aaajiao
An id
Pinky Swear - eventstructure
Pinky Swear - eventstructure
aaajiao 徐文恺
Collected by Pompidou
Collected by Pompidou
En février 2023, le Centre Pompidou est devenu la toute première institution dédiée à l’art moderne et contemporain à faire l’acquisition d’un ensemble d’œuvres traitant des relations entre blockchain et création artistique, parmi lesquelles ses premiers NFT. En tout, ce sont dix-huit projets de treize artistes français et internationaux qui entrent en collection. Issues de pratiques et de cultures diverses comme le crypto art, les arts plastiques ou les nouveaux médias, ces œuvres font l'objet d'un accrochage au Musée jusqu'au 22 janvier 2024. Décryptage par Marcella Lista et Philippe Bettinelli, conservatrice et conservateur de la collection vidéo, son et nouveaux médias.
LIste - Diaspora as History
LIste - Diaspora as History
artasiapacific aaajiao’s “I was dead on the Internet”
artasiapacific aaajiao’s “I was dead on the Internet”
aaajiao: 'This is my understanding of what a metagame is'
aaajiao: 'This is my understanding of what a metagame is'
aaajiao introduces Deep Simulator, defined as a metagame that continues the artist’s attendant critiques on the digital era.
aaajiao谈现实的模拟与视觉腐败
aaajiao谈现实的模拟与视觉腐败
从用户(user)、网络机器人(Internet bot)到玩家(player),aaajiao(徐文恺)的创作折射了千禧一代网络身份的变化。这些变化不仅关涉我们如何看待被网络渗透的现实,以及个体如何在身份转变中校准真实,还关乎一种由数据世界启发的行动力。“洞穴模拟器”与其说是一个借用游戏玩家视角制造的隐喻,毋宁说是一种重组模拟与现实的范例,通过这个范例,我们可以质疑每一层我们曾以为的真实。在后真相时代,这或许是人人都可以借用的观看视角。本文中,aaajiao回顾了近三年的多媒介创作,包括他关于“视觉腐败”的后续思考,以及对一种新网络身份的宣言。“洞穴模拟器”在上海艾可画廊展出至2020年6月21日。我的创作经历了几次转变:2013-14年的几个展览都关于“屏幕一代”(The Screen Generation),即与屏幕进行大量互动的一代人的生存方式。区别于早期对电脑与互联网拥有充足知识与极大操作权限的管理者(administrator),屏幕一代的用户(user)不再对网络空间拥有“全知全能”的视角,而是被屏幕隔绝在数据世界之外。用户成了“屏幕一代”的主要网络身份。对我而言最重要的是去理解个体作为用户的处境。这让我的创作不自觉地关联到“记忆”,因为我们更多仰赖于记忆描述自身的处境。我开始转向bot,强调网络如何重塑我们的记忆。我提出“外置记忆”作为线索,也就是我们身体之外的信息系统,比如手机里的相册、社交媒体上发布的信息等等。这些信息的存在方式如同记忆。你会去关心它引来的关注和评论,甚至有时会搜索十几年前发过的东西。而当你阅读它时,会发现它如记忆一般与你共同成长。bot这个词是搜索引擎蜘蛛程序的一个名称(全称为Internet
aaajiao:我们正逐步失去我们线下的身份和形象
aaajiao:我们正逐步失去我们线下的身份和形象
aaajiao(徐文恺)位于上海的工作室有一个S形门把手,在屋内有光时,把手和影子会形成一个∞符号,这让人想到1985年在蓬皮杜艺术中心的群展“非物质”(Les Immateriaux,展期:1985年3月28日至7月15日)展中曾经出现的一个怪异的“半实体半虚拟”的抄写员。
Berlinartlink - a a a jiao
Berlinartlink - a a a jiao
Berlin Art Link visits artist aaajiao (Xu Wenkai) – one of China’s foremost digital artists, bloggers and free culture developers – in his Berlin studio.
aaajiao Instagram
aaajiao Instagram
aaajiao Email
aaajiao Email
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