Adeena Mey

Adeena Mey has been a member of Linktree for 4 years and joined in October 2021. Resources adeenamey has populated their site with include: • Ad Reinhardt and Khmer Sculpture. C-MAP Seminar, MoMA • For Art History 2023: New Art and New Arts of Government: Artistic Form and Authoritarian Liberalisms in the 1970s • In and Out of London. Afterall as Transnational Platform • Afterall Journal Issue 54 'Voicings' • Uncatalogued: Vietnam and Archives of Visual Culture • E.A.T. x Paris: Longue Durée-Denise Bertschi, Heonik Kwon, Adeena Mey • A Method with Plasticity. Conversation with Sojung Jun | Afterall • Adeena Mey on Nam Hwayeon's moving-image installations - Notes - e-flux • Method and Metaphor: Dinh Q. Lê’s Untitled (Soldiers at Rest) (2003) - post • Issue 57 'Palestine and the World' | Afterall • Essay: 침묵시키지 않기: 임흥순의 캄보디아 [Not Silencing. Im Heung-soon’s Cambodia] • Essay: Sanja Ivekovic at the VideoArt Festival Locarno. Between Medium and Politics • Art Writing and Publishing in Southeast Asia: Sustainable Ecosystems and Infrastructures • Lecture | The Hollow Man: Adeena Mey on Artist Hu Yun, Rockbund Art Museum • Essay: Divided Desire. Notes on Youngjoo Cho’s Full time-double, Writing my body, and Three breaths • Article: Hyekyung Son: Sculptural Marxism • Issue 55/56 | Afterall 'Out of Place' • The Part In The Story Where Our Accumulating Dust Becomes A Mountain–Seoul Museum of Art • Thinking Historically in the Present, After Okwui: What is the Future of the Biennale? • System Shifts: Politics of Artistic Form in “Post”-Imperial Britain • Curating’s technological unconscious: lecture at Helsinki Biennial 2023 Symposium • Article: Yuk Hui & Adeena Mey 'The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition' • SeMA x Afterall - Learning Station: Shift: Dialogues • Writing Modern and Contemporary Art in Southeast Asia • The Black Atlantic Museum • Afterall Journal • University of the Arts London profile