Australian Design Review

Australian Design Review has been a member of Linktree for 1 year and joined in January 2025. The social media accounts linked to from Australian Design Review are: • Facebook • YouTube • LinkedIn Besides social media accounts, ausdesignreview has populated their site with: • A school for the whole community • Curated by Tom launches new showroom in Adelaide • ArchiTeam 2026 Awards program – open for entries now • The sound of now – from noise pollution to perfect pitch • www.australiandesignreview.com • Darwin Aboriginal Art Fair celebrates 20 years • Beneath the surface – Foster & Black pops with ForestOne's MEGANITE Solid Surface • Creative directors for Australia’s 2027 Venice Biennale exhibition announced • From the campfire to the Artichoke: lighting as a timeless connector • Debates and lessons from THRIVE 2026 Passivhaus Conference • Studio news: latest practice updates and appointments - Australian Design Review • The generous 2026 program for Open House Melbourne • Stellar Works presents stylish vision for the future at 3daysofdesign • And the fourth little pig built his house with... Hardie Gravis Panel • The art of Axminster • Create, divide, define – KISSEN Create is the answer to contemporary workspace challenges • ‘Simplicity is my mantra’ – Daniel Boddam joins the IDEA jury for 2026 • ADR's 30UNDER30 creative retreat in Bali winds up with some life-changing lessons - Australian Design Review • BTR takes off in Footscray - Australian Design Review • Adelaide aged care home makes sustainability history • Redefining facility hydration with BRITA Commercial Grade dispensers - Australian Design Review • Herman Miller's Aeron chair doesn't sit still • Ticking all the boxes – why ForestOne's EGGER Light Vicenza Oak was the perfect fit • Craft, colour and the considered interior: dispatches from 3daysofdesign 2026 • Naarm Architecture Foundation sparks Melbourne's design conversation - Australian Design Review • Brisbane Open House announces 2026 line-up • Powerhouse Parramatta champions more than 50 Australian designers • Swedish baked goods, but not as you know them • Carried away by Cartier? • Akin for the win: Kelvin Ho joins the IDEA jury for 2026 • Design meets strategy and behavioural science at Herman Miller Sydney event • Rone is finally Home • 30UNDER30's Carmelo Nastasi on confronting the demolish-and-rebuild mentality • The Children's Hospital at Westmead opens new building designed by BLP • A switch statement with the Clipsal Solis T Series at Lake Taupō - Australian Design Review • The power of endurance in design • ADR's 30UNDER30 creative retreat in Bali winds up with some life-changing lessons • LAUFEN's Ino collection redefines the bathroom object - Australian Design Review • Science Gallery's EMERGENCE[Y] this June - Australian Design Review • A lamp built from memory and movement - Australian Design Review • Hospitality, culture and connection redefining the workplace - Australian Design Review • Moving with the times – Miele unveils 'Designed to Move with You' at Milan Design Week - Australian Design Review • Envisioning the Catholic Cathedral, Sydney’s heart of faith and spirituality - Australian Design Review • How to grow steadily by staying true to the fundamental principles of quality in design – RJ Living - Australian Design Review • Sydney takes the lead in Australia’s build-to-rent boom - Australian Design Review • 30UNDER30’s Shalini Rautela on tangible, enduring and low-impact design • 30UNDER30’s Lachlan Kirkland on taking Australian product design to the global stage • 30UNDER30’s Lachlan Kirkland on taking Australian product design to the global stage - Australian Design Review • COX designers Maeve Mullane, Rhiana Roberts and Nissie Bungbrakearti on the importance of creativity and connection - Australian Design Review • 30UNDER30’s Dasha Tolotchkov on observation, creativity and emotional design • 30UNDER30’s Maeve Mullane on design as storytelling and the language of materials • 30UNDER30’s Sarah Barrett on empathy, human-centred design and connection • The benchmark for Australian design: why the industry convenes at Design Show Australia • Product highlights from Milan Design Week 2026 • Sustainable innovations in design – a panel discussion at LAUFEN's Sydney Gallery • 30UNDER30’s Kiara Carroll on leading within collaboration to shape the built environment • 30UNDER30’s Marlo Lyda: finding the heartbeat of design within the overlooked • PTID redefines the commercial