@reeraw

reeraw has been a member of Linktree for 5 years and joined in October 2020. The social media accounts linked to from reeraw are: • Instagram • Email • Threads • Bluesky Besides social media accounts, reeraw has populated their site with: • Pandemic ARMY: Reflecting on BTS’s Parasocial Kinship (Visual Arts Centre of Clarington "Be My Guest" public programme, June 6, 2021) • Bangtan Remixed: A Critical BTS Reader (review for the Journal of Curatorial Studies, April 2026) • Jesse McCarthy: Who Will Pay Reparations on My Soul? (a TPL Summer Books event, August 6, 2021) • I Came to Ruin You: The Collecting Practices of K-Pop Fandoms (an expanded version of the "I came to ruin you" curatorial text for Fansplaining) • I came to ruin you: The Collecting Practices of K-pop Fandoms (a curatorial project at York's Special Projects Gallery, co-curated with Bo Shin, Mar 31-Apr 4 2025) • 8 New York and Online Shows to See in August ("Wake Windows: The Witching Hour" in Hyperallergic, August 2024) • Wake Windows: The Witching Hour (a digital exhibition for the MacKenzie Art Gallery's DETAIL project, May 9 - August 11, 2024) • Wake Windows: The Witching Hour - Gameplay Video (a public program supporting the MacKenzie Art Gallery exhibition, June 2024) • dis-ease (a flagship exhibition for InterAccess's Vector Festival, Jul 15 - Aug 7, 2021) • Digital Feminisms During The Pandemic (an Emily H. Tremaine Journalism Fellow for Curators commissioning series curated for Hyperallergic, January - March 2021) • Obsessive Pop Tendencies (a curator-led interactive viewing party, 2019) • How Celebrity Fandom Inspires Digital Feminist Curatorial Practice (a Hyperallergic essay reflecting on my first curatorial project, Sheroes, 2020) • Skawennati’s Cyberpunk Future Is Now (a review for Hyperallergic, August 2025) • Caribbean Artists Take on the Myth of Tropical Escapism (a review for Hyperallergic, August 2025) • Charting the Outer Reaches of Fandom in Art (a review for Hyperallergic, August 2024) • The Unnatural Link Between Mothering and Technological Surveillance (a review for Hyperallergic, August 2024) • 5 Best Moments from ATEEZ’s Crowd-Pleasing Toronto Concert on their TOWARDS THE LIGHT : WILL TO POWER Tour (concert review for Billboard Canada, August 2024) • Is Toronto’s Art Triennial Just for Those “In the Know”? (a review for Hyperallergic, July 2024) • Machine Dazzle by Rea McNamara (an interview for BOMB Magazine, July 2024) • On Experiencing Emphemerality (a participant response for The Crafting Community Project Symposium, Toronto Metropolitan University, published December 2023) • On People Pleasing and the Cost of Conflict (contribution to Whippersnapper's newsletter series, May 2023) • Rodell Warner: Heirlooms & Lenses (an exhibition text for Trinity Square Video, May 2023) • The VVerking Life of Contemporary Artists (a East Room profile on Paddy Johnson, April 2023) • Barbie's Pink World Order (a Hyperallergic review, January 2023) • The Interior Monologue of A Feminist Naturalist; A Close Reading of “Synaptic Pruning” (an exhibition text for Winnie Truong's "Herbaria" at Patel Brown Gallery, July 2022) • A Parent's Guide to Navigating Biennials (a Hyperallergic essay, May 2022) • Daniel Faria Gallery 10 (a commissioned text, December 2021) • A Deep, Feminist Dive Into Autotheory (a Hyperallergic review, June 2021) • On Feminist Indexes: An Interview with Cait McKinney and Mindy Seu (a Hyperallergic interview, May 2021) • Rehana Zaman Invites Us into Intimate, Decolonial Narratives (a Hyperallergic review, May 2021) • How Artists Used the Discord App to Build Community During COVID-19 (a Hyperallergic feature, March 2021) • Basel Abbas and Ruanne Abou-Rahme Create a Poetic, Web-based Space for Mourning (a Hyperallergic review, March 2021) • How Crypto Art Might Offer Artists Increased Autonomy (a Hyperallergic feature, March 2021) • How BTS’s Internet Presence Feeds “ARMY” Meme Production (a Hyperallergic feature, January 2021) • Reflecting on a Year of Vulnerability, Discontent, Hiatus, and Refusal (a Sunday Edition year-end essay for Hyperallergic, 2020) • One London Art Center Has Ideas For Navigating the Digital Shift (Some More Useful Than Others) (a Hyperallergic review, 2020) • The Boomer Death Content Farm (a Study Hall media memoir, 2020) • Skawennati Makes Space For Indigenous Representation and Sovereignty In The Virtual World Of Second Life (an Art in America profile, 2020) • Why Your Museum’s BLM Statement Isn’t Enough (a Medium open letter, 2020) • Emily Allan and Leah Hennessey’s Queer Cosplay (a frieze profile, 2020) • Three Prompts and Six One Shots about Nadia/Jonas (a Remai Modern commission, 2019) • Women imagine a whole new world for cosplay (a NOW Magazine feature, 2017) • The inner lives of adult One Direction fans (an Outline feature, 2017) • Toronto startup Wattpad is taking celebrity fan fiction mainstream (a NOW Magazine feature, 2017) • 10 Artists with Forward-Thinking Practices (a Canadian Art feature, 2017) • Meet Rajni Perera, The Canadian Artist Taking On The Global Art Market (a FADER profile, 2016) • Breaking into Broken Systems: On Being Marginalized, and the “Politics of Refusal” (an Art F City review, 2016) • What Do You Do When Your Family Was the Victim of CIA Mind-Control Experiments? (a VICE profile, 2016) • When Facts Become Art: Alison S.M. Kobayashi at Gallery TPW (an Art F City review, 2016) • The Sum of Everything: An Interview with Charles Atlas (an Art F City profile, 2016) • Who’s Running the Show? On MoCCA’s Shifting Creative Vision (an Art F City feature, 2016) • Is Claire Bishop Mired in Citational Modernism? (an Art F City review, 2015) • Never See Come See: Toronto's Trini Roti (an essay for Coach House Books' The Edible City anthology, 2009) • The youth program that worked (an EYE Weekly cover story, 2007) • Who’s your bias?: Communal Desire and Expression in Fandom (a photo card creation workshop for Crafting Community, Toronto Metropolitan University, March 14, 2024) • #OverwhelmedMom: Mothering in The Digital Age (a Toronto Public Library panel with Sophie Hamacher, Kathryn Jezer-Morton, and Hannah Zeavin, Thursday, July 13, 2023) • Jesse McCarthy: Who Will Pay Reparations on My Soul? (a Toronto Public Library talk with Jesse McCarthy, Aug 6, 2021) • Pandemic ARMY: Reflecting on BTS’s Parasocial Kinship (an open-forum food and beverage talk with Claudia Mattos and Monica Uszerowicz, curated by Noor Ali for the “Be My Guest” public programme, Visual Arts Centre of Clarington, June 6, 2021) • The art show that a sleep-deprived new parent can visit at 3 a.m. from their phone (a CBC Arts feature by Chris Hampton, July 2024) • Wake Windows: The Witching Hour at MacKenzie Art Gallery, Online (an Akimbo review by Jenny Western, June 2024)