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Andrew Nette has been a member of Linktree for 2 years and joined in October 2023. The social media accounts linked to from Andrew Nette are: • Instagram • Email • Bluesky Besides social media accounts, andrewnette has populated their site with: • The Grifters and Con Artists of Nightmare Alley • Commentary (with Dean Brandum) - Cold Light of Day (Fhiona-Louise, 1989), Arrow Video • Booklet essay - Radioactive Noir: Irving Lerner’s City of Fear (1959), Powerhouse Films, Columbia Noir 3 • Essay - David Lynch’s “mood of Dune”, Arrow Films re-release of David Lynch’s Dune (David Lynch, 1984) • Booklet essay - The end of the 1960s and cinema’s new private eyes, Powerhouse Films release of The Big Fix (Jeremy Kagan, 1979) • Booklet essay - The Hellfighter: John Wayne and America on fire in 1968, Powerhouse Films release of Hellfighters (Andrew V. McLaglen, 1968) • Video essay - She reached for evil: dissecting Kitten With a Whip, Imprint Films release of Kitten With a Whip (Douglas Heyes, 1964) • Video essay - Welcome to violence: the evolution of the British gangster on screen, Umbrella Entertainment release of The Limey (Steven Soderbergh, 1991) • Video essay - From sea to shining sea: a look at the cross country car race film, Burt Reynolds Collector’s Edition, Umbrella Entertainment • Booklet essay - Conspiracy of Silence: Leonardo Sciascia’s The Day of the Owl, Radiance Films release of The Day of the Owl (Damiano Damiani, 1968) • Commentary - Gang War in Milan (Umberto Lenzi, 1973), Radiance Films • Booklet essay - “Flesh is a trap and magic sets us free”: Clive Barker’s Lord of illusions and private investigators and the occult on film, Umbrella Entertainment release of Lord of Illusions (1995) • Commentary - Stir (Stephen Wallace, 1980), Severin Films • Booklet essay - The 1970s and the ‘Golden Age’ of the aeroplane hijack film, Umbrella Entertainment release of Ransom (Casper Wreder, 1974) • Video essay - Mission Accomplished?: Womenworlds and Male Power, Vinegar Syndrome release of Sex Mission (Juliusz Machulski, 1984) • Booklet essay - Where the action is: John Schlesinger’s Darling and the films of swinging London, Umbrella Entertainment release of Darling (1965 ) • Pulp Curry Substack newsletter: pulp, culture & noir, injected directly to your inbox - sign up today • The Massively Popular, Mostly Forgotten Craze for American Style Noir in WWII-Era Britain • Video essay - Hard to be a Hero: Piotr Szulkin’s Ga-Ga: Glory to the Heroes, Piotr Szulkin’s Apocalypse Tetralogy, Vinegar Syndrome • Booklet essay - Fictional hijackers and a real life covert operative: Casper Wrede’s Ransom, Umbrella Entertainment release of Ransom (1974) • Revolution in 35mm: Political Violence and Resistance in Cinema, From the Arthouse to the Grindhouse, 1960-1990 • Jack Cardiff's Dark of the Sun (1968), Projection Booth podcast, episode #802 • Blowback: Late 1960s and ’70s Pulp and Popular Fiction about the Vietnam War • Latest blu-ray booklet essay - Wild in the Streets: the origins of America’s 1950s juvenile delinquent cinema, Imprint Films, Youth Gone Wild: 1950s Juvenile Delinquency (1955-1958) • Carter Brown and the Australian Craze for Faux American Crime Fiction • Latest blu-ray commentary - The Final Programme (Robert Fuest, 1973), Severin Films • The Strange History of Mickey Spillane and New Zealand’s “Jukebox Killer” • The Long, Dark Legacy of William Hjortsberg’s Supernatural Neo-Noirs • Dangerous Visions & New Worlds: Radical Science Fiction 1950-1985 • Fifty Years Later, Get Carter Is Still the Iconic British Gangster Film • Horwitz Publications, Pulp Fiction and the Rise of the Australian Paperback • The Bleak, Propulsive Noir of Simenon’s Romans Durs • Sticking it to the Man: Revolution and Counterculture in Pulp & Popular Fiction 1950-1980 • The Story of Lee Marvin, Gene Hackman, and Quite Possibly the Strangest American Crime Film of the 1970s • Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture 1950-1980 • The Life and Legacy of James Ellroy • Monograph on Norman Jewison's Rollerball (1975) • Gunshine State (Gary Chance novel #1) • Why 1973 Was the Year Sidney Lumet Took on Police Corruption • Orphan Road (Gary Chance novel #2) • Is Altman’s ‘The Long Goodbye’ the Most Overrated Crime Film of 1973? • 50 Years Later, Looking Back at the Real-Life Crime Network That Inspired The French Connection • Amazon author page • Blu-ray booklet essay - Empty Beaches: Australia’s Missing Screen Private Investigators, Umbrella Entertainment release of The Empty Beach (1985) • 10 Underappreciated American Noirs of the Late 1950s and the 1960s • Letterboxd • Booklet essay - Where's the serenity? Paul Goldman's Suburban Mayhem, Umbrella Entertainment release of Suburban Mayhem (2006) • 50 Years of “Milano Calibro 9” and Italian Cinema’s Ultra-Noir Poliziotteschi • 10 Underappreciated American Neo-Noirs of the Early 1970s • Booklet essay - “A matter of state security”: investigating official criminality in the fiction and film of Leif G. W. Persson, Radiance Films release of Bo Widerberg’s The Man From Majorca (1984) • Mr. Inbetween: It’s Time to Appreciate the Genius of This Very Australian Noir