lobby at 567 Collins Street - Australian Design Review • Melbourne Design Week takes over the city • A decade in motion – the evolution of Fat Tulip - Australian Design Review • Project spotlight: feature ceilings at 500 Bourke Street, Victoria - Australian Design Review • How Australian design enlivened Faena New York - Australian Design Review • 30UNDER30's Simone Carmody on advocacy and the climate crisis • Milan Design Week 2026 – the unmissable exhibitions - Australian Design Review • Lewer's portrait of Elder Iluwanti Ken claims 2026 Archibald Prize • Building blocks – a spotlight on the burgeoning BTR market - Australian Design Review • Balarinji's M7 public art collection reframes infrastructure design - Australian Design Review • Melbourne Design Week 2026 turns the city into a living lab - Australian Design Review • 30UNDER30’s Awkar Ruel on people, place and purpose • Zanotta – Cult - Design First • 30UNDER30's Ben Hovav on why designers need to be part of bigger conversations - Australian Design Review • Design Matters host Debbie Millman coming to Vivid • Joshua Vermillion to 'cut through noise' surrounding AI in design at Vivid Sydney • 30UNDER30's Candyce Hunstman on building trusted networks and evolving her design approach - Australian Design Review • Architecture and AI expert coming to Vivid Sydney • Waste finds form at Melbourne Design Week - Australian Design Review • Alcova activates two evocative venues for Milan Design Week 2026 • Beyond good intentions: why inclusive design needs codified standards • For those who like to wander... and wonder • Shaun Lockyer joins IDEA 2026 jury • Telling the story of place through design and heritage • Meet 30UNDER30’s Jack Crowe • Sydney Build builds momentum for this week's event • Sydney gets a shot in the arm with The Cutaway • Roche Bobois for Milan Design Week 2026 • To infinity and beyond – Modul Space • Putting the human in Humanscale • A new ritual taking shape in the home - Australian Design Review • WAM and Greenaway architects design Atlassian's Melbourne HQ • Meet 30UNDER30's Angela Liang • NGV launches its fourth Triennial • The Monty motel by Cera Stribley • Designer Selects: Greg Natale shares his appreciation of Roche Bobois statement pieces and more - Australian Design Review • World-leading design figures headline Vivid Sydney • A new surface language takes shape - Australian Design Review • The data is in: talent shortages reshape the A + D market - Australian Design Review • The Glasshouse is quite the spectacle • Meet 30UNDER30’s Milica Božić • GALLERY: 30UNDER30 Melbourne dinner • Meet 30UNDER30’s Morgan Wolpers • GENE chair by Axona AICHI • Vincent Lingiari Art Award to celebrate 50 years of land rights • Designing for who’s actually there • Who says being addicted is always bad? • Fifty years and counting – SJB celebrates a milestone and looks to the future • Designing for generational change at work • Meet 30UNDER30's Isabella White • Designer Rugs announces winners of Evolve • LAUFEN updates The New Classic collection • Meet 30UNDER30’s Sidney Ford • Kelly Wearstler makes Australian debut • Meet 30UNDER30’s Ava Kim • How the inaugural Pineapple Soup went down • 9 Wilson Ave Brunswick by MA+Co and Neometro • Smarter timber specification • NSW gives construction industry breathing room • Meet 30UNDER30’s Alana Beveridge • Future proofing – Future Country opens in Melbourne • Build-to-rent poised to reset rental expectations • Armadillo makes first foray into pattern with Linea • LAUFEN and Roca open Sydney Gallery • The bottled water era in commercial design is over • Revitalising the Ian Potter State Theatre • Meet 30UNDER30's Zac Vassallo • Jansz Tasmania announced as sparkling wine partner for IDEA 2026 • DKO's Michael Drescher announced as jury chair • 'Still time' to save the Australian Design Centre • Meet 30UNDER30's Nissie Bungbrakearti • Melbourne show garden makes the case for wilder, smarter backyards • Back to Basis: meet the new foundation seating collection from Zenith • Meet 30UNDER30's Blake Hillebrand • GALLERY: Sydney dinner • The West Gate Tunnel Project by Wood Marsh • Introducing the Sona Smart Toilet by Fienza • Vivid Sydney reveals 2026 program • Young designers and inventors invited to tackle the world’s problems in James Dyson Award 2026 - Australian Design Review • Yalumba joins IDEA as exclusive red wine partner for 2026 • Krost's new Brisbane showroom launched in style • David Hicks designs FELIX collection for Sussex Taps • River