@seestage

seestage has been a member of Linktree for 3 years and joined in December 2022. Resources seestage has populated their site with include: • Charlie Chaplin - City Lights review, Belgrade Drama Theatre • Under the Shade of a Tree I Sat and Wept • Blenard Azizaj: "Dance is a way of telling stories through the body" • SEEstage’s favourite theatre shows of 2025 • How football fan groups shut down a Bosnian drama festival • Kosovo’s new Arts Council sparks political concerns • One moment, please... • Second ne:BITEF event announced • A Collection of (Probably) Unread Plays • The Knot review • Cadela Forca Trilogy 1: The Bride and Goodnight Cinderella review • The dark age: Kosovo's theatre scene faces a renovation crisis • Slovenia Counts review, Mladinsko Theatre, Ljubljana • Andreja Kargačin: "We must demand that institutions work for us" • Fear in the Opera review, Atelje212, Belgrade • The International Community Resists the State Capture of BITEF • Philip Parr: "There's a passion for Shakespeare outside the UK" • The Montenegrin Theatre Showcase - a vibrant and diverse scene • The Andraš Urban Cook Book: a three-course feast • 71st Sterijino pozorje: a critical dialogue • Pericles review, Hungarian State Theatre "Csiky Gergely" • The Witches of Salem review, Zagreb Youth Theatre • 7 Minutes review, National Theatre of Albania • Serbian theatre: Between resistance and appeasement • Once Upon a Time in Novi Sad review, Novi Sad Theatre • Lea Kukovičič: "We set out to save men from the patriarchy" • Kiss of the Spider Woman review, Teatar 071, Sarajevo • The Metamorphosis of the New Theatre Tbilisi • Casimir and Caroline review, Sarajevo War Theatre • Huddersfield: the making of a modern Serbian stage classic • Polip Festival 2026: Eco-theatre in Prishtina • Inside dunaPart: Making theatre on Hungary's independent scene • Nina Ramšak Marković: "Comedy is a malnourished genre" • The Argonauts review, Mladinsko Theatre • Angels in America review, Mladinsko Theatre • Armin Behrem: "Queer relationships on stage aren’t a trend" • Charles III review, Teatri ODA • Staging The Flowers of Srebrenica: "An enormous responsibility" • Mum review, Atelje 212, Belgrade • Mario Banushi: "The Balkans aren’t just one thing; they’re many things. • The Mother review, National Experimental Theatre, Tirana. • Jasna Jasna Žmak: ""We need to talk about artistic responsibility" • 1978 review, "Csiky Gergely" Hungarian State Theatre, Timișoara