@arunadsouza

@arunadsouza has been a member of Linktree for 4 years and joined in February 2022. Resources arunadsouza has populated their site with include: • At MoMA, Brancusi Is Lost in Space • Rana Begum Sees What You Don’t • The Worst National Pavilions at the Venice Biennale • No One Is Accountable in Taryn Simon’s Detective Story • The Many Islands of “America” • Don’t Call Him Pop: A New, Improved Roy Lichtenstein Is at the Whitney - The New York Times • An Artist Inspired by Men Behaving Badly - The New York Times • National Pavilions We Loved at the Venice Biennale • South Africa’s Zietz MOCAA Names Director to Replace Koyo Kouoh - The New York Times • What Does the Statue of Liberty Stand For? • Greater New York | 4Columns • An Artist Creates Moments for Play, and Solidarity - The New York Times • “Helter Skelter” Can’t Look America in the Eye • Khaled Sabsabi’s Art of Collective Becoming • Letting Her Art (and Birds) Do the Talking - The New York Times • Gabrielle Goliath Sounds a Call to Action in Venice • Painters, Ports, and Profits | 4Columns • Cauleen Smith | 4Columns • 8 Pavilions That Have the Venice Biennale Buzzing - The New York Times • Noah Davis | 4Columns • Unlike Josh Kline, I Choose New York • Kamrooz Aram Breaks Down the Grid • Brooklyn Museum’s African Art Galleries to Unite Continent - The New York Times • Zarina Brought the World to New York • The Earth, the Fire, the Water, and the Winds | 4Columns • The Polycrisis Sublime of the Whitney Biennial • The Sticky Politics of Wall Texts • Shedding Light on a Roma Artist, and the Fate of Her People - The New York Times • Wifredo Lam | 4Columns • Theresa Hak Kyung Cha, a Cult Figure Silenced Too Soon - The New York Times • Nicole Eisenman | 4Columns • Want to Build a Better World? The São Paulo Bienal Has Some Tips - The New York Times • The Studio Museum in Harlem | 4Columns • Jennifer Packer Confronts Grief Through Paintings That Cut Deep • Ruth Asawa | 4Columns • Martin Puryear Sees Sculpture as a Bodily Encounter - The New York Times • Tehching Hsieh | 4Columns • For Duane Linklater, It’s a Buffalo’s World • Forced to Flee Two Homes, a Painter Finds a Refuge on Canvas - The New York Times • ‘I’m Always Trying to Make the Paintings Nobody Else Is Making’ - The New York Times • DONATE TO INARA Gaza rapid response • Stan Douglas | 4Columns • Those New Announcements in the Subway? They’re Art - The New York Times • For South Asian Artists, Identity Doesn’t Fit in a Box - The New York Times • It Started With a Family Tree. It Became ‘a Memorial to Everything.’ • Toward Joy • The Tyranny of the Monochrome: Two Notes on Divya Mehra • Rachel Martin • Don’t Call It a Protest. It’s a Walk for Radical Love. • Imperfect Solidarities • Our Summer Art Picks • For a ‘Citizen Artist,’ Creativity Is a Matter of Survival • Aruna D’Souza’s New Book Argues Against Empathy • An Egyptian Artist Mesmerizes in Venice With an Opera and a Donkey • Venice Biennale 2024 • How an Artist Became the Queen of Baltimore • Amy Sillman: To Be Other-Wise • Cartoon of Palestinian Boy Inspires, Years After Creator’s Murder • Americans in Paris • A ‘Taxi Driver’ Remake: Why Arthur Jafa Recast the Scorsese Ending • The Revolutionary Power of Women’s Rage and Grief • Jim McDowell, aka ‘the Black Potter’, on the fire behind his face jugs • The Man Who Pictured Ghana’s Rise at Home and Abroad • Hidden in a Mini-Mall in Flushing, a Home for Art • Samuel Levi Jones • Rina Banerjee • Jaune Quick-to-See Smith • Senga Nengudi • Shirin Neshat • NYT Contributors’ Letter • Linda Nochlin, "Making it Modern"