light and stagecraft rise in Kirikiriroa Hamilton • Introducing IDEA 2026 judge Diana Espiritu • Melbourne Design Week reveals 2026 program • Meet 30UNDER30's Phoebe Allen • Perth Design Week launches curated 2026 program • IDEA entries open now • Xu Tiantian announced as the MECCA x NGV Women in Design Commission for 2026 • Adapt. Reuse. Return. • Felicity Bernstein named IDEA sustainability judge • DesignFreo launches 2026 program with Fremantle Design Week dates - Australian Design Review • Designer Rugs unveils Evolve competition shortlist • Melbourne Art Fair wraps 2026 edition • GHD's dynamic post-COVID refurbishment • Bringing the best business furniture to Brisbane • Fire, Water, Building exhibition • Home truths – meeting The House Detective • Laufen announced as sponsor for ADR's 30UNDER30 • Loose leaf opens the archive and the imagination • New Footscray Hospital exemplifies community-first design • Introducing IDEA 2026 judge Adèle Winteridge • Searle x Waldron’s IDEA-winning workplace project • Tickets - Sydney Build Expo 2026 • Hunney Studio launches with Ramona Bookstore • Designing with pride in 2026 • ADR’S 30UNDER30 ANNOUNCEMENT ARTICLE • 2025/2026 FINAL 30 • Aesthetics and awareness – how Roche Bobois is furthering its Australian foothold • David Flack on the design of Hannah St Hotel • IDEA 2026 timeline and pricing • Buy a copy of inside issue 122 - IDEA winners edition • 2025/2026 SHORTLIST • IDEA 2025 winners • The seamless evolution of heritage in Cottage House - Australian Design Review • Kincaid's prefab terraces are rewriting the rules • 30UNDER30’s Anny Benjamin on collaboration, memory and meaningful practice • IDEA gala gallery • The Bonobo finds a quieter expression of Byron Bay • IFEX Indonesia • Cordelia is rewriting the rules of residential architecture in Brisbane - Australian Design Review • Ingo Maurer and Foscarini shone a light on 3daysofdesign • Research proposes microalgae solutions for WA architecture • Herman Miller appoints new creative directors • Mapping Hotel Indigo’s interiors at Melbourne Walk • AJC Architects win second consecutive NSW Enduring Architecture Award • M2 Melbourne – Designing a data centre with a human touch • Making an impact from the floor up – the allure of Aloura • Breathe’s IDEA-winning projects share a common home truth • Old wood, new stories at Melbourne's Decor + Design Show - Australian Design Review • Gate 8 and the civic future of work • In emptiness alone there can be creation - Australian Design Review • Escultura and the discipline of liveable sculpture • Nightingale Housing lands in Coburg • The Harvest finds its footing in West Perth • From breaking ceilings to building successors: Lisa-Maree Carrigan • Pacific PropTech's end-to-end solution simplifies delivery • The 2026 National Photographic Portrait Prize returns to Canberra • A long road from promise to policy • Tongue & Groove brings new GridWork collection to Australia • Peavey Residence II by FYC Architects • Shaping the future: inside the 30UNDER30 journey • A juxtaposition of spirit • Subscribe to inside magazine • Plus Studio launches new adaptive reuse tool • How colour set the tone for success at Bar Julius • Architectus and The Huxleys celebrate 20 years of GOMA in their own inimitable fashion - Australian Design Review • Central by J.AR Office wins IDEA Overall Project of the Year • Three days that changed two designers' palettes - Australian Design Review • Let's go with LEGO • Two minds, one colour language: the Chromatic Alphabet comes to Melbourne - Australian Design Review • 205 North Quay – a subtropical approach to an office tower • A force to be reckoned with • Winning an IDEA trifecta – getting to know Studio Gram • Read the latest on Australian Design Review • New Sydney Fish Market opens as landmark destination • Sign up to the ADR newsletter • When legacy meets future thinking • Dendy Beach Pavilion and Brighton Life Saving Club by JCB • A dual manufacturing footprint for a genuine end-to-end services response • More from Milan – bold and brilliant immersions from Artemest, Muuto and Casaornella - Australian Design Review • Explore ForestOne's DesignerOne colour range • Designing Futures on Spotify • So.Architecture profile • Designing Futures on Apple podcasts • Inside Rothelowman’s new Perth studio • Michiru Higginbotham revives a social hub at St Andrew’s College • A summer of design: events to see across Australia • Giving Brisbane the Central spotlight • Aqua table, designed by