@ajgoldmann

ajgoldmann has been a member of Linktree for 3 years and joined in April 2023. The social media accounts linked to from ajgoldmann are: Facebook, Instagram, Substack, X. Besides social media accounts, ajgoldmann has populated their site with A Surprising Changing of the Musical Guard in Munich, Cultural boycotts of Israel just reached peak absurdity – The Forward, The Grand Salzburg Hotel | Salzburg Festival Review - Il viaggio a Reims | Parterre Box, Politics vs the World's Most Political Film Festival - Liberties, t.co, Valie Export, Feminist Artist Who Made the Body a Battleground, Dies at 85, Protests, self-mutilation and rage against Israel at Venice Biennale – The Forward, ‘Giotto and St. Francis: A Revolution in 14th-Century Umbria’ Review: Changing What Holiness Looks Like, A New Medusa at La Monnaie - Musical America, Brett Dean’s Of One Blood review — tale of Elizabethan intrigue makes a thrilling 21st century opera, What Wagner actually sounded like, “World-building gone wrong,” by A. J. Goldmann, Alexander Kluge, 94, Revolutionary Filmmaker in Postwar Germany, Dies - The New York Times, This isn't Barbra Streisand's 'Yentl' — it isn't I.B. Singer's either – The Forward, The Political and Private Rebellions of Jafar Panahi, The Villa Stuck: A Vibrant Vision in Munich - WSJ, 52 Places to Go in 2026: Genoa, Italy - The New York Times, 52 Places to Go in 2026: Warsaw - The New York Times, In Cover-Up, Laura Poitras Investigates Seymour Hersh - Columbia Journalism Review, Purity Tests, Art's Hemlock, ‘Leonora Carrington’ Review: An Exhibit of Imagination in Milan, Maxime Pascal to Conduct Stockhausen’s ‘Montag aus Licht’ in Paris - The New York Times, The Grand Egyptian Museum’s Astonishing Arrival, La Scala Stages New Vision of Shostakovich’s Original ‘Lady MacBeth’ - The New York Times, Romeo Castellucci Takes on Debussy for His La Scala Debut - The New York Times, A Paris Exhibition Shows Wassily Kandinsky’s Music of Colors - The New York Times, Can Germany restore Jewish life in the synagogues it renovates? – The Forward, How a complete unknown created the 1970's most iconic concert – The Forward, “Better late than never,” by A. J. Goldmann, In Salzburg, the End of the World x 2, Cezanne au Jas de Bouffan Review, Crowns Slip in Two New Salzburg Productions, 7 of Europe’s Most Delectable Fall Harvest Festivals - The New York Times, Matisse and Marguerite Review, At the Venice Film Festival, Celebrating a Different Kind of Filmmaking - The New York Times, ‘When I fled Russia, I knew it was one-way’ — director Kirill Serebrennikov on exile, uncertainty and Josef Mengele, The Aix factor - Parterre Box, ‘Don Giovanni’ Is One of the Greatest Works Ever Written. Why Is It So Hard for Directors to Get Right? - OperaWire, Q & A: Serge Dorny, the Bayerische Staatsoper’s Intendant, on the 150th Munich Opera Festival - OperaWire, The Architecture of Bodies: An Interview with director Ted Huffman, At Salzburg, a Modern Opera About Timeless Dreams and Realities, Strauss in the Shadows: Germany Spearheads a Revival of the Composer’s Lesser-Known Operas - OperaWire, A ‘Nurse Action Movie’ Might Be Different, but That’s the Point, Opera Companies Find Savings and Gains Through Collaborations, When Watching These Films at Cannes, Feel Free to Put Your Feet in the Sand, Rings Under the Eyes, During the Venice Biennale, You Can Buy Coffee Made With the Lagoon - The New York Times, More Than Caviar and Nostalgia, Stream the Most Important New Opera of the Year for Free [Editorial] - OperaWire, ‘St. John Passion’: Bach’s Strange, Sublime Oratorio, A Danish