@artsair

artsair has been a member of Linktree for 4 years and joined in February 2022. The social media accounts linked to from artsair are: • Facebook • Instagram Besides social media accounts, artsair has populated their site with: • Third Annual ‘ChoreoLab’ Shines the Spotlight on Cleveland Ballet Dancers’ Creativity [PREVIEW] • YY Dance’s Cleveland Debut Left The Audience Clamoring For More [REVIEW] • Beguiling ‘For The Love Of Dance’ was BalletMet at its Best [REVIEW] • Maria Caruso’s Latest Ballet for Bodiography Contemplates the Afterlife [PREVIEW] • Emotionality Unbound [REVIEW] • World Premiere Ballet to Janáček’s Moving ‘From the Street’ Highlights OCB’s ‘Ballet Unbound’ in Cleveland [PREVIEW] • A Grand Swan Lake – Fjord Review • Cleveland Ballet Presents a Glorious Interpretation of Handel’s ‘Messiah’ [PREVIEW] • Cleveland Ballet’s Lauren Stenroos Takes Her Final Bows As A Company Dancer In ‘Handel’s Messiah’ [INTERVIEW] • Alexei Ratmansky Ballet to Feature in BalletMet’s ‘For the Love of Dance’ [PREVIEW] • Ballet Excel Ohio Celebrates 50th Anniversary with New ‘Aladdin’ Ballet [PREVIEW] • Attack Theatre’s 30th Anniversary Season Continues with the Grateful Dead Scored ‘Once in a While’ [PREVIEW] • Choreographer Trey McIntyre Details His Re-envisioned ‘Peter Pan’ Ballet For BalletMet [INTERVIEW] • Graham Dance Company Triumphs in 100th Anniversary Tour Performance [REVIEW] • Lessons in Caring Highlight Dancing Wheels’ Production of “Puff the Magic Dragon” [PREVIEW] • Introducing Our 2026 25 to Watch - Dance Magazine • BEST OF 2025 • Northeast Ohio’s Flamenco Queen Alice Lawhorn’s Latest Work Explores Finding Balance in a Fractured World [PREVIEW] • Dutch National Ballet's Next Phase: A Conversation With Ted Brandsen and Ernst Meisner - Pointe Magazine • The Game is On – Fjord Review • Invisible Wounds [REVIEW] • Cleveland Ballet’s Anna Cole Talks About Her Career And The Return Of ‘Dracula’ To Open The New Dance Season [PREVIEW] • MOMIX’s Trippy ‘ALICE’ Feeds Audiences’ Heads With Wonder [REVIEW] • Dance Season Preview: Must-See Shows in the 2025–26 Season • Dominic Moore-Dunson Awarded Career-Altering Resident Artist Fellowship at Philadelphia’s Wilma Theater [INTERVIEW] • Wonderstruck • Inlet’s Summer Dance Offerings Look Back on the Company’s Repertoire History While Giving a Nod to the Future [PREVIEW] • Mostly Marvelous Malpaso Delights at Chautauqua Institution [REVIEW] • Cleveland Ballet Announces Settlement of Disputes with Former Artistic Director • 2nd Best Dance Company Presents ‘Light Labor’ • Heavenly Bodies • Airings: June 2025 • Dancer-Choreographer Anthony Alterio Finds A Homecoming In The Launch of this Week’s Pittsburgh Dance Workshop [PREVIEW] • Lang Lang Young Piano Scholars + CIM Summit = Stellar Performance Recitals by Future Classical Music Stars • Chamber Dance Project’s ‘Red Angels’ Is Sure To Be Heavenly [PREVIEW] • OCB’s Man in the Middle, Antonio Morillo, Discusses His Dance Career, Retirement, and His Next Adventure [INTERVIEW] • Ohio Contemporary Ballet’s Kate Webb Talks about Her Career, Retirement, and What’s Next [INTERVIEW] • PNB’s Jam-Packed ‘Emergence’ was Contemporary Ballet at its Finest [REVIEW] • YourClassical names Valerie Kahler as new host of Performance Today® • Dancing Wheels Company’s New Western Themed Production Features a Reimagining of Agnes De Mille’s ‘Rodeo’ [PREVIEW] • Airings: May 2025 • Changing of the Seasons • Cleveland Ballet offers up an Exciting ‘Romeo and Juliet’ Ballet Steeped in Tradition [PREVIEW] • Better Know Cleveland Ballet’s Prima Ballerina Svetlana Svinko [INTERVIEW] • BalletMet’s Rachael Parini To End Her 20-Year Dancing Career with Her First Villainess Role in ‘Sleeping Beauty’ [INTERVIEW] • Digital Release of Maria Caruso’s ‘Incarnation’ Intimately Captures Her Cathartic Struggle with Loss and Depression [REVIEW] • Ohio Contemporary Ballet Celebrates Visionary Choreographer Heinz Poll’s Legacy in Program at Akron’s EJ Thomas Hall [PREVIEW] • CorningWorks’ ‘Stand By’ Proves a Clever Allegory for our Divisive Times [REVIEW] • Classic Literature Meets Hip Hop in Raphael Xavier’s Brilliant ‘Skiff’ [REVIEW] • Murder, Reckoning, and an A Cappella Choir: CPT’s DanceWorks 2025 Presents Five Weeks of Evocative Dance [PREVIEW] • Pittsburgh Ballet Theatre’s ‘Spring Mix: 5 for 55’: A Preview and Conversation with Choreographer Caili Quan • Espiral Dance’s New Production is a Coming Together of Dance Artists to Highlight our Relationship with Mother Nature [PREVIEW] • Wondrousland • ‘Diamond Jubilee’ Tour is Legendary Choreographer Twyla Tharp at her Tharpiest [REVIEW] • ‘The Drama’ Shines a Revealing Spotlight on the Life of a Star Dancer [REVIEW] • Namesake Ballet Shines Brightest in Bodiography’s ‘Evensong’ [DIGITAL REVIEW] • Cleveland Performances of Alvin Ailey American Dance Theater an area Homecoming for Akron’s Kali Marie Oliver • Introducing Our 2025 "25 to Watch" • After Years of Measured Growth, Ballet Palm Beach Is Hitting Its Stride - Pointe Magazine • Val Caniparoli, aka "Mr. Nutcracker," on Creating 5 Different Productions of the Holiday Classic - Pointe Magazine • Cleveland Ballet’s New Nutcracker Triumphs as a Holiday Treat for the Senses [REVIEW] • Cleveland Ballet Debuts a New ‘The Nutcracker’ Production Rich in Tradition [PREVIEW] • Documentary Shines New Light on a Dance and Visual Effects Pioneer [REVIEW] • Hélène Simoneau Danse Captivates with Mathematical Beauty in Cleveland Debut [REVIEW] • Taiwan’s Cloud Gate to Open Delayed Pittsburgh Dance Council Season [PREVIEW] • Holograms, Ancient Myths, and Aerial Silks Come Together in CWRU’s Department of Dance’s ‘Voyages’ [PREVIEW] • Pacific Northwest Ballet’s Season Opener: From Joyous to Surreal and Back Again [REVIEW] • Cleveland Ballet Brings the Fright to Open its New Dance Season [PREVIEW] • Valley teen recognized for donating dog booties to pet owners in need • Classic Hollywood Glitz, Glamour, and Dance and Music Entertainment are Brought to Life in ‘Strictly Gershwin’ [PREVIEW] • A Q & A With Maria Caruso On Her New Dance Theater Production at London’s Royal Drury Lane Theatre [PREVIEW] • The Pillow Project Celebrates 20 Years of Evolution in ‘The Long Dream’ [PREVIEW] • A Much-Improved Cleveland Ballet Awakens in ‘Sleeping Beauty’ [REVIEW] • VERTIGO FINDS BALANCE IN OUTSTANDING ‘MAKOM’ [REVIEW] • Fanaticism, Duality, Slavery, and Human