John Eriomala

John Eriomala has been a member of Linktree for 4 years and joined in May 2022. The social media accounts linked to from John Eriomala are: • Instagram • LinkedIn • WhatsApp • Email • X Besides social media accounts, eriomalajohn has populated their site with: • One-Listen Review: Mellissa’s “Diamond Baby” EP| The Culture Custodian • #31: Dave's Lagos Homecoming, Michael Markovitz On African Media, Nigeria's Cinema Screen Crisis, & Overnight Success Goes On Tour • Jami Schlueter is the Future of Nigeria’s Combined Events | Culture Custodian • Nigerian Music’s Disturbing Cult Ties | Culture Custodian • Liner Notes on Homecoming ‘26: Is The Nigerian Underground Ready? | The Culture Custodian • Omah Lay Is Still Soundtracking Melancholy│The Culture Custodian • How Nigerian Women Protect the Environment | The Culture Custodian • Moviestar: On Rema and the Demons of HEIS | Culture Custodian • On Classics & the Album Utility Decline in Nigerian Music | Culture Custodian • John Eriomala's Resume (Official) • Botswana and the Reality of LGBTQ+ Africans | Culture Custodian • One-Listen Review: activ.boizzz, YKB's NVR LZY III EP | Culture Custodian • PURPLE Lagos and the Illusion of Sincere Outrage | Culture Custodian • Go Ayra, Go Ayra, Go | Culture Custodian • One-Listen Review: KFMD, Qing Madi “Barely Legal” EP • In Nigeria, Shame is the Substance of Things Hoped For | Culture Custodian • “M$NEY”: The Cost of Extending A Legacy? | Culture Custodian • On the AMVCA's Best Music/Score Category | Culture Custodian • Who Influences the Music Nigerians Listen To? | Culture Custodian • Dear Sarz & BNXN, Did We Really Need This? | Culture Custodian • Sundance 2026: Praise Odigie's "Birdie" is A Quiet Portrait of Refugee Grief | BlackFilmWire • Entropy In Eight Notes - The Weganda Review • Sundance Film Festival 2026: Praise Odigie's Birdie is a Quiet Portrait of Refugee Grief • The Herd Review: A Maudlin Sojourn Saved By Thematic Excellence | BlackFilmWire • John Eriomala's Articles for the UIMSA Press • Top 20 Recordings of 2024 - UIMSA Press • Top 20 Projects of 2024 • One-Listen Reviews with Dion: The Year I Turned 21 • 6uff – Menace To Society EP (Album Review) | WeTalkSound • Melodi – Something In A Name, Vol. 1 (Album Review) • Top 10 Projects to Expect in 2024 • 'Left Right’: Why An Ayefele Sample Means More to Afrobeats | WeTalkSound • An Honest Review of The Mavins Campus Tour - UI • Top 10 Best Projects from the Nigerian Scene in 2023 So Far • Takeaways from Netflix's Far From Home Trailers • Why Alternative Music? • NIGERIAN HIP-HOP 101: INTRO TO RAP (PART 1) • When Darkness Fell on UCH Ibadan | The Republic • Brushstrokes From The Premier: Into The World Of Visual Artistry In UI(Part 2) • Interview: Llona on Overcoming Setbacks and Healing through Music | WeTalkSound • The Great Nigerian Rap Beef and Other Tragedies | Culture Custodian • “Paradise Now” Review: Obongjayar’s Sophomore Album Is a Fitting Treatise on Self | Afrocritik • Remembering Afrobeats’ EDM Origins | Culture Custodian • How Shallipopi Bent Culture To His Will | NATIVE Mag • Because Imole Lived | IndyPress • Interview: Agatchu on Loving African Music and Spreading Positivity | WeTalkSound • Rave & Roses LP Played to Rema's Strengths | The Lagos Review • Reflections on Osofisan’s Vision of Soyinka’s Ìṣarà: A Voyage Around Essay • Interview: Tomi Thomas is Reaching for the Music of the Spheres | WeTalkSound • Interview: Ten Years Later, Tay Iwar is Still Evolving | WetalkSound • Blaqbonez's Young Preacher: An Image of Cohesion and Maturity • On Afro-Agric and Numbers in the Nigerian Music Industry | Indy Press • Dear Non-Hip-Hop Heads, Your Opinions Do Not Matter | IndyPress • Note XXIII and the Reality of Survival in Med School • UI’s Creative/Entertainment Ecosystem: Breaches and Bridges • Interview: F3line Welcomes You to a World of Emotions with Hopeless Romantic | WeTalkSound • We Need More ‘Odd’ Artists | UIMSA Press