Museum Examines Our Fascination With the Ocean, ‘El Greco. Santo Domingo el Antiguo’ Review: Awe-Inspiring Altarpieces, ‘Caravaggio 2025’ Review: A Baroque Master’s Dark Depths, Komische Oper Berlin 2024-25 Review: Akhnaten - OperaWire, Review: ‘A New Look At Cimabue”, Human Tension, Vast Underground Spaces and a Hidden History Lie Beneath Maastricht, How an intimate and sensitive film about a hostage family's grief triumphed in Berlin, At the BAFTAs, Fans Have a Say Who Wins This Award, On the Courage of Nan Goldin and the Truth About Germany’s “Never Again Is Now” Resolution, Otto Schenk, Opera Director and Bulwark of Tradition, Dies at 94, In Vienna, Museum Shows to See This Winter, 36 Hours in Innsbruck, Austria: Things to Do and See, Notre-Dame Cathedral’s Brilliant Rebirth, When Coming to America, European Directors Sometimes Get Lost in Translation, The Apollo Belvedere: New Life for a Marble God, Dancing Bach’s ‘St. John Passion’, The Festival d’Automne Turns All of Paris Into a Stage, Review: An Ambitious Work, as Flimsy as a House of Cards, Tate Modern Gives a Fuller View of the Blue Rider, At a French Chateau, a Feast of Music and Nature, How the Venice Film Festival Became an ‘Oscar Launchpad’, 36 Hours in Salzburg, Austria, A Salzburg Festival Tradition Deserves a Wider Audience, At the Salzburg Festival, Revivals Take Center Stage, Hitler's Mountain of Art, This Director Has Been Busy Since He Was 25, ‘Chaïm Soutine. Against the Current’ Review: An Expressionist in Full, Choreographer’s ‘Dog Poop Attack’ on a Critic Inspired This New Play, The Un Certain Regard Section Offers a Different Perspective at the Cannes Film Festival, In This ‘Lord of the Rings’ Adaptation, the Hobbits Yodel, ‘Ash’ Review: A Nobel Prize-Winner Confronts Environmental Collapse, 36 Hours in Munich, ‘Brancusi’ Review: A Singular Sculptor at the Centre Pompidou, Peter Eotvos, Evocative Modernist Composer and Conductor, Dies at 80, Aribert Reimann, Masterful German Opera Composer, Is Dead at 88, An American Tenor, a Puccini Specialist, Arrives at the Met, At the Venice Biennale, the German Pavilion Undergoes a Transformation, René Pollesch, Provocative Force in German Theater, Dies at 61, ‘The Lost Mirror: Jews and Conversos in the Middle Ages’ Review: Spain’s Antisemitic Artistic History, Bringing New Life to Some of the World’s Most Extraordinary Artworks, ‘Poor Things,’ the Weird Movie, Was a Weird Novel First, How the Choreographer for ‘Poor Things’ Uses Dance to Tell the Story, Opera and Classical Music to Experience in Europe This Winter, Berlin’s Subway Musical Captures the Soul of the City, Review: ‘Chicago,’ With Nary a Finger Snap, In Germany, ‘Hamilton’ Hangs Up Its Musket, Well-Made, and Massively Weird: A New Theater Season in Berlin, 2023-10 A Sense of Tradition | Opera News, 2023-10 Salzburg Festival | Opera News, Has Woody Allen ever told you how lucky he is?, In Germany’s Rust Belt, Industrial Ruins Become Stages, Review: In ‘Amour,’ Putting a Palme d’Or Winner Onstage, A Musical Family Adds to This Baritone’s Performance, 2023-08 Modern & Present | Opera News, Christian Petzold May Be the Best German Filmmaker You’ve Never Heard Of, 2023-07 Die Frau ohne Schatten at the Easter Festival Baden-Baden | Opera News, 2023-07 Tannhauser at the Salzburg Easter Festival | Opera News, Ruben Ostlund Doesn’t Want You to Get Too Comfortable, ‘Charmion von Wiegand’ Review: American Artist, Swiss Exhibit, ‘The Inheritance’ Arrives at a Festival of German Drama, Review: A Star Director Takes a Back Seat in ‘The Seagull’, Opinion | Living up to Isherwood (Published 2007).