Tone Madison

Tone Madison has been a member of Linktree for 7 years and joined in May 2019. The social media accounts linked to from Tone Madison are: • Facebook • Instagram • Email • Bandcamp • Bluesky Besides social media accounts, tonemsn has populated their site with: • The meanings of Tone Madison (April 3, 2026) • Small Bites: How I make bread (February 20, 2026) • Three video artists tap into personal histories in the 150 Artists x 150 Years exhibition (February 16, 2026) • Madison needs a wake-up call (February 13, 2026) • Video: Sizing up local screening events and prominent performances of 2025 (February 11, 2026) • Wisconsin energy utilities sacrifice affordability and sustainability to fuel the AI gold rush (February 9, 2026) • Stop spotlighting new films by known abusers (February 6, 2026) • Wisconsin Watch: What Wisconsin's stagnant minimum wage means for workers and the economy (February 4, 2026) • "Resurrection" explores human perceptions through the historical labyrinth of cinema (February 2, 2026) • Achieving a broader focus through music photojournalism in 2025 (January 30, 2026) • USRowing's trans-exclusionary policies only divide us all (January 28, 2026) • Small Bites: The moral cost of meat (January 23, 2026) • The Madison "uniparty" is not oppressing you, because it's not real (January 22, 2026) • One movie meditation after another: toiling through 2025 (January 21, 2026) • Tone Madison's favorite records of 2025 – Tone Madison • Tone Madison's favorite songs of 2025 (January 14, 2026) • Creating a music community on the isthmus with "Evan's style" (April 2, 2026) • Madison's musical odds and ends of 2025 (January 16, 2025) • "Limerent Pittsburgh" intricately constructs a folkloric affection of place (April 1, 2026) • "Liking This Angle" finds artistic inspiration in degrees of the edit (January 19, 2025) • Good birding in all seasons with the storied Charles "Chuck" Henrikson (March 31, 2026) • What's ahead in Wisconsin politics in 2026? (January 12, 2026) • Lea Jacobs sheds new light on an old master in "John Ford At Work" (March 30, 2026) • Coliseum renovations should proceed with caution (December 23, 2025) • Small Bites: How I would fix Madison dining (March 27, 2026) • Could an exhibition like "Guiding Ethos" find a home in Madison? (December 22, 2025) • Inspiriting radical communal aspirations: an interview with Ben Balcom on "The Phalanx" (March 25, 2026) • Beltline expansion proposals suggest dead-end logic (December 17, 2025) • Lisa Low's "Replica" grapples with racial alienation and whiteness (March 23, 2026) • Fear and queer hunger in the Northwoods of Melissa Faliveno's "Hemlock" (December 15, 2025) • Tone Madison is saying goodbye (March 20, 2026) • Small Bites: How much garlic is too much garlic? (December 19, 2025) • Opting out of the tech-backed AI inevitability narrative (December 12, 2025) • Our fourth compilation, "Resolution," is out now! Support us on Bandcamp. • Wisconsin Watch: Wisconsin communities face scrutiny over data center secrecy (March 18, 2026) • UWPD's careless assault on student protest (December 8, 2025) • Bolts: Eyeing voting rights, liberals aim to secure Wisconsin Supreme Court through 2030 (March 16, 2026) • Evaluating tenderness and depth of family dynamics in "Sentimental Value" (December 10, 2025) • Police surveillance technology needs proper accountability (March 13, 2026) • Movie tee envy (December 5, 2025) • Continuity and expressive experimentation in the 2026 Wisconsin Film Festival (March 11, 2026) • Is Group Health still a Cooperative? (November 20, 2025) • "Boy Apparition" finds queer liberation by challenging normative constructions of masculinity (March 9, 20265 • As a musician stages his comeback, his accusers ask where the accountability is (November 5, 2025) • Don't shrink the Common Council and County Board (March 6, 2026) • Sign up for the Tone Madison email newsletter • Madison acts rivetingly ring in 2026 (March 4, 2026) • Tone Madison's 2024 Annual Report (June 26, 2025) • The Cardinal Bar's Cuban film series invites local support for Madison sister city (March 2, 2026) • Madison Alternative Comics Fest showcases a rising art form through diverse voices (December 11, 2025) • Starter homes? No, we need starter apartments (February 27, 2026) • "The Annihilation Of Fish" wholeheartedly renders the enchanting