@reeraw

reeraw has been a member of Linktree for 5 years and joined in October 2020. The social media accounts linked to from reeraw are: Instagram, Email, Threads, Bluesky. Besides social media accounts, reeraw has populated their site with Pandemic ARMY: Reflecting on BTS’s Parasocial Kinship (Visual Arts Centre of Clarington "Be My Guest" public programme, June 6, 2021), Bangtan Remixed: A Critical BTS Reader (review for the Journal of Curatorial Studies, April 2026), Jesse McCarthy: Who Will Pay Reparations on My Soul? (a TPL Summer Books event, August 6, 2021), I Came to Ruin You: The Collecting Practices of K-Pop Fandoms (an expanded version of the "I came to ruin you" curatorial text for Fansplaining), I came to ruin you: The Collecting Practices of K-pop Fandoms (a curatorial project at York's Special Projects Gallery, co-curated with Bo Shin, Mar 31-Apr 4 2025), 8 New York and Online Shows to See in August ("Wake Windows: The Witching Hour" in Hyperallergic, August 2024), Wake Windows: The Witching Hour (a digital exhibition for the MacKenzie Art Gallery's DETAIL project, May 9 - August 11, 2024), Wake Windows: The Witching Hour - Gameplay Video (a public program supporting the MacKenzie Art Gallery exhibition, June 2024), dis-ease (a flagship exhibition for InterAccess's Vector Festival, Jul 15 - Aug 7, 2021), Digital Feminisms During The Pandemic (an Emily H. Tremaine Journalism Fellow for Curators commissioning series curated for Hyperallergic, January - March 2021), Obsessive Pop Tendencies (a curator-led interactive viewing party, 2019), How Celebrity Fandom Inspires Digital Feminist Curatorial Practice (a Hyperallergic essay reflecting on my first curatorial project, Sheroes, 2020), Skawennati’s Cyberpunk Future Is Now (a review for Hyperallergic, August 2025), Caribbean Artists Take on the Myth of Tropical Escapism (a review for Hyperallergic, August 2025), Charting the Outer Reaches of Fandom in Art (a review for Hyperallergic, August 2024), The Unnatural Link Between Mothering and Technological Surveillance (a review for Hyperallergic, August 2024), 5 Best Moments from ATEEZ’s Crowd-Pleasing Toronto Concert on their TOWARDS THE LIGHT : WILL TO POWER Tour (concert review for Billboard Canada, August 2024), Is Toronto’s Art Triennial Just for Those “In the Know”? (a review for Hyperallergic, July 2024), Machine Dazzle by Rea McNamara (an interview for BOMB Magazine, July 2024), On Experiencing Emphemerality (a participant response for The Crafting Community Project Symposium, Toronto Metropolitan University, published December 2023), On People Pleasing and the Cost of Conflict (contribution to Whippersnapper's newsletter series, May 2023), Rodell Warner: Heirlooms & Lenses (an exhibition text for Trinity Square Video, May 2023), The VVerking Life of Contemporary Artists (a East Room profile on Paddy Johnson, April 2023), Barbie's Pink World Order (a Hyperallergic review, January 2023), The Interior Monologue of A Feminist Naturalist; A Close Reading of “Synaptic Pruning” (an exhibition text for Winnie Truong's "Herbaria" at Patel Brown Gallery, July 2022), A Parent's Guide to Navigating Biennials (a Hyperallergic essay, May 2022), Daniel Faria Gallery 10 (a commissioned text, December 2021), A Deep, Feminist Dive Into Autotheory (a Hyperallergic review, June 2021), On Feminist Indexes: An Interview with Cait McKinney and Mindy Seu (a Hyperallergic interview, May 2021), Rehana Zaman Invites Us into Intimate, Decolonial Narratives (a Hyperallergic review, May 2021), How Artists Used the Discord App to Build Community During COVID-19 (a Hyperallergic feature, March 2021), Basel Abbas and Ruanne Abou-Rahme Create a Poetic, Web-based Space for Mourning (a Hyperallergic review, March 2021), How Crypto Art Might Offer Artists Increased Autonomy (a Hyperallergic feature, March 2021), How BTS’s Internet Presence Feeds “ARMY” Meme Production (a Hyperallergic feature, January 2021), Reflecting on a Year of Vulnerability, Discontent, Hiatus, and Refusal (a Sunday Edition year-end essay for Hyperallergic, 2020), One London Art Center Has Ideas For Navigating the Digital Shift (Some More Useful Than Others) (a Hyperallergic review, 2020), The Boomer Death Content Farm (a Study Hall media memoir, 2020), Skawennati Makes Space For Indigenous Representation and Sovereignty In The Virtual World Of Second Life (an Art in America profile, 2020), Why Your Museum’s BLM Statement Isn’t Enough (a Medium open letter, 2020), Emily Allan and Leah Hennessey’s Queer Cosplay (a frieze profile, 2020), Three Prompts and Six One Shots about Nadia/Jonas (a Remai Modern commission, 2019), Women imagine a whole new world for cosplay (a NOW Magazine feature, 2017), The inner lives of adult One Direction fans (an Outline feature, 2017), Toronto startup Wattpad is taking celebrity fan fiction mainstream (a NOW Magazine feature, 2017), 10 Artists with Forward-Thinking Practices (a Canadian Art feature, 2017), Meet Rajni Perera, The Canadian Artist Taking On The Global Art Market (a FADER profile, 2016), Breaking into Broken Systems: On Being Marginalized, and the “Politics of Refusal” (an Art F City review, 2016), What Do You Do When Your Family Was the Victim of CIA Mind-Control Experiments? (a VICE profile, 2016), When Facts Become Art: Alison S.M. Kobayashi at Gallery TPW (an Art F City review, 2016), The Sum of Everything: An Interview with Charles Atlas (an Art F City profile, 2016), Who’s Running the Show? On MoCCA’s Shifting Creative Vision (an Art F City feature, 2016), Is Claire Bishop Mired in Citational Modernism? (an Art F City review, 2015), Never See Come See: Toronto's Trini Roti (an essay for Coach House Books' The Edible City anthology, 2009), The youth program that worked (an EYE Weekly cover story, 2007), Who’s your bias?: Communal Desire and Expression in Fandom (a photo card creation workshop for Crafting Community, Toronto Metropolitan University, March 14, 2024), #OverwhelmedMom: Mothering in The Digital Age (a Toronto Public Library panel with Sophie Hamacher, Kathryn Jezer-Morton, and Hannah Zeavin, Thursday, July 13, 2023), Jesse McCarthy: Who Will Pay Reparations on My Soul? (a Toronto Public Library talk with Jesse McCarthy, Aug 6, 2021), Pandemic ARMY: Reflecting on BTS’s Parasocial Kinship (an open-forum food and beverage talk with Claudia Mattos and Monica Uszerowicz, curated by Noor Ali for the “Be My Guest” public programme, Visual Arts Centre of Clarington, June 6, 2021), The art show that a sleep-deprived new parent can visit at 3 a.m. from their phone (a CBC Arts feature by Chris Hampton, July 2024), Wake Windows: The Witching Hour at MacKenzie Art Gallery, Online (an Akimbo review by Jenny Western, June 2024).