@MAACambridge

@MAACambridge has been a member of Linktree for 5 years and joined in July 2021. The social media accounts linked to from @MAACambridge are: • Facebook • Instagram • LinkedIn • Threads • Bluesky Besides social media accounts, MAACambridge has populated their site with: • Sound Bath • At the Heart of the Jebena Bunna, the Ethiopian Coffee Ceremony • MAA Centre for Material Culture LATE • Summer at the Museums: Moved by Objects at the CMC 22 July • Maudslay Cast of K’awak’ Tiliw Chan Yopaat • MAA Late • Music at MAA: Cambridge Takht • Music at MAA: Vox Cantab • John ‘Jack’ Jennings: Living by Collecting • Exploring the Mbari House with G.I. Jones • A Langsuir Figure and a Betel Tree in the Skeat Collections: Thinking Through Models • A Short History of the Maudslay Cast of K’awak’ Tiliw Chan Yopaat • Lost and Found: The Treasure that Lies Beneath Our Feet • The Accoutrements of an Indian Dancer • Modernidad y Tradición a través de las Alasitas Andinas • Modernity and Tradition through Andean Alasitas • Light as a feather, and just as fragile • Collections Assistant in Anthropology (Fixed Term) • Exploring the therapeutic effect of object handling • Digging Deep in Mompox, Colombia • How The British Fell in Love With Curry • Restoring Context to an Early Bronze Age Beaker from Snailwell • Museum Internships • Twilight 2026 Survey • My Summer Internship: A Journey of Discovery, Engagement, and Confidence • Twilight at the Museums • Lunar New Year Activities • The Namboothiris and Nairs of 20th Century Kerala • My Summer as a Post Sixth-Form Intern at MAA • Twilight at MAA: All that glistens is not gold • Looking Back to the Future: Tony Phillips • Thinking Through Souvenirs • Archaeology Awards Voting - Current Archaeology • Research grants • Birdwatching at MAA: A Baby Sparrow Netsuke • Secrets up your sleeves? • Summer at the Museums Survey • Summer at the Museums: Moved by Objects at the CMC • A Kingfisher Headdress and Royal Symbolism • The Story of a Predynastic Egyptian Bowl • Teachers' Digital Learning Survey • 'Take a line for a Walk' A Sketchbook Session • Meet Kuixing, God of Examinations • Watch our intro video 🎥 • MAA EXHIBITIONS • Moving Objects: stories from behind the scenes at the museum • MAA EVENTS • Cambridgeshire Finds - Archaeology Workshop • Woven Histories: Discovering Pre-Columbian Textiles • Volunteering opportunities • Nataraja – the Lord of Dance • The Benefits Of Volunteering After Brain Injury - with Kate Phizaclea (MAA), Hector Ajayi and Paul Callaghan • Conversations with Fault Lines curators: Jordan Wilson • The Sensational Museum: Senses and Accessibility • Conversations with the Fault Lines curators: Noelle Kahanu • Returning Haddon's Journals • Explore the MAA Digital Lab • Conversations with Fault Lines curators: Leah Lui-Chivizhe • Conversations with Fault Lines curators: Taloi Havini • MAA Website • Travels Between Cambridge and Australia • Planning your visit • The Supernatural and the Superfood • School visits 📚 • Centre for Material Culture • Spatiality in Malay Wedding Objects • Good Evening Shetland - 17/06/2025 - BBC Sounds • Free public wifi • Models in the Skeat Collections • Museum trails 🏺 • Museum Collections, Occupational Therapy and Stroke Rehabilitation • Museum Walk: Everyday Containers • Finding ‘niger morocco’ on a map: a conservation study day on West African leather in Cambridge • Explore the collections portal 🏺 • Unarchiving Performance and Materials • TAKING CARE - Ethnographic and World Cultures Museums as Spaces of Care • Winter Craft Market • Make Japanese winter coasters • Día de los Muertos altar • Shop our books and publications 📚 • Investigating a 19th Century Sampler • Shop Art Prints • Día de los Muertos Family Activities • Ancient Egyptian drill bit - Press Office - Newcastle University • Paper Players • The Development of the Kusu Island Pilgrimage, from the 1950s—Present • Continuity and Change in the Durbar Square at Bhaktapur, Nepal • Kui Elephant Catchers and the Pakam Rope • Chinese Spirit-Medium Possession - Warning: This exhibition features graphic images of violence and self-harm • Te Koroneihana | Coronation • #MAAColour 🌈 • Fiji: Chiefs and Governors • Cambridge University returns legal ownership of 116 Benin artefacts to Nigeria • 戏韵剪影 • From Eden to Ecocide: A Tale of Human Impact • £1.3m Art Fund grants to bring new life to museum collections across the UK • Voices Across the Pacific • Tau o Mai – In conversation with Miriama Bono and Tahe Drollet • The Snettisham Hoards publication • Mindfulness in the Museum • NEWS: Cambridge college returns 18th Century Aboriginal spears • NEWS: Collections-based research and innovation receives vital investment from Research England • Panecitos and Pre-Hispanic Practices • NEWS: Trumpington burial: Teenage Anglo-Saxon girl's face revealed • Panecitos y Prácticas Prehispánicas • STATEMENT: Our approach to the return of Benin bronzes • Summer at the Museum: Online Survey • Processing the Iron