eccentricities of a senior romance (December 3, 2025) • The federal war on trans healthcare mirrors that of abortion (February 23, 2026) • The semi-improvised parameters of "Inertia Follies" engender its subtly and radically transformative scenes (November 19, 2025) • Look out for our next compilation album, "Resolution" (December 1, 2025) • Support our work with a monthly or one-time donation • The shady tactics shaping policy in the UW System (November 18, 2025) • Amid industry tumult, the 2025 MDEV conference captured Madison as an impending game-development hotspot (November 17, 2025) • Help Tone Madison live to fight another day (November 3, 2025) • Tone Madison Presents: MAMA New Artist Listening Room (November 21, 2025) • Small Bites: To make it through the fall, roast your vegetables (November 14, 2025) • What Dane County needs vs. what Sheriff Barrett wants (November 12, 2025) • In its third year, the Black Film Festival commits to deeper regional representation (November 11, 2025) • Basketball is back, but it never really left (November 7, 2025) • Local open-mic cinema (October 31, 2025) • Wisconsin Watch: While barriers persist, factory-built homes are helping families realize ownership dreams (November 10, 2025) • Madison musicians bare their teeth (October 29, 2025) • Resilience and strength in ethnic studies (October 24, 2025) • Oddsconsin: Flesh-eating beetles (October 28, 2025) • Another perspective on Dairy Drive (October 27, 2025) • Bats in the bedroom (October 22, 2025) • Sasha Debevec-McKenney catalogs a museum of her 20s in "Joy Is My Middle Name" (October 20, 2025) • Join us for Office Hours on November 12 at State Line Distillery! • Small Bites: How to make a cheeseboard (October 17, 2025) • Hidden Housing Histories: Joyce Funeral Home (October 13, 2025) • "Welcome Poets" provides a portal into the Wisconsin places that shaped Lorine Niedecker's identity (October 16, 2025) • "Welcome To The Dollhouse" cuttingly conveys the social hell of pre-teen years (October 15, 2025) • Oddsconsin: UFOs and alien abductions (October 21, 2025) • The Spine Stealers aim to author a bold new chapter (October 6, 2025) • Oddsconsin: Children's graves at St. Martin's Cemetery (October 14, 2025) • Unlearning the impulses of austerity (October 10, 2025) • "One Battle After Another" reclaims hope in its cluttered, unpretentious, momentous rhythms – Tone Madison • "Eraserhead" exemplifies David Lynch's signature blend of the surreal and the mundane (October 8, 2025) • Madison deserves better than the alders who voted to demolish Dairy Drive (October 7, 2025) • Oddsconsin: Numen Lumen (October 7, 2025) • Wisconsin's elected officials need to put themselves on the line (October 3, 2025) • Meet Tone Madison's new News and Politics Editor, Juan Carlos Garcia Martinez (July 18, 2025) • Terror at the edge of the earth (October 1, 2025) • Juliana Bennett announces run for Francesca Hong's Assembly seat (September 30, 2025) • Jan Levine Thal's inner and outer theatrical lives (September 29, 2025) • Oddsconsin: Dane County Asylum and Home Cemetery (October 2, 2025) • Neighborhood noisemaker (September 26, 2025) • Jane Hobson's new single exudes an empathetic warmth (September 24, 2025) • A home base for a tactile, human art form (September 22, 2025) • Blake Barit values raw technique as much as conceptual ambition in his experimental films (September 23, 2025) • Small Bites: Cooking while disabled (September 19, 2025) • Defending immigrant rights in the fight against fascism (September 18, 2025) • It's a thin line between men and their cocks in "No Fear, No Die" (September 17, 2025) • Video: Did we discover an oasis during the summer movie drought? (September 16, 2025) • Finding a refuge for the unhoused (September 12, 2025) • "Eat My Words" offers much-needed time to reckon with environmental impact (September 10, 2025) • Ever-expanding AI continues to invade higher education (September 8, 2025) • A secluded summer (September 5, 2025) • Propaganda hoedown: How the Dane County Sheriff tried to sell the Smart Communications contract (September 15, 2025) • A hot slate of Madison music demands extra attention (September 3, 2025) • Balancing acts in the multifaceted mystery of "Weapons" (August 30, 2025) • Hippie Christmas has come and gone again. But what exactly are we celebrating? • The unrelenting chase of "Night Of The Juggler" captures the turbulence of late '70s New York (August 27, 2025) • Wisconsin Watch: Wisconsin to compensate workers with disabilities for wrongfully denied unemployment claims (August 26, 2025) • Mandy Moe Pwint Tu tries to alchemize what she couldn't witness (August 25, 2025) • Help us raise $5K by September 12! 