Connection are Themes Explored in Cleveland Public Theatre’s DanceWorks 2024 [PREVIEW] • Madison Ballet Comes Into Its Own Under Director Ja' Malik - Pointe Magazine • Taylor Company Triple Bill A Triumph [REVIEW] • Utah Dance Company’s Northeast Ohio Debut was Top-Notch [REVIEW] • How The Nutcracker became the most popular ballet in the world • ‘Weave the Wind’ Highlights Program A of Chamber Dance Project’s Festival of Ballets [REVIEW] • Gerald Arpino: His time to be celebrated - Dance International Magazine • A Conversation With Jodie Gates: The Cincinnati Ballet Director's Vision Comes Into Focus - Pointe Magazine • Buffalo native Adelaide Clauss performs with the Washington Ballet at Chautauqua Institution • Chamber Dance Project: Poetry, Feathers and Gatsby [REVIEW] • From Raining Feathers and T.S. Eliot Poetry to Puppetry and Fitzgerald’s Gatsby, Chamber Dance Project’s Latest Production is Must See [PREVIEW] • Celebrated Choreographer Donald Byrd Talks about his New Work for Dancing Wheels and the National Physically Integrated Dance Festival [PREVIEW] • Alejandro Cerrudo, Charlotte Ballet's New Artistic Director, Talks About His Vision for the Company - Pointe Magazine • Sidra Bell Dance New York: Highlights Program Shows Company in its Best Light [REVIEW] • With Her New Production, PBT’s Susan Jaffe Seeks A More Enlightened ‘Swan Lake’ [PREVIEW] • Pittsburgh Ballet Theatre Principal Dancer Alexandra Kochis Reflects on her Career, her Swan Song Performance, and What’s Next • Pamela M. Green Dance/USA 2022 'Ernie' Award Recipient: A Facilitator of Artist Dreams - Dance/USA • Pittsburgh, Pennsylvania’s Kyle Abraham: From raves to the Royal - Dance International Magazine • CorningWorks’ ‘The Tipping Point’ Brings Home the Global Refugee Crisis [REVIEW] • Steve Sucato Bio • Steve Sucato/arts air website • From Skateboarding Hooligan to Principal Dancer: BalletMet’s Jonathan Jordan Reflects on his Lengthy Dance Career and Taking his Final Bow • Slick Meets Surreal in ‘Circles: going in’ [REVIEW] • Dance and Visual Art Combine Superbly in Grand Rapids Ballet’s Season Opener [REVIEW] • Charlotte Ballet: Celebrating 50 years / Stuart, Pite, Caniparoli, Aiello - Dance International Magazine • Ballet Legato’s Inaugural ‘The Nutcracker’ Combines Tradition with the Unconventional [PREVIEW] • Boston Ballet Celebrates Dancing Again in Stylistically Diverse, ‘reSTART’ [REVIEW] • Strife Inspired Art: CORNINGWORKS’ ‘the other shoe’ [REVIEW] • Cleveland Ballet’s Condensed Don Q is a Keeper [REVIEW] • Dance, Sports, Tragedy and Triumph, ‘The Running Show’ is a Winner [REVIEW] • Daring ‘To The Pointe’ Opens Milwaukee Ballet’s 2020-21 Season in Style [REVIEW] • EVIDENCE makes it clear; Choreographer Ronald K. Brown is the King of Smooth [REVIEW] • PNB’s Rep 2 Highlighted by Lang’s Brilliant ‘Ghost Variations’ [REVIEW] • ‘Fall For DANCECleveland’ Virtual Dance Film Series Hits Entertainment Bullseye [REVIEW] • ‘Echo Mine v2’ Brings Message of Loss and Remembrance to Global Audience [REVIEW] • ‘Inside’ the Class of GroundWorks’ Outdoor Dance Film Screenings [REVIEW – Arts Air] • DANCECleveland’s Virtual Dance Festival a Soul-Nourishing Stand-In for Live Dance