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ZoneBooks has been a member of Linktree for 4 years and joined in November 2021. The social media accounts linked to from ZoneBooks are: • Facebook • Instagram Besides social media accounts, ZoneBooks has populated their site with: • Counterrevolution reviewed in Los Angeles Review of Books • A Conversation with Melinda Cooper | Benjamin Kunkel| The Baffler • Liliana Doganova interviewed in New Books Network • Counterrevolution reviewed in The New Statesman • Iconophages reviewed in Publishers Weekly • Mother Jones: Melinda Cooper on JD Vance's "Cat Ladies" • n+1 | Against the People | Malcolm Harris and Melinda Cooper • Melinda Cooper interviewed in The Nation • Discounting the Future reviewed in The Boston Review • Counterrevolution reviewed in Jacobin • The Delirious History of Eating Images: Iconophages reviewed in ArtReview • Iconophages reviewed in Mutual Art • Quinn Slobodian on Elon Musk’s hostile takeover • Hayek's Bastards a New Statesman 25 books to read in 2025 pick • Timothy Hampton | Once upon a time: Hollywood meets Bob Dylan • The Erotics of (Re)reading - Powers of Reading excerpted in The Paris Review • What is DOGE? | Quinn Slobodian in NYRB • Quinn Slobodian for NY Times Opinion | Does Trump Want America to Look More Like Saudi Arabia? • Capitalism by Any Means Necessary? A Review of Quinn Slobodian's Hayek’s Bastards illiberalism.org | • November: Irene V. Small • "Crack-Up Capitalism": Historian Quinn Slobodian on Trump, Musk & Movement to "Shatter" the State • Hayek’s Bastards: The Populist Right’s Neoliberal Roots • The Organic Line: Toward a Topology of Modernism • The Washington Post | Review of Hayek's Bastards • Book Review: ‘Hayek’s Bastards,’ by Quinn Slobodian • Irene V. Small’s The Organic Line | The Brooklyn Rail • Quinn Slobodian in Vanity Fair • Internet Misinformation Is the New Medieval Magical Thinking • Neoliberalism's Far-Right Evolution w/ Quinn Slobodian | MR Live | Majority Report • Hayek’s Bastards w/ Quinn Slobodian | The Dig • MELINDA COOPER Interviewed for DIAGRAMMES • Quinn Slobodian on Against the Grain • Quinn Slobodian Interviewed on Novara Media • Seeing Foucault’s Pendulum: Between Science, Politics, and Art by Michael Hagner • Far Calls: On Omens, Slips & Epiphanies by Daniel Heller-Roazen • At the Threshold of the Image: From Narcissus to Virtual Reality by Andrea Pinotti • Counterrevolution reviewed in London Review of Books • Hayek's Bastards reviewed in Los Angeles Review of Books • Hayek’s Bastards reviewed in Naked Capitalism • Sara Nadal-Melsió interviewed for World Socialist Web Site • e-flux Letter in Defense of Sara Nadal-Melsió and ISP • Sara Nadal-Melsió in Hyperallergic • Quinn Slobodian interviewed in The Point Magazine • Powers of Reading reviewed in The OLR Supplement • Hayek's Bastards reviewed in Left Voice • Of Human Born reviewed in The British Journal for the History of Science • Hayek's Bastards reviewed in Adam Tooze's Chartbook • At The Threshold of the Image reviewed in Asymptote • Hayek's Bastards Reviewed in The New York Review of Books • Melinda Cooper Discusses Counterrevolution on The Dig • The Organic Line Reviewed in Caiana • Counterrevolution reviewed in The Nation • Quinn Slobodian interviewed in Harici • Counterrevolution reviewed in Finance and Society • Is Populism a Neoliberalism? | Commonweal Magazine • LYGIA CLARK RETROSPEKTIVE - Podcast with Irene Small • Hayek's Bastards excerpted in Public Seminar • Amerasia reviewed in La rivista il Mulino • Iconophages reviewed in International Journal for the Study of New Religions • Iconphages reviewed in Quaerendo • Hayek's Bastards Longlisted for 2025 National Book Critics Circle Award in Criticism • Market Civilizations reviewed in OEconomia • Hayek's Bastards reviewed in Countercurrents • Quinn Slobodian Op-Ed in Le Monde • Martha Feldman at Seminary Co-op Bookstore • Daniel Heller-Roazen at Labyrinth Books • Aural Coincidences: Daniel Heller-Roazen speaks on Far Calls at Public Trust • Hayek's Bastards named a Finalist for National Book Critics Circle • Daniel Heller-Roazen at Yale University • Free Gifts, Service Work, and the Problem of Education: A conversation with Alyssa Battistoni, Annie McClanahan, and Matt Seybold - Aydelotte • Annie McClanahan Book Presentation at Queen Mary University of London • Berlin Book Launch of Breathing Space at Pro qm • Tim Altenhof at Princeton's Program in Media and Modernity • Out of Character & A Silent Apostrophe reviewed on Embodied Meanings Substack • Tim Altenhof at e-flux • Tim Altenhof at Columbia University Collins/Kaufmann Forum • Breathing Space reviewed in ARLIS/NA Reviews • Breathing Space reviewed in New York Review of Architecture • At the Threshold of the Image reviewed in ARLIS/NA Reviews • Writing About Music: Martha Feldman at Townsend Center for the Humanities • Castrato Phantoms reviewed in The Art Newspaper • Sara Nadal-Melsió at Birkbeck, University of London • Book Bash 2025 – Storefront for Art and Architecture • Annie McClanahan interviewed on Behind the News • Hayek’s Bastards: Race, Gold, IQ, and the Capitalism of the Far Right by Quinn Slobodian • Annie McClanahan Interviewed on VARN Vlog • Europe and the Wolf: Political Variations on a Musical Figure by Sara Nadal-Melsió • The Society of the Spectacle Audiobook from Echo Point Books • Powers of Reading: From Plato to Audiobooks by Peter Szendy • Beneath the Wage reviewed in Gig Economy Project Newsletter • Peter Szendy Lecture at The European Graduate School • Paul Langley and Andrew Leyshon interviewed on New Books Network • Near Futures Series • Sara Nadal-Melsió presents at The Center for European Studies (Rutgers University) • Beneath the Wage reviewed in Protean Magazine • Irene Small at Livraria Martins Fontes • Caroline Walker Bynum Awarded Honorary Degree of Doctorate of Letters • Sara Nadal-Melsió at the NYU Remarque Institute • L'Orient Today: An Interview with Michel Feher • Daniel Heller-Roazen at Après-Coup Psychoanalytic Association • FinTech Capital: The Digital Transformation of Everyday Money and Finance • Sara Nadal-Melsió reads for Symphony No. -1: Rehearsal with Ethan Philbrick • A Silent Apostrophe: The Fayum Portraits • Sara Nadal-Melsió in conversation with Anri Sala at Galerie Chantal Crousel • Out of Character: Writing on Portraits • Zone Books at Brooklyn Book Festival 2025 • At the Threshold of the Image longlisted for the 2026 Nayef Al-Rodhan Book Prize • Sara Nadal-Melsió presents at Hangar for the Listening Biennial 2025 • www.zonebooks.org • Sara Nadal-Melsió - e-flux • International Rights Guide • Irene Small at b_books • Sara Nadal-Melsió at The Emily Harvey Foundation • Jonathan Crary on Christian Marclay's The Clock | Magazine | MoMA • Beneath The Wage: Tips, Tasks, and Gigs in the Age of Service Work • Discounting the Future reviewed in Economy & Society • Breathing Space: The Architecture of Pneumatic Beings • Producteurs et parasites - Michel Feher - Éditions La Découverte • Castrato Phantoms: Moreschi, Fellini, and the Sacred Vernacular in Rome • LPE: Symposium on Counterrevolution • Melinda Cooper interviewed on Red Medicine Podcast • The Everyday Life of Memorials reviewed in Oxford Art Journal • Far Calls reviewed in Choice Reviews • Francesco Casetti Receives 2024 Limina Award for Best International Book on Film and Media • Seeing Foucault's Pendulum reviewed in SIAM News • Amerasia reviewed in Art History • In Bed with the Right Episode 89: IQ Fetishism with Quinn Slobodian • Screening Fears reviewed in Cinéma & Cie • Janina Wellmann interviewed in Feldenkrais Forum • AEWCH 266: JANINA WELLMANN on WHAT IS MOTION? • Beneath the Wage reviewed in Spectre Journal • A twenty-first century medical zoo: Janina Wellmann in Ideas Blog • Martha Feldman featured on ROROTOKO • The Planning of Palestine: Urban Planning under and As Occupation with Dana Erekat and Eyal Weizman • Breathing Space reviewed in Architectural Record • Screening Fears Reviewed in the Brooklyn Rail • An Interview with Annie McClanahan | PUP Ideas Blog • Hal Foster on Jonathan Crary in London Review of Books • Tim Altenhof interviewed on A is for Architecture Podcast • Tricks