🙏 • Small Bites: The joy of a fancy dinner (August 22, 2025) • Slick swings for the fences (August 20, 2025) • A genocide, manufactured in Wisconsin (August 18, 2025 • The outsides of other people's homes (August 15, 2025) • Wisconsin Watch: Three years after forming a union, Raven Software workers have a contract (August 13, 2025) • Support Tone Madison by purchasing a 'Listen to the sky' shirt | Bonfire • Atwood Music Hall is putting century-old silent film on its grand new stage (August 6, 2025 • "The Guerrilla Feminist: A Search For Belonging Online And Offline" documents a nearly 15-year fight for social justice (August 12, 2025) • The shifting identities of "I-Be Area" offer a radical commentary on isolationism of the digital era (August 11, 2025 • Wisconsin in film and television: through the looking glass (August 8, 2025) • Dan Walkner's "Easy Going" balances subtle pathos with nostalgic warmth (August 4, 2025) • Against collecting (August 1, 2025) • Young Shakespeare Players builds a collective culture of trust in timeless storytelling (July 30, 2025) • "Invisible Cartographies" lyrically excavates geographies both material and spiritual (July 28, 2025) • Small Bites: Pizza madness (July 25, 2025) • Hottt Probs headline the next entry of a great new live concert series (July 23, 2025) • American secular groups need to oust pseudoscientific bigotry (July 21, 2025) • The measured rhythms of "Eephus" offer a remedy to the turbulence of the modern world (July 16, 2025) • The Dane County Jail scrambles to back up its case for eliminating paper mail (July 14, 2025) • Crises of faith and fortune in "The Phoenician Scheme" (June 28, 2025) • Wisconsin Watch: Past raises just a "Band-Aid" on Wisconsin prison staffing problems (July 15, 2025) • QueerCrip Pride from home (June 27, 2025) • Local artists ratchet up the heat (June 25, 2025) • "A Man And A Woman" and the poetic glow of the everyday (June 23, 2025) • Small Bites: The cure for aesthetic convergence (June 20, 2025) • "The Elephant Man" imbues a transcendent portrait of a tortured outsider with deep compassion (June 18, 2025) • Porchlight has an "affordable" housing-opoly in Madison (June 16, 2025) • Good luck avoiding politics, Wisconsin Historical Society (June 13, 2025) • "Sheetla" bears the weight of familial history as tethered to cultural destruction (June 11, 2025) • Cribshitter celebrates a chaotic history (June 9, 2025) • A leftist critique of top-heavy public institutions (June 6, 2025) • Madison Jazz Festival returns with emphasis (June 4, 2025) • Queer Campout is reclaiming the outdoors (June 2, 2025) • Metro Transit's failures fall on drivers' shoulders (May 19, 2025) • "No Other Land" centers the resilience of Palestinians living under Israeli occupation (May 21, 2025) • Small Bites: Fine dining for the masses (May 23, 2025) • Matt Monsoor's "Sam's Hill" is a rich slice of warm Americana (May 28, 2025) • Madison house-hunting: 2025 edition (May 30, 2025) • Kat and the Hurricane's "Got It Out" is a queer/trans battle cry teeming with love (May 7, 2025) • Making The Nature Scene: Gimme some sugar (May 5, 2025) • Die, die, miss "American Pie" (May 2, 2025) • An irrepressibly energetic dose of Madison music (April 30, 2025) • Video: Talking 2025 Wisconsin Film Festival with Josiah Wampfler (April 29, 2025) • Workday and the excesses of higher-ed "efficiency" consultants (April 28, 2025) • Wisconsin's leaders need to stop being doormats (April 25, 2025) • Stylist El Ershler emboldens queer Madisonians to "just get the haircut" (April 21, 2025) • Tone Madison is announcing some leadership changes (April 10, 2025) • Tone Madison seeks a News and Politics Editor — Apply by May 19 • The garish glamor of "Honky Tonk Angels" (April 23, 2025) • Wisconsin’s name-change law raises safety risks for transgender people (April 22, 2025) • Small Bites: The high-value food theory of cooking (April 18, 2025) • Fred Really comes out swinging (April 9, 2025) • The dense digital palettes of "Body Prop" confront the horrific