Bobois is furthering its Australian foothold • 2025/2026 FINAL 30 • ADR’S 30UNDER30 ANNOUNCEMENT ARTICLE • Designing with pride in 2026 • Hunney Studio launches with Ramona Bookstore • Tickets - Sydney Build Expo 2026 • Searle x Waldron’s IDEA-winning workplace project • Introducing IDEA 2026 judge Adèle Winteridge • New Footscray Hospital exemplifies community-first design • Loose leaf opens the archive and the imagination • Laufen announced as sponsor for ADR's 30UNDER30 • Home truths – meeting The House Detective • Fire, Water, Building exhibition • Bringing the best business furniture to Brisbane • GHD's dynamic post-COVID refurbishment • Melbourne Art Fair wraps 2026 edition • Designer Rugs unveils Evolve competition shortlist • DesignFreo launches 2026 program with Fremantle Design Week dates - Australian Design Review • Felicity Bernstein named IDEA sustainability judge • Adapt. Reuse. Return. • Xu Tiantian announced as the MECCA x NGV Women in Design Commission for 2026 • IDEA entries open now • Perth Design Week launches curated 2026 program • Meet 30UNDER30's Phoebe Allen • Melbourne Design Week reveals 2026 program • Introducing IDEA 2026 judge Diana Espiritu • River light and stagecraft rise in Kirikiriroa Hamilton • David Hicks designs FELIX collection for Sussex Taps • Krost's new Brisbane showroom launched in style • Yalumba joins IDEA as exclusive red wine partner for 2026 • Young designers and inventors invited to tackle the world’s problems in James Dyson Award 2026 - Australian Design Review • Vivid Sydney reveals 2026 program • Introducing the Sona Smart Toilet by Fienza • The West Gate Tunnel Project by Wood Marsh • GALLERY: Sydney dinner • Meet 30UNDER30's Blake Hillebrand • Back to Basis: meet the new foundation seating collection from Zenith • Melbourne show garden makes the case for wilder, smarter backyards • Meet 30UNDER30's Nissie Bungbrakearti • 'Still time' to save the Australian Design Centre • DKO's Michael Drescher announced as jury chair • Jansz Tasmania announced as sparkling wine partner for IDEA 2026 • Meet 30UNDER30's Zac Vassallo • Revitalising the Ian Potter State Theatre • The bottled water era in commercial design is over • LAUFEN and Roca open Sydney Gallery • Armadillo makes first foray into pattern with Linea • Build-to-rent poised to reset rental expectations • Future proofing – Future Country opens in Melbourne • Meet 30UNDER30’s Alana Beveridge • NSW gives construction industry breathing room • Smarter timber specification • 9 Wilson Ave Brunswick by MA+Co and Neometro • How the inaugural Pineapple Soup went down • Meet 30UNDER30’s Ava Kim • Kelly Wearstler makes Australian debut • Meet 30UNDER30’s Sidney Ford • LAUFEN updates The New Classic collection • Designer Rugs announces winners of Evolve • Meet 30UNDER30's Isabella White • Designing for generational change at work • Fifty years and counting – SJB celebrates a milestone and looks to the future • Who says being addicted is always bad? • Designing for who’s actually there • Vincent Lingiari Art Award to celebrate 50 years of land rights • GENE chair by Axona AICHI • Meet 30UNDER30’s Morgan Wolpers • GALLERY: 30UNDER30 Melbourne dinner • Meet 30UNDER30’s Milica Božić • The Glasshouse is quite the spectacle • The data is in: talent shortages reshape the A + D market - Australian Design Review • A new surface language takes shape - Australian Design Review • World-leading design figures headline Vivid Sydney • Designer Selects: Greg Natale shares his appreciation of Roche Bobois statement pieces and more - Australian Design Review • The Monty motel by Cera Stribley • NGV launches its fourth Triennial • Meet 30UNDER30's Angela Liang • WAM and Greenaway architects design Atlassian's Melbourne HQ • A new ritual taking shape in the home - Australian Design Review • Putting the human in Humanscale • To infinity and beyond – Modul Space • Roche Bobois for Milan Design Week 2026 • Sydney gets a shot in the arm with The Cutaway • Sydney Build builds momentum for this week's event • Meet 30UNDER30’s Jack Crowe • Telling the story of place through design and heritage • Shaun Lockyer joins IDEA 2026 jury • For those who like to wander... and wonder • Beyond good intentions: why inclusive design needs codified standards • Alcova activates two evocative venues for Milan Design Week 2026 • Waste finds form at Melbourne Design Week - Australian Design Review • Architecture and AI expert coming to Vivid Sydney • 30UNDER30's Candyce Hunstman on building trusted networks and evolving her design approach - Australian Design Review • More from Milan – bold and brilliant immersions from Artemest, Muuto and Casaornella - Australian Design Review • Joshua Vermillion to 'cut through noise' surrounding AI in design at Vivid Sydney • Design Matters host Debbie Millman coming to Vivid • 30UNDER30's Ben Hovav on why designers need to be part of bigger conversations - Australian Design Review • Zanotta – Cult - Design First • 30UNDER30’s Awkar Ruel on people, place and purpose • Melbourne Design Week 2026 turns the city into a living lab - Australian Design Review • Balarinji's M7 public art collection reframes infrastructure design - Australian Design Review • Building blocks – a spotlight on the burgeoning BTR market - Australian Design Review • Lewer's portrait of Elder Iluwanti Ken claims 2026 Archibald Prize • Milan Design Week 2026 – the unmissable exhibitions - Australian Design Review • 30UNDER30's Simone Carmody on advocacy and the climate crisis • How Australian design enlivened Faena New York - Australian Design Review • Project spotlight: feature ceilings at 500 Bourke Street, Victoria - Australian Design Review • A decade in motion – the evolution of Fat Tulip - Australian Design Review • Melbourne Design Week takes over the city • PTID redefines the commercial lobby at 567 Collins Street - Australian Design Review • 30UNDER30’s Marlo Lyda: finding the heartbeat of design within the overlooked • 30UNDER30’s Kiara Carroll on leading within collaboration to shape the built environment • Sustainable innovations in design – a panel discussion at LAUFEN's Sydney Gallery • Product highlights from Milan Design Week 2026 • The benchmark for Australian design: why the industry convenes at Design Show Australia • 30UNDER30’s Sarah Barrett on empathy, human-centred design and connection • 30UNDER30’s Maeve Mullane on design as storytelling and the language of materials • 30UNDER30’s Dasha Tolotchkov on observation, creativity and emotional design • COX designers Maeve Mullane, Rhiana Roberts and Nissie Bungbrakearti on the importance of creativity and connection - Australian Design Review • 30UNDER30’s Anny Benjamin on collaboration, memory and meaningful practice • 30UNDER30’s Lachlan Kirkland on taking Australian product design to the global stage - Australian Design Review • 30UNDER30’s Lachlan Kirkland on taking Australian product design to the global stage • 30UNDER30’s Shalini Rautela on tangible, enduring and low-impact design • Sydney takes the lead in Australia’s build-to-rent boom - Australian Design Review • How to grow steadily by staying true to the fundamental principles of quality in design – RJ Living - Australian Design Review • Envisioning the Catholic Cathedral, Sydney’s heart of faith and spirituality - Australian Design Review • Moving with the times – Miele unveils 'Designed to Move with You' at Milan Design Week - Australian Design Review • Hospitality, culture and connection redefining the workplace - Australian Design Review • A lamp built from memory and movement - Australian Design Review • Science Gallery's EMERGENCE[Y] this June - Australian Design Review • LAUFEN's Ino collection redefines the bathroom object - Australian Design Review • ADR's 30UNDER30 creative retreat in Bali winds up with some life-changing lessons • The power of endurance in design • A switch statement with the Clipsal Solis T Series at Lake Taupō - Australian Design Review • The Children's Hospital at Westmead opens new building designed by BLP • 30UNDER30's Carmelo Nastasi on confronting the demolish-and-rebuild mentality • Rone is finally Home • Design meets strategy and behavioural science at Herman Miller Sydney event • Akin for the win: Kelvin Ho joins the IDEA jury for 2026 • Carried away by Cartier? • Swedish baked goods, but not as you know them • Powerhouse Parramatta champions more than 50 Australian designers • Brisbane Open House announces 2026 line-up • Naarm Architecture Foundation sparks Melbourne's design conversation - Australian Design Review • Craft, colour and the considered interior: dispatches from 3daysofdesign 2026 • Ticking all the boxes – why ForestOne's EGGER Light Vicenza Oak was the perfect fit • Herman Miller's Aeron chair doesn't sit still • Redefining facility hydration with BRITA Commercial Grade dispensers - Australian Design Review • Adelaide aged care home makes sustainability history • BTR takes off in Footscray - Australian Design Review • ADR's 30UNDER30 creative retreat in Bali winds up with some life-changing lessons - Australian Design Review • Ingo Maurer and Foscarini shone a light on 3daysofdesign • Create, divide, define – KISSEN Create is the answer to contemporary workspace challenges • Kincaid's prefab terraces are rewriting the rules • The art of Axminster • And the fourth little pig built his house with... Hardie Gravis Panel • Stellar Works presents stylish vision for the future at 3daysofdesign • The generous 2026 program for Open House Melbourne • Debates and lessons from THRIVE 2026 Passivhaus Conference • Two minds, one colour language: the Chromatic Alphabet comes to Melbourne - Australian Design Review • Three days that changed two designers' palettes - Australian Design Review • Plus Studio launches new adaptive reuse tool • Architectus and The Huxleys celebrate 20 years of GOMA in their own inimitable fashion - Australian Design Review • Shaping the future: inside the 30UNDER30 journey • From the campfire to the Artichoke: lighting as a timeless connector • Creative directors for Australia’s 2027 Venice Biennale exhibition announced • Tongue & Groove brings new GridWork collection to Australia • The 2026 National Photographic Portrait Prize returns to Canberra • Nightingale Housing lands in Coburg • Beneath the surface – Foster & Black pops with ForestOne's MEGANITE Solid Surface • In emptiness alone there can be creation - Australian Design Review • Darwin Aboriginal Art Fair celebrates 20 years • Old wood, new stories at Melbourne's Decor + Design Show - Australian Design Review • Making an impact from the floor up – the allure of Aloura • AJC Architects win second consecutive NSW Enduring Architecture Award • Herman Miller appoints new creative directors • Cordelia is rewriting the rules of residential architecture in Brisbane - Australian Design Review • The Bonobo finds a quieter expression of Byron Bay • ArchiTeam 2026 Awards program – open for entries now • The sound of now – from noise pollution to perfect pitch • Curated by Tom launches new showroom in Adelaide • The seamless evolution of heritage in Cottage House - Australian Design Review • A school for the whole community • Dean Dyson Architects rethinks open-plan Australian living • Sorrento Estate a private world built for stillness - Australian Design Review • Step back into the world of Brett Whiteley • Be blown away by Foolscap x Pieces of Eight • Crafted Hardwoods × Jon Goulder – from conversation to centrepiece • Brassaï: Secret Paris reveals a world long gone • Flexibility is not a brief • COX Architecture completes new Circular Quay workplace for Mallesons • A new Cultural Centre by Architectus hits all the right notes - Australian Design Review • Designing for care: the HDR health planners shaping hospitals that heal and endure - Australian Design Review • Made to the millimetre: inside Krost’s workshop • A mid-century billiards club opens right on cue in Adelaide • RMIT 'VENTUROUS' exhibition opens in Melbourne • Designers to be recognised in the census for the first time • Learning above a city’s pulse – the ECU City campus - Australian Design Review • Open Studio makes a case for discordant design • Canberra turns its landscape into a gallery at its 2026 Art Biennial • Plans revealed for Sydney's new public square • Beyond the surface: how Amazali is redefining the possibilities of Neolith • Cult reflects on 3daysofdesign 2026 in Copenhagen - Australian Design Review • A family farm ripe for a new venture • Brisbane turns pink as Melt unveils its biggest program yet - Australian Design Review • Pursuing architectural excellence in highly specialised typologies • Where the fire finishes what the flood started - Australian Design Review • The AIA launches 'Walk Together: Design Guided by Country' • Powerhouse Parramatta reveals opening date and first exhibition details - Australian Design Review • Living Cities Forum returns with a call for care - Australian Design Review • 'I feel like we're just getting started' – David Flack joins 30UNDER30 as a judge and mentor • How international partnerships can expand the creative vision - Australian Design Review • ACCA brings back 'NEW' commissioning series • Going on The Ghan – reinforcing luxury with Grid Glass • Introducing Tallira – the natural evolution of The Rug Collection - Australian Design Review • Queensland makers unleashed at HOTA • Six ways of dissenting: Craft + Design Canberra 2026 • Sydney Contemporary through the eyes of three creative women • Sibling Architecture builds a world inside Angela Tiatia's Muse • King Living announced as co-major sponsor for ADR's 30UNDER30 • DesignerOne Joinery Boards | Australian-Made by ForestOne • 'Plants are protagonists in human evolution' - Australian Design Review • Newcastle's New Annual returns for 2026 • A home to grow into • Colour as design strategy in the workplace • Having chispa, kaizen and hard yakka – design the Yasmine Ghoniem way - Australian Design Review • New purpose for Sydney's industrial past - Australian Design Review • ArchiTeam announces judging panel for 2026 Awards and extends deadline • The Curved Path, a 30UNDER30 panel discussion at SJB - Australian Design Review • On mentorship and beyond – Mim Design - Australian Design Review • Where technology meets the detail: Clipsal joins IDEA as a new partner - Australian Design Review • On practising your soft skills – with Made For's Mitchell Jones - Australian Design Review • The humble monitor arm: the overlooked detail of the modern workspace • Green Threads helping to stitch past and present • The art of design stewardship • Designer Rugs marks 40 years with a charity auction for design and purpose - Australian Design Review • A new standard for socially connected student living - Australian Design Review • Designer Rugs celebrates 40 years with an evening of Design, Heritage and Community at Sydney's MCA