@jasonzinoman

jasonzinoman has been a member of Linktree for 3 years and joined in May 2023. Resources jasonzinoman has populated their site with include: • Martin Short and the Secret to Finding Joy While Surviving Tragedy - The New York Times • ‘Colbert’ Is Done. ‘SNL’ is Stale. Where Does Late-Night TV Go From Here? | Cannonball - The New York Times • At Netflix Is a Joke, the Attention Economy Rules the Festival - The New York Times • When ‘The Late Show With Stephen Colbert’ Goes Away, What Do We Lose? - The New York Times • David Letterman Reflects on ‘The Late Show’ and Has Harsh Words for New CBS Owners - The New York Times • How Ashley Padilla, Breakout ‘S.N.L.’ Star, Nails Comic Timing - The New York Times • Review: Rose Byrne and Kelli O’Hara Seduce in ‘Fallen Angels’ - The New York Times • Britain’s ‘Saturday Night Live’ as Seen From Both Sides of the Atlantic - The New York Times • Max Amini Is a Global Comedic Success On and Off YouTube - The New York Times • www.nytimes.com • Could Marcello Hernández Be the Next ‘SNL’ Cast Member to Become a Superstar? - The New York Times • Ricky Gervais’s Golden Globe Win for His Stand-Up Special Sends a Bad Message - The New York Times • ‘Bug’ Review: Carrie Coon Is Superb in an American Gothic Tale - The New York Times • Louis C.K. Kicks Off Beacon Theater Shows With Quieter Approach - The New York Times • ‘Richard II’ Review: Michael Urie Is a Cynical, Comic Monarch - The New York Times • Larry David Takes the Stage for an Amusing but Not So Revealing Chat - The New York Times • Jim Downey, SNL’s Secret Weapon, Finally Gets His Spotlight Moment - The New York Times • Why Arguments About Free Speech Don’t Apply to the Riyadh Comedy Festival - The New York Times • What Clowns! (That’s a Compliment) - The New York Times • Here’s How Late-Night Became Political Before Trump - The New York Times • Being a High-Profile Comedian Right Now Is No Joke - The New York Times • Gianmarco Soresi Thrives Where Theater Kid and Club Comic Meet - The New York Times • How Adam Friedland Confounds Guests Like Ritchie Torres on His Talk Show - The New York Times • 6 Smart Comedy Specials for Labor Day Weekend • The Comedian as Master Troll - The New York Times • Penn & Teller’s Secret to a 50-Year Partnership • How Marc Maron’s Podcast Helped Him Make His New Comedy Special ‘Panicked’ • Canceling ‘The Late Show’ Is Bad News for Late-Night TV, not Stephen Colbert • Alt Comedy Is Dead. Long Live Alt Comedy! • Anatomy of a Comedy Cliché • In ‘Comedy Samurai,' the Writer-Director Larry Charles Tells Tales of Working on ‘Borat’ and ‘Curb’ • George Romero’s Zombies Lurch On, in Three Family Projects • John Mulaney’s Weird Talk Show on Netflix Suddenly Found Its Way • Sympathy for the Devil, er Boss: In ‘The Studio,’ the Powerful Are on Defense • My Life With Uncle Vanya, the Self-Pitying Sad Sack We Can’t Quit • 10 Wild Clips to Help You Understand Andy Kaufman’s Greatness • Lionizing Mark Twain, Conan O’Brien Subtly Skewers Trump • Raise a Glass to the Messy, Cringey Wedding Toast • Nish Kumar and the State of Comedy on the Political Left • Bill Burr Is About to Hit Broadway. Broadway Better Duck. • 5 Comedy Specials to Watch: Josh Johnson, Rosebud Baker and More • Forget the Punchline. It’s the Setup to These Jokes That’s Tricky. • Nikki Glaser Wants to Kill as Host of the Globes. Is She Overthinking It? • Tom Shales Took TV Seriously Even When Its Creators Didn’t • For Comics, Honing Jokes Has Taken a Back Seat to Marketing • Jamie Foxx’s ‘What Happened Was…’ and Other Comedy Specials to Watch • Best Comedy of 2024 • Can Disney Cut Into Netflix’s Stand-Up Comedy Dominance? • Johnny Carson and the Fantasy of America • ‘Chicken Shop Date’ and the Art of Talk-Show Flirtation • Why Trump Uses Comics Like Tony Hinchcliffe to Spread