normalization of violence in America (April 16, 2025) • Tone Madison marks a successful NewsMatch campaign for the fourth consecutive year (April 16, 2025) • The SCOWIS race was about more than Elon Musk (April 11, 2025) • "Amadeus" understands the artist's allure better than a traditional biopic (April 14, 2025) • Wisconsin Watch: "Madison’s best kept secret": People living with mental illness find work, care and community at a clubhouse built for them (April 8, 2025) • Family histories and contemporary violence collide in Solomon Brager's "Heavyweight" (April 7, 2025) • Wisconsin Books to Prisoners goes back to square one (April 4, 2025) • Rachel Litchman receives disability-journalism honor for Tone Madison comic on housing policy (April 3, 2025) • Screening at Union South Marquee April 26 at 9 p.m. — Stop-motion opus "Mad God" probes the darkest recesses of the subconscious mind • Join us at Madison Print & Resist Zinefest 2025, April 26 at the Central Library! • Mortal and moral inquiries at the 2025 Wisconsin Film Festival (April 3, 2025) • Liberals defend Wisconsin Supreme Court, beating back Elon Musk (April 2, 2025) • As Trump takes the Act 10 playbook national, Wisconsin workers have lessons to share (March 31, 2025) • From the archives: Take me home to the ball game (March 27, 2025) • Wisconsin's Supreme Court could buffer the state from federal chaos or invite it in (March 26, 2025) • "Milk Punch" revels in a Madison beautifully adrift (March 24, 2025) • A new wave of Wisconsin punk commentary (March 21, 2025) • Madison and Dane County should fund the arts like it's an emergency, because it is (March 17, 2025) • Excavating creativity and joy out of Joann's remains (March 14, 2025) • "Thank You For Banking With Us!" offers a rich, uplifting portrait of resistance to patriarchal oppression (April 2, 2025) • The lovesick silliness of "Shanghai Blues" turns exhilaratingly bittersweet (March 31, 2025) • Small Bites: Summer in Madison is the time to explore wine (March 28, 2025) • (Second) encore Bartell Theatre screening: Cultural assimilation and reciprocity in Nathan Deming's "February" • "Choose The Pond" testifies to the power of self-advocacy (March 30, 2025) • "Relationship To Patient" navigates physical and emotional discomfort with refreshing candor and humor (March 27, 2025) • "The Year" presents a prosaic alleyway as a poetic gateway (March 25, 2025) • Privatized mental healthcare won't yield the right leader for Dane County Human Services (March 12, 2025) • Our former mayors’ brain rot is on full display (March 11, 2025) • A reflection on Wisconsin music's cultural connection to alcohol (March 7, 2025) • The sights and shape(s) of the 2025 Wisconsin Film Festival (March 9, 2025) • There's always more to see and sensorially absorb in Tuohy and Barrie's experimental films (March 19, 2025) • Scratching the surface of Shon Barnes (February 14, 2025) • Tone Madison's favorite records of 2024 (January 15, 2025) • Sam Peckinpah's Westerns serve as autobiographies for a man out of time (March 5, 2025) • "The Battle Of Algiers" radically confronts the horrors of French imperialism (March 10, 2025) • Andrew Fitzpatrick's "Forest Calendar" emphasizes an inevitable cycle (March 3, 2025) • Small Bites: Fresh pasta meditations (February 28, 2025) • From the archives: Rainbow Bookstore closing its doors (February 27, 2025) • Madison musicians tap into a renewed sense of momentum (February 26, 2025) • Another layer of isolation could be coming for Dane County Jail "residents" (February 24, 2025) • Madison needs an evil gossip rag (February 21, 2025) • Cultural assimilation and reciprocity in Nathan Deming's "February" (February 19, 2025) • The faulty promises of the McKenzie Foundation's proposed charter school (February 17, 2025) • An interview with Shon Barnes, annotated (January 29, 2025) • Join us for a conversation with David Wolinsky about "The Hivemind Swarmed," on March 6 at A Room of One's Own • Wisconsin's Epic entanglement with AI in healthcare (February 12, 2025) • Madison enters the debate over redaction fees for police body-camera footage (February 10, 2025) • An expanded look at Madison music throughout 2024 (February 7, 2025) • The spellbinding, suspenseful adventure of "Sorcerer" is life-changing (February 5, 2025) • Are you witnessing anticipatory obedience? (January 31, 