Kate Demolder

Kate Demolder has been a member of Linktree for 4 years and joined in August 2021. The social media accounts linked to from Kate Demolder are: • Instagram • LinkedIn • Email • Substack Besides social media accounts, katedemolder has populated their site with: • In Galway, two brothers are trying to reinvent the Irish chipper one portion at a time - The Currency :The Currency • Interviews with CEOs Brent Pope, Jim Power and Sinéad Donovan et al • ‘In five years I want to be turning over €50m’ – Ginny Seymour on fashion brand Aligne’s growth plans | Business Post • How does one tell the story of abuse in 2026? Frank McGuinness's new show comes to the Abbey - The Currency :The Currency • Welcome to Viagra Town - New Statesman • "Writing was the only power I had left": John Boyne on trauma, truth and the power of fiction - The Currency :The Currency • Taylor Swift Inc: How pop’s biggest star turned emotion into equity - The Currency :The Currency • How FemTech is finally addressing long-overlooked needs for women • The political rage of Sydney Sweeney - The Currency • Roxane Gay: ‘I was teased for my surname in school in the 1980s. People were like: is ‘Is’ your middle name?’ • Andrea Mara: “Rich people doing bad things is fun to read” - The Currency • 'I’ve had this girl examined by a doctor and she is pregnant. And you are the cause of it' – The remarkable story of Griffith V Griffith • God Knows: ‘My parents are a bit wary of the trappings of fame. The high highs and the low lows’ • Ireland’s club renaissance: ‘Come 1am, people are sweating. I never could’ve imagined that 10 years ago’ • Dublin’s iconic statue has a groping problem • ‘People who do bad things think they’re good guys’ – Steve Coogan on bringing Dr Strangelove to the stage • ‘People think we will always be here; it’s not that simple’: Mark O’Brien on running the Abbey • Nineteen Eighty-Four turns 75: the older George Orwell’s dystopian novel grows, the more urgent it feels • INTERVIEW: Rebecca Achieng Ajulu-Bushell on being world number one, retiring as a teenager and racial inequality • Having raised €15m to date, can women's health company Hertility win in a crowded field? - The Currency • In a tiny village in southwest Ireland, Trump will always be president • Emma Donoghue: ‘With birth, it’s a real spin of the roulette wheel. Women’s lives have always been determined by this crapshoot’ • ‘The fact that we cannot use the words “sex” or “vagina” to have these conversations is very concerning’ - Irish sex educator MJ Fox • Big sister energy: How Taylor Swift built a billion-dollar musical empire • What is a 'trad wife'? • True Detective’s Finn Bennett: I’d never support the English football team • The artist painting Free Derry Corner for Gaza • ‘We thought we were making a teen film but every generation needs these conversations’ – filmmaker Molly Manning Walker on consent and winning at Cannes • Alison Oliver on playing posh: ‘For these people, it’s cringe to care about anything. Even if you feel really hurt or rejected, you show nothing’ • SUNDAY TIMES: Why I stopped running the day Ashling Murphy died • CMAT: 'I’m not trying to be a normal girl, because I never was one' • Philippa Gregory: The term ‘guilty pleasure’ is used to make women feel ashamed • Macy Gray: ‘I’ve gotten to a stage in my life where I can direct the conversation a little bit’ • Christine and the Queens in Dublin: A charismatic and theatrical performance in a liberating show • Jason Byrne: ‘My brain still thinks I’m going to swing up home in a few months’ time and Dad will be there’ • Kate Demolder: Russell Brand did not hide who he was. We just never believed him - The Currency • Artist Peter Doyle: ‘Self-taught was just me going to the studio and painting and failing and then figuring it out from there’ • Irish street artist Maser: ‘All I look for is openness’ • Sinéad O’Connor was a non-violent soldier ready to fight for any of us who needed help • SUNDAY TIMES IRELAND COVER STORY: Trad, The Revival • Max Rocha: ‘My dad and my sister are in that world, but I find the attention distracting’ • How has the sex scene evolved since #MeToo? • Aby Coulibaly: ‘As a mixed person, there’s always a question over what your accent is gonna sound like’ • Are we really having less sex? | IMAGE.ie • Music: The Strange Boy rapper from Limerick whose huge talent defies genre and passion defies age • Rich, dysfunctional, and royal: The firm’s new CEO walks in - The Currency • Meet Gemma Dunleavy — the voice of Sheriff Street • Who can save the earth? Mary Robinson believes it’s women | • Kate Demolder: Who decides what womanhood looks like? • ‘I don’t think about it as a sex show. It’s a feminist show’: Corinne Fisher on her Guys We F**ked podcast, threesomes and censorship • “We have this idea that alcoholics lie in the street with a bottle in their hand - that’s just not the truth” - The Currency • Pillow Queens conquered international stages and TV soundtracks — now they’re back home and ready for more • Comedian Grace Campbell: ‘I treated my need for male validation as an addiction’ • ‘Coolest man’ Jack Guinness: ‘Fame isn’t real but I’ve seen a lot of people get kind of hypnotised by it’ • LONELY PLANET GLOBAL: Take a stroll with Dublin's ballad singing tour guide • The Academic — new music and a new label for Mullingar’s brightest star • ‘Being Irish abroad was never cool. It’s changed utterly now’ – Bill Whelan • The Rise of the Vulnerable Celebrity • The Irish stars to watch in 2023 - from singer Cian Ducrot to actor Alisha Weir • Joanne McNally: ‘I love being in a relationship but I feel like single woman is my brand’ • Fade Street (with Kate Demolder) | Flop Culture • Sheer divilment: the Mary Wallopers and folk’s rude rebirth • Michael Fry: ‘It felt like someone was telling you if you don’t play GAA, you can go f*** yourself’ • ‘I was told I didn’t look right and not to speak unless I had something to say’ – Soda Blonde’s Faye O’Rourke on surviving as a woman in the music industry • TWITTER: • THE CURRENCY: What we talk about when we talk about Love Island • IRISH INDEPENDENT: Dublin comedian Anna Clifford: ‘As a teenager, I drank too much and suffered quite badly with body dysmorphia and self-hatred’ • SUNDAY TIMES PROFILE: Gaelic drill music pioneer Selló: ‘I dream so big, man’ • IMAGE MAGAZINE: The problem with Barbie? She stands for nothing at a dangerous time for women • THE CURRENCY: Act, naturally – how casting in movies and TV became a culture battleground • IMAGE MAGAZINE: Ghislaine Maxwell looked the part and that’s all that matters • INDEPENDENT PROFILE: Comedian Grace Campbell: ‘The first time I met Boris Johnson was in the nepotism box at a Miley Cyrus concert’ • SUNDAY TIMES PROFILE: Kneecap: the bad boy rappers of Belfast • RTÉ: What can Love Island teach young people about relationships? • SUNDAY TIMES PROFILE: Ciara Lindsey, aka Kynsy: a fully fledged visionary • STYLIST MAGAZINE: That post-coital feeling: we investigate the way women feel right after they've had sex • IRISH INDEPENDENT: Shit London Guinness interview: ‘After Jamie Dornan mentioned us on The Graham Norton Show everything blew up’ • SUNDAY TIMES PROFILE: Fia Moon: ‘The Dua Lipa comparison is hilarious’ • IMAGE MAGAZINE: I Never Considered My Class Until University • The eroticisation of pregnancy and motherhood • Richie Sadler on sex-ed: 'If you want young people to make informed decisions, you’ve got to give them the right information' • Kate Demolder dissects the 'sexy baby voice' phenomenon • Inside Ireland's witches coven • Kate Demolder on Kim Kardashian and the end of the BBL era