@intermissionmag

@intermissionmag has been a member of Linktree for 4 years and joined in August 2021. The social media accounts linked to from @intermissionmag are: • Facebook • Instagram • YouTube • Email • X Besides social media accounts, intermissionmag has populated their site with: • REVIEWS: Hamilton Fringe Festival 2026 | Intermission MagazineREVIEWS: Hamilton Fringe Festival 2026 • GFT’s Brontë: The World Without is a window into the ordinary lives of literary icons | Intermission MagazineGuild Festival Theatre’s Brontë: The World Without • The organizers of the 7a*11d festival want you to know that performance art is still ‘punk as hell’ | Intermission MagazineFor this group of Toronto artists, performance art is ‘punk as hell’ • Why Paul Gross thinks Waiting for Godot is ‘one of the great achievements of human creativity’ | Intermission MagazineWhy Paul Gross thinks 'Waiting for Godot' is a masterpiece • Double trouble: Meet the artists taking on multiple shows at this year’s Toronto Fringe | Intermission MagazineArtists taking on multiple shows at this year’s Toronto Fringe • Productions at Crow’s and Theatre Passe Muraille win top honours at the 2026 Dora Awards | Intermission MagazineTAPA announces 2026 Dora Award winners • Play Dead trades death-defying circus tricks for bigger emotional risks | Intermission Magazine'Play Dead' trades death-defying circus tricks for emotional risks • SummerWorks Performance Festival announces 2026 lineup, including a wealth of international offerings | Intermission MagazineSummerWorks Performance Festival announces 2026 lineup • In memory of Peter Wylde, the time-travelling acting teacher | Intermission MagazineIn memory of Peter Wylde, the time travelling teacher • REVIEWS: FringeMTL 2026 | Intermission MagazineREVIEWS: FringeMTL 2026 • At the 2026 Toronto Fringe, Caribbean artists stage collisions of identity, power, and desire | Intermission MagazineAt the 2026 Toronto Fringe, desire and diaspora are intertwined • For Marissa Orjalo, this season at Stratford is such stuff as dreams are made on | Intermission MagazineFor Marissa Orjalo, this season at Stratford is a dream • Toronto Fringe reveals 2026 programming | Intermission MagazineToronto Fringe reveals 2026 programming • REVIEWS: Festival TransAmériques 2026 | Intermission MagazineREVIEWS: Festival TransAmériques 2026 • REVIEW: Exquisite Yiddish Fiddler on the Roof bursts with both elation and pain | Intermission MagazineReview: Yiddish 'Fiddler' bursts with both elation and pain • REVIEW: Stratford Festival’s A Midsummer Night’s Dream features rock-solid comedy and unexpected tenderness | Intermission MagazineReview: Stratford's A Midsummer Night’s Dream is clever but tender • REVIEW: cicadas is a jam-packed eco-thriller experiment with a dual personality | Intermission MagazineReview: cicadas is an eco-thriller experiment with a dual personality • REVIEW: Ex Machina’s leather-clad Macbeth is slick, current, and unmistakably Quebecois | Intermission MagazineReview: 'Macbeth' is slick, current, and unmistakably Quebecois • REVIEW: At Buddies, take rimbaud blends critical theory with glorious theatrical mess-making | Intermission MagazineReview: 'take rimbaud' blends critical theory with glorious mess • REVIEW: It’s a Good Life — but is it a good time? Three critics weigh in. | Intermission MagazineReview: Three critics weigh in on the Tragically Hip jukebox musical • Hofesh Shechter Company’s Theatre of Dreams uses contemporary dance to plunge its audience into a shared dream state | Intermission Magazine'Theatre of Dreams' plunges its audience into a shared dream state • TAPA unveils 2026 Dora Award nominees • Soulpepper’s Tiger Bride offers a ‘wildly transformative’ audience experience, says Hailey Gillis | Intermission Magazine'Tiger Bride' offers a ‘wildly transformative’ audience experience • Theatre Calgary’s new staging of Come From Away aims for the heart | Intermission MagazineTheatre Calgary's 'Come From Away' aims for the heart • Calgary’s Lunchbox Theatre announces 2026-27 season — and a new home | Intermission