2025) • Cuts to Wisconsin's campuses, checks for consultants (January 27, 2025) • The Horizon Line Madison assembles the big-screen picture, from top to bottom (January 23, 2025) • Small Bites: Infinite treats (January 24, 2025) • Corporate landlords drive Madison's housing crisis, and it's time to fight back (January 22, 2025) • We contained multitudes: an uncontained year in cinema (January 20, 2025) • Madison's musical odds and ends of 2024 (January 17, 2025) • Behold, Tone Madison's December 2024 print edition (December 6, 2024) • Tone Madison's favorite songs of 2024, pt. II (January 14, 2025) • Tone Madison's favorite songs of 2024, pt. I (January 13, 2025) • Bad Bunny teams up with Jorell Meléndez-Badillo to unpack Puerto Rican history (January 13, 2025) • Fitchburg police killed my friend. Don't let them control his story (December 18, 2024) • Small Bites: This holiday season, pay more for your meat (December 20, 2024) • A dozen reasons to support Tone Madison's year-end fundraiser • We've witnessed a true test of the quality of Madison Alders (December 18, 2024) • "Broken Spectre" reframes the Amazon as an urgent, revisionist Western (December 16, 2024) • You would think we would care (December 13, 2024) • From the archives: Butter where butter shouldn't be (December 12, 2024) • Centering and illuminating the film conversation (December 11, 2024) • What will be left, if anything? (December 6, 2024) • From the archives: Layers of art, plywood, and privilege accrue on State Street (December 5, 2024) • Between the lines, MPD's body-cam study is kinda about redaction fees (December 4, 2024) • 10 Years of Tone Madison: Arts, Politics, and Hot Takes - City Cast Madison • The splenetic slapstick and severe stakes of "Anora" (December 2, 2024) • Madison's police body-camera report didn't disclose a researcher's connection to Axon (November 26, 2024) • Finally, more details on Madison's largest arts subsidy (November 22, 2024) • Celebrate Tone Madison’s 10th anniversary on December 6 at Gamma Ray Bar • "Sustained" or not, a City report doesn't discredit Charles Myadze's accusers (November 20, 2024) • From the archives: Snails at midnight (November 21, 2024) • Untying our nation's Gordian knot (November 18, 2024) • Get your tickets to Tone Madison's 10th anniversary party on December 6 at Gamma Ray Bar! • Donate to Tone Madison today • Small Bites: There's always Caesar salad (November 15, 2024) • From the archives: The lingering mysteries of John Wilde (November 14, 2024) • "Smooth Talk" steadily constructs a devastating portrait of the loss of innocence (November 13, 2024) • 10 (more?) years of Tone Madison (November 1, 2024) • Cool Building Day will never die, but you can wear it out (November 24, 2024) • Police accountability is at stake in Madison’s 2025 budget (November 11, 2024) • Who was this for? (November 8, 2024) • As night comes quicker, Madison musicians skew darker (November 6, 2024) • Cap Pun: Stuck in austerity hell with Paul Soglin (November 5, 2024) • James Hamilton's legacy snaps into focus in "Uncropped" (November 11, 2024) • Personalized variations on a theme (November 1, 2024) • "Nocturnes" captures a plainly studied beauty amid flickers of uncertainty (November 4, 2024) • From the archives: Editorial art over the years (October 31, 2024) • Breaking down a Wisconsin police group's absurd interpretation of Act 253 (October 23, 2024) • Wisconsin prison officials furtively changed a library book donation policy while dodging questions (October 14, 2024 • Wisconsin's one-sided relationship with video games (October 11, 2024) • From the archives: It’s been a pleasure (October 10, 2024) • Question's "Just Might" is a powerful reminder (October 9, 2024) • Has Wisconsin learned from the almost-stolen 2020 election? (October 7, 2024) • The hooks under the bar (October 4, 2024) • From the archives: I went to a west-side arcade to see a metalcore band play two acoustic songs (October 3, 2024) • Gabriella Cisneros' "Impermanence" creates a lasting cinematic impression (October 2, 2024) • We set out in search of rapid on Metro Transit (September 30, 2024) • Our attorney and UWPD's argue about body cams (September 27, 2024) • Elori Saxl's "Drifts And Surfaces" excels in economical arrangement (September 25, 2024) • Wisconsin escalates its long tradition of prison book-banning (September 25, 