Fabrice Berrux • Leave it open – designing for the temporary spaces at the Australian Open • Instagram • COX and Hassell win Brisbane Stadium design contract • A book light… made from a pile of books • 5 minutes with A Complete Thought Studio • At Home with Kurt Crisp of Buck & Simple • Scaling MMC from strategy to system • Global recognition for place-shaping architecture • Studio Manifold reflects on IDEA 2025 Residential Single award • Wilya Janta turns community-led remote housing design into reality • Pavilion Volume Two by Ross Gardam • inside magazine issue 122 out now! • Faucet Strommen unveils Figura luxury tapware and fixtures • Ross Gardam will mentor ADR's 30UNDER30 in 2026 • 30UNDER30 practice partner Bradhly Le embraces the handmade • Meet 30UNDER30 mentor Sally Campbell from BVN • Waterloo’s new Field Rooms calls for residency applications • History, art and design collide at Lanson Place • Westwood | Kawakubo: world-premiere exhibition opens at NGV • The comeback Keyn by Herman Miller • Preview issue 122 – the IDEA winners edition • 10,000 rule putting designers at risk • A night of design: celebrating Cruda and Bosco • IDEA 2025 shortlist • Buy a copy of inside issue 121 • 30UNDER30 shortlist judge Alison Potter champions collaboration • 30UNDER30 shortlist judge Simon Fleet on the early experiences that shaped his career • IDEA gala 2025 wrap-up – the good, the better and the best of the best • MillerKnoll’s latest Better World Report • Video: Interface’s ReEntry program gives used carpet new life • All the winners of IDEA 2025 • The art of designing a small workplace • Design’s new champion at the helm • Only angels have wings at Relic Design & Craft • Presenting the shortlist for ADR's 30UNDER30 in 2025/2026 - Australian Design Review • MOTHER opens hearts and histories at NGV Australia - Australian Design Review • Like Butter meets Crafted Hardwoods • Designer Rugs and Emma Elizabeth unveil Opal collection • The joys of an all-round view – the Vipp Swivel chair and Studio desk, from Cult • Defining Swissness – the Laufen way • IDEA 2025 gala tickets • IDEA 2025 timeline • What to expect at the IDEA 2025 gala in Sydney • ArchiTeam Awards reveals 2025 winners • ‘Still Point’ exhibition at Villa Alba Museum • Emerging Designer of the Year presentation recap • Everything else you need to know about IDEA 2025 • CDU’s new Centre for Better Health Futures considers context • Designing a better tomorrow - Australian Design Review • New corporate insights report finds on-the-ground workplace to be strategic business tool • Amaze discusses the Reset Room Design Guide • North Adelaide ‘Treehouse’ by Das Studio • Why ForestOne wants to foster new design studios - Australian Design Review • The material evolution of ILBAGNOALESSI • Super Kaylene Whiskey lights up the National Portrait Gallery • Haymes Paint partners with ACMI for new exhibition Game Worlds • Balancing budget and buildability: Unita and Cameron & Co on the new PS Health clinic - Australian Design Review • Bundanon unveils 2026 artists and researchers for landmark residencies - Australian Design Review • Ola Mexicola by Fenton & Fenton • About Time bathhouse project feature • 30UNDER30 mentor Brooke Lloyd on the power of ‘yes’ • Introducing 30UNDER30 mentor Chris Stribley • ABI Interiors: where elegant design meets industrial-grade tapware • Download the free workplace trend report from Zenith • Zaneti unveils new seating range: Catania, Greta and Sauvage chairs - Australian Design Review • Free Melbourne Build Expo tickets • Entry criteria • Enter Australian Design Review's 30UNDER30 • 30UNDER30’s Cristina Napoleone on founding Terrain • Emerging designer Nicholas Gilbert launches Studio Nicholas • Three lessons from Sydney Design Week • Watch Design Journeys: A film by Australian Design Review • Waste to wonder: Crafted Hardwoods and the future of sustainable timber - Australian Design Review • What's inside issue 121 of inside magazine • Nipa Doshi unveils MECCA x NGV Women in Design Commission • Metz and Onyx Solar will showcase Atlassian Central’s BiPV technology - Australian Design Review • MillerKnoll presents ‘Conversations for a Better World’ • Living Edge and Knoll host industry tribute to Florence Knoll • 30UNDER30's Sophie Kebbell digs into the 'why' of interior design • A new format for ADR’s 30UNDER30 program • The Evolve jury panel share their tips for Designer Rugs’ competition • IDEA 2025 Designer of the Year finalists presented in Brisbane • Sacha