His Message • 25 Jump Scares That Still Make Us Jump • ‘Saturday Night Live’ and the Underappreciated Influence of Carol Burnett • Ali Wong Dishes on Life After Divorce. Her Real Subject Is Fame. • Ellen DeGeneres Is in Her Boss Era on Her New Netflix Special • Is the Comedy-Club Booking Process Broken? • Conner O’Malley’s Intensely Funny, Deeply Stupid Manosphere • In His Stand-Up Special, Joe Rogan Plays Dumb • Kamala Harris’s Laugh Is a Campaign Issue. Our Comedy Critic Weighs in. • If A.I. Is Coming for Comedy Writers, Simon Rich Is Ready • Bob Newhart Holds Up. • When Is a Stand-Up Special Like ‘The Wire’? When Ali Siddiq Is Onstage • 3 Sharp Stand-Up Specials to Entertain You This Holiday Weekend • Conan O’Brien Doesn’t Matter* • Is This Season of ‘Hacks’ Trolling Jerry Seinfeld? • 5 Knockout Stand-Up Specials for the Long Weekend • Bo Burnham Is Everywhere. He’s Just Very Good at Pretending to Disappear. • Netflix Gives Comedy the Live Treatment. The Results Are Chaotic. • On This Saturday Night, Colin Jost’s Jokes Fell Flat • Is New York Improv Back? I Went on a One-Week Binge to Find Out. • The O.J. Joke: How the Simpson Case Changed Comedy’s Boundaries • Demetri Martin Confronts the Paradoxes of a Veteran Standup Career • Ramy Youssef: Mixing Vibes and Politics to Fierce Effect • Deadly Foosball, Nefarious Pool Guys and the Loony Musings of ‘Valley Heat’ • Review: For ‘Jack Tucker,’ Failure Is the Only Option • Wanted: Writers for Awards Show Jokes. Must Be Skilled at Diplomacy • With Richard Lewis, Kvetching Was Charismatic • In Calling Out Tucker Carlson, Jon Stewart Reminds Us He Has (Old-Fashioned) Skills • On Comedy: Mike Epps www.nytimes.com • ‘Izzard Hamlet New York’ Review: A Solo Show That’s More Noble Than Wise • How Taylor Tomlinson Nailed Her Closing Joke • Tina and Amy live. www.nytimes.com • Hickory Dickory Dock. It’s Andrew Dice Clay on TikTok. • ‘The Curse’ Ending: What Just Happened? • Is What’s Good for Taylor Tomlinson’s Career Bad for Her Life? • Dave Chappelle Assumes We’re Already Offended in His New Netflix Special • 3 Great Specials to Stream Over the Holidays • One Reason Theatre Is in Crisis: The Slow Death of Criticism • Was a Scandal the Best Thing to Happen to Hasan Minhaj? • The Creepiest Moment Onscreen This Year Occurred in a Comedy • Best Comedy of 2023 • Video: Remembering ‘The Exorcist’ at 50 • A Shot at Building a Stand-Up Career in 15 Minutes or Less • Chiseled Cheekbones and Comic Chops: Why We Don’t Like Our Stand-Ups Hunky • Dave Chappelle and the Perils of Button-Pushing Comedy • 'The Exorcist' at 50: How One Horror Movie Shocked the World • Whatever Happened to Local Comedy Scenes? • Lying in Comedy Isn’t Always Wrong, but Hasan Minhaj Crossed a Line • How Shane Gillis Both Plays to and Mocks Red Staters • ‘A Haunting in Venice’ Review: A Whodunit With a Splash of Horror • Inside Story - The Martin Chronicles • 5 Stand-Up Specials to Stream for the Labor Day Weekend • John Oliver and Seth Meyers: Looser but Less Pointed Onstage • In the Battle Between Bots and Comedians, A.I. Is Killing • In Pee-wee Herman, Joy and Fun Got Flat-Out Weird • Jim Gaffigan’s Quintessentially American Comedy Gets Darker and Better • John Early Brings a Deliriously Over-the-Top Sensibility to Stand-Up • Is Originality Even a Worthy Ambition Anymore? • ‘One Woman Show’ Review: Unlikable for Laughs • A Comic With Many Questions About Jews and Whiteness • A ‘Crown Jewel of Comedy’: The Joan Rivers Card Catalog of Jokes Finds a Home • Five Stand-Up Specials for the Long Holiday Weekend • The Martin Chronicles • John Mulaney Punctures His Persona in ‘Baby J’ • Steven Wright, Master of the One-Liner, Tries His Hand at a Novel • That’s the Funny Thing About Grief • Naked Stand-Up Comedy: Everything You Imagine, but Oh So Much More