2024) • Two years and 400 unpaid hours later, a Metro Transit mural is in limbo (September 23, 2024) • There will be no "climate haven" (September 13, 2024) • Small Bites: Gas station gastronomy (September 20, 2024) • From the archives: The dogs of Science Hall (September 18, 2024) • "Dogfight" is an unsentimental masterpiece about two souls searching (September 16, 2024) • From the archives: Breese Stevens Field to offer $500 "curated picnic basket" "experience" (September 12, 2024) • Still collating: The mixed mutations of the "Alien" franchise (September 11, 2024) • Meet the neighbors, greet the worms, and make friends in "Garage Sale" (September 9, 2024) • From the archives: Vivid and virile memories of the Inferno (September 6, 2024) • tonemadison.com • Madison-connected musicians keep pushing forward (September 4, 2024) • Democrats continue to put Wisconsin’s ceasefire advocates in a tough position (September 2, 2024) • Tone Madison is reducing its social media presence (August 28, 2024) • Get our new "Horse mom" T-shirt and support independent media! • Robert Downey, Sr.'s brazenly unfettered experimental satire (August 29, 2024) • Wisconsin Watch: Wisconsin Palestinians feel even more politically isolated than usual as the 2024 election approaches (August 22, 2024) • The “Future of the UW System” committee: A retread of a rerun of a repeat (August 13, 2024) • Spiritual thought in sound geography: An exit interview with Luke Leavitt (October 2, 2023) • A Wisconsin Assembly candidate is facing renewed scrutiny of his complicated Kansas ties (August 12, 2024) • The short shelf life of "Longlegs" (August 12, 2024) • Tone Madison is taking a summer break (August 12, 2024) • No thoughts, only dough (August 9, 2024) • Vanishing Kids make a temporary exit (August 7, 2024) • The generational trauma of "Nope" challenges audiences to engage more intellectually with its imagery (August 7, 2024 • In this house, what does it mean to raise kids with shared values? (August 5, 2024) • Functional play in the abstract: an interview with game studies author Peter McDonald (August 5, 2024) • Library budget cuts are the last thing Madison's arts community needs (August 2, 2024) • Wisconsin Palestinians feel even more politically isolated than usual as the 2024 election approaches • It’s still a good time to shut down Line 5 (July 31, 2024) • Daughters Of Saint Crispin cut loose on "See You In Space" (July 29, 2024) • A wealthy party of impoverished ideas (July 26, 2024) • Leslie Damaso's sprawling "SIRENA" is an intoxicating tapestry (July 22, 2024) • "Anyone But You" depicts anyone but the working class (July 24, 2024) • Small Bites: The unassailable allure of the Wisconsin cheese hut (July 19, 2024) • We Should Have Been DJs' latest album leans on community to fight through despair (July 17, 2024) • What will the future of cinema look like? (July 16, 2024) • A reporter asked for body-camera footage. UW-Madison police threatened her with a fine. (July 15, 2024) • City Cast Madison interviews Tone Madison's Scott Gordon about body cameras and transparency (July 15, 2024) • Ethical considerations in Madison's live booking landscape (July 12, 2024) • Action vehicles on America's sentimentally skewed open road - "Damnation Alley" screening July 26 • The Wisconsin Idea and eugenics: conflicting sides of Charles Van Hise (July 10, 2024) • "Laura" is a haunting portrait that looms over cinema to this day (July 11, 2024) • John Hardin stares down death on "To The Terrible Blood" (July 9, 2024) • After a ceasefire resolution, the City of Madison played host to some of Israel's largest weapons suppliers (July 3, 2024) • The free-roaming "Vagabond" is character study as empathy test (July 5, 2024) • "Fallen Leaves" records a lasting love letter to the movies and to romantic well-being (July 1, 2024) • Frank Emspak was an advocate for workers—and for labor media (June 27, 2024) • Small Bites: Bringing the world home (June 28, 2024) • "Typhoon Club" candidly captures the whirlwind of adolescence (July 8, 2024) • A new Wisconsin law undermines the transparency pitch for police body cameras (June 25, 2024) • Madison musicians embrace their collaborative connections on a slate of new recordings (June 26, 2024) • Online education is a key part of the UW System’s austerity agenda (June 19, 2024) • Pleasure Practices with Sami Schalk: The pleasure of endings (June 14, 2024) • Kenneth Tarek Sabbar's ARTICULATION. series wants to adjust Madison's understanding of electronic music (June 12, 2024) • Is Milwaukee safe from the RNC’s attendees? (June 17, 2024) • The free market will not solve Madison's jets-vs.