Age Ghana Collection • Donate to the museum • An Ivory Horn and the Sound of West Africa • Become a Friend of MAA • Encountering Kali • Dancing with Nataraja • Memory, Identity, and Southwest Museology • Vacancies: Community Participation Assistant (Part Time, Fixed Term) • Kupala Midsummer Ukrainian Folk Pop-Up Concert • Analysing Animal Skin Artefacts at MAA • The Story of a Seal-Woman from Shetland • Resilience in the Face of Conflict • Job Opportunity: Senior Collections Assistant (Centre for Material Culture) • Layers of Meaning: A Corsican figurine at MAA • New Horizons: Indigenous Collecting, Filming, Exhibiting • Chicha, a Pre-Columbian Maize Brew • PhD Studentship - Reimagining Caribbean Collections • Post Sixth Form Museum Experience Internship • Sharing in Roman Britain • Paper Offerings of Daily Necessities • Encountering the Gosum at MAA • The Malay House as an Architectural Model • The Music & Poetry of Queen Idia the Musical - A Work in Progress Sharing • Beyond Bowls: Tsampa and Tibetan Identity • Art and Archaeology : a subversive collaboration • The People Behind the Kano Pottery Trade • Sport and Colonial Encounter in Myanmar • ‘Clothing is an armour we all wear’: Street fashion photography in Bhutan • Exploring African Pottery: A Workshop • VACANCY: Studio and Digitisation Assistant (Photographic Collections) • Jade Cicadas: A Journey Through Time and Culture • VACANCY: Senior Education & Outreach Assistant • VACANCY: Front of House Assistant • Japanese Sakè Cups from 1910 England • Día de los Muertos (Day of the Dead) • The Month when Ghosts Wander Among Us • A Research Trip to MAA Cambridge • BLOG: History on my Doorstep - Cambridge University Museums • Masks, Mounts, and Moving Collections • UCM BLOG: Make Do and Mend, Museum Edition • VACANCY: Research Assistant (Part Time Fixed Term) • The Qianlong Emperor and a Yellow Teacup • Questions about Authenticity: Flint tools from the Brandon Region • Día de los Muertos (Day of the Dead) Altar • Predynastic Palettes: Elite Status Symbols? • Lead Tanks in Roman Cambridgeshire • Evening Bell at Miidera Temple • The One That Got Away, The Hildersham Bowl • EXHIBITION: Beneath Our Feet: Archaeology of the Cambridge Region • Job Vacancy: Collections Assistant (Stores Move) [Temporary Cover] • On Two Buryat Robes at MAA • The Return of the Gweagal Spears • Job Vacancy: Senior Collections Assistant (Archaeology) [Temporary Cover] • A Numinchen and Horchin Shaman Dress • A Bag of Coca for the Afterlife – MAA Digital Lab • Trips to Cambridge, Nga haerenga ki Kemureti • Summer with the Museums | University of Cambridge Museums • VACANCY: Front of House Assistant (Part Time) • Disability Friendly Opening - Museum of Archaeology and Anthropology • Q&A with MAA’s Workshop Team • 100-year-old Displays and Dilemmas • Caribbean Whispers • Value in Things • Is this a dagger which I see before me? • At the Bottom of a Grave at Snailwell • Benares or Bengal? Paan Daan or a Trophy? • Hornell and Numismatics in Colonial India • A Tale of Tea and Shape Shifting • Q&A with MAA's Education and Outreach Team • BLOG: (Please don’t) Shake, rattle and roll • BLOG: Behind the Scenes: Working with the Ugandan Barkcloth Collection at the Museum of Archaeology & Anthropology • An Anglo-Saxon Cross from Trumpington • A piece of wonder, or what four fragments of the Taj Mahal can tell us about monuments in India • VACANCY: Photo Collections Assistant (Part Time, Fixed Term) • Gaming, Art, and AR-tful Designs – MAA Digital Lab • Juegos, Arte y Diseños AR-tísticos – MAA Digital Lab • VACANCY: Front of House Assistant (Part Time, Fixed Term) • Objects as Windows into Colonial Relations– MAA Digital Lab • The Qianlong Emperor and a Yellow Teacup – MAA Digital Lab • Beneath Our Feet: Medieval Cambridge – MAA Digital Lab • Bed Burials and Mobility– MAA Digital Lab • A Tea Brick from Fuzhou – MAA Digital Lab • 来自中国福州的茶砖 – MAA Digital Lab • Huff! The Dragon is Coming to Town! – MAA Digital Lab • Arrows, Bananas, Forests and Plantations – MAA Digital Lab • FRIENDS EVENT: ‘Quimbaya: Metallurgy of the early period in pre-Columbian Colombia’ • Russian Brick Tea Trade in China – MAA Digital Lab • 中国汉口的俄罗斯砖茶贸易 – MAA Digital Lab • VACANCY: Collections Assistant - Stores Move (Full Time, Fixed Term) • FAMILY EVENT: Twilight at the Museums • FRIENDS EVENT: Gauguin and Polynesia • Transboundary Origin of a Gilt Buddha – MAA Digital Lab • A Sandalwood Temple in The Taylor Collection at MAA • Telling Stories from Beneath Our Feet – MAA Digital Lab • FAMILY EVENT: Lunar New Year • “I tried liquor and got a t-shirt!” - Adventures with keywords in MAA catalogue – MAA Digital Lab • Finding an Iron Age Gold Coin in Cambridge – MAA Digital Lab • Lady Clementine Churchill and Asmat Shields – MAA Digital Lab • JOB: Project Coordinator, Rethinking Relationships (based at Pitt Rivers Museum and working with the Museum of Archaeology and Anthropology, the Horniman Museum and Gardens and the World Museum Liverpool)