Lakic’s bold, quirky Bubble collection for Roche Bobois • The beauty of simplicity: Celebrating 30 years of Halliday + Baillie hardware - Australian Design Review • 30UNDER30 alumni among finalists of Rigg Design Prize • Pierre Paulin’s F300 Lounge Chair makes long-awaited comeback • Reviving the craft of architectural glass design • Inside Flack Studio's new coffee table book • Designer Rugs invites Australian creatives to create their own bespoke rugs in 2025 Evolve Design Competition • Crafted Hardwoods x Skeehan – a hyper-local collaboration bringing back an icon • Sydney-based practice Folk Studio is reshaping interior design • Win an all-inclusive day out at Chandon’s Homestead • Emerging voices light up IDEA 2025 presentations at ForestOne - Australian Design Review • Learn more about entering 30UNDER30 in 2025/2026 • Classical elegance with a modern look - Australian Design Review • Specify responsibly | Discover the ForestOne range • Discover the Nola Collection by Cult • Designer Selects: Mim Design’s objects to desire and admire • Construction complete at BLP-designed Sydney Children’s Hospital and Cancer Centre • MillerKnoll Archives inspires creatives with a century of storytelling • Nook Saunas leads new era of wellness at home • Zenith’s Jac initiative celebrates 100K trees planted • Meet 30UNDER30's Charlotte Paule • Win an all-inclusive day out at Chandon’s Homestead - Australian Design Review • Elegant restraint meets liveable luxury • Tasmanian loudspeaker designers Pitt & Giblin bring warm sounds to cool spaces • 'Design Journeys' teaser video • Celebrating Australia’s most innovative furniture designers • Designing for taste, trust and transformation: BRITA’s vision for workplace hydration - Australian Design Review • Eames Shell Chair celebrates 75th anniversary • Future Future: Reflecting What’s Next • Meet 30UNDER30’s Julia Prell • Sydney’s design community to gather for The 69 O’Riordan Collective 2025 • Halliday + Baillie finds seamless synergy with German brands • Schiavello Furniture launches inspiring new digital space • Designer Selects: Streifen’s historic reference points • The Bosco collection by Greg Natale and Tongue & Groove brings a tessellated touch to timber flooring • Nickolas Gurtler designs a menopause specialist clinic • Meet 30UNDER30's Margot Lapalus • CO-architecture launches The Studio Accelerator • Designer Selects: Adele Winteridge of Foolscap Studio on art infused sustainable materials • What does regenerative design look like? • Meet 30UNDER30’s Dalton Stewart • Satara – a style and a service that facilitates relaxed luxury living • NAU makes European debut at 3daysofdesign • 'How to build strong relationships in design' panel • The Studio Accelerator launches to support Australia’s next wave of architecture and interior design founders • Flawless timber has its flaws • Designer Selects: Zenn Design’s Hannah Goldberg • 30UNDER30’s Rachel Santos on creating meaningful relationships and shaping emotionally resonant spaces • The next generation: Strength, vision and legacy with Jordan Ardler • 30UNDER30’s Taylah Cheeseman on playful hospitality design and the joy of returning clients • Designer Selects: Återvinna’s favourite Scandinavian pieces • Designer Rugs partners with Hare + Klein for striking new collection inspired by natural world • Nanimarquina’s latest collections explore new dimensions for contemporary rugs • 30UNDER30’s Siena Crestani on teaching and other creative outlets outside design • Introducing Hoshi Butter, a softer iteration of a SKEEHAN Studios classic • Meet 30UNDER30’s Annie MacLean • 30UNDER30’s Kaila Cicchini on being the mentor she wishes she’d had • Key takeaways from Jane Abernethy’s materials transparency talk for Humanscale • How Brisbane can design its Olympic legacy through place • How engaging with academia can strengthen architectural practice • Start your IDEA 2025 entry • 30UNDER30’s Katherine Luu on the forces that shape design • Meryl Hare announced as final judge for IDEA 2025 • Chandon joins IDEA • Desert Mob returns in 2025 • Hardie Grant’s new Collingwood workspace by Carr • 30UNDER30 work playlist on Spotify • Register for Melbourne Build Expo 2025 • Art and place in dialogue at Singleton Arts and Culture Centre by BKA • ‘Black Women Rising’ – First Nations sculpture commissioned for Sydney’s Circular Quay • Good design is enduring – the legacy of Knoll • Rethinking lab design: Minderoo Children’s Comprehensive Cancer Centre by BLP • AILA celebrates