-housing problem (June 10, 2024) • "Blood Simple" exudes giddy nihilism in its sordid existential entanglements (June 13, 2024) • Leaving the ladder, one may float upward (June 7, 2024) • In "String Theory: The Richard Davis Method," the storied jazz bassist takes the lead (screening June 13 at MMoCA) • The Stoplights represents an enticing new chapter for an exceptional songwriter (June 7, 2024) • Devon Welsh grasps in the dark and finds something beautiful (June 4, 2024) • Woody Allen is not an "international discovery" (May 30, 2024) • Small Bites: A hater's guide to the Dane County Farmers' Market (May 31, 2024) • What the federal antitrust lawsuit against Live Nation and Ticketmaster could mean for Madison (May 29, 2024) • What we learned from UW-Madison's pro-Palestine encampment (May 27, 2024) • Reflections in an animal well (May 24, 2024) • The revolutionary lesbian gaze of "Desert Hearts" (May 23, 2024) • The Spine Stealers return with a haunting ambient-folk delicacy (May 22, 2024) • Celebrating the invaluable legacy of the late Les Thimmig, a mainstay of Madison's jazz community (May 20, 2024) • A draft of cold commerce (May 17, 2024) • Ja'Tovia Gary's films earnestly confront Black identity in an overly saturated, visually contradictory culture (May 18, 2024) • With Mother Harp, Matt Ulery sheds lavish chamber sounds for an active rock ethos (May 13, 2024) • East-siders brought a wealth of tough questions to Madison’s first “budget engagement” of the year (May 13, 2024) • Tone Madison's 2023 Annual Report • Protests, access, and the official story (May 10, 2024) • Solidarity and obstinance sprouted anew after a police raid on UW-Madison's pro-Palestine encampment (May 9, 2024) • From the lens of a film festival volunteer (May 7, 2024) • Oblique journeys in film (and) criticism (May 3, 2024) • The police brought violence to UW-Madison's Gaza encampment (May 1, 2024) • Music from Madison-connected artists blooms anew (May 1, 2024) • Surviving disaster relief in the wake of the Monona Hills fire (April 29, 2024) • The concert behemoth in the backyard (April 26, 2024) • The painterly and methodical martial arts landscapes of "A Touch Of Zen" (April 24, 2024) • The dense storytelling of "The Beast" connects our parasocial past, present, and future (April 23, 2024) • John Harmon's multimedia matrix goes on full display (April 23, 2024) • Wisconsin Watch: Wisconsin voters with disabilities demand a better way to vote absentee (April 22, 2024) • The reckless, Springsteen-inspired revelry of "Streets Of Fire" (April 22, 2024) • Small Bites: You just bought a bundle of ramps at the farmers' market: now what? (April 19, 2024) • Def Sonic's evocative music video for "Zephyr" unsettles with grace (April 17, 2024) • The extended All Tiny Creatures modular morphology enters a new chapter (April 15, 2024) • Richard Rothstein on our long history of housing segregation, and how communities can roll it back today • Pleasure Practices with Sami Schalk: Alone time (April 12, 2024) • Kevin Willmott II plans to open his Gamma Ray Bar in the old Frequency space (April 8, 2024) • Vincent Presley's "Music For Low" is a beautiful tribute to deceptive progression (April 11, 2024) • Jakob Heinemann Quartet's resonant passage through the avant-garde (April 9, 2024) • Wisconsin in song: an updated view (April 5, 2024) • "Take Me Somewhere Nice" offers a gently absurdist look at the vicissitudes of contemporary Balkan life (April 4, 2024) • "Light Needs" and "Parallel Botany" use the film medium as a means to map plant consciousness (April 3, 2024) • In "String Theory: The Richard Davis Method," the storied jazz bassist takes the lead (April 4, 2024) • The housing take that aged me (March 29, 2024) • Drawing the inaccessible bus stops of Metro Transit, part II (March 27, 2024) • "Melomaniac" is a blurry but striking snapshot of an obsessive documentarian (April 2, 2024) • Emmet Cohen continues to stride forward (April 2, 2024) • Gig workers the world over, "Do Not Expect Too Much From The End Of The World" (April 1, 2024) • Everyday