John Eriomala

When Darkness Fell on UCH Ibadan | The Republic

In Nigeria, Shame is the Substance of Things Hoped For | Culture Custodian

Nigerian Music’s Disturbing Cult Ties | Culture Custodian

Botswana and the Reality of LGBTQ+ Africans | Culture Custodian

How Nigerian Women Protect the Environment | The Culture Custodian

Remembering Afrobeats’ EDM Origins | Culture Custodian

'Left Right’: Why An Ayefele Sample Means More to Afrobeats | WeTalkSound

On Classics & the Album Utility Decline in Nigerian Music | Culture Custodian

Go Ayra, Go Ayra, Go | Culture Custodian

On Afro-Agric and Numbers in the Nigerian Music Industry | Indy Press

We Need More ‘Odd’ Artists | UIMSA Press

How Shallipopi Bent Culture To His Will | NATIVE Mag

Because Imole Lived | IndyPress

Jami Schlueter is the Future of Nigeria’s Combined Events | Culture Custodian

Omah Lay Is Still Soundtracking Melancholy│The Culture Custodian

The Great Nigerian Rap Beef and Other Tragedies | Culture Custodian

Who Influences the Music Nigerians Listen To? | Culture Custodian

On the AMVCA's Best Music/Score Category | Culture Custodian

Liner Notes on Homecoming ‘26: Is The Nigerian Underground Ready? | The Culture Custodian

PURPLE Lagos and the Illusion of Sincere Outrage | Culture Custodian

Dear Non-Hip-Hop Heads, Your Opinions Do Not Matter | IndyPress

#31: Dave's Lagos Homecoming, Michael Markovitz On African Media, Nigeria's Cinema Screen Crisis, & Overnight Success Goes On Tour

Brushstrokes From The Premier: Into The World Of Visual Artistry In UI(Part 2)

UI’s Creative/Entertainment Ecosystem: Breaches and Bridges

Entropy In Eight Notes - The Weganda Review

Note XXIII and the Reality of Survival in Med School

“M$NEY”: The Cost of Extending A Legacy? | Culture Custodian

Dear Sarz & BNXN, Did We Really Need This? | Culture Custodian

“Paradise Now” Review: Obongjayar’s Sophomore Album Is a Fitting Treatise on Self | Afrocritik

One-Listen Review: Mellissa’s “Diamond Baby” EP| The Culture Custodian

Rave & Roses LP Played to Rema's Strengths | The Lagos Review

Moviestar: On Rema and the Demons of HEIS | Culture Custodian

One-Listen Review: KFMD, Qing Madi “Barely Legal” EP

One-Listen Review: activ.boizzz, YKB's NVR LZY III EP | Culture Custodian

Blaqbonez's Young Preacher: An Image of Cohesion and Maturity

Interview: Llona on Overcoming Setbacks and Healing through Music | WeTalkSound

Interview: Ten Years Later, Tay Iwar is Still Evolving | WetalkSound

Interview: Tomi Thomas is Reaching for the Music of the Spheres | WeTalkSound

Interview: F3line Welcomes You to a World of Emotions with Hopeless Romantic | WeTalkSound

Interview: Agatchu on Loving African Music and Spreading Positivity | WeTalkSound

Sundance 2026: Praise Odigie's "Birdie" is A Quiet Portrait of Refugee Grief | BlackFilmWire

The Herd Review: A Maudlin Sojourn Saved By Thematic Excellence | BlackFilmWire

Reflections on Osofisan’s Vision of Soyinka’s Ìṣarà: A Voyage Around Essay

John Eriomala's Resume (Official)