@headphoneaddict

@headphoneaddict has been a member of Linktree for 6 years and joined in January 2020. The social media accounts linked to from @headphoneaddict are: • Instagram • TikTok • YouTube • Threads • X Besides social media accounts, headphoneaddict has populated their site with: • The SZA/Doechii Dynasty: The Women Lead TDE Into New Era • The Five Elements of Michael Jackson: How The King of Pop was the Quintessential Hip-Hop Superstar • As Jacked As It Sounds: Three Decades Later, 'HIStory' Proves Michael Jackson Right • Sun sets on a ‘Great Day:’ Sonny Rollins dies • Black Rock Coalition Honors Stevie Wonder’s Classic Albums at BAM Shows • How Peabo Bryson co-existed in the R&B and Pop worlds • Is Hip-Hop Entering An Era of Emotional Maturity and Vulnerability? • For The Longest Time: Artists We Need a New Album From • DJ Cassidy, Crystal Waters, and more bring ' Apollo in the Hamptons' • Life Beyond Theo: A Tribute to Malcolm-Jamal Warner • As Jacked As It Sounds: 30 Years Later, 'HIStory' Proves Michael Jackson Right • Arts Education at the Apollo | Apollo Theater • Rescued Work: Michael Jackson & Hip-Hop • Mom & 'Mimi' • Stephen A. Smith's 'Fighting Irish Freestyle' Remix • Loving U is Complicated: The Mental Struggle Within 'To Pimp a Butterfly' • Producer > Artist? Why Have Producers Been Getting Co-Billing on Albums? • The Show Goes Left: The Tragedy of Lupe Fiasco's 'Lasers' • Brooklyn Vibes: What Roy Ayers Meant To Me • Angie Stone: The 1st Rappa Ternt Sanga • Rolling Stone’s Habitual Disrespect of Michael Jackson & The Bigger Issue It Represents • Look At You Foolin' You: Sly Stone Goes From Pop Star to Parable in New Doc • Stand On Business: Kendrick Lamar, Prince, Miles, and What It Means To Not Look Back • Rescued Work: Frank Ocean's 'Pyramids' • Rescued Work: DJ Jazzy Jeff • Can Stop Will Stop: Sean 'Diddy' Combs and the Far Reaching Effects of the East Coast West Coast Rap Feud • TikTok - Make Your Day • When You Regret Your Greatest Achievement: Kanye West's Resentment of 'My Beautiful Dark Twisted Fantasy' • Watch! Netflix Is Streaming A Masterpiece 1972 Black Concert Film Forgotten For 50 Years • Now, It's Personal: 'Save The Children,' 'Soul!,' and YouTube • James Baldwin At 100: His Genius Influenced Black Musicians • Why I Think Donald Trump’s Presence at NABJ 2024 Is a Mistake • ‘They’ll Hurt You Every Time:’ Prince Tried To Help Us Heal 40 Years Ago With His Film ‘Purple Rain’ • Kendrick vs. Drake Was Less Prince vs. MJ and More Prince vs. Morris Day • Kamala Harris Using Beyoncé’s Song “Freedom” As Her Campaign Music Is Giving Best Life Ever • Libraries Are An Essential Service For Black And Low-Income Children. So Why Does NYC Mayor Eric Adams Keep Attacking Them? • The Retirement We Weren't Ready For: Frankie Beverly And Maze Take Their Final, Well-Earned Bow • Paramount Global Joins The Ongoing Efforts To Erase Black History • July 4th's Cognitive Dissonance: For Black People, It May Be A Day Off, But Is It A Day of Independence? • The Sacred And The Secular: 40 Years Ago Today Prince Blessed Us With ‘Purple Rain’ • Michael Jackson: 15 Years After His June 25, 2009 Death, Black Artists Are Still Paying Homage • Maintaining Focus: Reparations And Black Celebrity Crimes • Harlem's Renaissance: The Apollo Remix • Remembering The Time: On This Day Michael Jackson Was Acquitted Of All Charges • Cutting Music Programs Harms Black Students' Academic and Social -Emotional Development • 10 Ways To Support Your LGBTQIA+ Family And Friends • Exclusive: Michael Eric Dyson Talks Duke Ellington’s Enduring Musical Influence 50 Years After Bandleader's Death • Kimberlé W. Crenshaw Breaks Down The True Essence Of Critical Race Theory • Exclusive: Kimberlé W. Crenshaw Discusses 70 Years Of Brown vs. Board Of Education • Deep Cuts - Stevie Wonder's 'Creepin'' • Seven Ways Racism Harms Pregnant Black Women • Let Greg Down • Sex & Suffering – Marvin Gaye’s ‘Sanctified Lady,’ ‘Savage In The Sack,’ & ‘Masochistic Beauty’ • Beyoncé Rides Into Her Country Music Era With “Cowboy Carter” • Pressure Makes Diamonds: How Usher’s 'Confessions' Became Likely The Last R&B Album To Sell 10 Million Copies • Deep Cuts - Rick James' 'Hollywood' • 'Half a Mile From Heaven': Revisiting Stevie Wonder's 1980s Catalog • Jack Still Cries: How ‘Destiny’ Saved My Life • The 'Thriller' Dance: 40 Years of Choreography That ‘No Mere Mortal Can Resist’ • Symphonic sampling: A Tribe