beauty, autofiction, and BDSM: an interview with Joanna Arnow (April 1, 2024) • Screaming in Percepto with schlocky horror classic "The Tingler" (March 29, 2024) • A US Dept of Education investigation could stifle criticism of Israel at UW-Madison (March 25, 2024) • Capitol Punishments: Zuckerbucks and clusterfucks (March 26, 2024) • Small Bites: I studied the blade (March 22, 2024) • Lukie P's latest album is a gentle dream (March 20, 2024) • "Message From Our Planet" captures humanity obsessed with studying and rediscovering itself (March 19, 2024) • What will the "uninstructed" vote say about Wisconsin? (March 15, 2024) • A 2024 Wisconsin Film Festival preview in full bloom (March 12, 2024) • Republicans use milquetoast phrases to dress up the same old attacks on public education (March 18, 2024) • Quan Barry refuses to look away (March 14, 2024) • Jonah Parzen-Johnson's restlessness proves inviting (March 13, 2024) • A small tribute to the titanic David Bordwell, "a real cinephile" (March 5, 2024) • Lukie P's latest album is a gentle dream • Eating the rich, and everyone else, in "Delicatessen" (March 11, 2024) • Pleasure Practices with Sami Schalk: Pleasure in the wake of increasing global crises (March 8, 2024) • "Bound" is a horny condemnation of the straight and narrow (March 7, 2024) • Loveblaster's "The Way Things Work" makes the most of its silence (March 4, 2024) • A roundup of memorable Madison releases from the first two months of 2024 (March 1, 2024) • Witnessing the UW-System’s austerity from the inside (February 29, 2024) • Madisonians will hold a vigil for Nex Benedict on Friday, March 1 • Wisconsin Watch: Wisconsin's Medicaid postpartum protection lags most of the country (February 27, 2024) • Pressed for time and advice (February 23, 2024) • Rural districts are fair again, but can Democrats win them over? (February 22, 2024) • Hannah Busse's new music video is a cross-continental collaboration (February 20, 2024) • "Pictures Of Ghosts" invokes the city of Recife's historical memory through haunting memoir (February 19, 2024) • Small Bites: Soup season is Aleppo pepper season (February 16, 2024) • Fitchburg makes a misleading pitch for its own “Cop City” (February 15, 2024) • Kahil El'Zabar's Ethnic Heritage Ensemble turns 50, and its world keeps expanding (February 13, 2024) • Multisensory moviegoing: the art of pairing film and food in Madison (February 12, 2024) • Pleasure Practices with Sami Schalk: Remix your closet (February 9, 2024) • "All The Sounds Are Done" improvises with/in improvisational space (February 5, 2024) • Wisconsin's three local journalism bills are a flawed but useful starting point (February 8, 2024) • A photo essay of live music in Madison across 2023 (February 7, 2024) • Microtones: In our cups at Overture (February 2, 2024) • Melodramatic emotions in your Heart aren't a Sin at UW Cinematheque (February 6, 2024) • City Cast Madison: Madison's best songs of 2023 • Tone Madison Reader Survey • No tomorrow: confronting sobriety with "Groundhog Day" (January 26, 2024) • Don’t pretend you can’t see Gaza suffering (January 24, 2024) • 365 Amplified: Why does Madison attract race fraud and pretendians? • Madison’s (un)affordable and (in)accessible housing problem (January 23, 2024) • Tone Madison's favorite records of 2023 (January 19, 2024) • "Mad Dreams Of Reason" will contemplate modern geopolitics through experimental audiovisual valiance (January 30, 2024) • Wisconsin Watch: Republican bill would limit local control over animal welfare (January 29, 2024) • Madison's musical odds and ends of 2023 (January 22, 2024) • The voyeurism of "Peeping Tom" still offers a transgressive take on trauma (January 23, 2024) • Tone Madison's favorite music videos of 2023 (January 18, 2024) • Why is Madison a hub for race fraud? (January 3, 2024) • Pleasure Practices with Sami Schalk: Take a break (January 19, 2024) • Dane county’s jail money pit gets deeper, but some want to keep digging (January 16, 2024) • Tone Madison's favorite songs of 2023, pt. III (January 17, 2024) • Tone Madison's favorite songs of 2023, pt. II (January 16, 2024) • Tone Madison's favorite songs of 2023, pt. I (January 15, 2024) • Make a movie-related resolution with some help from UW Cinematheque's spring calendar (January 9, 2024) • Capitol Punishments is coming back and making a change (January 9, 2024)