@preciousadesina

preciousadesina has been a member of Linktree for 6 years and joined in July 2020. The social media accounts linked to from preciousadesina are: • Instagram • X Besides social media accounts, preciousadesina has populated their site with: • My website • My Substack • Support my work & buy me a coffee • 'A dark and violent scene': The 1927 painting that foretold Germany's downfall • What Was Nigeria’s Osogbo School of Art, and Why Was It So Important? - ArtNews • Michaela Yearwood-Dan’s Art Blends Religious Themes With Lines From Her Diary - The New York Times • 'Hideous': The controversy over Picasso's most shocking painting - BBC Culture • Master match up: Miguel Rio Branco and Chakaia Booker - Features - Independent Art Fair • Sculptor Veronica Ryan unearths the past - Financial Times • At Tate Britain, Hurvin Anderson’s Luscious Paintings Explore the Meaning of Home | Artsy • Why Beatriz González’s Haunting Paintings Are More Relevant Than Ever | Artsy • Twists in the tale: Jaja’s African Hair Braiding explores immigrant experience through a day at the salon | Theatre | The Guardian • For Chinese sculpture artist Yin Xiuzhen, old clothes carry new meaning | CNN • A Family’s Memories and a Nation’s Struggles in ‘My Father’s Shadow’ - The New York Times • Why Basquiat Was Obsessed with Drawing Human Heads | Artsy • Long-Lost Robert Burns Portrait Is on Display for Burns Night - The New York Times • GICA Rwanda — nataal.com • Colouring In Between The Lines - The Powerlist - by Precious Adesina • Museum of West African Art Faces Tensions as Benin City’s Creative Scene Pushes Forward • How Nigerian Art Captured the World’s Attention - Artsy • At Frieze London, a new section explores the flow of cultural influence between Africa and Brazil • Edward George: ‘You get beauty, but it’s inseparable from a history of violence’ • 6 Unforgettable Works in Kerry James Marshall’s Major London Show • 'More than meets the eye': The hidden meanings in a US masterpiece • TALK Reframing Blackness - Festival of Encounters • Chakaia Booker’s Favorite Artworks - The New York Times • Cece Philips’s Favorite Artworks - The New York Times • The 12-hour psychedelic theatre-rave Trance — The Guardian • Raymond Antrobus: 'I have zero interest in framing myself as some kind of victim' | Southbank Centre • How I unlearned the internalised prejudice I had as a Black woman – one braid at a time • David Oyelowo • Julianknxx and the Spirit of Performance • Ada M. Patterson: Against Expectations - Features - Independent Art Fair • Emily Kam Kngwarray’s First European Retrospective to Open This Summer • Young Barbican Takeover Festival 2025 | Barbican • Noah Davis: An Innovative Painter Who Also Reimagined Art’s Role in Community • ‘It’s a radical act to garden’: different queer generations find common ground in nature drama • Curated by: Precious Adesina - London Art Fair • Seven questions with Yinka Ilori, the 'Architect of Joy' | Art UK • Visionary Curator Ekow Eshun on a Landmark Year of Showcasing Black Creativity | Artnet News • Hans Ulrich Obrist on A.I., Video Games, and Rethinking the Art World in 2025 | Artnet News • Self-pleasure retreats and luxe vibrators: can we really pay our way out of bad sex? • Alvaro Barrington Interview on His Year at Tate Britain | i-D • ‘One thing goes wrong and that’s it’: how Janet Jackson’s career was wrecked in a split second • Claudette Johnson on Her New London Mural | Artnet • For Nigerian artist Nengi Omuku every painting has two sides | CNN • Rising London Artist Hettie Inniss Creates Radiant Paintings Inspired by Scent and Memory | Artsy • The Art Newspaper - With help from Lubaina Himid, Glenn Ligon and more, Frieze's Artist-to-Artist initiative is supporting new talent • Studio Visit: Haidee Becker - Kinfolk • Alexis Pauline Gumbs: Survival is a Promise - Whitechapel Gallery • BBC - Yoshitomo Nara and the dark side of Japanese 'cuteness' • NEW YORK TIMES - Saying Goodbye to the Messy, Murderous World of ‘Elite’ • ‘Friends and family were afraid, anxious, heartbroken’: Dominique Morisseau on the decline of Detroit • Memories are we are memories, by Precious Adesina • Ewa Juszkiewicz’s Venice exhibition brings together five years of faceless portraits • You are invited to join a webinar: Satchel Lee in conversation with Precious Adesina. After registering, you will receive a confirmation email about joining the webinar. • Attacks on Black Out theatre nights: "Strange, damaging, destructive" • Lubaina Himid on Creating a Memorial to all the 'Aunties' in Her Life • BBC Culture - The childhood WW2 trauma that inspired Yoko Ono • New York Times - ‘One Day’ Is Back. This Time, It’s Longer. • ‎Freelancing for Journalists podcast- Arts and Culture Journalism on Apple Podcasts • Elle - From British Politics To 'The Traitors', Are We Living In The Age Of Groupthink? • Wangari Mathenge's paintings reframe Kenya's domestic workers • Evening Standard- 'I thought it didn't happen to someone like me - until my landlord evicted me' • BBC - Moki Cherry: The overlooked Swedish artist who created a 'soulful home' • New York Times - ‘The Crown’: The History Behind the Final Episodes • i-D - Henry Taylor's colourful portraits rewrite art history • New York Times: ‘The Crown’: The History Behind Season 6 on Netflix • New York Times: Meet the African Artists Driving a Cultural Renaissance • Mr Porter: Seven Buzzy Black British Artists You Need To Know Now • The Cut: The Olympian Fighting for Her Right to Run • Photographing the New Orleans kids who grew up in the shadow of Katrina • WePresent | Chorus in Rememory of Flight by Julianknxx • Hip-hop's rise to the top of fashion • Dreaming Whilst Black is funny, engaging and incredibly Black • Blending Dance and Sculpture Creates a Fresh View of Art • ‘I couldn’t think of a better place to have a gallery.’ Why London Attracts the Art World • Contemporary African Royals, in Regalia and Complexity • Lagos, Peckham, Repeat at South London Gallery: together and apart • With Ceremonies and Rituals, the Liverpool Biennial Takes an Unflinching Look at the City’s Participation in the Slave Trade | Artnet News • For Hurvin Anderson, the Barbershop Is Haven and Inspiration • 'It's About Bringing Those Absences to Life:' Isaac Julien on Using the Gaps in Historical Archives As Springboards for Reinvention | Artnet News • Claudette Johnson on Her New London Mural • ‘Her Authenticity Is an Inspiration’: Why Alice Neel's Soulful Portraits Have Found New Resonance With Artists and Audiences Today | Artnet News • Sonia Boyce: Inside a prize-winning ode to Black women in music at the Venice Biennale - gal-dem • On Tim Westwood & Music's Ongoing Inability To Protect Black Women • At Ballet Black, Creating Opportunity for British Dancers • Step inside Joy Yamusangie’s fictional jazz club to resurrect a transgender trumpet player - gal-dem • The Spotlight: Shiro Muchiri Sheds A New Light on ... | Edit • Royal Court Theatre Instagram live • ‘Until my mid-twenties, I was scared of the dark’ - Financial Times • The unlikely partnership of Andy Warhol and Jean-Michel Basquiat • Bad Idea: P-Hacking - Kinfolk • Nicôle Lecky’s Mood is a musical exploration of being broke and misunderstood on OnlyFans • The Spotlight: Kelechi Okafor On The Whitewashed Wellness Industry • Five Stylish Portraits By Mr Barkley L Hendricks • Lulama Wolf’s paintings take you on a journey of South African heritage and history - gal-dem • Bel-Air and what makes a good – or bad – TV reboot • Bend It Like Kate - Glorious Sport • Joe vs Carole: everything you need to know about the new Tiger King-inspired TV show • Black British experience laid bare (Life Between Islands at Tate Britain) • Renee Maria Osubu’s photography explores the intimacy of black British fatherhood • The Spotlight: Sante + Wade Make Big Shoes To Fill • One Thing on Netil Radio / 24 Dec • The Talking Points That Powered the Art Conversation in 2021 • Here’s a forecast of what to expect from art next year • The Spotlight: Ruka Hair Is "The Apple of Black Hair and Beauty" • Hannah Traore set to open her namesake gallery in 2022 • THE BODY BEAUTIFUL: TUNJI ADENIYI-JONES • Ivan McClellan: Black women in rodeo • Lubaina Himid: The artist who skewers white privilege • The women giving up their love of grisly true crime documentaries to protect their mental health • Meet Joy Labinjo, the painter creating odes to Black Brixton salons and beyond • The Spotlight: Maya Njie Perfumes Bring Gender-Neutral Fragrance To Life • What the relationship between black collectors and black artists says about the future of the art world • The art exploring the truth about how climate change began • A look back at gal-dem’s cover photographers, and where they are now • How the world’s most famous trunk maker inspired an ‘epic’ video game • How Rihanna forced the beauty industry to become more inclusive • How the yoga community is becoming more accessible to black people • Did these royal weddings have 'hosts' to keep guests entertained... and is one of them now on Love Island? • Netil Radio - One Thing w/ Precious & Nabihah Iqbal- 19th June 2021 • From Halston to The Crown - why the super-rich will never enjoy seeing their lives dramatised on TV • The Kardashians' most outrageous luxury moments, from diamond rings to Parisian robberies • Tonia Nneji’s You May Enter at Rele Gallery • Celebs learning to DJ • Can million-dollar spiritual guidance buy guilt-free living for billionaires? • ESTEBAN JEFFERSON’S PORTRAITS OF THE PETIT PALAIS • One Thing w/ Precious & Dar Disku - 15th May 2021 • I'm a size 8 and this is where I love to shop • Meet the man behind some of the world's most spectacular private libraries • Why the buyer of Jeffrey Epstein's mansion might get it spiritually cleansed • The contactless payment bracelet you'll actually feel good wearing • Oprah is not alone: nowadays wigs are the ultimate status symbol among the super-rich • If you're not guzzling French television and feeling smug about it, you're doing lockdown wrong • Meet Tyler Mitchell, the 25-year-old photographer who captured Kamala Harris • Lynette Yiadom-Boakye paints whatever she damn well wants • Singer Rina Sawayama talks racism, identity and owning her own narrative through music • R&B star Mahalia: ‘I have taken control of my beauty and my confidence’ • DJ Jayda G on combining planet-saving science with cutting-edge music • Prince, identity and Sister Act: singer Lianne La Havas shares her story • 'Black women are going through three pandemics': Nao on empowering others through her music • The birth of the Black is Beautiful movement