@enidtsui

@enidtsui has been a member of Linktree for 4 years and joined in November 2021. The social media accounts linked to from @enidtsui are: • Facebook • Instagram • LinkedIn • X Besides social media accounts, enidtsui has populated their site with: • Art in Hong Kong • Chinese dissident artist’s video screened on Hong Kong billboards • Review | Hong Kong Picasso exhibition dares to be critical, but is it enough? • Conductor Elim Chan on cancel culture, and why Hong Kong is ‘special’ • Contemporary art’s biggest selfie takers face off at Hong Kong’s M+ • Hong Kong Fringe Club revives Fringe Festival after 27-year gap • Christie’s unveils lavish new Asia HQ at Hong Kong’s The Henderson • The 2024 Gwangju Biennale is full of superb art. But it also trips up • Granted HK$15 million, Art021 Hong Kong should have been far better • Hilarious new musical makes fun of Hong Kong’s education system • Hong Kong ‘bike rides’ reveal a love letter in interactive M+ art project • Shanghai to open first overseas branch of Paris’ Rodin museum • Russell Tovey’s tour of Shanghai’s ‘very gay’ art scene during Pride month • Tarmo Peltokoski draws precise Prokofiev, mixed Mahler from HK Phil • Why Asian stars like NewJeans are becoming the voice of museums • Venice Biennale 2024: politics, FOMO and why I’m going back • Fishing for meaning in rows of empty aquariums at Venice Biennale • She battled sexism to make a ‘powerful difference’ in Hong Kong’s art scene • ‘A new view of the city’: US artist’s film of Hong Kong, star of M+ facade • Hong Kong artists play with AI in Beyond the Singularity exhibition • Ill at ease until he found Finland, Hong Kong artist ponders idea of home • Inspired by wuxia, his works are filled with visually lavish nightmares • Does M+ show based on East Asian ink landscapes go too far or not far enough? • 7 most popular arts stories in 2023, from nude canvases to ‘gross’ sculptures • Shades of Charlie Chaplin film in Hong Kong artist’s mockery of autocracy • Showing in Hong Kong, German artist Neo Rauch on ‘punching back’ at critics • Warhol, Picasso, Monet and more in Nanjing museum’s show of confidence • Art Basel Hong Kong paints rosier picture as 242 galleries sign up for 2024 fair • How Shanghai’s art scene is absolutely buzzing, plus exhibitions to go see • African art fair to dip its toe in Hong Kong, as market ‘shifts East’ • Anger as apparently valuable painting sold in Hong Kong for knockdown price • ‘Impossible to poison with hate’: remembering loved ones with birdsong • Chinese collectors’ art sale flops at Sotheby’s auction in Hong Kong • What it’s like rehearsing for a concert that a typhoon’s about to nix • ‘Let’s start from scratch!’: Chinese artist who changed meaning of crosses • Chinese museums’ loan of art and artefacts to US counterpart is a landmark • Hong Kong arts groups back to promoting the city on overseas tours • Artist to represent Hong Kong at 2024 Venice Biennale revealed • How is the Asian Youth Orchestra coping after co-founder’s death in 2020? • M+ museum shines spotlight on Madame Song, early Chinese fashion influencer • ‘It was so sudden’: rent rises hit indie Hong Kong art gallerists hard • Hong Kong arts body’s new HQ cements Wong Chuk Hang’s status as art hub • Why has there been an exodus of staff from the Hong Kong Arts Centre? • New York Philharmonic in Hong Kong: polish and pyrotechnics • Photographer John Fung, ‘one of the last true Hong Kong Bohemians’ • Artist’s anti-war alter ego draws on 1960s hippy movement to question truth • Hong Kong-based art collector puts his 200 films by 92 artists online • What lies beneath the surface of Hong Kong’s cheery giant rubber ducks? • ‘Not the easiest season’: sales subdued at Christie’s Hong Kong auctions • Hong Kong art space Para Site’s new annexe opens with foreboding exhibition • ‘Cynical but hopeful’: artist’s Hong Kong shows evoke painful histories • They have romanticised Hong Kong in paintings that capture life in the city • ‘It was so exciting’: Hong Kong Dance Awards 2023 big winners • Classical pianist Chiyan Wong on his jazz-tinged album ‘Swing!’ on Apple • ‘Hard to find elsewhere’: why Art Basel Hong Kong was a big draw • Art Issue 2023 • US artist says work featuring names of Hong Kong opposition activists removed • ‘Hong Kong is back’: international visitors out in force for Art Basel fair • Latest exhibitions and performances in Hong Kong • Time to stop the taming of Hong Kong public art • Has Art SG boosted Singapore’s hopes to become region’s main art market? • LGBTQ art exhibition opens at Tai Kwun Contemporary in Hong Kong • In artist’s cyberpunk dystopia, ‘First Emperor’ is immortal techno-dictator • 160 subcontractors owed payments for building of Hong Kong’s M+ museum • What is Hong Kong socialite ex-barrister’s link to US$150m Klimt painting once owned by Oprah? • Art Basel Hong Kong 2023 back to normality but number of exhibitors far lower than in 2019 • Igor Levit on his activism, leaving Twitter and Hong Kong • OPINION: To be an arts and cultural centre, HK must first make clear censorship ‘red lines’ • Interview with Haegue Yang, Korean contemporary artist • Wake-up call for China’s private museums as Guangdong Times Museum falls victim to property market slump • INTERVIEW: Nalini Malani on ‘In Search of Vanished Blood’, her giant new video on the M+ Facade • Review: Pipilotti Rist’s ‘Behind Your Eyelid’ • Interview with founder of Museum of Art and Photography in Bangalore • Chinese art museum’s European offshoot in Berlin closes, a victim of social and political turbulence and funding issues • How Hong Kong’s arts scene has changed in 25 years and the challenges to come as its cultural planning becomes more aligned with mainland China • Documenta 2022: curated by Asians for first time, German art event’s highs and lows as opening week kicks off • Opinion: Party mood at Art Basel, but this is no return to normal for Hong Kong • The new Taipei Performing Arts Center, designed by OMA • The Venice Biennale 2022: Hong Kong opening impresses despite officials’ noticeable absence - event overview • Venice Biennale 2022: the 7 most interesting highlights from Asian pavilions at the international art exhibition • Review: The Hong Kong exhibition at Venice Biennale 2022 • Q&A with Sonia Boyce, British artist who's won the Golden Lion with Simone Leigh at this year's Venice Biennale • Hong Kong’s political changes reflected in artist’s video of musicians fighting each other to play a Beyond-based song while tied up • The artists opening new independent art spaces in Hong Kong, going against the flow as many others leave the city • HK artist Angela Su to invoke 1960s antiwar protests in her Venice Biennale exhibition • Review | Online play To Be A Machine, starring Game of Thrones’ Jack Gleeson, puts creative spin on our hopeless pursuit of immortality • Obituary: Budi Tek • William Kentridge channels tides of history in Hong Kong exhibition • Does Art Point The Way In A Polarised HK • Brooklyn Rail Hong Kong special • Zao Wou-ki works donated to M+ by artist’s stepdaughter • Stephen Wong’s Maclehose Trail series • The economics behind NFTs • “Killed off” village school evokes treasured and painful memories for artist Sara Tse • On Josef Albers' "Homage to the Square" • The M+ Issue, Post Magazine • SCMP Arts and Culture