finest in WA landscape design • Zenn Design reveals the Elba seating collection • ADR’s 30UNDER30 retreat reflections • Sans-arc's Matiya Marovich joins IDEA 2025 jury • Planet City: Live at Vivid Sydney • One chair, 70 years of quiet conviction • Continued professional development with HVG Facades • BRITA envisages a bright and hydrated future for the workplace • Iconic Cairns landmarks recognised at architects awards • Design meets durability in Crypton Leather • Sound and substance: Redefining the washbasin • Where home meets health: The rise of resi-medi neighbourhoods • Holding the line on what Passivhaus really means • Creative fire as Telstra NATSIAA finalists announced • Volker Haug wins 2025 Melbourne Design Week Award • Ballarat showcases creative city status at Craft Lab 2025 • Mexicairns proves style and sustainability can share a table • Multi-sensory karaoke playground hits Adelaide • Must-see events at Melbourne Design Week 2025 • Meet 30UNDER30’s Ilianna Ginnis • Designer Selects with Harrison and Nicholas Condos • Wendelbo applies residential prowess to commercial furniture market • Neolith helps usher in a new era of sustainable home design at Belah House • Studio Gram’s new Adelaide office • Striking the right balance in workplace design with Carr’s Catherine Keys • Sydney Build Expo 2025 • AcoustiCalm panels by Materialised are a bold new presence in acoustic design • Meet 30UNDER30’s Billie Murphy • How Maria Uggla’s sustainable mindset drives innovation at Polestar • Australia Pavilion throws open its doors at World Expo 2025 Osaka • Meet 30UNDER30’s Tamara Glick • Materialised reveals new AcoustiCalm collection • Designing where difference belongs • Milan Design Week highlights: Apartment edition • Brisbane’s Trellis by Rothelowman ‘lets the landscape win’ • Meet 30UNDER30’s Lachlan Mackay • Lusso by HVG Facades celebrates the raw beauty of cement • Where industry meets craft in the heart of Coopers country • Guesthouse at ‘the edge of the world’: Vipp Tunnel in Tasmania • Easel by Tom Fereday and Zenith – a lounging solution that frames the beauty within • Duigan Centre at Brighton Grammar by Architectus • Bradfield city’s First Building faces the future while honouring the past • Meet 30UNDER30’s Vincent Tsang • Behind the scenes of ADR’s 30UNDER30 Sydney dinner • Conrad Lowry to judge IDEA 2025 • Simone Haag at L’Appartamento for Milan Design Week • Chandon Estate’s Homestead by Melanie Beynon Architecture & Design • WoodWall – Real timber veneer by Elton Group • Bankston and Sans-Arc Studio reimagine the rules of hardware design • Perth Design Week highlights • Meet 30UNDER30's Daniella Bassin • Meet 30UNDER30’s Eddie Poate • Introducing ADR's 30UNDER30 for 2024/25 • The top songs on rotation at work for ADR’s 30UNDER30 • Interface and GO Foundation partner to support First Nations students • BTS: ADR’s 30UNDER30 Melbourne dinner • Designer Selects – Larissa Haddad • The Remmy lighting collection by Leah Martin • Future architects embrace on-Country learning at Baaka • HAY unveils timeless design with a modern twist • Andrew Glover to judge IDEA 2025 • British sleep brand adored by royalty lands in Australia • IDEA 2025 reveals sustainability judge Jade Whittaker • Melbourne Design Week announces 2025 program • Meet 30UNDER30’s Kate Riley • BRITA launches high-capacity commercial water dispensers for modern workplaces • Nucleo® by HVG Facades on the way to setting new benchmarks in sustainable cladding • Melissa Leung to judge IDEA • MillerKnoll partners with Queers in Property • V-ZUG arrives in Melbourne • Cult introduces Patryk Koca’s Boardwalk collection • A bakery designed to delight • IDEA jury chair Paul Hecker reveals what he will be looking for at IDEA 2025 • IDEA 2025 is now open for entries! • Windale Hub – A catalyst for transformation • Meet 30UNDER30’s Soozy Lee • Meet 30UNDER30’s Samantha Wardle • The 2025 MECCA x NGV Women in Design Commission • MillerKnoll unveils bold new sustainability strategy • IDEA 2024 winners share their shelfies • Meet IDEA 2024 Gold Medallist: Dr Natalie Wright • Saltlick by DKO is a salute to long Balinese sunsets • What’s on at Perth Design Week 2025 • The evolution of Australian design identity • John Wardle’s Kew residence hits market • So you want to teach interior design • New design books, films and podcasts • Stylist Kerrie-Ann Jones’ artful discoveries • Axolotl adds artisanal finishing touches to Machine Hall • How design can help build a fire-resilient future