MagazineCalgary’s Lunchbox Theatre moves buildings for 2026-27 season • As PlayME’s season concludes, its creators reflect on the changing world of Canadian audio drama | Intermission MagazinePlayME's creators reflect on the history of Canadian audio drama • Winners of the 2026 Toronto Theatre Critics' Awards • A show about a celebrity chicken is one of three Irish plays at this year’s Bealtaine Theatre Festival | Intermission Magazine'Chicken' is one of three Irish plays at Bealtaine Theatre Festival • REVIEW: Soulpepper’s How to Catch Creation has plenty to offer a Canadian audience | Intermission Magazine'How to Catch Creation' has plenty to offer a Canadian audience • Paul Gross, Cabaret, and Ann-Marie MacDonald headline Canadian Stage’s 2026-27 season • Theatre Calgary unveils 2026-27 season • At the 2026 Luminato Festival, performance gets up close and personal | Intermission MagazineAt the Luminato Festival, performance gets up close and personal • Pamela Mala Sinha passes the torch of Crash and looks toward a new era (part three) | Intermission MagazinePamela Mala Sinha passes the torch of 'Crash' • Next season, Soulpepper Theatre wants to prove it’s ‘more than just a place that plays happen’ | Intermission MagazineSoulpepper's 2026-27 lineup leans into public programming • REVIEW: In You, Always at Canadian Stage, playfulness meets unabashed emotional vulnerability | Intermission MagazineReview: In 'You, Always,' playfulness meets emotional vulnerability • REVIEW: Coal Mine’s Eureka Day offers a nuanced portrayal of medical mistrust | Intermission MagazineReview: 'Eureka Day' offers a nuanced portrayal of medical mistrust • REVIEW: Shakespeare BASH’d brings focus to the mystifying Troilus and Cressida | Intermission MagazineReview: Shakespeare BASH’d brings focus to Troilus and Cressida • REVIEW: COC’s elegantly bleak Rigoletto is no laughing matter | Intermission MagazineReview: COC’s elegantly bleak 'Rigoletto' is no laughing matter • REVIEW: Two critics compare reactions to TIFT’s new musical All the Cows Are Dead | Intermission MagazineReview: Two critics compare reactions to 'All the Cows Are Dead' • REVIEW: Bad Hats’ Narnia is a joyful, heartwarming escape | Intermission MagazineReview: Bad Hats’ 'Narnia' is a joyful, heartwarming escape • Intermission Magazine • All our reviews! (including Fringe) • REVIEW: Lester Trips’ stylish Public Consumption captures the internet’s profound emptiness | Intermission MagazineReview: 'Public Consumption' captures the internet’s emptiness • Review: Many layers to Abraham Lincoln Goes to the Theatre • Theatre Listings • In Rez Gas, Cale Crowe spins a comic tale of uneasy homecoming • Subscribe to the Friday Folio! • REVIEW: Shaw Festival’s wayward Gnit is an existential riff on Ibsen • Anita La Selva’s interdisciplinary 12 Litres 8800 Steps frames caregiving as an emotional odyssey | Intermission Magazine'12 Litres 8800 Steps' frames caregiving as an emotional odyssey • The final boss: Embedded with the Fools’ Comedy of Errors • In Theatre Aquarius’ new Tragically Hip jukebox musical, emotion comes first | Intermission MagazineIn the Tragically Hip jukebox musical, emotion comes first • Derek Kwan wants to bring theatre back to the town square • cicadas, a new eco-thriller by David Yee, begins previews at Tarragon | Intermission Magazinecicadas, a new eco-thriller by David Yee, previews at Tarragon • REVIEW: This summer, Kingston’s TK Fringe is eclectic as ever • Theatre of the Beat announces 2025 MADGEN festival lineup • REVIEW: GFT’s ambitious Heratio blends rebellion with reverence • REVIEW: Tarragon’s Craze lacks focus — that’s what makes it fun • Mark Crawford returns to Theatre Aquarius • REVIEW: The Sound of Music is enchanting at the Grand Theatre • NEWS: GCTC’s FLOP! crafts a musical from scratch • Want to see a magic show about race? Wait, what? • REVIEW: Twelve Days brings Christmas joy to lunchtime • NEWS: Announcing the 2024 Nathan Cohen Award winners • REVIEW: In Why It’s (im)Possible, parenting is a process • 2023 Nathan Cohen Awards: full list of winners