of the Light Reviewed in Publishers Weekly • Tim Altenhof interviewed on New Books Network • The Organic Line: Toward a Topology of Modernism by Irene Small • Europe and the Wolf reviewed in e-flux • Iconophages: A History of Ingesting Images by Jérémie Koering • Martha Feldman interviewed on New Books Network • Discounting the Future: The Ascendancy of a Political Technology by Liliana Doganova • Tim Altenhof interviewed on PreserveCast • Tricks of the Light: Essays on Art and Spectacle by Jonathan Crary • Andrea Pinotti on AITEC Philosophy Podcast • Counterrevolution: Extravagance and Austerity in Public Finance by Melinda Cooper • Tim Altenhof in ROROTOKO • CAPITAL VALUES: Melinda Cooper on the Counterrevolution in Public Finance and Liliana Doganova on Discounting the Future • Castrato Phantoms reviewed in Library Journal • Bob Dylan Roundtable with Timothy Hampton at The 92nd St.Y • At the Threshold of the Image reviewed in Embodied Meanings • Jérémie Koering at IAS • Castrato Phantoms reviewed in 4Columns • Irene Small at The Courtauld Institute of Art • Breathing Space reviewed in Publishers Weekly • Irene Small in conversation with Sarah Oppenheimer • Breathing Space featured in The Paris Review • Book Presentation | The Organic Line: Toward a Topology of Modernism | David Rockefeller Center for Latin American Studies • The Spiritual Ear: On Daniel Heller-Roazen’s Far Calls - Notes - e-flux • Jérémie Koering at USC • Hayek's Bastards reviewed in Quatro cinco um • Tricks of the Light discussed in NYRB • Castrato Phantoms reviewed in Harper's Magazine • Liliana Doganova Interviewed in Usbek & Rica • Iconophages Excerpted in The Paris Review • Maria Stavrinaki on Prehistory in the Atomic Age | Aeon Essays • Seeing Foucault's Pendulum Reviewed in Nature Physics • Wendy Brown Interviewed in The Nation • Melinda Cooper interviewed in El País • Eyal Weizman · Exchange Rate · LRB 2 November 2023 • Interview with Wendy Brown-El País • The Digital Age is Destroying Us : Jonathan Crary in LitHub • Paul Preciado in Interview Magazine • “Black Dada your history of art!” On the Organic Line, Canons, and Commons | Department of the History of Art • Of Human Born: Fetal Lives, 1800–1950 by Caroline Arni • Biological Motion: A History of Life by Janina Wellmann • Storefront for Art and Architecture Book Bash • Irene Small discusses The Organic Line at PS1 Artbook Bookstore • Irene V. Small at Princeton University • Nocturne: Jérémie Koering at the Picasso Museum Paris • Screening Fears Reviewed in Critical Inquiry • Transfixed by Prehistory reviewed in CAA Reviews • Amerasia Reviewed in Domenica • The Machines of Evolution and the Scope of Meaning reviewed in Critical Inquiry • Preexisting Conditions Reviewed in Twentieth-Century Literature • Civic Storytelling Reviewed in the TLS • Tricks of the Light Reviewed in Leonardo Reviews • Screening Fears reviewed in Alphaville • Caroline Walker Bynum Symposium | Common Knowledge | Duke University Press • Preexisting Conditions reviewed in H-Net Reviews • Counterrevolution a New Statesman "best of the academic presses" pick for spring 2024 • Filtering the world through media: Screening Fears in Yale Alumni Magazine • Screening Fears: On Protective Media by Francesco Casetti • Amerasia by Elizabeth Horodowich & Alexander Nagel • 5/11: Melinda Cooper presents Counterrevolution at red Emma's w/Lester Spence • 5/1: Melinda Cooper presents Counterrevolution at Harvard University • 4/25:Janina Wellmann & Caroline Arni at Labyrinth Books • Thomas Pavel reviews Civic Storytelling – Critical Inquiry • Civic Storytelling Reviewed in 4Columns • Francisco De Goya and the Art of Critique Reviewed in La Vangardia • Timothy Hampton Interviewed on the Colin McEnroe Show • Flashback, Eclipse reviewed in Historical Materialism • Francesco Casetti interviewed in Yale News • 4/24: NYC Book Launch with Janina Wellmann and Caroline Arni at McNally Jackson • The Everyday Life of Memorials reviewed in Cuaderno de Notas • 4/17: CAPITAL VALUES: Double Book Launch with Melinda Cooper & Liliana Doganova at CUNY Center for Humanities