Called Quest’s ‘Midnight Marauders’ and Wu-Tang Clan’s ‘Enter the Wu-Tang’ • The future of fusion is funk: 50 years of Herbie Hancock’s 'Head Hunters' • Aubrey’s lament: Drake’s escalating anger toward women and the media • Tony! Toni! Toné! reunion rocks NYC despite audio hiccups • 'It's code,' Jann Wenner, Rolling Stone, and the irony of Black musical articulation • Algo-RHYTHM: The effect of AI on the music industry • 'We’re all sensitive people:' Marvin Gaye’s ‘Let’s Get It On,’ an expression of anxiety and fear disguised as sexual phantasm • The Gospel according to Lauryn: How the Scriptures influenced ‘The Miseducation of Lauryn Hill’ • Apple TV+ series 'Swagger' tackles prison pipeline, with John Carlos as guest star • ESPN’s new documentary, ‘The Crossover,’ explores the 50-year synergy between sports and hip-hop • The ‘Control’ verse: 10 years since Kendrick Lamar ‘put the rap game in a crutch’ • Hip-hop harmony highlights the 2023 Rock The Bells Festival • 'A writer takes his pen': The poetic, apocalyptic lyricism of Stevie Wonder’s 'Innervisions' • 40 years of ‘Rockit,’ how Herbie Hancock elevated hip-hop onto a new pedestal • DJ Cassidy celebrates hip-hop's 50th with star-studded 'Pass the Mic Live!' in New York City • The life aquatic, 25 years of Maxwell’s ‘Embrya’ • Are Black artists sellouts when they go pop or are they taking back something that was stolen? • 10 years of Kanye West’s ‘Yeezus,' a pushback against being ‘Bound 2’ musical appeasement • Prince, music estates, and the ethics of posthumously releasing music • Going Pop Is Just Going White Part 2 • ‘Was I what you wanted me to be?’ How Prince challenged the racial conventions of genre • Going Pop Is Just Going White Part 1 • Prince and hip-hop: A complicated relationship • 5 most memorable moments of Prince Paisley Park Celebration 2023 • Guru's 'Jazzmatazz' gave agency to three decades of hip-hop and jazz fusion • Janet Jackson's sold-out Madison Square Garden show keeps bar high for live concerts • Unsung Presents Best in Black: Film Pioneers • Unsung Presents Best in Black: Athletes • Fans are reminded 'Who is Jill Scott' as Grammy-winner performs debut album in full in New Jersey • Love, flame, light: How Bobby Caldwell’s place in Black music history was secured with just three songs • Evening the score: How Quincy Jones opened doors for Black American film composers • 25 years of 'A Rose Is Still a Rose,' Aretha Franklin's last grand statement and Lauryn Hill's first on her own • Lil' Kim gets her flowers from fans, fellow stars at Apollo Theater concert • Michael Jackson’s ‘Thriller,’ a quiet manifesto of Black music reappropriation birthed from marginalization • Nikki Giovanni, Black Thought, Christian McBride, more shine during jazz, hip-hop, spoken word concert in Newark • Robtober 2022: a recap of Robert Glasper's 2022 Blue Note Jazz Club residency • For Marvel fans who have considered skipping ‘Wakanda Forever’ / When Ryan Coogler is enuf, theGrio • 50 years of ‘Talking Book:’ How Stevie Wonder married emotions with machines, theGrio • Ten years of 'good kid, m.A.A.d. city,' the 'short film' that launched Kendrick Lamar's cinematic universe • ‘Top Dawg-Underdog’ revival is an explosive display of pent-up emotion and actor chemistry, theGrio • Why DJs make great music producers (article), theGrio • Why DJs make great producers (video), theGrio • Twisted elegance: Janet Jackson’s ‘The Velvet Rope’ is a template for Black pop stars to embrace the darkness, theGrio • Solange’s debut as a New York Ballet composer was a dynamic, down-home display of drama,, theGrio • As Afropunk Fest returns to Brooklyn, the real stars are the spectators, theGrio • Jessica Couch’s Fayetteville Road firm addresses racial disparities in fashion fit tech, theGrio • Tamela Mann talks collaborating with Kirk Franklin and Yolanda Adams on deluxe album release, theGrio • ‘Round Midnight Reviews: Black Thought and Danger Mouse’s ‘Cheat Codes,' theGrio • ‘Round Midnight Review: Beyoncé’s ‘Renaissance’, theGrio • How Mary J. Blige’s ‘What’s the 411?’ showed that hip hop and soul are one in the same, theGrio • Here’s why Missy Elliott is hip-hop’s GOAT, theGrio • Folks weren’t ready: 10 albums that were ahead of their time, theGrio • Does jazz need a rebrand? Why the genre’s greatest icons resented the word ‘jazz,' theGrio • I, too, sing America: celebrating the poetry of the Black lyricist, theGrio • Broadway revival of ‘for colored girls’ highlights the power of movement and monologue, theGrio • Killer Mike talks up his new ‘Tumbleweeds’ docuseries and cannabis culture in America, theGrio • You can’t stain something that’s already tarnished: A rebuttal of Harry Lennix’s column suggesting Will Smith return his Oscar, theGrio • Somi pays homage to African icon Miriam Makeba with stage play, album, theGrio • The ‘Black Radio Effect:’ How Robert Glasper helped manifest genre fluidity in Black music, theGrio • Sound Clash to ‘Verzuz’: the history of how Caribbean music competition influenced Black American music culture, thegrio • 10 best Black music producers ever, theGrio • Broadway’s ‘MJ The Musical’ analyzes Joe Jackson’s polarizing influence on the King of Pop, theGrio • 10 reasons Quincy Jones was successful before 'Thriller,' theGrio • Top 10 Black Christmas albums of all time, theGrio • De La Soul’s Discography Is Better Than A Tribe Called Quest’s, Okayplayer • Maxwell on being honored with the Soul Train Legacy award and his new music, theGrio • Silk Sonic reignites soul that’s been long taken for granted, theGrio • Doug E. Fresh talks spiritual connection to Go-Go music: ‘I’m going to continue to share that celebration’, theGrio • 5 of Black music's biggest 'What Is',' theGrio • BRIC Media Maker Weekend, Oct. 14 - 16, sign up here • Drake vs. Michael Jackson: How the numbers show this is a one-sided debate, theGrio • The lasting influence of Aaliyah 20 years after her death, theGrio • Chucky Thompson was the architect of hip hop soul, thGrio • The top 10 best Black artists of the MTV era, theGrio • Get Off The Fence - Marvin! I Want You vs. Here, My Dear, podcast • ‘Summer of Soul’ documentary shows beauty of Black culture, cycle of Black erasure, theGrio • Get Off The Fence - New Edition/Blackstreet! Home Again vs. Another Level • Mary J. Blige recalls recording of ‘My Life’ album in new documentary • Get Off The Fence - MJB! What's The 411 vs. My Life • Get Off The Fence - Quincy! The Dude vs. Back On The Back, YouTube • Get Off The Fence - Common! Like Water For Chocolate vs. Be • Get Off The Fence - Janet! Control vs. Rhythm Nation • A Soul Prophecy: How ‘What’s Going On’ still, sadly, resonates 50 years later, TheGrio • How Paul Mooney became a legend by snubbing white Hollywood, TheGrio • Get Off The Fence - The Jacksons! Destiny vs. Triumph, YouTube • Half A Mile From Heaven: Revisiting Stevie Wonder’s 1980’s Catalog • Get Off The Fence - Stevie! Innervisions vs. Songs In The Key Of Life, YouTube • Get Off The Fence Podcast: Preview Episode, YouTube • Black Ecology: 10 songs that address the environment - TheGrio • Celebrating four influential Black women music producers • DC Comics releases new ‘Nubia’ graphic novel helmed by L. L. McKinney, Robyn Smith • The Five Elements of Michael Jackson • Emmy-winning composer Matthew Head scores new PBS documentary, ‘The Black Church’ • PBS to premiere ‘Mr. Soul!’ doc about once forgotten, innovative Black talk show • Jimmy Jam & Terry Lewis on milestone anniversaries of Janet Jackson’s ‘Control,’ Sounds of Blackness’ ‘Optimistic’ • Bridging The Gap 3X3 Podcast: The Jacksons' "Triumph" - GFM Podcast Network • In Motion: Urban Bush Women - All Arts/PBS • 5th Annual BRIC Media Maker Weekend: Creating in a New Reality, 10/15 - 10/17 • How Chadwick Boseman became an icon of Black identity - theGrio • MLK III leads March on Washington, urges 'economic divestment' from white businesses - theGrio • Is it time to stop assimilating and form a United States of Black America - TheGrio • “The Audacity of white American Protest” - TheGrio • “Justin Timberlake isn’t a culture vulture - He’s just a dense coward; article with TheGrio • ‘In Living Color,’ 30 years later, endures for the culture - TheGrio • The Enduring Power of Bill Withers’ “Simple & Profound” Lyrics • Instagram Live Battles: Which One Should Be Next? • SONIC BLACKNUSS: All About Love Live Podcast Episode On Spotify • “If Beale Street Could Talk,” Film Screening & Talk Back @ BRIC. February 29th at 4pm • DEFYNE Media Remembers J Dilla • B Scene's Black TV Matters: Reclaiming the Narrative @ Weeksville Heritage Center, February 22nd; FREE RSVP • SONIC BLACKNUSS: All About Love, Live Podcast @ BRIC, February 13;FREE RSVP • Universal Harmony: The Birth of a Son - D’Angelo’s “Africa” - 2000 • Conditional Patriotism: The Hypocrisy of Olympics' Rulings Against Political Protests