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[Talk] Moth-Eaten Futures: Scheming with Household Casebearers by Tan Zi Hao | Peatix

Unexpectedly Sacred: Islamic Conversion Narratives as Sacred Historiography in West Java

The Impossible Self-Portrait: Translation, Transmogrification, Transmediality

"These tiny bugs are in most of our homes. I can't unsee them" by Kerrie O'Brien

The Forest Withdrawn: A Historiographical Trope for Mediating Change in Cirebonese Chronicles

The 'R' of Terror: The Alphabet Malaysia Fears

Bags of Stories: Thinking with Household Casebearers in the Anthropocene

The Fall of Singapura: The Necessity of Unjust Violence in the Sejarah Melayu

The Chimeric Trace: The Makara and Other Connections to Come

In the Trail of Fragrance and Tigers: Sensing a Pre-Islamic Fugitive King in the Islamic Present

Xenophobic Malaysia, Truly Asia: Metonym for the Invisible

tanzihao.com

Singapore Biennale 2025

The Tongue Has No Bones, A+ Works of Art

Not Just In Black and White, GDP Campus

"Tan Zi Hao: Lost (and Found) in Translation" by Adeline Chia

"Tan Zi Hao's 'The Tongue Has No Bones'" Alfonse Chiu

"Art-ist/Art-is: In Conversation with Tan Zi Hao" by Thaqif Aris

"解读老招牌：看见马来西亚独特的字体美学" by Tan Xing Tong

"Of Culture, Creation, and Casebearers: An Interview with Tan Zi Hao" by Komal Keshran

"Translation is a method of listening and a mode of care." by S.E.A. Focus

Huruf

Pulau Something

Students in Resistance

academia.edu

researchgate.net